Compare commits
No commits in common. "fac0aa278b746d4ba62e6c6772be7a2c97df591f" and "3fb65a1123ec01698207dba5375bd38f0ccf930d" have entirely different histories.
fac0aa278b
...
3fb65a1123
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@ -1,6 +1,6 @@
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# project specific stuff
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# populated sqlite dbs
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db/*.db
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db/radiostasis.db
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scripts/config.json
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db/accounts.db
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# env file
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# env file
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.env
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.env
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@ -1,3 +1,2 @@
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update episodes set title='Money Money Money' where series_slug='lights-out' and episode_slug='1936-08-05';
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update episodes set title='Money Money Money' where series_slug='lights-out' and episode_slug='1936-08-05';
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update series set title='Jeff Regan, Investigator' where series_slug='jeff-regan-investigator';
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update series set title='Jeff Regan, Investigator' where series_slug='jeff-regan-investigator';
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update series set title='CBS Complete Broadcast Day (1944)' where series_slug='complete-broadcast-day-d-day';
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File diff suppressed because it is too large
Load Diff
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@ -1,5 +0,0 @@
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create table series_links (
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series_slug text not null references series (series_slug),
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link_url text not null,
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primary key (series_slug, link_url)
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);
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@ -1,597 +0,0 @@
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insert into series_links values ('2000-plus','https://archive.org/details/OTRR_Maintained_2000_Plus');
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insert into series_links values ('2000-plus','https://en.wikipedia.org/wiki/2000_Plus');
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insert into series_links values ('2000-plus','https://www.otrcat.com/p/two-thousand-plus-2000plus');
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insert into series_links values ('21st-precinct','https://archive.org/details/OTRR_21st_Precinct_Singles');
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insert into series_links values ('21st-precinct','https://en.wikipedia.org/wiki/21st_Precinct');
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insert into series_links values ('21st-precinct','https://www.otrcat.com/p/twenty-first-21st-precinct');
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insert into series_links values ('33-half-moon-street','https://www.otrcat.com/p/thirty-three-half-moon-33-half-moon');
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insert into series_links values ('a-case-for-dr-morelle','https://archive.org/details/OTRR_Dr_Morelle_Singles');
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insert into series_links values ('a-date-with-judy','https://en.wikipedia.org/wiki/A_Date_with_Judy');
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insert into series_links values ('a-date-with-judy','https://www.otrcat.com/p/date-with-judy');
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insert into series_links values ('abbott-and-costello','https://archive.org/details/OTRR_Abbott_Costello_Singles');
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insert into series_links values ('abbott-and-costello','https://en.wikipedia.org/wiki/The_Abbott_and_Costello_Show_(radio_program)');
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insert into series_links values ('academy-award-theater','https://archive.org/details/OTRR_Academy_Award_Theater_Singles');
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insert into series_links values ('academy-award-theater','https://en.wikipedia.org/wiki/Academy_Award_(radio_series)');
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insert into series_links values ('academy-award-theater','https://www.otrcat.com/p/academy-award-theater');
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insert into series_links values ('adventure-ahead','https://archive.org/details/OTRR_Certified_Adventure_Ahead');
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insert into series_links values ('adventure-ahead','https://www.otrcat.com/p/adventure-ahead');
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insert into series_links values ('adventures-by-morse','https://archive.org/details/OTRR_Adventures_Morse_Singles');
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insert into series_links values ('adventures-by-morse','https://en.wikipedia.org/wiki/Adventures_by_Morse');
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insert into series_links values ('adventures-by-morse','https://www.otrcat.com/p/adventures-by-morse');
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insert into series_links values ('adventures-of-champion','https://en.wikipedia.org/wiki/The_Adventures_of_Champion');
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insert into series_links values ('adventures-of-champion','https://www.otrcat.com/p/adventures-of-champion');
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insert into series_links values ('adventures-of-philip-marlowe','https://archive.org/details/OTRR_Philip_Marlowe_Singles');
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insert into series_links values ('adventures-of-philip-marlowe','https://en.wikipedia.org/wiki/The_Adventures_of_Philip_Marlowe');
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insert into series_links values ('adventures-of-philip-marlowe','https://www.otrcat.com/p/philip-marlowe');
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insert into series_links values ('afloat-with-henry-morgan','https://archive.org/details/OTRR_Afloat_With_Henry_Morgan_Singles');
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insert into series_links values ('air-mail-mystery','https://archive.org/details/OTRR_Air_Mail_Singles');
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insert into series_links values ('air-mail-mystery','https://www.otrcat.com/p/airmail-mystery');
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insert into series_links values ('aladdin-lamp','https://archive.org/details/OTRR_Aladdin_Lamp_Singles');
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insert into series_links values ('aladdin-lamp','https://www.otrcat.com/p/aladdin-lamp');
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insert into series_links values ('alien-worlds','https://en.wikipedia.org/wiki/Alien_Worlds_(radio_series)');
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insert into series_links values ('alka-seltzer-time','https://archive.org/details/OTRR_Alka_Seltzer_Time_Singles');
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insert into series_links values ('alka-seltzer-time','https://en.wikipedia.org/wiki/Alka-Seltzer_Time');
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insert into series_links values ('alka-seltzer-time','https://www.otrcat.com/p/alka-seltzer-time');
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insert into series_links values ('all-star-western-theatre','https://archive.org/details/OTRR_All_Star_Western_Theatre_Singles');
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insert into series_links values ('all-star-western-theatre','https://www.otrcat.com/p/all-star-western-theater');
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insert into series_links values ('amos-n-andy','https://en.wikipedia.org/wiki/Amos_%27n%27_Andy');
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insert into series_links values ('amos-n-andy','https://www.otrcat.com/p/amos-and-andy');
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insert into series_links values ('an-evening-with-groucho','https://archive.org/details/OTRR_An_Evening_With_Groucho_Singles');
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insert into series_links values ('an-evening-with-groucho','https://en.wikipedia.org/wiki/Groucho_Marx');
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insert into series_links values ('an-evening-with-groucho','https://www.otrcat.com/p/groucho-marx');
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insert into series_links values ('arch-obolers-plays','https://en.wikipedia.org/wiki/Arch_Oboler%27s_Plays');
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insert into series_links values ('arch-obolers-plays','https://www.otrcat.com/p/arch-oboler-plays');
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insert into series_links values ('archie-andrews','https://www.otrcat.com/p/archie-andrews');
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insert into series_links values ('barrie-craig-confidential-investigator','https://archive.org/details/OTRR_Barrie_Craig_Singles');
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insert into series_links values ('barrie-craig-confidential-investigator','https://en.wikipedia.org/wiki/Barrie_Craig,_Confidential_Investigator');
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insert into series_links values ('barrie-craig-confidential-investigator','https://www.otrcat.com/p/barrie-craig-barry-craig');
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insert into series_links values ('behind-the-mike','https://archive.org/details/OTRR_Behind_The_Mike_Singles');
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insert into series_links values ('behind-the-mike','https://en.wikipedia.org/wiki/Behind_the_Mike');
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insert into series_links values ('behind-the-mike','https://www.otrcat.com/p/behind-the-mike');
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insert into series_links values ('beulah','https://en.wikipedia.org/wiki/Beulah_(radio_and_TV_series)');
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insert into series_links values ('beulah','https://www.otrcat.com/p/beulah');
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insert into series_links values ('black-museum','https://archive.org/details/OTRR_Black_Museum_Singles');
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insert into series_links values ('black-museum','https://en.wikipedia.org/wiki/The_Black_Museum');
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insert into series_links values ('black-museum','https://www.otrcat.com/p/black-museum');
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insert into series_links values ('blair-of-the-mounties','https://archive.org/details/OTRR_Blair_of_the_Mounties_Singles');
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insert into series_links values ('blair-of-the-mounties','https://en.wikipedia.org/wiki/Blair_of_the_Mounties');
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insert into series_links values ('blondie','https://en.wikipedia.org/wiki/Blondie_(radio_series)');
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insert into series_links values ('blondie','https://www.otrcat.com/p/blondie');
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insert into series_links values ('bob-and-ray','https://en.wikipedia.org/wiki/Bob_and_Ray');
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insert into series_links values ('bob-and-ray','https://www.otrcat.com/p/bob-and-ray');
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insert into series_links values ('bold-venture','https://archive.org/details/OTRR_Bold_Venture_Singles');
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insert into series_links values ('bold-venture','https://en.wikipedia.org/wiki/Bold_Venture');
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insert into series_links values ('bold-venture','https://www.otrcat.com/p/bold-venture');
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insert into series_links values ('boston-blackie','https://archive.org/details/OTRR_Boston_Blackie_Singles');
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insert into series_links values ('boston-blackie','https://en.wikipedia.org/wiki/Boston_Blackie');
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insert into series_links values ('boston-blackie','https://www.otrcat.com/p/boston-blackie');
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insert into series_links values ('box-13','https://archive.org/details/OTRR_Box_13_Singles');
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insert into series_links values ('box-13','https://en.wikipedia.org/wiki/Box_13');
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insert into series_links values ('box-13','https://www.otrcat.com/p/box-13');
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insert into series_links values ('bright-star','https://archive.org/details/OTRR_Bright_Star_Singles');
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insert into series_links values ('bright-star','https://en.wikipedia.org/wiki/Bright_Star_(radio)');
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insert into series_links values ('bright-star','https://www.otrcat.com/p/bright-star');
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insert into series_links values ('broadway-is-my-beat','https://archive.org/details/OTRR_Broadway_Is_My_Beat_Singles');
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insert into series_links values ('broadway-is-my-beat','https://en.wikipedia.org/wiki/Broadway_Is_My_Beat');
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insert into series_links values ('broadway-is-my-beat','https://www.otrcat.com/p/broadway-is-my-beat');
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insert into series_links values ('buck-rogers','https://en.wikipedia.org/wiki/Buck_Rogers_in_the_25th_Century_(radio_series)');
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insert into series_links values ('buck-rogers','https://www.otrcat.com/p/buck-rogers');
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insert into series_links values ('bulldog-drummond','https://en.wikipedia.org/wiki/Bulldog_Drummond_(radio_program)');
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insert into series_links values ('bulldog-drummond','https://www.otrcat.com/p/bulldog-drummond');
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||||||
insert into series_links values ('calling-all-cars','https://archive.org/details/OTRR_Calling_All_Cars_Singles');
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||||||
insert into series_links values ('calling-all-cars','https://en.wikipedia.org/wiki/Calling_All_Cars_(radio_program)');
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insert into series_links values ('calling-all-cars','https://www.otrcat.com/p/calling-all-cars');
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insert into series_links values ('can-you-imagine-that','https://archive.org/details/OTRR_Can_You_Imagine_That_Singles');
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insert into series_links values ('can-you-imagine-that','https://www.otrcat.com/p/can-you-imagine-that');
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insert into series_links values ('candy-matson-yukon-2-8209','https://archive.org/details/OTRR_Candy_Matson_Singles');
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insert into series_links values ('candy-matson-yukon-2-8209','https://en.wikipedia.org/wiki/Candy_Matson');
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||||||
insert into series_links values ('case-dismissed','https://archive.org/details/OTRR_Case_Dismissed_Singles');
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||||||
insert into series_links values ('case-dismissed','https://www.otrcat.com/p/case-dismissed');
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insert into series_links values ('casey-crime-photographer','https://archive.org/details/OTRR_Casey_Crime_Photographer_Singles');
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||||||
insert into series_links values ('casey-crime-photographer','https://en.wikipedia.org/wiki/Casey,_Crime_Photographer_(radio_series)');
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insert into series_links values ('casey-crime-photographer','https://www.otrcat.com/p/casey-crime-photographer');
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||||||
insert into series_links values ('cbs-radio-mystery-theater','https://en.wikipedia.org/wiki/CBS_Radio_Mystery_Theater');
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insert into series_links values ('cbs-radio-mystery-theater','https://www.otrcat.com/p/cbs-radio-mystery-theater');
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insert into series_links values ('cbs-radio-workshop','https://archive.org/details/OTRR_CBS_Radio_Workshop_Singles');
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insert into series_links values ('cbs-radio-workshop','https://en.wikipedia.org/wiki/CBS_Radio_Workshop');
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insert into series_links values ('cbs-radio-workshop','https://www.otrcat.com/p/cbs-radio-workshop');
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||||||
insert into series_links values ('challenge-of-the-yukon','https://archive.org/details/OTRR_Challenge_of_the_Yukon_Singles');
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||||||
insert into series_links values ('challenge-of-the-yukon','https://en.wikipedia.org/wiki/Challenge_of_the_Yukon');
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insert into series_links values ('challenge-of-the-yukon','https://www.otrcat.com/p/challenge-of-the-yukon-sgt-preston');
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insert into series_links values ('charlie-chan','https://en.wikipedia.org/wiki/Charlie_Chan');
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||||||
insert into series_links values ('charlie-chan','https://www.otrcat.com/p/charlie-chan');
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||||||
insert into series_links values ('chick-carter-boy-detective','https://en.wikipedia.org/wiki/Chick_Carter,_Boy_Detective');
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||||||
insert into series_links values ('claudia','https://archive.org/details/OTRR_Claudia_Singles');
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||||||
insert into series_links values ('claudia','https://en.wikipedia.org/wiki/Claudia_and_David_(radio_program)');
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insert into series_links values ('claudia','https://www.otrcat.com/p/claudia');
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||||||
insert into series_links values ('cloak-and-dagger','https://archive.org/details/OTRR_Cloak_and_Dagger_Singles');
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||||||
insert into series_links values ('cloak-and-dagger','https://en.wikipedia.org/wiki/Cloak_and_Dagger_(radio_series)');
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||||||
insert into series_links values ('cloak-and-dagger','https://www.otrcat.com/p/cloak-and-dagger');
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|
||||||
insert into series_links values ('club-car-special','https://archive.org/details/OTRR_Club_Car_Special_Singles');
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||||||
insert into series_links values ('club-car-special','https://www.otrcat.com/p/club-car-special');
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||||||
insert into series_links values ('comic-weekly-man','https://archive.org/details/OTRR_Comic_Weekly_Man_Singles');
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|
||||||
insert into series_links values ('comic-weekly-man','https://www.otrcat.com/p/comic-weekly-man');
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||||||
insert into series_links values ('command-performance','https://en.wikipedia.org/wiki/Command_Performance_(radio_series)');
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||||||
insert into series_links values ('command-performance','https://www.otrcat.com/p/command-performance');
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||||||
insert into series_links values ('crazy-hillbillies','https://www.otrcat.com/p/crazy-hillbilly-show');
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||||||
insert into series_links values ('crazy-water-crystal-program','https://www.otrcat.com/p/crazy-water-crystal-program');
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||||||
insert into series_links values ('crime-and-peter-chambers','https://archive.org/details/OTRR_Crime_and_Peter_Chambers_Singles');
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||||||
insert into series_links values ('crime-and-peter-chambers','https://en.wikipedia.org/wiki/Crime_and_Peter_Chambers');
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||||||
insert into series_links values ('crime-and-peter-chambers','https://www.otrcat.com/p/crime-and-peter-chambers');
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|
||||||
insert into series_links values ('crime-classics','https://archive.org/details/OTRR_Crime_Classics_Singles');
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|
||||||
insert into series_links values ('crime-classics','https://en.wikipedia.org/wiki/Crime_Classics');
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||||||
insert into series_links values ('crime-classics','https://www.otrcat.com/p/crime-classics');
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|
||||||
insert into series_links values ('cruise-of-the-poll-parrot','https://archive.org/details/OTRR_Cruise_Of_The_Poll_Parrot_Singles');
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|
||||||
insert into series_links values ('cruise-of-the-poll-parrot','https://www.otrcat.com/p/cruise-poll-parrot');
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|
||||||
insert into series_links values ('danger-dr-danfield','https://archive.org/details/OTRR_Danger_Dr_Danfield_Singles');
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|
||||||
insert into series_links values ('danger-dr-danfield','https://en.wikipedia.org/wiki/Danger,_Dr._Danfield');
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|
||||||
insert into series_links values ('danger-dr-danfield','https://www.otrcat.com/p/danger-doctor-danfield');
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|
||||||
insert into series_links values ('dangerous-assignment','https://archive.org/details/Otrr_Dangerous_Assignment_Singles');
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|
||||||
insert into series_links values ('dangerous-assignment','https://en.wikipedia.org/wiki/Dangerous_Assignment');
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|
||||||
insert into series_links values ('dangerous-assignment','https://www.otrcat.com/p/dangerous-assignment');
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|
||||||
insert into series_links values ('dangerously-yours','https://archive.org/details/OTRR_Dangerously_Yours_Singles');
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|
||||||
insert into series_links values ('dangerously-yours','https://www.otrcat.com/p/dangerously-yours');
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|
||||||
insert into series_links values ('dark-fantasy','https://archive.org/details/OTRR_Dark_Fantasy_Singles');
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|
||||||
insert into series_links values ('dark-fantasy','https://en.wikipedia.org/wiki/Dark_Fantasy_(series)');
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|
||||||
insert into series_links values ('dark-fantasy','https://www.otrcat.com/p/dark-fantasy');
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|
||||||
insert into series_links values ('dear-adolf','https://www.otrcat.com/p/dear-adolf');
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|
||||||
insert into series_links values ('delmore-brothers','https://archive.org/details/OTRR_Delmore_Brothers_Singles');
|
|
||||||
insert into series_links values ('delmore-brothers','https://en.wikipedia.org/wiki/The_Delmore_Brothers');
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|
||||||
insert into series_links values ('delmore-brothers','https://www.otrcat.com/p/delmore-brothers');
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|
||||||
insert into series_links values ('democracy-in-america','https://archive.org/details/OTRR_Democracy_In_America_Singles');
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|
||||||
insert into series_links values ('democracy-in-america','https://www.otrcat.com/p/democracy-in-america');
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|
||||||
insert into series_links values ('dimension-x','https://archive.org/details/OTRR_Dimension_X_Singles');
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|
||||||
insert into series_links values ('dimension-x','https://en.wikipedia.org/wiki/Dimension_X_(radio_program)');
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|
||||||
insert into series_links values ('dimension-x','https://www.otrcat.com/p/dimension-x');
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|
||||||
insert into series_links values ('down-our-way','https://archive.org/details/OTRR_Down_Our_Way_Singles');
|
|
||||||
insert into series_links values ('down-our-way','https://www.otrcat.com/p/down-our-way');
|
|
||||||
insert into series_links values ('dr-iq','https://en.wikipedia.org/wiki/Dr._I.Q.');
|
|
||||||
insert into series_links values ('dr-iq','https://www.otrcat.com/p/dr-iq');
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|
||||||
insert into series_links values ('dr-kildare','https://archive.org/details/OTRR_Dr_Kildare_Singles');
|
|
||||||
insert into series_links values ('dr-kildare','https://en.wikipedia.org/wiki/Dr._Kildare');
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|
||||||
insert into series_links values ('dr-kildare','https://www.otrcat.com/p/doctor-kildare');
|
|
||||||
insert into series_links values ('dragnet','https://archive.org/details/OTRR_Dragnet_Singles');
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|
||||||
insert into series_links values ('dragnet','https://en.wikipedia.org/wiki/Dragnet_(radio_series)');
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|
||||||
insert into series_links values ('dragnet','https://www.otrcat.com/p/dragnet');
|
|
||||||
insert into series_links values ('duffys-tavern','https://en.wikipedia.org/wiki/Duffy%27s_Tavern');
|
|
||||||
insert into series_links values ('duffys-tavern','https://www.otrcat.com/p/duffys-tavern');
|
|
||||||
insert into series_links values ('edgar-bergen--charlie-mccarthy','https://www.otrcat.com/p/bergen-and-mccarthy-edgar-bergen-and-charlie-mccarthy');
|
|
||||||
insert into series_links values ('ellery-queens-minute-mysteries','https://www.otrcat.com/p/ellery-queen-minute-mysteries');
|
|
||||||
insert into series_links values ('encore-theater','https://archive.org/details/OTRR_Encore_Theater_Singles');
|
|
||||||
insert into series_links values ('encore-theater','https://www.otrcat.com/p/encore-theater');
|
|
||||||
insert into series_links values ('escape','https://archive.org/details/OTRR_Escape_Singles');
|
|
||||||
insert into series_links values ('escape','https://en.wikipedia.org/wiki/Escape_(radio_program)');
|
|
||||||
insert into series_links values ('escape','https://www.otrcat.com/p/escape');
|
|
||||||
insert into series_links values ('exploring-tomorrow','https://en.wikipedia.org/wiki/Exploring_Tomorrow');
|
|
||||||
insert into series_links values ('exploring-tomorrow','https://www.otrcat.com/p/exploring-tomorrow');
|
|
||||||
insert into series_links values ('family-doctor','https://archive.org/details/OTRR_Family_Doctor_Singles');
|
|
||||||
insert into series_links values ('family-doctor','https://www.otrcat.com/p/family-doctor');
|
|
||||||
insert into series_links values ('father-knows-best','https://archive.org/details/OTRR_Father_Knows_Best_Singles');
|
|
||||||
insert into series_links values ('father-knows-best','https://www.otrcat.com/p/father-knows-best');
|
|
||||||
insert into series_links values ('fibber-mcgee-and-molly','https://en.wikipedia.org/wiki/Fibber_McGee_and_Molly');
|
|
||||||
insert into series_links values ('fibber-mcgee-and-molly','https://www.otrcat.com/p/fibber-mcgee-molly');
|
|
||||||
insert into series_links values ('fire-fighters','https://archive.org/details/OTRR_Firefighters_Singles');
|
|
||||||
insert into series_links values ('fire-fighters','https://www.otrcat.com/p/fire-fighters');
|
|
||||||
insert into series_links values ('first-nighter','https://en.wikipedia.org/wiki/The_First_Nighter_Program');
|
|
||||||
insert into series_links values ('first-nighter','https://www.otrcat.com/p/first-nighter');
|
|
||||||
insert into series_links values ('five-minute-mysteries','https://www.otrcat.com/p/five-minute-mysteries');
|
|
||||||
insert into series_links values ('flash-gordon','https://en.wikipedia.org/wiki/Flash_Gordon');
|
|
||||||
insert into series_links values ('flash-gordon','https://www.otrcat.com/p/flash-gordon');
|
|
||||||
insert into series_links values ('fort-laramie','https://archive.org/details/OTRR_Fort_Laramie_Singles');
|
|
||||||
insert into series_links values ('fort-laramie','https://en.wikipedia.org/wiki/Fort_Laramie_(radio)');
|
|
||||||
insert into series_links values ('fort-laramie','https://www.otrcat.com/p/fort-laramie');
|
|
||||||
insert into series_links values ('frankenstein','https://www.otrcat.com/p/frankenstein');
|
|
||||||
insert into series_links values ('frontier-fighters','https://archive.org/details/OTRR_Frontier_Fighters_Singles');
|
|
||||||
insert into series_links values ('frontier-fighters','https://www.otrcat.com/p/frontier-fighters');
|
|
||||||
insert into series_links values ('frontier-town','https://archive.org/details/OTRR_Frontier_Town_Singles');
|
|
||||||
insert into series_links values ('frontier-town','https://en.wikipedia.org/wiki/Frontier_Town_(radio_show)');
|
|
||||||
insert into series_links values ('frontier-town','https://www.otrcat.com/p/frontier-town');
|
|
||||||
insert into series_links values ('gangbusters','https://en.wikipedia.org/wiki/Gang_Busters');
|
|
||||||
insert into series_links values ('gangbusters','https://www.otrcat.com/p/gangbusters');
|
|
||||||
insert into series_links values ('grand-ole-opry','https://en.wikipedia.org/wiki/Grand_Ole_Opry');
|
|
||||||
insert into series_links values ('great-scenes-from-great-plays','https://archive.org/details/OTRR_Great_Scenes_Singles');
|
|
||||||
insert into series_links values ('great-scenes-from-great-plays','https://www.otrcat.com/p/great-scenes-from-great-plays');
|
|
||||||
insert into series_links values ('gunsmoke','https://archive.org/details/OTRR_Gunsmoke_Singles');
|
|
||||||
insert into series_links values ('gunsmoke','https://en.wikipedia.org/wiki/Gunsmoke');
|
|
||||||
insert into series_links values ('halls-of-ivy','https://archive.org/details/OTRR_Halls_Of_Ivy_Singles');
|
|
||||||
insert into series_links values ('halls-of-ivy','https://en.wikipedia.org/wiki/The_Halls_of_Ivy');
|
|
||||||
insert into series_links values ('halls-of-ivy','https://www.otrcat.com/p/halls-of-ivy');
|
|
||||||
insert into series_links values ('have-gun-will-travel','https://en.wikipedia.org/wiki/Have_Gun_%E2%80%93_Will_Travel');
|
|
||||||
insert into series_links values ('have-gun-will-travel','https://www.otrcat.com/p/have-gun-will-travel');
|
|
||||||
insert into series_links values ('hello-americans','https://archive.org/details/OTRR_Hello_Americans_Singles');
|
|
||||||
insert into series_links values ('hello-americans','https://www.otrcat.com/p/hello-americans-orson-welles');
|
|
||||||
insert into series_links values ('heritage-over-the-land','https://archive.org/details/OTRR_Heritage_Over_The_Land_Singles');
|
|
||||||
insert into series_links values ('high-adventure','https://archive.org/details/OTRR_High_Adventure_Singles');
|
|
||||||
insert into series_links values ('high-adventure','https://www.otrcat.com/p/high-adventure');
|
|
||||||
insert into series_links values ('hopalong-cassidy','https://archive.org/details/OTRR_Hopalong_Singles');
|
|
||||||
insert into series_links values ('hopalong-cassidy','https://en.wikipedia.org/wiki/Hopalong_Cassidy_(radio_program)');
|
|
||||||
insert into series_links values ('horatio-hornblower','https://archive.org/details/OTRR_Horatio_Hornblower_Singles');
|
|
||||||
insert into series_links values ('horatio-hornblower','https://en.wikipedia.org/wiki/Horatio_Hornblower');
|
|
||||||
insert into series_links values ('horatio-hornblower','https://www.otrcat.com/p/horatio-hornblower');
|
|
||||||
insert into series_links values ('i-love-a-mystery','https://en.wikipedia.org/wiki/I_Love_a_Mystery');
|
|
||||||
insert into series_links values ('i-love-a-mystery','https://www.otrcat.com/p/i-love-a-mystery');
|
|
||||||
insert into series_links values ('in-the-name-of-the-law','https://archive.org/details/OTRR_In_The_Name_Of_The_Law_Singles');
|
|
||||||
insert into series_links values ('in-the-name-of-the-law','https://www.otrcat.com/p/in-the-name-of-the-law');
|
|
||||||
insert into series_links values ('incredible-but-true','https://archive.org/details/OTRR_Incredible_But_True_Singles');
|
|
||||||
insert into series_links values ('incredible-but-true','https://www.otrcat.com/p/incredible-but-true');
|
|
||||||
insert into series_links values ('inner-sanctum-mysteries','https://archive.org/details/OTRR_Inner_Sanctum_Mysteries_Singles');
|
|
||||||
insert into series_links values ('inner-sanctum-mysteries','https://en.wikipedia.org/wiki/Inner_Sanctum_Mystery');
|
|
||||||
insert into series_links values ('inner-sanctum-mysteries','https://www.otrcat.com/p/inner-sanctum-mysteries');
|
|
||||||
insert into series_links values ('jeff-regan-investigator','https://archive.org/details/OTRR_Jeff_Regan_Singles');
|
|
||||||
insert into series_links values ('jeff-regan-investigator','https://en.wikipedia.org/wiki/Jeff_Regan,_Investigator');
|
|
||||||
insert into series_links values ('jeff-regan-investigator','https://www.otrcat.com/p/jeff-regan-investigator');
|
|
||||||
insert into series_links values ('jerry-at-fair-oaks','https://archive.org/details/OTRR_Jerry_at_Fair_Oaks_Singles');
|
|
||||||
insert into series_links values ('jerry-at-fair-oaks','https://www.otrcat.com/p/jerry-at-fair-oaks');
|
|
||||||
insert into series_links values ('jerry-of-the-circus','https://archive.org/details/OTRR_Jerry_of_the_Circus_Singles');
|
|
||||||
insert into series_links values ('jerry-of-the-circus','https://en.wikipedia.org/wiki/Jerry_of_the_Circus');
|
|
||||||
insert into series_links values ('jerry-of-the-circus','https://www.otrcat.com/p/jerry-of-the-circus');
|
|
||||||
insert into series_links values ('john-steele-adventurer','https://archive.org/details/OTRR_John_Steele_Adventurer_Singles');
|
|
||||||
insert into series_links values ('john-steele-adventurer','https://en.wikipedia.org/wiki/John_Steele,_Adventurer');
|
|
||||||
insert into series_links values ('john-steele-adventurer','https://www.otrcat.com/p/john-steele');
|
|
||||||
insert into series_links values ('jonathan-thomas-and-his-christmas-on-the-moon','https://archive.org/details/OTRR_Jonathan_Thomas_And_His_Christmas_On_The_Moon_Singles');
|
|
||||||
insert into series_links values ('jonathan-thomas-and-his-christmas-on-the-moon','https://www.otrcat.com/p/christmas-on-the-moon');
|
|
||||||
insert into series_links values ('journey-into-space','https://en.wikipedia.org/wiki/Journey_into_Space');
|
|
||||||
insert into series_links values ('jump-jump-and-the-ice-queen','https://archive.org/details/OTRR_Jump_Jump_Ice_Queen_Singles');
|
|
||||||
insert into series_links values ('jump-jump-and-the-ice-queen','https://www.otrcat.com/p/jump-jump-and-the-ice-queen');
|
|
||||||
insert into series_links values ('let-george-do-it','https://archive.org/details/OTRR_Let_George_Do_It_Singles');
|
|
||||||
insert into series_links values ('let-george-do-it','https://en.wikipedia.org/wiki/Let_George_Do_It_(radio)');
|
|
||||||
insert into series_links values ('let-george-do-it','https://www.otrcat.com/p/let-george-do-it');
|
|
||||||
insert into series_links values ('life-with-luigi','https://archive.org/details/OTRR_Life_with_Luigi_Singles');
|
|
||||||
insert into series_links values ('life-with-luigi','https://en.wikipedia.org/wiki/Life_with_Luigi');
|
|
||||||
insert into series_links values ('life-with-luigi','https://www.otrcat.com/p/life-with-luigi');
|
|
||||||
insert into series_links values ('light-crust-doughboys','https://en.wikipedia.org/wiki/Light_Crust_Doughboys');
|
|
||||||
insert into series_links values ('light-crust-doughboys','https://www.otrcat.com/p/lightcrust-doughboys');
|
|
||||||
insert into series_links values ('lightning-jim','https://archive.org/details/OTRR_Lightning_Jim_Singles');
|
|
||||||
insert into series_links values ('lightning-jim','https://www.otrcat.com/p/lightning-jim');
|
|
||||||
insert into series_links values ('lights-out','https://en.wikipedia.org/wiki/Lights_Out_(radio_show)');
|
|
||||||
insert into series_links values ('lights-out','https://www.otrcat.com/p/lights-out');
|
|
||||||
insert into series_links values ('love-story-magazine','https://archive.org/details/OTRR_Love_Story_Magazine_Singles');
|
|
||||||
insert into series_links values ('love-story-magazine','https://www.otrcat.com/p/love-story');
|
|
||||||
insert into series_links values ('luke-slaughter-of-tombstone','https://archive.org/details/OTRR_Luke_Slaughter_Of_Tombstone_Singles');
|
|
||||||
insert into series_links values ('luke-slaughter-of-tombstone','https://www.otrcat.com/p/luke-slaughter');
|
|
||||||
insert into series_links values ('lum-and-abner','https://en.wikipedia.org/wiki/Lum_and_Abner');
|
|
||||||
insert into series_links values ('lux-radio-theatre','https://archive.org/details/OTRR_Lux_Radio_Theater_Singles');
|
|
||||||
insert into series_links values ('lux-radio-theatre','https://en.wikipedia.org/wiki/Lux_Radio_Theatre');
|
|
||||||
insert into series_links values ('lux-radio-theatre','https://www.otrcat.com/p/lux-radio');
|
|
||||||
insert into series_links values ('magic-island','https://archive.org/details/OTRR_Magic_Island_Singles');
|
|
||||||
insert into series_links values ('magic-island','https://en.wikipedia.org/wiki/Magic_Island_(radio_series)');
|
|
||||||
insert into series_links values ('magic-island','https://www.otrcat.com/p/magic-island');
|
|
||||||
insert into series_links values ('mama-blooms-brood','https://archive.org/details/OTRR_Mama_Blooms_Brood_Singles');
|
|
||||||
insert into series_links values ('mama-blooms-brood','https://www.otrcat.com/p/mama-blooms-brood');
|
|
||||||
insert into series_links values ('mark-trail','https://en.wikipedia.org/wiki/Mark_Trail_(radio_series)');
|
|
||||||
insert into series_links values ('mark-trail','https://www.otrcat.com/p/mark-trail');
|
|
||||||
insert into series_links values ('matinee-theater','https://archive.org/details/OTRR_Matinee_Theater_Singles');
|
|
||||||
insert into series_links values ('matinee-theater','https://www.otrcat.com/p/matinee-theater');
|
|
||||||
insert into series_links values ('matinee-theater','https://en.wikipedia.org/wiki/NBC_Matinee_Theater');
|
|
||||||
insert into series_links values ('gunsmoke','https://www.otrcat.com/p/gunsmoke');
|
|
||||||
insert into series_links values ('meet-corliss-archer','https://en.wikipedia.org/wiki/Meet_Corliss_Archer');
|
|
||||||
insert into series_links values ('meet-corliss-archer','https://www.otrcat.com/p/meet-corliss-archer');
|
|
||||||
insert into series_links values ('melody-ranch','https://archive.org/details/OTRR_Melody_Ranch_Singles');
|
|
||||||
insert into series_links values ('melody-ranch','https://en.wikipedia.org/wiki/Gene_Autry%27s_Melody_Ranch');
|
|
||||||
insert into series_links values ('mercury-theatre','https://en.wikipedia.org/wiki/The_Mercury_Theatre_on_the_Air');
|
|
||||||
insert into series_links values ('mercury-theatre','https://www.otrcat.com/p/mercury-theater');
|
|
||||||
insert into series_links values ('michael-shayne','https://en.wikipedia.org/wiki/Michael_Shayne_(radio_program)');
|
|
||||||
insert into series_links values ('michael-shayne','https://www.otrcat.com/p/michael-shayne');
|
|
||||||
insert into series_links values ('mind-your-manners','https://www.otrcat.com/p/mind-your-manners');
|
|
||||||
insert into series_links values ('molle-mystery-theatre','https://archive.org/details/OTRR_Molle_Mystery_Theatre_Singles');
|
|
||||||
insert into series_links values ('molle-mystery-theatre','https://en.wikipedia.org/wiki/Moll%C3%A9_Mystery_Theatre');
|
|
||||||
insert into series_links values ('molle-mystery-theatre','https://www.otrcat.com/p/molle-mystery');
|
|
||||||
insert into series_links values ('moon-over-africa','https://archive.org/details/OTRR_Moon_Over_Africa_Singles');
|
|
||||||
insert into series_links values ('moon-over-africa','https://www.otrcat.com/p/moon-over-africa');
|
|
||||||
insert into series_links values ('mothers-best-flour','https://archive.org/details/OTRR_Mothers_Best_Flour_Singles');
|
|
||||||
insert into series_links values ('mothers-best-flour','https://www.otrcat.com/p/mothers-best-flour-hank-williams');
|
|
||||||
insert into series_links values ('mr-and-mrs-north','https://archive.org/details/OTRR_Mr_and_Mrs_North_Singles');
|
|
||||||
insert into series_links values ('mr-and-mrs-north','https://en.wikipedia.org/wiki/Mr._and_Mrs._North');
|
|
||||||
insert into series_links values ('mr-and-mrs-north','https://www.otrcat.com/p/mr-and-mrs-north');
|
|
||||||
insert into series_links values ('mr-district-attorney','https://archive.org/details/OTRR_Mr_District_Attorney_Singles');
|
|
||||||
insert into series_links values ('mr-district-attorney','https://en.wikipedia.org/wiki/Mr._District_Attorney');
|
|
||||||
insert into series_links values ('mr-district-attorney','https://www.otrcat.com/p/mr-district-attorney');
|
|
||||||
insert into series_links values ('mr-keen-tracer-of-lost-persons','https://archive.org/details/OTRR_Mr_Keen_Tracer_Of_Lost_Persons_Singles');
|
|
||||||
insert into series_links values ('mr-keen-tracer-of-lost-persons','https://en.wikipedia.org/wiki/Mr._Keen,_Tracer_of_Lost_Persons');
|
|
||||||
insert into series_links values ('mr-keen-tracer-of-lost-persons','https://www.otrcat.com/p/mr-keen-tracer-of-lost-persons');
|
|
||||||
insert into series_links values ('mr-moto','https://en.wikipedia.org/wiki/Mr._Moto');
|
|
||||||
insert into series_links values ('mr-moto','https://www.otrcat.com/p/mr-moto');
|
|
||||||
insert into series_links values ('murder-at-midnight','https://archive.org/details/OTRR_Murder_at_Midnight_Singles');
|
|
||||||
insert into series_links values ('murder-at-midnight','https://en.wikipedia.org/wiki/Murder_at_Midnight_(radio_series)');
|
|
||||||
insert into series_links values ('murder-at-midnight','https://www.otrcat.com/p/murder-at-midnight');
|
|
||||||
insert into series_links values ('murder-by-experts','https://archive.org/details/OTRR_Murder_By_Experts_Singles');
|
|
||||||
insert into series_links values ('murder-by-experts','https://www.otrcat.com/p/murder-by-experts');
|
|
||||||
insert into series_links values ('my-favorite-husband','https://en.wikipedia.org/wiki/My_Favorite_Husband');
|
|
||||||
insert into series_links values ('my-favorite-husband','https://www.otrcat.com/p/my-favorite-husband');
|
|
||||||
insert into series_links values ('my-friend-irma','https://archive.org/details/OTRR_Maintained_My_Friend_Irma');
|
|
||||||
insert into series_links values ('my-friend-irma','https://en.wikipedia.org/wiki/My_Friend_Irma');
|
|
||||||
insert into series_links values ('my-friend-irma','https://www.otrcat.com/p/my-friend-irma');
|
|
||||||
insert into series_links values ('mystery-house','https://archive.org/details/OTRR_Mystery_House_Singles');
|
|
||||||
insert into series_links values ('mystery-house','https://en.wikipedia.org/wiki/Mystery_House_(radio_drama)');
|
|
||||||
insert into series_links values ('mystery-house','https://www.otrcat.com/p/mystery-house');
|
|
||||||
insert into series_links values ('mystery-in-the-air','https://www.otrcat.com/p/mystery-in-the-air-peter-lorre');
|
|
||||||
insert into series_links values ('mystery-is-my-hobby','https://www.otrcat.com/p/mystery-is-my-hobby');
|
|
||||||
insert into series_links values ('nero-wolfe-cbc','https://en.wikipedia.org/wiki/Nero_Wolfe_(1982_radio_series)');
|
|
||||||
insert into series_links values ('nick-carter-master-detective','https://archive.org/details/OTRR_Nick_Carter_Master_Detective_Singles');
|
|
||||||
insert into series_links values ('nick-carter-master-detective','https://en.wikipedia.org/wiki/Nick_Carter,_Master_Detective');
|
|
||||||
insert into series_links values ('nick-carter-master-detective','https://www.otrcat.com/p/nick-carter-master-detective');
|
|
||||||
insert into series_links values ('night-beat','https://en.wikipedia.org/wiki/Night_Beat_(radio_program)');
|
|
||||||
insert into series_links values ('night-beat','https://www.otrcat.com/p/night-beat');
|
|
||||||
insert into series_links values ('obsession','https://archive.org/details/OTRR_Obsession_Singles');
|
|
||||||
insert into series_links values ('obsession','https://www.otrcat.com/p/obsession');
|
|
||||||
insert into series_links values ('old-fashioned-revival-hour','https://www.otrcat.com/p/old-fashioned-revival-hour');
|
|
||||||
insert into series_links values ('old-gold-comedy-theater','https://archive.org/details/OTRR_Old_Gold_Comedy_Theater_Singles');
|
|
||||||
insert into series_links values ('old-gold-comedy-theater','https://www.otrcat.com/p/old-gold-comedy');
|
|
||||||
insert into series_links values ('on-stage','https://archive.org/details/OTRR_On_Stage_Singles_201901');
|
|
||||||
insert into series_links values ('on-stage','https://en.wikipedia.org/wiki/On_Stage_(radio_show)');
|
|
||||||
insert into series_links values ('on-stage','https://www.otrcat.com/p/on-stage');
|
|
||||||
insert into series_links values ('one-world-flight','https://archive.org/details/OTRR_One_World_Flight_Singles');
|
|
||||||
insert into series_links values ('one-world-flight','https://www.otrcat.com/p/one-world-flight');
|
|
||||||
insert into series_links values ('our-miss-brooks','https://archive.org/details/OTRR_Maintained_Our_Miss_Brooks');
|
|
||||||
insert into series_links values ('our-miss-brooks','https://en.wikipedia.org/wiki/Our_Miss_Brooks');
|
|
||||||
insert into series_links values ('our-miss-brooks','https://www.otrcat.com/p/our-miss-brooks');
|
|
||||||
insert into series_links values ('pat-novak-for-hire','https://archive.org/details/OTRR_Pat_Novak_Singles');
|
|
||||||
insert into series_links values ('pat-novak-for-hire','https://en.wikipedia.org/wiki/Pat_Novak,_for_Hire');
|
|
||||||
insert into series_links values ('pat-novak-for-hire','https://www.otrcat.com/p/pat-novak-for-hire');
|
|
||||||
insert into series_links values ('people-are-funny','https://en.wikipedia.org/wiki/People_Are_Funny');
|
|
||||||
insert into series_links values ('people-are-funny','https://www.otrcat.com/p/people-are-funny');
|
|
||||||
insert into series_links values ('perry-mason','https://en.wikipedia.org/wiki/Perry_Mason_(radio_series)');
|
|
||||||
insert into series_links values ('perry-mason','https://www.otrcat.com/p/perry-mason');
|
|
||||||
insert into series_links values ('philo-vance','https://archive.org/details/OTRR_Philo_Vance_Singles');
|
|
||||||
insert into series_links values ('philo-vance','https://en.wikipedia.org/wiki/Philo_Vance');
|
|
||||||
insert into series_links values ('philo-vance','https://www.otrcat.com/p/philo-vance');
|
|
||||||
insert into series_links values ('pinto-pete-and-his-ranch-boys','https://archive.org/details/OTRR_Pinto_Pete_and_His_Ranch_Boys_Singles');
|
|
||||||
insert into series_links values ('pinto-pete-and-his-ranch-boys','https://www.otrcat.com/p/pinto-pete-and-his-ranch-hands');
|
|
||||||
insert into series_links values ('pinto-pete-in-arizona','https://archive.org/details/OTRR_Pinto_Pete_in_Arizona_Singles');
|
|
||||||
insert into series_links values ('pinto-pete-in-arizona','https://www.otrcat.com/p/pinto-pete-in-arizona');
|
|
||||||
insert into series_links values ('planet-man','https://archive.org/details/OTRR_Planet_Man_Ver2_Singles');
|
|
||||||
insert into series_links values ('planet-man','https://www.otrcat.com/p/planet-man');
|
|
||||||
insert into series_links values ('police-headquarters','https://archive.org/details/OTRR_Police_Headquarters_Singles');
|
|
||||||
insert into series_links values ('police-headquarters','https://en.wikipedia.org/wiki/Police_Headquarters');
|
|
||||||
insert into series_links values ('police-reporter','https://archive.org/details/OTRR_Police_Reporter_Singles');
|
|
||||||
insert into series_links values ('police-reporter','https://www.otrcat.com/p/police-reporter');
|
|
||||||
insert into series_links values ('ports-of-call','https://archive.org/details/OTRR_Ports_Of_Call_Singles');
|
|
||||||
insert into series_links values ('proudly-we-hail','https://archive.org/details/OTRR_Proudly_We_Hail_Singles');
|
|
||||||
insert into series_links values ('proudly-we-hail','https://www.otrcat.com/p/proudly-we-hail');
|
|
||||||
insert into series_links values ('quiet-please','https://en.wikipedia.org/wiki/Quiet,_Please');
|
|
||||||
insert into series_links values ('quiet-please','https://www.otrcat.com/p/quiet-please');
|
|
||||||
insert into series_links values ('quiz-kids','https://en.wikipedia.org/wiki/Quiz_Kids');
|
|
||||||
insert into series_links values ('quiz-kids','https://www.otrcat.com/p/quiz-kids');
|
|
||||||
insert into series_links values ('ranger-bill','https://archive.org/details/OTRR_Ranger_Bill_Singles');
|
|
||||||
insert into series_links values ('ranger-bill','https://en.wikipedia.org/wiki/Ranger_Bill');
|
|
||||||
insert into series_links values ('recollections-at-30','https://archive.org/details/OTRR_Recollections_At_30_Singles');
|
|
||||||
insert into series_links values ('recollections-at-30','https://www.otrcat.com/p/recollections-at-thirty');
|
|
||||||
insert into series_links values ('red-horse-ranch','https://archive.org/details/OTRR_Red_Horse_Ranch_Singles');
|
|
||||||
insert into series_links values ('red-horse-ranch','https://www.otrcat.com/p/red-horse-ranch');
|
|
||||||
insert into series_links values ('redbook-dramas','https://archive.org/details/OTRR_Redbook_Dramas_Singles');
|
|
||||||
insert into series_links values ('redbook-dramas','https://www.otrcat.com/p/redbook-dramas');
|
|
||||||
insert into series_links values ('richard-diamond-private-detective','https://archive.org/details/OTRR_Richard_Diamond_Private_Detective_Singles');
|
|
||||||
insert into series_links values ('richard-diamond-private-detective','https://en.wikipedia.org/wiki/Richard_Diamond,_Private_Detective');
|
|
||||||
insert into series_links values ('richard-diamond-private-detective','https://www.otrcat.com/p/richard-diamond');
|
|
||||||
insert into series_links values ('ripleys-believe-it-or-not','https://en.wikipedia.org/wiki/Ripley%27s_Believe_It_or_Not!');
|
|
||||||
insert into series_links values ('ripleys-believe-it-or-not','https://www.otrcat.com/p/ripley-believe-it-or-not');
|
|
||||||
insert into series_links values ('ripleys-one-minute-shorts','https://en.wikipedia.org/wiki/Ripley%27s_Believe_It_or_Not!');
|
|
||||||
insert into series_links values ('ripleys-one-minute-shorts','https://www.otrcat.com/p/ripleys-one-minute-shorts');
|
|
||||||
insert into series_links values ('rocky-fortune','https://archive.org/details/OTRR_Rocky_Fortune_Singles');
|
|
||||||
insert into series_links values ('rocky-fortune','https://en.wikipedia.org/wiki/Rocky_Fortune');
|
|
||||||
insert into series_links values ('rocky-fortune','https://www.otrcat.com/p/rocky-fortune');
|
|
||||||
insert into series_links values ('rocky-jordan','https://en.wikipedia.org/wiki/Rocky_Jordan');
|
|
||||||
insert into series_links values ('rocky-jordan','https://www.otrcat.com/p/rocky-jordan');
|
|
||||||
insert into series_links values ('rogues-gallery','https://archive.org/details/OTRR_Rogues_Gallery_Singles');
|
|
||||||
insert into series_links values ('rogues-gallery','https://en.wikipedia.org/wiki/Rogue%27s_Gallery_(radio_series)');
|
|
||||||
insert into series_links values ('rogues-gallery','https://www.otrcat.com/p/rogues-gallery');
|
|
||||||
insert into series_links values ('romance','https://archive.org/details/OTRR_Certified_Romance_Singles');
|
|
||||||
insert into series_links values ('romance','https://www.otrcat.com/p/theater-of-romance');
|
|
||||||
insert into series_links values ('romance-of-the-ranchos','https://archive.org/details/OTRR_Romance_Ranchos_Singles');
|
|
||||||
insert into series_links values ('romance-of-the-ranchos','https://www.otrcat.com/p/romance-of-the-ranchos');
|
|
||||||
insert into series_links values ('rotary-golden-theater','https://archive.org/details/OTRR_Rotary_Golden_Theater_Singles');
|
|
||||||
insert into series_links values ('screen-directors-playhouse','https://archive.org/details/OTRR_Screen_Directors_Playhouse_Singles');
|
|
||||||
insert into series_links values ('screen-directors-playhouse','https://en.wikipedia.org/wiki/Screen_Directors_Playhouse');
|
|
||||||
insert into series_links values ('screen-directors-playhouse','https://www.otrcat.com/p/screen-directors-playhouse');
|
|
||||||
insert into series_links values ('sears-radio-theater','https://archive.org/details/OTRR_Sears_Radio_Theater_Singles');
|
|
||||||
insert into series_links values ('sears-radio-theater','https://en.wikipedia.org/wiki/Sears_Radio_Theater');
|
|
||||||
insert into series_links values ('secret-agent-k-7-returns','https://archive.org/details/OTRR_Secret_Agent_K7_Returns_Singles');
|
|
||||||
insert into series_links values ('secret-agent-k-7-returns','https://www.otrcat.com/p/secret-agent-k7-returns');
|
|
||||||
insert into series_links values ('secrets-of-scotland-yard','https://archive.org/details/OTRR_Secrets_Of_Scotland_Yard_Singles');
|
|
||||||
insert into series_links values ('secrets-of-scotland-yard','https://www.otrcat.com/p/secrets-scotland-yard');
|
|
||||||
insert into series_links values ('sf-68','https://www.otrcat.com/p/sf68');
|
|
||||||
insert into series_links values ('shell-chateau','https://archive.org/details/OTRR_Shell_Chateau_Singles');
|
|
||||||
insert into series_links values ('shell-chateau','https://en.wikipedia.org/wiki/Shell_Chateau');
|
|
||||||
insert into series_links values ('shell-chateau','https://www.otrcat.com/p/shell-chateau');
|
|
||||||
insert into series_links values ('sherlock-holmes','https://en.wikipedia.org/wiki/The_Adventures_of_Sherlock_Holmes_(radio_series)');
|
|
||||||
insert into series_links values ('sherlock-holmes','https://www.otrcat.com/p/sherlock-holmes');
|
|
||||||
insert into series_links values ('soldiers-of-the-press','https://archive.org/details/OTRR_Soldiers_Of_The_Press_Singles');
|
|
||||||
insert into series_links values ('soldiers-of-the-press','https://www.otrcat.com/p/soldiers-of-the-press');
|
|
||||||
insert into series_links values ('space-patrol','https://archive.org/details/OTRR_Space_Patrol_Singles');
|
|
||||||
insert into series_links values ('space-patrol','https://en.wikipedia.org/wiki/Space_Patrol_(1950_TV_series)');
|
|
||||||
insert into series_links values ('space-patrol','https://www.otrcat.com/p/space-patrol');
|
|
||||||
insert into series_links values ('speed-gibson-of-the-international-secret-police','https://en.wikipedia.org/wiki/Speed_Gibson_of_the_International_Secret_Police');
|
|
||||||
insert into series_links values ('speed-gibson-of-the-international-secret-police','https://www.otrcat.com/p/speed-gibson');
|
|
||||||
insert into series_links values ('stand-by-for-crime','https://archive.org/details/OTRR_Stand_By_For_Crime_Singles');
|
|
||||||
insert into series_links values ('stand-by-for-crime','https://en.wikipedia.org/wiki/Stand_By_for_Crime');
|
|
||||||
insert into series_links values ('stand-by-for-crime','https://www.otrcat.com/p/standby-for-crime');
|
|
||||||
insert into series_links values ('strange-as-it-seems','https://archive.org/details/OTRR_Strange_As_It_Seems_Singles');
|
|
||||||
insert into series_links values ('strange-as-it-seems','https://en.wikipedia.org/wiki/Strange_as_It_Seems');
|
|
||||||
insert into series_links values ('strange-as-it-seems','https://www.otrcat.com/p/strange-as-it-seems');
|
|
||||||
insert into series_links values ('strange-wills','https://archive.org/details/OTRR_Strange_Wills_Singles');
|
|
||||||
insert into series_links values ('strange-wills','https://www.otrcat.com/p/strange-wills');
|
|
||||||
insert into series_links values ('superman','https://en.wikipedia.org/wiki/The_Adventures_of_Superman_(radio_series)');
|
|
||||||
insert into series_links values ('superman','https://www.otrcat.com/p/superman');
|
|
||||||
insert into series_links values ('suspense','https://archive.org/details/OTRR_Suspense_Singles');
|
|
||||||
insert into series_links values ('suspense','https://en.wikipedia.org/wiki/Suspense_(radio_drama)');
|
|
||||||
insert into series_links values ('suspense','https://www.otrcat.com/p/suspense');
|
|
||||||
insert into series_links values ('tales-of-the-diamond-k','https://archive.org/details/OTRR_Tales_From_The_Diamond_K_Singles');
|
|
||||||
insert into series_links values ('tales-of-the-diamond-k','https://www.otrcat.com/p/tales-from-the-diamond-k');
|
|
||||||
insert into series_links values ('tales-of-the-texas-rangers','https://archive.org/details/OTRR_Tales_of_the_Texas_Rangers_Single');
|
|
||||||
insert into series_links values ('tales-of-the-texas-rangers','https://en.wikipedia.org/wiki/Tales_of_the_Texas_Rangers');
|
|
||||||
insert into series_links values ('tales-of-the-texas-rangers','https://www.otrcat.com/p/texas-rangers-tales-of-the-texas-rangers');
|
|
||||||
insert into series_links values ('tarzan-and-the-diamond-of-asher','https://archive.org/details/OTRR_Tarzan_Singles_TatDoA');
|
|
||||||
insert into series_links values ('tarzan-and-the-fires-of-tohr','https://archive.org/details/OTRR_Tarzan_Singles_TatFoT');
|
|
||||||
insert into series_links values ('tarzan-lord-of-the-jungle','https://archive.org/details/OTRR_Tarzan_Singles_TLotJ');
|
|
||||||
insert into series_links values ('tarzan-of-the-apes','https://archive.org/details/OTRR_Tarzan_Singles_TotA');
|
|
||||||
insert into series_links values ('the-adventures-of-ellery-queen','https://en.wikipedia.org/wiki/Ellery_Queen');
|
|
||||||
insert into series_links values ('the-adventures-of-ellery-queen','https://en.wikipedia.org/wiki/The_Adventures_of_Ellery_Queen_(radio_program)');
|
|
||||||
insert into series_links values ('the-adventures-of-ellery-queen','https://www.otrcat.com/p/adventures-of-ellery-queen');
|
|
||||||
insert into series_links values ('the-adventures-of-frank-race','https://archive.org/details/OTRR_Frank_Race_Singles');
|
|
||||||
insert into series_links values ('the-adventures-of-frank-race','https://en.wikipedia.org/wiki/The_Adventures_of_Frank_Race');
|
|
||||||
insert into series_links values ('the-adventures-of-frank-race','https://www.otrcat.com/p/frank-race');
|
|
||||||
insert into series_links values ('the-adventures-of-marco-polo','https://en.wikipedia.org/wiki/The_Adventures_of_Marco_Polo');
|
|
||||||
insert into series_links values ('the-adventures-of-ozzie-and-harriet','https://en.wikipedia.org/wiki/The_Adventures_of_Ozzie_and_Harriet');
|
|
||||||
insert into series_links values ('the-adventures-of-sam-spade','https://archive.org/details/OTRR_Sam_Spade_Singles');
|
|
||||||
insert into series_links values ('the-adventures-of-sam-spade','https://en.wikipedia.org/wiki/The_Adventures_of_Sam_Spade');
|
|
||||||
insert into series_links values ('the-adventures-of-sam-spade','https://www.otrcat.com/p/sam-spade');
|
|
||||||
insert into series_links values ('the-aldrich-family','https://en.wikipedia.org/wiki/The_Aldrich_Family');
|
|
||||||
insert into series_links values ('the-aldrich-family','https://www.otrcat.com/p/aldrich-family-henry-aldrich');
|
|
||||||
insert into series_links values ('the-baby-snooks-show','https://en.wikipedia.org/wiki/The_Baby_Snooks_Show');
|
|
||||||
insert into series_links values ('the-bickersons','https://en.wikipedia.org/wiki/The_Bickersons');
|
|
||||||
insert into series_links values ('the-big-show','https://archive.org/details/OTRR_The_Big_Show_Singles');
|
|
||||||
insert into series_links values ('the-big-show','https://en.wikipedia.org/wiki/The_Big_Show_(NBC_Radio)');
|
|
||||||
insert into series_links values ('the-big-show','https://www.otrcat.com/p/big-show');
|
|
||||||
insert into series_links values ('the-big-story','https://archive.org/details/OTRR_Big_Story_Singles');
|
|
||||||
insert into series_links values ('the-big-story','https://en.wikipedia.org/wiki/The_Big_Story_(radio_and_TV_series)');
|
|
||||||
insert into series_links values ('the-big-story','https://www.otrcat.com/p/big-story');
|
|
||||||
insert into series_links values ('the-bing-crosby-rosemary-clooney-show','https://archive.org/details/OTRR_BCRC_Singles');
|
|
||||||
insert into series_links values ('the-bing-crosby-rosemary-clooney-show','https://en.wikipedia.org/wiki/The_Bing_Crosby_%E2%80%93_Rosemary_Clooney_Show');
|
|
||||||
insert into series_links values ('the-bing-crosby-rosemary-clooney-show','https://www.otrcat.com/p/bing-crosby-and-rosemary-clooney-show');
|
|
||||||
insert into series_links values ('the-blue-beetle','https://archive.org/details/OTRR_Blue_Beetle_Singles');
|
|
||||||
insert into series_links values ('the-blue-beetle','https://www.otrcat.com/p/blue-beetle');
|
|
||||||
insert into series_links values ('the-burns-and-allen-show','https://en.wikipedia.org/wiki/Burns_and_Allen');
|
|
||||||
insert into series_links values ('the-burns-and-allen-show','https://www.otrcat.com/p/burns-and-allen');
|
|
||||||
insert into series_links values ('the-chase','https://www.otrcat.com/p/chase-the-chase');
|
|
||||||
insert into series_links values ('the-clock','https://en.wikipedia.org/wiki/The_Clock_(radio_series)');
|
|
||||||
insert into series_links values ('the-clyde-beatty-show','https://archive.org/details/OTRR_Clyde_Beatty_Show_Singles');
|
|
||||||
insert into series_links values ('the-clyde-beatty-show','https://en.wikipedia.org/wiki/Clyde_Beatty');
|
|
||||||
insert into series_links values ('the-clyde-beatty-show','https://www.otrcat.com/p/clyde-beatty');
|
|
||||||
insert into series_links values ('the-crime-club','https://archive.org/details/OTRR_Crime_Club_Singles');
|
|
||||||
insert into series_links values ('the-crime-club','https://en.wikipedia.org/wiki/The_Crime_Club');
|
|
||||||
insert into series_links values ('the-crime-club','https://www.otrcat.com/p/crime-club');
|
|
||||||
insert into series_links values ('the-damon-runyon-theatre','https://archive.org/details/OTRR_Damon_Runyon_Singles');
|
|
||||||
insert into series_links values ('the-damon-runyon-theatre','https://en.wikipedia.org/wiki/Damon_Runyon_Theater');
|
|
||||||
insert into series_links values ('the-damon-runyon-theatre','https://www.otrcat.com/p/damon-runyon');
|
|
||||||
insert into series_links values ('the-danny-kaye-show','https://archive.org/details/OTRR_Danny_Kaye_Singles');
|
|
||||||
insert into series_links values ('the-danny-kaye-show','https://en.wikipedia.org/wiki/The_Danny_Kaye_Show_(radio_program)');
|
|
||||||
insert into series_links values ('the-danny-kaye-show','https://www.otrcat.com/p/danny-kaye-show');
|
|
||||||
insert into series_links values ('the-devil-and-mr-o','https://archive.org/details/OTRR_The_Devil_And_Mr_O_Singles');
|
|
||||||
insert into series_links values ('the-devil-and-mr-o','https://www.otrcat.com/p/devil-and-mr-o');
|
|
||||||
insert into series_links values ('the-falcon','https://archive.org/details/OTRR_Falcon_Singles');
|
|
||||||
insert into series_links values ('the-falcon','https://en.wikipedia.org/wiki/The_Falcon_(radio_series)');
|
|
||||||
insert into series_links values ('the-falcon','https://www.otrcat.com/p/falcon');
|
|
||||||
insert into series_links values ('the-fbi-in-peace-and-war','https://en.wikipedia.org/wiki/The_FBI_in_Peace_and_War');
|
|
||||||
insert into series_links values ('the-fbi-in-peace-and-war','https://www.otrcat.com/p/fbi-in-peace-and-war');
|
|
||||||
insert into series_links values ('the-fred-allen-show','https://en.wikipedia.org/wiki/The_Fred_Allen_Show');
|
|
||||||
insert into series_links values ('the-fred-allen-show','https://www.otrcat.com/p/fred-allen');
|
|
||||||
insert into series_links values ('the-grantland-rice-story','https://archive.org/details/OTRR_Grantland_Rice_Story_Singles');
|
|
||||||
insert into series_links values ('the-grantland-rice-story','https://www.otrcat.com/p/grantland-rice-story');
|
|
||||||
insert into series_links values ('the-great-gildersleeve','https://archive.org/details/Otrr_The_Great_Gildersleeve_Singles');
|
|
||||||
insert into series_links values ('the-great-gildersleeve','https://en.wikipedia.org/wiki/The_Great_Gildersleeve');
|
|
||||||
insert into series_links values ('the-great-gildersleeve','https://www.otrcat.com/p/great-gildersleeve');
|
|
||||||
insert into series_links values ('the-green-hornet','https://en.wikipedia.org/wiki/The_Green_Hornet_(radio_series)');
|
|
||||||
insert into series_links values ('the-harold-peary-show','https://archive.org/details/OTRR_Harold_Peary_Show_Singles');
|
|
||||||
insert into series_links values ('the-harold-peary-show','https://en.wikipedia.org/wiki/The_Harold_Peary_Show');
|
|
||||||
insert into series_links values ('the-harold-peary-show','https://www.otrcat.com/p/harold-peary');
|
|
||||||
insert into series_links values ('the-haunting-hour','https://www.otrcat.com/p/haunting-hour');
|
|
||||||
insert into series_links values ('the-hermits-cave','https://en.wikipedia.org/wiki/The_Hermit%27s_Cave');
|
|
||||||
insert into series_links values ('the-hermits-cave','https://www.otrcat.com/p/hermits-cave');
|
|
||||||
insert into series_links values ('the-hillbilly-boys','https://archive.org/details/OTRR_The_Hillbilly_Boys_Singles');
|
|
||||||
insert into series_links values ('the-hillbilly-boys','https://www.otrcat.com/p/pat-odaniel-and-his-hillbilly-boys');
|
|
||||||
insert into series_links values ('the-jack-benny-program','https://archive.org/details/OTRR_Jack_Benny_Singles_1949-1950');
|
|
||||||
insert into series_links values ('the-jack-benny-program','https://en.wikipedia.org/wiki/The_Jack_Benny_Program');
|
|
||||||
insert into series_links values ('the-jack-benny-program','https://www.otrcat.com/p/jack-benny');
|
|
||||||
insert into series_links values ('the-key','https://www.otrcat.com/p/key');
|
|
||||||
insert into series_links values ('the-life-of-riley','https://en.wikipedia.org/wiki/The_Life_of_Riley');
|
|
||||||
insert into series_links values ('the-life-of-riley','https://www.otrcat.com/p/life-of-riley');
|
|
||||||
insert into series_links values ('the-line-up','https://archive.org/details/OTRR_Line_Up_Singles');
|
|
||||||
insert into series_links values ('the-line-up','https://www.otrcat.com/p/lineup');
|
|
||||||
insert into series_links values ('the-lives-of-harry-lime','https://archive.org/details/OTRR_Harey_Lime_Singles');
|
|
||||||
insert into series_links values ('the-lives-of-harry-lime','https://www.otrcat.com/p/harry-lime-the-third-man');
|
|
||||||
insert into series_links values ('the-lone-ranger','https://archive.org/details/OTRR_LoneRanger_Singles');
|
|
||||||
insert into series_links values ('the-lone-ranger','https://en.wikipedia.org/wiki/Lone_Ranger');
|
|
||||||
insert into series_links values ('the-lone-ranger','https://www.otrcat.com/p/lone-ranger');
|
|
||||||
insert into series_links values ('the-man-called-x','https://archive.org/details/OTRR_Man_Called_X_Singles');
|
|
||||||
insert into series_links values ('the-man-called-x','https://en.wikipedia.org/wiki/The_Man_Called_X');
|
|
||||||
insert into series_links values ('the-man-called-x','https://www.otrcat.com/p/man-called-x');
|
|
||||||
insert into series_links values ('the-marriage','https://archive.org/details/OTTR_The_Marriage_Singles');
|
|
||||||
insert into series_links values ('the-marriage','https://en.wikipedia.org/wiki/The_Marriage_(radio)');
|
|
||||||
insert into series_links values ('the-marriage','https://www.otrcat.com/p/marriage-the');
|
|
||||||
insert into series_links values ('the-martin-and-lewis-show','https://en.wikipedia.org/wiki/The_Martin_and_Lewis_Show');
|
|
||||||
insert into series_links values ('the-martin-and-lewis-show','https://www.otrcat.com/p/martin-and-lewis');
|
|
||||||
insert into series_links values ('the-mel-blanc-show','https://archive.org/details/OTRR_Mel_Blanc_Singles');
|
|
||||||
insert into series_links values ('the-mel-blanc-show','https://en.wikipedia.org/wiki/The_Mel_Blanc_Show');
|
|
||||||
insert into series_links values ('the-mel-blanc-show','https://www.otrcat.com/p/mel-blanc');
|
|
||||||
insert into series_links values ('the-mysterious-traveler','https://archive.org/details/OTRR_Mysterious_Traveler_Singles');
|
|
||||||
insert into series_links values ('the-mysterious-traveler','https://en.wikipedia.org/wiki/The_Mysterious_Traveler');
|
|
||||||
insert into series_links values ('the-mysterious-traveler','https://www.otrcat.com/p/mysterious-traveler');
|
|
||||||
insert into series_links values ('the-new-adventures-of-nero-wolfe','https://archive.org/details/OTRR_New_Adventures_of_Nero_Wolfe_Singles');
|
|
||||||
insert into series_links values ('the-new-adventures-of-nero-wolfe','https://en.wikipedia.org/wiki/The_New_Adventures_of_Nero_Wolfe');
|
|
||||||
insert into series_links values ('the-new-adventures-of-nero-wolfe','https://www.otrcat.com/p/nero-wolfe');
|
|
||||||
insert into series_links values ('the-pacific-story','https://archive.org/details/OTRR_Pacific_Story_Singles');
|
|
||||||
insert into series_links values ('the-pacific-story','https://www.otrcat.com/p/pacific-story');
|
|
||||||
insert into series_links values ('the-phil-harris-alice-faye-show','https://archive.org/details/OTRR_Harris_Faye_Singles');
|
|
||||||
insert into series_links values ('the-phil-harris-alice-faye-show','https://en.wikipedia.org/wiki/The_Phil_Harris-Alice_Faye_Show');
|
|
||||||
insert into series_links values ('the-phil-harris-alice-faye-show','https://www.otrcat.com/p/phil-harris-and-alice-faye');
|
|
||||||
insert into series_links values ('the-red-skelton-show','https://en.wikipedia.org/wiki/The_Red_Skelton_Show');
|
|
||||||
insert into series_links values ('the-red-skelton-show','https://www.otrcat.com/p/red-skelton-show');
|
|
||||||
insert into series_links values ('the-roy-rogers-show','https://archive.org/details/OTRR_Roy_Rogers_Singles');
|
|
||||||
insert into series_links values ('the-roy-rogers-show','https://en.wikipedia.org/wiki/The_Roy_Rogers_Show_(radio_program)');
|
|
||||||
insert into series_links values ('the-roy-rogers-show','https://www.otrcat.com/p/roy-rogers');
|
|
||||||
insert into series_links values ('the-saint','https://en.wikipedia.org/wiki/The_Saint_(radio_program)');
|
|
||||||
insert into series_links values ('the-saint','https://www.otrcat.com/p/saint-vincent-price');
|
|
||||||
insert into series_links values ('the-scarlet-pimpernel','https://www.otrcat.com/p/scarlet-pimpernel');
|
|
||||||
insert into series_links values ('the-sealed-book','https://archive.org/details/OTRR_Sealed_Book_Singles');
|
|
||||||
insert into series_links values ('the-sealed-book','https://en.wikipedia.org/wiki/The_Sealed_Book');
|
|
||||||
insert into series_links values ('the-sealed-book','https://www.otrcat.com/p/sealed-book');
|
|
||||||
insert into series_links values ('the-shadow','https://en.wikipedia.org/wiki/The_Shadow');
|
|
||||||
insert into series_links values ('the-six-shooter','https://archive.org/details/OTRR_The_Six_Shooter_Singles');
|
|
||||||
insert into series_links values ('the-six-shooter','https://en.wikipedia.org/wiki/The_Six_Shooter');
|
|
||||||
insert into series_links values ('the-six-shooter','https://www.otrcat.com/p/six-shooter');
|
|
||||||
insert into series_links values ('the-sound-of-war','https://archive.org/details/OTRR_Sound_of_War_Singles');
|
|
||||||
insert into series_links values ('the-sound-of-war','https://www.otrcat.com/p/sounds-of-war');
|
|
||||||
insert into series_links values ('the-strange-dr-weird','https://archive.org/details/OTRR_Strange_Dr_Weird_Singles');
|
|
||||||
insert into series_links values ('the-strange-dr-weird','https://en.wikipedia.org/wiki/The_Strange_Dr._Weird');
|
|
||||||
insert into series_links values ('the-strange-dr-weird','https://www.otrcat.com/p/strange-doctor-weird');
|
|
||||||
insert into series_links values ('the-tenth-man','https://archive.org/details/OTRR_The_Tenth_Man_Singles');
|
|
||||||
insert into series_links values ('the-tenth-man','https://www.otrcat.com/p/tenth-man');
|
|
||||||
insert into series_links values ('the-unexpected','https://www.otrcat.com/p/unexpected');
|
|
||||||
insert into series_links values ('the-weird-circle','https://archive.org/details/OTRR_Weird_Circle_Singles');
|
|
||||||
insert into series_links values ('the-weird-circle','https://en.wikipedia.org/wiki/The_Weird_Circle');
|
|
||||||
insert into series_links values ('the-weird-circle','https://www.otrcat.com/p/weird-circle');
|
|
||||||
insert into series_links values ('the-whistler','https://archive.org/details/OTRR_Whistler_Singles');
|
|
||||||
insert into series_links values ('the-whistler','https://en.wikipedia.org/wiki/The_Whistler_(radio_series)');
|
|
||||||
insert into series_links values ('the-whistler','https://www.otrcat.com/p/whistler');
|
|
||||||
insert into series_links values ('theater-five','https://archive.org/details/OTRR_Theater_Five_Singles');
|
|
||||||
insert into series_links values ('theater-five','https://en.wikipedia.org/wiki/Theatre-Five');
|
|
||||||
insert into series_links values ('theatre-royal','https://archive.org/details/OTRR_Theatre_Royal_Singles');
|
|
||||||
insert into series_links values ('theatre-royal','https://www.otrcat.com/p/theater-royal');
|
|
||||||
insert into series_links values ('this-is-your-fbi','https://archive.org/details/OTRR_This_Is_Your_FBI_Singles');
|
|
||||||
insert into series_links values ('this-is-your-fbi','https://en.wikipedia.org/wiki/This_Is_Your_FBI');
|
|
||||||
insert into series_links values ('this-is-your-fbi','https://www.otrcat.com/p/this-is-your-fbi');
|
|
||||||
insert into series_links values ('truth-or-consequences','https://en.wikipedia.org/wiki/Truth_or_Consequences');
|
|
||||||
insert into series_links values ('truth-or-consequences','https://www.otrcat.com/p/truth-or-consequences');
|
|
||||||
insert into series_links values ('vic-and-sade','https://en.wikipedia.org/wiki/Vic_and_Sade');
|
|
||||||
insert into series_links values ('vic-and-sade','https://www.otrcat.com/p/vic-and-sade');
|
|
||||||
insert into series_links values ('vox-pop','https://en.wikipedia.org/wiki/Vox_Pop_(radio)');
|
|
||||||
insert into series_links values ('vox-pop','https://www.otrcat.com/p/vox-pop');
|
|
||||||
insert into series_links values ('we-came-this-way','https://archive.org/details/OTRR_We_Came_This_Way_Singles');
|
|
||||||
insert into series_links values ('we-came-this-way','https://www.otrcat.com/p/we-came-this-way');
|
|
||||||
insert into series_links values ('whitehall-1212','https://archive.org/details/OTRR_Whitehall_1212_Singles');
|
|
||||||
insert into series_links values ('whitehall-1212','https://en.wikipedia.org/wiki/Whitehall_1212_(radio_show)');
|
|
||||||
insert into series_links values ('whitehall-1212','https://www.otrcat.com/p/whitehall-1212');
|
|
||||||
insert into series_links values ('wild-bill-hickok','https://archive.org/details/OTRR_Wild_Bill_Hickock_Singles');
|
|
||||||
insert into series_links values ('wild-bill-hickok','https://www.otrcat.com/p/wild-bill-hickok');
|
|
||||||
insert into series_links values ('wjsv-complete-broadcast-day','https://archive.org/details/OTRR_WJSV_Complete_Day_Singles');
|
|
||||||
insert into series_links values ('wjsv-complete-broadcast-day','https://en.wikipedia.org/wiki/WJSV_broadcast_day');
|
|
||||||
insert into series_links values ('wjsv-complete-broadcast-day','https://www.otrcat.com/p/complete-broadcast-1939-nazi-invasion-of-poland');
|
|
||||||
insert into series_links values ('words-at-war','https://archive.org/details/OTRR_Words_At_War_Singles');
|
|
||||||
insert into series_links values ('words-at-war','https://www.otrcat.com/p/words-at-war');
|
|
||||||
insert into series_links values ('world-adventurers-club','https://archive.org/details/OTRR_World_Adventurer_Club_Singles');
|
|
||||||
insert into series_links values ('world-adventurers-club','https://www.otrcat.com/p/world-adventurers-club');
|
|
||||||
insert into series_links values ('x-minus-one','https://archive.org/details/OTRR_X_Minus_One_Singles');
|
|
||||||
insert into series_links values ('x-minus-one','https://en.wikipedia.org/wiki/X_Minus_One');
|
|
||||||
insert into series_links values ('x-minus-one','https://www.otrcat.com/p/x-minus-one');
|
|
||||||
insert into series_links values ('you-are-there','https://en.wikipedia.org/wiki/You_Are_There_(series)');
|
|
||||||
insert into series_links values ('you-are-there','https://www.otrcat.com/p/you-are-there');
|
|
||||||
insert into series_links values ('you-bet-your-life','https://en.wikipedia.org/wiki/You_Bet_Your_Life');
|
|
||||||
insert into series_links values ('you-bet-your-life','https://www.otrcat.com/p/you-bet-your-life');
|
|
||||||
insert into series_links values ('you-cant-do-business-with-hitler','https://archive.org/details/OTRR_You_Cant_Do_Business_With_Hitler_Singles');
|
|
||||||
insert into series_links values ('you-cant-do-business-with-hitler','https://www.otrcat.com/p/you-cant-do-business-with-hitler');
|
|
||||||
insert into series_links values ('yours-truly-johnny-dollar','https://archive.org/details/OTRR_YoursTrulyJohnnyDollar_Singles');
|
|
||||||
insert into series_links values ('yours-truly-johnny-dollar','https://en.wikipedia.org/wiki/Yours_Truly,_Johnny_Dollar');
|
|
||||||
insert into series_links values ('yours-truly-johnny-dollar','https://www.otrcat.com/p/johnny-dollar-yours-truly-johnny-dollar');
|
|
||||||
insert into series_links values ('the-health-and-happiness-show','https://www.offbeat.com/music/hank-williams-the-complete-health-happiness-recordings-bmg/');
|
|
||||||
insert into series_links values ('classic-baseball-mlb','https://sabr.org/century/1921/radio');
|
|
||||||
insert into series_links values ('complete-broadcast-day-d-day','https://www.otrcat.com/p/complete-broadcast-1944-d-day-invasion-of-normandy-cbs');
|
|
|
@ -1,814 +0,0 @@
|
||||||
update series set description='2000 Plus was a groundbreaking radio anthology series focused on science fiction for adults, featuring all original stories written by creator Sherman H. Dryer and various staff writers. The series explored what life might be like in "the years beyond 2000 AD," presenting stories of uneven quality that often reflected paranoia about the impact of technological advances. This innovative series is often overshadowed by more well-known shows such as Dimension X, X Minus One, and Exploring Tomorrow, but is worth revisiting for science fiction fans who want to hear original stories not published or adapted elsewhere.
|
|
||||||
|
|
||||||
The show aired from March 15, 1950, to December 26, 1951, on the Mutual Broadcasting Network, predating NBC''s Dimension X by about a month. It featured a variety of time slots during its two-year run, moving around the Mutual schedule in 1951 before airing its final episode at the end of the year. Nearly 90 episodes of 2000 Plus were broadcast, but only 16 are known to exist today. The series was directed and produced by its creator, Sherman H. Dryer, and starred radio actors such as Joseph Julian, Bill Keene, Lon Clark, Amzie Strickland, and Bryna Raeburn, among others. The show''s dramatic orchestral music was composed by Elliott Jacoby and conducted by Emerson Buckley.' where series_slug='2000-plus';
|
|
||||||
update series set description='21st Precinct was a dramatic police radio drama set in New York City focused on the happenings in an actual police precinct. The show aimed to immerse the listener in the drama, following events from the opening phone call to the final report. The primary character was the Captain of the precinct, who also acted as the show''s narrator.
|
|
||||||
|
|
||||||
The show aired on the CBS network from July 7th, 1953 through November 1st, 1956. It was presented with the official cooperation of the Patrolmen''s Benevolent Association, an organization of more than 20,000 members of the New York City Police Department. Three actors played the role of the Captain: Everett Sloane as Frank Kennelly for the first 109 episodes, James Gregory as Vincent Cronin for episodes 109-144, and Les Damon as Thomas Keough from episode 145 till the end of the series. In total, 92 episodes are in circulation today.' where series_slug='21st-precinct';
|
|
||||||
update series set description='33 Half Moon Street was a popular radio show from South Africa, featuring a private investigation firm called "Assignments Unlimited." The show''s Chief Investigator, Aubrey Mason, voiced by Michael Todd, would guarantee the successful completion of all cases, often taking on unconventional and mysterious assignments. The show was known for its intriguing storytelling, suspenseful atmosphere, and character-driven narratives, drawing comparisons to the likes of Sam Spade. The theme music and narration style contributed to the show''s engaging and entertaining tone.
|
|
||||||
|
|
||||||
The show aired between 1965 and 1966, with its episodes written by Adrian Steed and Douglas Laws. During its run, 33 Half Moon Street developed a loyal fan base and featured a variety of intriguing and oddball cases. One such example is Parson''s Pride, where Mason is asked to retrieve a lost diamond earring from an inaccessible air duct, only to realize he hasn''t been given the full truth about the situation. Another standout episode is Green for Danger, where Mason''s associate Cannon is assigned to impersonate an injured vendor and handle a marketing cart, ultimately leading to unexpected adventures. While the show only aired for a couple of years, it remains a memorable part of radio history and a testament to the charm and allure of classic detective dramas.' where series_slug='33-half-moon-street';
|
|
||||||
update series set description='A Case for Dr. Morelle is a radio show centered around the acerbic criminal psychologist Dr. Morelle and his eager but slightly inept secretary, Miss Frayle. The show''s premise focuses on Dr. Morelle using his knowledge of criminal psychology to solve various crimes, such as murder, blackmail, and larceny, by determining which of the suspects fit the psychological profile of the perpetrator. Unlike other detectives like Sherlock Holmes, Dr. Morelle''s investigations generally involve conducting interviews and occasionally incorporating physical evidence in his analysis. The show features a blend of humor and drama, with audiences enjoying the opinionated and eccentric doctor and his interactions with his loyal yet long-suffering secretary Miss Frayle.
|
|
||||||
|
|
||||||
A Case for Dr. Morelle aired in 1957 on the BBC Light Programme, running for 13 episodes on a weekly basis from April 23 to July 16. The character of Dr. Morelle was brought to life by author Ernest Dudley during World War Two air raids as he sought to create a unique detective while also providing a comic role for his wife, actress Jane Grahame. In the 1957 series, Dr. Morelle was portrayed by English comic actor Cecil Parker, and Sheila Sim played the role of Miss Frayle. Besides the radio plays, Ernest Dudley also wrote a stage play and a number of novels and short stories featuring these characters.' where series_slug='a-case-for-dr-morelle';
|
|
||||||
update series set description='A Date with Judy is a comedy radio series aimed at a teenage audience. The show revolves around the life of Judy, a teenager who spends her days on the telephone, arranging, discussing, and lamenting the lack of dates. This teenage situation comedy is full of infectious giggling and teenage slang, capturing the excitement and drama of navigating adolescence. The series was co-created by Jerome Lawrence and Aleen Leslie, based on Leslie''s “One Girl Chorus” column in the Pittsburgh Press.
|
|
||||||
|
|
||||||
First airing on June 24, 1941, A Date with Judy ran for nearly a decade, wrapping up its successful run on May 4, 1950. Over the years, the show appeared on both NBC and ABC radio networks and was sponsored by well-known brands such as Pepsodent, Bristol Myers, Tums, Ford Motors, and Revere Cameras. Throughout its run, A Date with Judy had a rotating cast, with notable actors like Ann Gillis, Paul McGrath, Margaret Brayton, and Richard Crenna. The popularity of the radio series led to the creation of a 1948 film starring Jane Powell, as well as a television adaptation that aired from 1951 to 1953. Additionally, A Date with Judy had a long run as a comic book, with 79 issues published from 1947 to 1960.' where series_slug='a-date-with-judy';
|
|
||||||
update series set description='The Abbott and Costello Show was a comedy program featuring the talents of the American comedy duo Bud Abbott and Lou Costello. The show centered around their attempts to navigate various business ventures, often incorporating sketches from their vaudeville act. The duo first began performing together in 1935 at the Eltinge Burlesque Theater on 42nd Street in New York City, refining their act with Abbott as the devious straight man and Costello as the dimwitted comic.
|
|
||||||
|
|
||||||
The show first aired on NBC from 1940 to 1947 before moving to ABC until 1949. Initially debuting on Kate Smith''s radio program in 1938, the duo made several transitions between programs before landing their own weekly show on October 8, 1942, sponsored by Camel cigarettes. Over the years, the show featured guest stars like Cary Grant, Frank Sinatra, and Lucille Ball, and had various orchestras, writers, and regular cast members. Additionally, Abbott and Costello hosted a children''s radio program, The Abbott and Costello Children''s Show, on ABC on Saturday mornings from 1947 until 1949.' where series_slug='abbott-and-costello';
|
|
||||||
update series set description='Academy Award Theater was a CBS radio anthology series that presented 30-minute adaptations of plays, novels, or films. The series featured Hollywood''s finest actors, actresses, and films, chosen from the list of winners or nominees of the famous golden Oscar of the Academy of Motion Picture Arts and Sciences. The series aimed to present any drama as long as the cast included at least one Oscar-nominated performer. Actors often recreated their original film roles, and some even reprised their Oscar-winning roles for the radio adaptations.
|
|
||||||
|
|
||||||
The series began on March 30, 1946, and ended on December 18, 1946, with a total of 39 episodes. The show initially aired on Saturdays at 7 pm (Eastern) through June, then moved to Wednesdays at 10 pm (Eastern). The series was produced by Dee Englebach, with music provided by Leith Stevens and script adaptations by Frank Wilson. The E.R. Squibb & Sons pharmaceutical company was the program''s sponsor, but due to the high costs of production, including the weekly fees paid to both the stars and the Academy for the use of their name in the show''s title, the series was eventually canceled after only 39 weeks.' where series_slug='academy-award-theater';
|
|
||||||
update series set description='Adventure Ahead! is a captivating radio show that aired in the summer of 1944, featuring fourteen enthralling adventure novels and stories written by some of America''s most prominent fiction authors. Primarily aimed at young audiences, it has a noticeably more masculine orientation, as evidenced by its absence of discernible love interests, female protagonists, or female authorities. Regardless, the program still offers captivating stories that emphasize defending freedom, both globally and domestically. Many of the stories revolve around male-oriented, "coming of age" tales that focus on themes of independence, courage, and the satisfaction of asserting one''s convictions.
|
|
||||||
|
|
||||||
The show was broadcast on the NBC-Red radio network, spanning fourteen episodes in total. Adventure Ahead! offers a fascinating variety of stories that young listeners enjoyed during its run. These adventures encompass an array of scenarios, such as a boy training a runt puppy, a young lad learning about crime solving from the FBI, an orphan running away with the circus, and a boy adopted by pirates. Among other popular children''s adventure radio shows of the era are Adventures of Sea Hound, Jerry at Fair Oaks, Jerry of the Circus, Speed Gibson, and Terry and the Pirates.' where series_slug='adventure-ahead';
|
|
||||||
update series set description='Adventures by Morse is a captivating syndicated adventure series that follows the thrilling escapades of Captain Bart Friday and his sidekick, Skip Turner. The duo embarks on a series of daring missions around the world, where they encounter various challenges and unearth sinister plots. The storyline includes exotic locations, mysterious events, and dark supernatural occurrences. The series is known for its distinctive opening, which invites listeners to immerse themselves in a world of high adventure, intrigue, and danger.
|
|
||||||
|
|
||||||
Adventures by Morse originally aired in syndication for a year, beginning in October 1944. The show comprises a total of 52 episodes, each 30 minutes long, and all have been preserved in high-quality sound. Created by the prolific author Carlton E. Morse, the series starred talented actors such as Elliott Lewis, David Ellis, Russell Thorson, and Barton Yarborough. Although broadcast dates and production years are uncertain, it is mentioned in the final two chapters of "It''s Dismal to Die" that the Second World War has ended. Advertisements have been found for broadcasts in 1946 and 1949.' where series_slug='adventures-by-morse';
|
|
||||||
update series set description='Adventures of Champion is an American Western serial radio drama focused on the story of Champion, the famous horse of screen cowboy Gene Autry. The episodes revolve around 12-year-old Ricky West, who lives in the wilderness with his adoptive Uncle Smoky and his German Shepherd named Rebel. Champion is portrayed as a wild horse who only allows Ricky to ride him. The series touched on topics such as gold mines, rustlers, and Indian problems, but centered mainly on the faith and loyalty between a boy, a dog, and a horse. Each story ran in five installments, starting on Monday and ending on Friday.
|
|
||||||
|
|
||||||
The radio show aired 15-minute episodes on weekday afternoons on the Mutual Broadcasting System between June 20, 1949, and November 1949. Little is known about the cast, with the identities of the lead actors playing Ricky and Uncle Smoky remaining a mystery. The only identified participant is Dave Light, an animal imitator who provided the sounds of all animals on the program. The Adventures of Champion was also adapted into a television series that aired for 26 episodes on CBS during the 1955-1956 season, starring Barry Curtis and Jim Bannon.' where series_slug='adventures-of-champion';
|
|
||||||
update series set description='The Adventures of Philip Marlowe was a radio show based on Raymond Chandler''s private detective character, Philip Marlowe. Unlike many other detective dramas during that time, this show had a distinct hardboiled tone and featured few quips or quaint characters. The show''s format/style followed Marlowe as he solved crimes using his keen observational skills and deductive reasoning, while encountering a variety of intriguing characters along the way, showcasing Marlowe''s strong sense of justice and his grittier, urban environment.
|
|
||||||
|
|
||||||
The show first aired on June 17, 1947, on NBC, under the title The New Adventures of Philip Marlowe, with Van Heflin playing the lead role. The NBC series ended on September 9, 1947. In 1948, the series moved to CBS, where it was called The Adventures of Philip Marlowe and starred Gerald Mohr. By 1949, the show had become the most popular radio show in the United States. The CBS version had a run of 114 episodes from September 1948 to September 1950, with an additional summer run of episodes airing from July 7 to September 15, 1951. ' where series_slug='adventures-of-philip-marlowe';
|
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||||||
update series set description='Afloat with Henry Morgan was a 52-episode Australian radio series that featured 12-minute-long episodes, likely aimed at a youth audience. The show, which centered around the captivating adventures of the infamous pirate, was produced by and starred George Edwards, a talented actor and ventriloquist known as "the Man with a Thousand Voices". Edwards employed his unique gift for mimicry to portray a wide range of characters, including children, various male voices, older women, and foreigners. In some instances, he would perform as many as six different voices in a single scene and often doubled this number within a single episode.
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The series is believed to have originally aired in 1933, although it is easily confused with the US show, The Henry Morgan Show. Afloat with Henry Morgan was produced by Edwards, who also created other popular Australian series such as Dr Jekyll and Mr Hyde, Frankenstein, Corsican Brothers, and Son of Porthos. Collaborators on the show likely included enthusiasts Maurice Francis and Nell Sterling, both of whom had worked with Edwards on previous projects. Information regarding the series can be found through sources such as OTRCat.com, The Australian Dictionary of Biography Online, and Ian Grieve, as well as from the Old Time Radio Researchers Group.' where series_slug='afloat-with-henry-morgan';
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update series set description='Air Mail Mystery is a thrilling radio show that delves into the dangerous world of early air mail flights and the daring pilots that navigated them. The show focuses on Trans American, a company responsible for delivering mail for the government; however, their planes have been mysteriously falling from the sky. Suspicion arises around the possibility of sabotage, and the gripping story unravels through the voices of several fascinating characters, such as Ernest Powers, Andy Andrews, Irene Delroy, Jimmy Gifford, and more, who all contribute to the enthralling and fast-paced nature of the series.
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The show was broadcast during the golden age of radio, highlighting the massive importance of mail and the lengths people went to deliver it efficiently. Transporting mail by airplane was fraught with risks, but the potential profits of a valuable government mail contract drew many daring pilots and aircraft operators to face the danger. Air Mail Mystery captures the excitement and intrigue of such a high-stakes venture and expertly weaves a captivating story filled with memorable and multi-faceted characters. This classic radio show serves as a perfect addition to any aviation or adventure-themed radio collection.' where series_slug='air-mail-mystery';
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update series set description='Aladdin Lamp was a radio show in which Smilin'' Ed McConnell, also known as "The Aladdin Lamp Man," promoted Aladdin Kerosene Lamps to his audience, primarily targeting housewives. The show featured Ed singing songs and telling stories, all while incorporating the advertiser''s message and ultimately persuading listeners to purchase an Aladdin lamp. The program''s format included an organ and piano accompaniment, played by Irma Allen and Del Owen, and was specifically tailored to appeal to its target audience of domestic heroines with its charming personality and entertaining content.
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The radio show likely originated after 1948 when 145 ABC stations began subscribing to Smilin'' Ed''s 15-minute programs. The show was produced in short, four-and-a-half-minute episodes that were likely recorded for syndication and tailored for local radio broadcasts by hardware stores in various regions. In addition to promoting Aladdin Kerosene Lamps, Smilin'' Ed also advertised Aladdin Electric Lamps, highlighting their range of functional and stylish lighting options for the home. Smilin'' Ed McConnell went on to become a successful pitchman for Buster Brown Shoes in his later radio show, Smilin'' Ed''s Buster Brown Shoe Gang, winning audiences over with his friendly demeanor and engaging storytelling.' where series_slug='aladdin-lamp';
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update series set description='Alien Worlds is a syndicated radio show created by Lee Hansen that follows the International Space Authority (ISA) as they explore deep space. Set on the Arthur C. Clarke Astronomical Observatory, the show features a cast of characters including Commissioner White, Research Director Dr. Maura Cassidy, Starlab''s Director of Operations Jerry Lyden, and ISA pilots Captains Jon Graydon and Buddy Griff. Alien Worlds is well-known for its realistic sound effects, high production values, documentary-style dialog, and full symphonic soundtrack performed by the London Symphony Orchestra.
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The show first premiered on January 7, 1979, and a total of 26 half-hour episodes aired between 1979 and 1980 on Watermark Inc. Alien Worlds gained popularity internationally, being broadcast on more than 500 US FM radio stations as well as stations in New Zealand and Australia. The series was sponsored by Peter Paul, Cadbury, which advertised their Cadbury Caramello chocolates. While the show is no longer aired on Sirius Satellite Radio or the Alien Worlds website, it is currently being developed for 3-D animation for television and DVD release.' where series_slug='alien-worlds';
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update series set description='Alka Seltzer Time, also known as The Alka-Seltzer Show, was a 15-minute radio program featuring a mix of popular tunes and upbeat jingles performed by vocalists Curt Massey and Martha Tilton. The show was described as "informal song sessions" and often featured accompanying music by Country Washburne and His Orchestra, with Charles LaVere on piano. Tunes performed on the show included "Honey, I''m in Love with You", "A Gambler''s Guitar", "Just to Be with You", "Moonlight", "When Love Goes Wrong", "Choo Choo Train", "I''ve Got Spurs that Jingle Jangle Jingle", "Put on a Bonnet", "On the Sunny Side of the Street", "Papaya Mama", and "Istanbul, Not Constantinople". The show occasionally featured theme episodes such as "Go West", music from "Old Phonograph Records", and "Salute to Hawaii".
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The radio show aired weekdays between 1949 and 1954 on both CBS Radio and the Mutual Broadcasting System. It began as The Curt Massey Show and was later renamed to The Alka-Seltzer Show in 1952 to highlight the show''s sponsor. The show aired at different times throughout its run, with broadcasts on Mutual at noon Eastern Time and later in the day on CBS at 5:45 pm Eastern. A total of 115 episodes from this series are still known to exist today. Curt Massey and Martha Tilton continued to work together beyond the radio show, appearing on television programs such as Guest Star and Stars for Defense and recording an album titled "We Sing the Old Songs" in 1957.' where series_slug='alka-seltzer-time';
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update series set description='All Star Western Theatre was a radio show that featured a variety of different shows during the mid-1940s. The program offered light-hearted humor and laughter as a pleasant alternative to heavier and more intense dramas of the time. The show''s music was performed by a group called "The Riders of the Purple Sage," led by Foy Willing, and served as a backdrop to the episodes'' Western-themed stories and sketches. The show was characterized by its "rootin'' tootin'' hoe-down" atmosphere, complete with guest appearances by popular stars of the time.
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The radio show aired in the mid-1940s, and of the 78 episodes produced, 66 are still known to be in circulation today. The music group "The Riders of the Purple Sage" also appeared on other radio shows during this time, such as the Andrews Sisters'' Eight-to-the-Bar Ranch in 1944-45, and the Roy Rogers Show between 1946 and 1948. Guest stars like Johnny Mack Brown added to the show''s appeal, with action sketches and humorous skits providing entertainment for all ages. Much like the old western movies, All Star Western Theatre offered an honest, sincere, and unassuming form of entertainment that continues to resonate with audiences today.' where series_slug='all-star-western-theatre';
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update series set description='Amos ''n'' Andy was an American radio sitcom about Black characters that began as one of the first radio comedy series. The show''s protagonist, Amos Jones, was played by Freeman Gosden, while the character of Andrew Hogg Brown was played by Charles Correll. The duo also voiced incidental characters in the show. Initially set in Chicago and later in the Harlem section of New York City, the narrative revolved around the lives and various misadventures of Amos and Andrew. Amos was depicted as a hardworking family man, while Andrew was portrayed as a gullible dreamer with a penchant for get-rich-quick schemes. On television, Black actors took over the majority of the roles; white characters were infrequent.
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Amos ''n'' Andy was first broadcast on WMAQ in Chicago on March 19, 1928, and later aired on NBC and CBS Radio and Television. The show had a successful run in multiple formats, airing as a nightly radio serial from 1928 to 1943, a weekly situation comedy from 1943 to 1955, and a nightly disc-jockey program from 1954 to 1960. The television adaptation ran on CBS from 1951 to 1953 and continued in syndicated reruns from 1954 to 1966. The national radio audience was estimated at 40 million, comprised of Americans from a variety of races and national backgrounds. Despite being created and originally portrayed by white actors Gosden and Correll, the show held a significant place in American old-time radio culture during its 34-year run. Amos ''n'' Andy continues to be remembered as a significant milestone in early 20th-century entertainment.' where series_slug='amos-n-andy';
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update series set description='An Evening with Groucho is a fascinating exploration into the life of the legendary Groucho Marx and his famous siblings, the Marx Brothers. Told through captivating anecdotes from Groucho himself, the show not only provides a glimpse into their personal lives, but also highlights their comic genius, showcasing the various characters and acts they performed throughout their careers. As the show delves into Groucho''s life, listeners are treated to a treasure trove of wit, humor, and unparalleled comedic talent that defined the Marx Brothers'' unique style and endeared them to generations of fans.
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An Evening with Groucho was broadcast on different radio networks over the years, featuring numerous amusing appearances by Groucho Marx in various comedy and variety shows, as well as episodes from his successful radio quiz show, You Bet Your Life, which began in 1947 and later moved to television. There are six extensive volumes of the collection, with the first two focusing on Groucho Marx''s guests appearances and the last four covering You Bet Your Life. This rich anthology not only highlights Groucho''s incredible comedic talent but also serves as an insightful tribute to one of America''s greatest comedians and a testament to the unmatched wit and charm of the Marx Brothers.' where series_slug='an-evening-with-groucho';
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update series set description='Arch Oboler''s Plays is a dramatic anthology series in which each episode explores the terrors and monsters within the human psyche. The show adheres to a stream-of-consciousness style that established radio as a viable new art form. Created, produced, directed, and written by Arch Oboler, the series features leading film actors, such as Ingrid Bergman, James Cagney, Joan Crawford, and Katharine Hepburn, who bring the compelling stories to life. The Bathysphere, an episode from November 18, 1939, was inducted into the National Recording Registry of the Library of Congress in 2020 for its cultural, historical, and aesthetic significance.
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The show aired on the NBC network from March 25, 1939, to March 23, 1940, and was later revived for a sustaining summer run from April 5, 1945, to October 11, 1945, on the Mutual radio network. Arch Oboler reused some of the scripts from Arch Oboler''s Plays in his later series Everyman''s Theater. As the first writer accorded name-in-the-title status, Oboler was known for his eccentric and unique approach to storytelling. In addition to his radio work, Oboler was an ardent anti-Nazi and used his writing talents to instill hatred of the enemy during WWII through various war propaganda plays.' where series_slug='arch-obolers-plays';
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update series set description='Archie Andrews was a teenage situation comedy radio show based on the popular comic strip created by Bob Montana. The show aimed to attract a teenage audience by creating a situational comedy format specifically for them, even including them in the live audience during broadcasts. Set in a classic American suburban environment, the show followed Archie and his friends at home and at school, featuring well-known comic book characters such as Archie''s best friend Jughead, Veronica, Reggie, and Betty, who had an on-and-off romantic relationship with Archie. Archie''s parents and Mr. Weatherbee, Archie''s high school principal, were also frequently featured in the show. The atmosphere at the live recordings was characterized by the enthusiastic energy of its teenage audience.
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The radio show was broadcast between 1943 and 1953 on various radio networks. While the exact number of episodes aired is not known, some episodes survive to this day. The popularity of the Archie Andrews radio show and comic strip eventually led to TV shows and other media formats featuring the characters. The show was sponsored by notable advertisers and featured talented actors, helping it to maintain its following throughout its run. Similar family comedy radio shows included Our Miss Brooks, Blondie, Aldrich Family, Ozzie and Harriet, The Harold Peary Show, Life of Riley, and The Phil Harris and Alice Faye Show.' where series_slug='archie-andrews';
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update series set description='Barrie Craig, Confidential Investigator is a detective radio drama featuring the character Barrie Craig, a New York eye. The series follows Craig as he works alone, solving cases with efficiency and fearlessness. Set in his Madison Avenue office, the stories present a standard PI kind of fare, with Craig—an unconventional personality in the world of private investigators—being the "go-to guy" when one can''t go to the cops. The series separates itself from its contemporaries by veering away from the traditional hardened detective stereotype, offering listeners a more easy-going protagonist who still manages to get the job done.
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Initially airing on NBC radio, the show had two separate versions broadcast from both the east and west coasts from October 3, 1951, to June 30, 1955. The series attracted only occasional sponsors, which led to the show being mostly sustained by the network. Barrie Craig, Confidential Investigator starred William Gargan in the titular role, with Don Pardo as the announcer. Notably, Gargan reprised the role in a failed 1952 TV pilot written and directed by Blake Edwards, subsequently appearing on ABC''s Pepsi-Cola Playhouse. Other notable cast members included Ralph Bell, Elspeth Eric, Parker Fennelly, Santos Ortega, Arnold Moss, Parley Baer, Virginia Gregg, and Betty Lou Gerson.' where series_slug='barrie-craig-confidential-investigator';
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update series set description='Behind the Mike was a captivating radio show that provided listeners with an exclusive behind-the-scenes view of radio, featuring interviews with well-known personalities, technicians, producers, sound effect artists, musicians, and various other individuals involved in radio production. The show was designed to offer listeners greater insight into their favorite radio personalities, programs, and the people who contributed to the creation of these programs. Radio broadcasting legend Graham McNamee hosted Behind the Mike, allowing listeners to learn the answers to listener-submitted questions about radio production, such as differences between recordings and transcriptions, or information about the first ventriloquist on air.
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The show aired on the Blue Network (NBC) from September 15, 1940, to April 19, 1942. During its run, Behind the Mike had 79 episodes, of which only 32 are known to still exist today. After McNamee''s death on May 9, 1942, the show''s name was changed to "This is the Truth" and later to "Nothing But the Truth," airing under these titles until June 7, 1942. CBS Radio had previously run another program with the title "Behind the Mike" during the 1931-32 season. The series was sustained and aired Sundays at 4:30 p.m. ET.' where series_slug='behind-the-mike';
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update series set description='Beulah is an American situation-comedy series that centers around the character Beulah Brown, a housekeeper and cook for the Henderson family. Beginning as a spin-off from the Fibber McGee and Molly radio series, Beulah is known for her unique ability to solve problems that her employers struggle with, earning her the title "the queen of the kitchen." The series features a cast of diverse characters, including Beulah''s handyman boyfriend Bill Jackson, who constantly proposes marriage to her, and Oriole, a befuddled maid who works for the family next door. The comedy in the series is derived from the interactions between these characters and their humorous antics.
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The radio show was broadcast on CBS Radio from 1945 to 1954, with the television adaptation airing on ABC Television from 1950 to 1953. A total of 87 episodes of the television program were filmed and produced, with only seven episodes currently known to exist on 16mm format and circulating among collectors. The radio series has fared better in preservation, with 21 episodes and an audition tape surviving to the present day. The Beulah show has a rich history, with four personalities playing the titular character, beginning with the original portrayal by white male actor Marlin Hurt and later transitioning to African-American actresses Hattie McDaniel, Lillian Randolph, and Amanda Randolph. Beulah was notable as the first sitcom to star an African-American actress, and it has been both praised and criticized for its representation of African-American characters.' where series_slug='beulah';
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update series set description='The Black Museum is a radio crime-drama program inspired by the Crime Museum at Scotland Yard, the oldest museum in the world dedicated to recording crime. The show, narrated and hosted by Orson Welles, draws on true stories from Scotland Yard''s files, with each episode centered around an item or items of evidence in the museum. The series features dramatized tales of brutal murders and vicious crimes, as well as Welles'' characteristic narration and closing.
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The show first aired in the United States on January 1, 1952, with 39 out of the full 52 syndicated episodes broadcast on Mutual stations. It was later broadcast on Radio Luxembourg starting May 7, 1953, where it was sponsored by cleaning products Dreft and Mirro. The series continued to be offered through syndication in the US on NPR stations through the 1960s, 70s, and 80s, with some episodes also airing on the BBC in England in 1994. Produced by Harry Alan Towers and based on scripts by Ira Marion, with music by Sidney Torch, the museum remains a part of police training despite not being open to the general public.' where series_slug='black-museum';
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update series set description='Blair of the Mounties is a fictional radio series that tells the story of the Royal Northwest Mounted Police in Canada. It follows the adventures of Sgt. Blair, a member of the Northwest Mounted Police, as he solves cases and tracks down criminals. The series is not restricted to Canada, as some episodes feature Blair working in Great Britain as well. While the series has been criticized for being amateurishly written and the character of Blair coming across as stuffy, it remains a notable example of a radio drama focused on the Mounted Police.
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The show first aired on January 31st, 1938, and ran for 36 weeks until October 3rd, 1938. A total of 39 episodes were produced by Walter Biddick Co., written by Colonel Rhys Davies, directed by G. Donald Gray, and starred Colonel Rhys Davies as Sgt. Blair and Jack Abbott as the Constable. The show was syndicated to radio stations in the United States, Canada, and Australia, and was available for broadcast as late as 1957.' where series_slug='blair-of-the-mounties';
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update series set description='Blondie is a radio situation comedy adapted from the long-running comic strip by Chic Young. It stars Arthur Lake as Dagwood Bumstead and Penny Singleton as Blondie Bumstead for the majority of its run. The show''s premise revolves around the comical misadventures of the Bumstead family and their daily struggles with a demanding boss, nosy neighbors, bills, and the art of building the perfect sandwich. Its tone is light-hearted and humorous, with a touch of zaniness, as the characters often find themselves in chaotic situations.
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The radio program was broadcast on several networks from 1939 to 1950, including CBS, NBC Blue, NBC, and ABC. In total, there were 548 episodes produced. The show was also adapted into a series of 28 low-budget films, with Penny Singleton and Arthur Lake reprising their roles. The films were successful and ran from 1938 to 1950. Over the years, Blondie had various notable advertisers and sponsors, including R.J. Reynolds'' Camel cigarettes, Colgate-Palmolive''s Super Suds, and others. After Penny Singleton left the radio series in 1949, she was replaced by Ann Rutherford, Alice White, and Patricia Van Cleve. Later in 1957, Arthur Lake would return to the role of Dagwood Bumstead in the television series Blondie, this time opposite Pamela Britton as Blondie.' where series_slug='blondie';
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update series set description='Bob and Ray was a radio show featuring the American comedy duo, Bob Elliott and Ray Goulding. The show was known for its off-the-wall, deadpan humor that often satirized the medium in which they were performing, such as conducting radio or television interviews with unconventional dialogue. The duo''s humor often included improvised comedy routines, following various comic threads for a few minutes and then abruptly moving on to another topic. Recurring features of the show included soap opera parodies like "The Life and Loves of Linda Lovely" and the pair engaging in impromptu banter with studio musicians.
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The radio show, which began on Boston station WHDH in 1946, spanned five decades and aired on various networks such as NBC, CBS, and Mutual. Additionally, it was broadcast on New York City stations WINS, WOR, and WHN, and eventually on National Public Radio until its end in 1987. Bob and Ray saw a total of over 40 years on air and were known for their witty and hilarious skits which usually consisted of ad-libbed or improvised material. Characters like Wally Ballou, Roving Reporter, and skits like "Mr. Trace, Keener than Most Persons" became staples of the show. They also released radio episodes on recordings, and several were later adapted into graphic story form for publication in MAD magazine. Bob and Ray were praised for their unique talents and refreshing humor, often compared to the likes of Vic and Sade and the Marx Brothers.' where series_slug='bob-and-ray';
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update series set description='Bold Venture was a captivating and thrilling radio series starring the renowned Humphrey Bogart who played the part of Slate Shannon, a hotel owner with a boat called the "Bold Venture." Set in Havana, Cuba, the show followed Slate''s adventures as he rescued friends in need, hunted down his enemies, and navigated through modern-day pirates and other tough situations. The sultry Sailor Duval, played by Lauren Bacall, accompanied him in their ventures. Their escapades were accompanied by calypso singer King Moses, played by Jester Hairson, who supplied musical narrative with scripts written by Morton Fine and David Friedkin.
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The transcribed syndication ran from 1951 to 1952, premiering on March 26, 1951, and was produced by Ziv Corporation. There were 78 thirty-minute episodes, with 57 of them still known to exist today. The show was later adapted into a television series in 1959, which changed the setting to Trinidad and starred Dane Clark as Slate Shannon, Joan Marshall as Sailor Duval, and Bernie Gozier as King Moses.' where series_slug='bold-venture';
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update series set description='Boston Blackie is a fictional character that has occupied various positions on both sides of the law. Initially created by author Jack Boyle as a safecracker and criminal, the character evolved into a detective in adaptations for films, radio, and television. The premise of the radio series involves Boston Blackie, an enemy to those who oppose him and a friend to those in need, solving mysteries and inevitably encountering the often-confused Police Inspector Farraday. Throughout the series, a mixture of tension and camaraderie develops between Blackie and Farraday, as they navigate various criminal investigations with the help of Blackie''s girlfriend, Mary Wesley, and other characters.
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The Boston Blackie radio show aired from June 23, 1944, to October 25, 1950, with over 200 episodes produced during this period. The show initially began on NBC as a summer replacement for The Amos ''n'' Andy Show, sponsored by Rinso. Later, the series was syndicated by Frederic W. Ziv to Mutual and other network outlets. The show featured notable actors such as Chester Morris, Richard Kollmar, Maurice Tarplin, and Jan Miner. The series had several sponsors, including Lifebuoy Soap, Champagne Velvet beer, and R&H beer.' where series_slug='boston-blackie';
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update series set description='Box 13 is a syndicated radio drama that follows the adventures of Dan Holiday, a newspaperman-turned-mystery novelist played by actor Alan Ladd. The show is set around a simple premise: to generate story ideas for his mystery novels, Holiday places an advertisement in the local newspaper that reads, "Adventure wanted, will go anywhere, do anything, Box 13." Each episode deals with the adventures that transpire after Holiday receives a letter and responds to it. Along the way, Holiday solves mysteries, faces dangerous situations, and shares laughs with his secretary, Suzy. The show captures a lighthearted yet thrilling tone and manages to maintain a sense of mystery throughout each episode without relying heavily on grisly murders or hard-boiled detective themes.
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A product of Mayfair Productions, Box 13 was aired on the Mutual Broadcasting System, as well as being syndicated. The show ran for 52 episodes between August 1948 and August 1949. Other notable cast members included Sylvia Picker as Suzy, Edmond MacDonald as Lt. Kling, and guest appearances by Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal, and others. The series was produced by Richard Sanville with Alan Ladd as co-producer, and the program was directed by Vern Carstensen. The show''s music was created by Rudy Schrager, while the scripts were penned by Russell Hughes. Although Box 13 failed to make the transition to television, it did inspire a comic book series, which was reimagined and published by ComiXology and Red 5 Comics in 2010.' where series_slug='box-13';
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update series set description='Bright Star, also known as The Irene Dunne and Fred MacMurray Show, is a charming radio comedy-drama that centers around Susan Armstrong (played by Irene Dunne), the editor of a struggling newspaper called the Hillsdale Morning Star, and George Harvey (played by Fred MacMurray), an idealistic star reporter who often conflicts with his editor over stories. With a delightful rapport between Dunne and MacMurray, both of whom have excellent comedic timing, the show focuses on their attempts to keep the newspaper in business despite facing financial difficulties.
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Broadcasted between 1952 and 1953, Bright Star aired a total of 52 episodes that each lasted 30 minutes. The show was syndicated by Ziv and featured announcers Harry von Zell and, later, Wendell Niles. It is worth mentioning that Irene Dunne, best known for her films with Cary Grant, stopped acting in 1952 to focus on her position as alternate U.N. delegate of the General Assembly in 1959, a role given to her by President Eisenhower. Meanwhile, Fred MacMurray gained fame as the patriarch in the TV show "My Three Sons" from 1960 to 1972 and starred in several Disney films.' where series_slug='bright-star';
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update series set description='Broadway is My Beat is a radio crime drama that follows the life of hardened New York City cop, Detective Danny Clover, as he works homicide cases on the iconic "Great White Way." Set in the bustling theater district of Manhattan, from Times Square to Columbus Circle, the show is known for its captivating and gritty portrayal of the city through vivid sound effects and a powerful music score. With a strong focus on the urban streetscape and well-developed characters, the storylines feature dramatic and tense crime scenarios alongside engaging narrative monologues that transport listeners straight into the world of Broadway.
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The show initially aired on CBS from February 27, 1949, to August 1, 1954, starting off in New York City with Anthony Ross as Detective Danny Clover, before Larry Thor took over the role and the show moved to Hollywood under producer Elliott Lewis. With its authentic recreation of Manhattan''s bustling soundscape, Broadway is My Beat showcased the talents of renowned radio and film actors such as Irene Tedrow, Barney Phillips, Sheldon Leonard, and Martha Wentworth. The series became well-known for its powerful opening theme, "I''ll Take Manhattan," and is still remembered as a standout example of crime drama from the golden age of radio.' where series_slug='broadway-is-my-beat';
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update series set description='Buck Rogers in the 25th Century was a science fiction radio serial and aviation radio series that captured the excitement of the popular novel and comics series Buck Rogers. The show followed the adventures of Buck Rogers, a man from the present day who got trapped in a cave-in and was subjected to a mysterious gas that held him in suspended animation until he was discovered in the 25th century. Resuscitated by the good inventor and scientist Dr. Huer, Buck learns about the incredible technology and ways of life in the future, and sets off on thrilling adventures with Lieutenant Wilma Deering, Dr. Huer''s assistant, battling evil forces such as Killer Kane and Ardala Valmar. Dedicated to showcasing the ongoing struggle of good versus evil, Buck Rogers in the 25th Century was a forerunner to many juvenile adventure serials that followed.
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The show initially ran from November 7, 1932, to May 22, 1936, on CBS Radio, and returned several times throughout the following years on Mutual Broadcasting System, finally concluding on March 28, 1947. In total, the show aired an estimated 860 episodes, with some episodes available for listening today. Directed by Carlo De Angelo and Jack Johnstone, the show featured varying actors in its starring roles, including Matt Crowley, Curtis Arnall, Carl Frank, and John Larkin as Buck Rogers, as well as Adele Ronson and Edgar Stehli as Wilma Deering and Dr. Huer, respectively. The show was sponsored by well-known brands like Kellogg''s, Cocomalt, Cream of Wheat, Popsicles, Fudgsicles, and Creamsicles. Buck Rogers in the 25th Century was not only one of the first science fiction radio shows but also laid a foundation for future serials, such as Tarzan and The Air Adventures of Jimmy Allen.' where series_slug='buck-rogers';
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update series set description='Bulldog Drummond is a radio crime drama that focuses on the relentless pursuit of criminals by a British investigator nicknamed "Bulldog." Created by British author H.C. McNeile, the character is a polished man-about-town whose hobby is crime detection and the apprehension of criminals. Alongside his sidekick Denny, Captain Hugh Drummond solves various murder cases and deals with a range of underworld characters. The series is known for its brief but evocative opening created by producer-director Himan Brown, which uses sound effects to set a London ambiance.
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The show was broadcast from April 13, 1941, until March 28, 1954, airing on the Mutual Broadcasting System in the United States and Canada. Over the years, Drummond was played by several actors, including George Coulouris, Santos Ortega, Ned Wever, and Cedric Hardwicke. The character did not have a wife or ex-army comrades in the radio program as he did in the books, but he retained his butler, Denny. Distribution for the show became syndicated via electrical transcription in 1948, and a new version of Bulldog Drummond was aired in 1953 on Mutual. Despite efforts to revive the program, the final network version was broadcast only between January 3, 1954, and March 28, 1954.' where series_slug='bulldog-drummond';
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update series set description='Calling All Cars was a radio police drama that featured dramatizations of true crime stories, depicting how each crime was solved and justice served. Episodes were mainly introduced by officers from the Los Angeles Police Department, with Sgt. Jesse Rosenquist, a police dispatcher, as a part of the entire run of the series. The show focused on the tedious routine of tracking down killers and robbers and was described as a crude forerunner of the popular police procedural show, Dragnet.
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The show was broadcast from November 29, 1933, to September 8, 1939, and originally aired on the West Coast''s Columbia Broadcasting System (CBS) and on the Mutual-Don Lee Network. It was sponsored by the Rio Grande Oil Company, which was part of the Sinclair Oil Corporation. The show only ran in areas where Rio Grande "Cracked" gasoline was sold. Calling All Cars was written and directed by William N. Robson and gained recognition in 1938 when it received the Institute of Audible Arts Trophy for the most consistently excellent program broadcast in the western United States during that year.' where series_slug='calling-all-cars';
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update series set description='Can You Imagine That is a captivating radio show that shares bizarre and astounding stories taken from newspaper columns from across the country. Combining elements of docudrama sketches and vignettes about unusual news items and historical curiosities, the show aims to give listeners something intriguing to think about. Some of the peculiar stories dramatized on the show include incidents of animal attacks, elderly people growing new teeth, and ancient cultural practices. The show''s tone is lighter and less extreme than similar programs like Ripley''s Believe It or Not, making it an excellent source of entertaining facts and conversation starters.
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Broadcast during the golden age of radio, Can You Imagine That aired on multiple radio networks and showcased a variety of fascinating tales. The show has numerous episodes, and many of them still exist today. While the program did not have any related television shows or other media formats, it did share some similarities with other radio programs such as The Passing Parade, Ripley''s One Minute Shorts, Strange As It Seems, and Incredible But True. The show captured the interest of its listeners by presenting extraordinary accounts and facts, and it may have even had notable advertisers and sponsors during its time on the air.' where series_slug='can-you-imagine-that';
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update series set description='Candy Matson, YUkon 2-8209 was a detective drama radio show that featured private investigator Candy Matson, known for her sassiness and fearlessness. Set in San Francisco, the show''s premise revolved around Matson solving cases in real Bay Area locations, often ahead of her love interest, Lt. Ray Mallard. The show opened with a ringing telephone and the main character answering it with "Candy Matson, YU 2-8209," followed by the organ playing the theme song, "Candy." The show''s tone was marked by a blend of suspense, humor, and clever, caustic responses to threats from the unflappable, blonde sleuth.
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Candy Matson, YUkon 2-8209 first aired on the NBC West Coast in March 1949 and ran until May 1951. It was created by Monty Masters and starred his wife, Natalie Parks. Candy Matson was popular in San Francisco, even receiving the local newspaper''s "Favorite Program Award" in 1950. However, the show failed to secure a sponsor throughout its run. Only 14 of the 92 episodes are known to still exist today, with additional episodes preserved in audition shows and radio theater adaptations by producer Joe Bevilacqua.' where series_slug='candy-matson-yukon-2-8209';
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update series set description='Case Dismissed is a radio show that shares stories of everyday events in the context of our legal rights and the challenges faced when trying to preserve and protect them. The program highlights how fragile liberty and justice can be through engaging stories of criminal liability, legal wills, buying on installment, and leasing an apartment, as well as the vital role played by honest lawyers in helping navigate the legal system. Although the acting may be considered dated by today''s standards, the show still manages to achieve the desired effect through well-written stories, creating an interesting and educational listening experience.
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The show originally aired on WMAQ Chicago, an NBC station, and was broadcasted between January 30, 1954 and April 24, 1954. During this time, 13 episodes were produced, with 12 currently available. Presented by the Chicago Bar Association, Case Dismissed features a host of local Chicago talent led by Dean of the Loyola University Law School, John Fitzgerald. While the dramas are based on Illinois law, they still offer valuable lessons that can be applied more broadly. The show serves as a useful resource for those interested in the complexities of legal matters and the lasting impact these can have on everyday life.' where series_slug='case-dismissed';
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update series set description='Casey, Crime Photographer is a mystery and adventure radio series focused on the life of the titular character, a crime photographer for the fictional Morning Express newspaper. With the help of reporter Ann Williams, Casey hunts down criminals and solves various crimes. Often, a picture snapped at a crime scene leads Casey to play detective, with his police chief friend, Captain Logan, assisting them in each week''s episode. Between assignments, crime investigators Casey and Ann wind down at their favorite tavern, The Blue Note. The show is known for its blend of action and jazz with a backdrop of crime-investigator suspense.
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The series initially aired from July 7, 1943 until April 22, 1955, broadcasting a total of 431 episodes across various radio networks. Notable people involved in the show''s production included Matt Crowley, Staats Cotsworth, and Jan Miner, among others. The radio show had several sponsors, such as Anchor-Hocking glass, Toni home permanents, Toni Creme Shampoo, and Philip Morris cigarettes. In addition to its radio format, Casey, Crime Photographer branched out into a media franchise, spanning pulp magazines, novels, comic books, films, television, and legitimate theatre.' where series_slug='casey-crime-photographer';
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update series set description='CBS Radio Mystery Theater was a radio drama series that encompassed various genres, including horror, science fiction, historical drama, westerns, and comedy. The format of the show was similar to classic radio programs like The Mysterious Traveler and The Whistler, with episodes being introduced by host E. G. Marshall. As with prior Inner Sanctum Mysteries, each episode began and ended with the sound of a creaking door, coupled with Marshall''s greeting and sign-off. The series'' theme music featured a series of spooky and eerie sounds played by various instruments. Throughout its run, CBS Radio Mystery Theater boasted several notable actors and introduced a new generation of listeners to the world of radio drama.
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The show aired on CBS Radio Network affiliates from 1974 to 1982 and was later repeated by the NPR satellite feed in the early 2000s. There were 1,399 original episodes with a total number of broadcasts, including repeats, of 2,969. Each episode was allotted an hour of airtime, typically running for around 45 minutes. E. G. Marshall hosted the show from January 1974 until February 1, 1982, when actress Tammy Grimes took over for the remainder of the series'' final season. Himan Brown re-recorded E. G. Marshall''s original host segments for NPR''s broadcast of the show in the 2000s.' where series_slug='cbs-radio-mystery-theater';
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update series set description='CBS Radio Workshop was a revival of the Columbia Workshop series from the late thirties, serving as an experimental platform for actors, writers, and technicians to produce scripts that sponsors might deem too risky. The show was known for its cutting-edge writing, music, and sound, garnering appreciation from radio personnel and listeners alike. The series alternated between the west and east coast production centers and was dedicated to man''s imagination, as it explored the theater of the mind.
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The series aired from January 27, 1956, until September 22, 1957, on CBS, and all 86 episodes still exist today. The revival was initiated by William Froug, a CBS vice president, who pitched the idea to Howard Barnes. Their first program was an adaptation of Aldous Huxley''s "Brave New World," narrated by Huxley himself and announced by William Conrad. The CBS Radio Workshop was one of the last attempts of American network radio to hold onto radio demographics after the emergence of television. Some notable writers whose work was adapted for the series included John Cheever, Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Christopher Isherwood, Frederik Pohl, James Thurber, Mark Twain, and Thomas Wolfe.' where series_slug='cbs-radio-workshop';
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update series set description='Challenge of the Yukon was a radio series based on Detroit''s station WXYZ that explored the adventures of Sergeant William Preston of the Northwest Mounted Police and his lead sled dog, Yukon King, as they fought wrongdoers in the Northern wilderness during the Gold Rush of the 1890s. The program adopted an adventure format, focusing on the heroics of a working dog and the characters'' efforts to help injured trappers, smuggle trackers and protect cabin dwellers from wolverines. Yukon King was a critical character in the show, helping to drive the premise and action of the storyline.
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The radio show began as a 15-minute serial, airing locally from 1938 until May 28, 1947. After acquiring Quaker Oats as a sponsor, the series expanded to a half-hour format and moved to network programming. Challenge of the Yukon aired on ABC from June 12, 1947 to December 30, 1949 and later on The Mutual Broadcasting System from January 2, 1950 until its last episode on June 9, 1955. The title changed from Challenge of the Yukon to Sergeant Preston of the Yukon in November 1951, and that name remained until the end of the series and transitioned into television.' where series_slug='challenge-of-the-yukon';
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update series set description='Charlie Chan is a radio show centered around a fictional Hawaiian police detective created by author Earl Derr Biggers. The show features Detective Chan, a benevolent and heroic Chinese-American who was developed as an alternative to the negative and clichéd portrayals of East Asians in Hollywood in the early 20th century. Many episodes showcase Chan traveling around the world solving mysteries and uncovering criminals. The character carries a reputation for his wit, intelligence, and wisdom, which helped counteract and challenge existing Asian stereotypes.
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The detective serial aired in the late 1940s and gained popularity due to the Charlie Chan film adaptations that were also in circulation, with more than 40 films made between the 1930s and 1949. All the movies starred non-Chinese actors as Charlie. Unfortunately, the number of Charlie Chan radio serial recordings is limited, with the majority believed to be lost. Although the complete storylines are incomplete, the existing episode recordings still offer a glimpse into the unique and mysterious world of Detective Charlie Chan.' where series_slug='charlie-chan';
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update series set description='Chick Carter, Boy Detective is an American radio crime drama that centers on the character Chickering "Chick" Carter, who is the adopted son of and assistant to Nick Carter from Nick Carter, Master Detective. As a spinoff of the elder Carter''s show, episodes of this program typically feature cliffhanger endings, enticing young listeners to tune in for the next installment. While the show is primarily aimed at a younger audience, both the Chick Carter and Nick Carter series manage to keep fans of all ages engrossed in their crime-solving adventures.
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The show aired on the Mutual Broadcasting System from July 5, 1943 to July 6, 1945, with a total of 304 episodes. Leon Janney initially played Chick Carter before being replaced by Bill Lipton on July 3, 1944. The show was produced by Charles Michelson and directed by Fritz Block, who also contributed as a writer along with Walter B. Gibson, Ed Gruskin, and Nancy Webb. Chick Carter, Boy Detective later became the basis for a film serial called Chick Carter, Detective in 1946 and a comic strip that ran in Shadow Comics Magazine.' where series_slug='chick-carter-boy-detective';
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update series set description='Classic Baseball MLB is a captivating radio show that transports listeners back in time to relive the glory days of America''s pastime. The show''s premise revolves around the broadcast of classic Major League Baseball games, immersing the audience in the excitement and drama of historical matchups. With a format that highlights classic play-by-play announcements, color commentary, and vivid descriptions of the action on the field, the show brings these memorable games to life for listeners. The tone and style of Classic Baseball MLB are reminiscent of the golden age of radio, dedicated to recapturing the spirit of baseball''s storied history and presenting it in a manner that engages and entertains the audience.
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Though the show is timeless in its appeal, Classic Baseball MLB originally aired during the golden age of radio, from the 1930s through the 1950s. The show was broadcast on several prominent radio networks, ensuring that the action-packed drama of baseball games would reach a wide audience. While the exact number of episodes aired is unknown, a significant number of these broadcasts still exist today, allowing fans to continue to enjoy the thrilling moments of classic baseball games. The show attracted notable sponsors and advertisers that recognized the popularity of Major League Baseball and its influence on American culture. Featuring the talents of renowned broadcasters, play-by-play announcers, and other notable figures involved in the production, Classic Baseball MLB not only preserves the history of America''s favorite pastime but also serves as a testament to the enduring legacy of the golden age of radio.' where series_slug='classic-baseball-mlb';
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update series set description='Claudia, also known as Claudia and David, is a radio soap opera that centers on the lives of newlyweds David and Claudia Naughton. The show explores the challenges and successes of an average newly-married couple, touching on themes such as the need for thrift, dealing with an overbearing mother-in-law, and the charming little moments that make up everyday life. The premise originated from a series of short stories written by Rose Franken and William Brown Meloney published in Redbook magazine. The characters of Claudia and David were brought to life by Patricia Ryan and Richard Kollmar in the initial adaptation, followed by Kathryn Bard and Paul Crabtree in a subsequent version sponsored by Coca-Cola.
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The show was first broadcast on CBS between July 4th, 1941 and September 26th, 1941, followed by a syndicated version in 1947. The original short stories that inspired the show were later compiled and adapted into a pair of RKO films titled Claudia (1943) and Claudia and David (1946), which starred Robert Young and Dorothy McGuire. The success of these films led to Coca-Cola sponsoring a 15-minute radio program for the 1947-1948 season. Additionally, the storyline of Claudia and David inspired two TV movies in the late fifties and British and German television adaptations. As part of the Old Time Radio Researchers Group, some of the episodes are still available to listen to today.' where series_slug='claudia';
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update series set description='Cloak and Dagger is a suspenseful radio series that aired on the NBC network, focusing on the daring missions of OSS agents during World War II. These agents were sent behind enemy lines, fully aware that they might not make it back alive. The show''s episodes told gripping stories of patriotism, betrayal, triumph, tragedy, and failure, often with unexpected and dramatic endings. Based on the 1946 book "Cloak and Dagger: The Secret Story of the OSS" by Corey Ford and Alastair MacBain, the show captivated audiences with its thrilling and intense storytelling, evoking the perils and sacrifices of the agents who risked their lives for their country. The theme music set the tone, akin to that of Tales of the Texas Rangers, while the cast brought to life the complex and intriguing characters.
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Broadcast during 1950, Cloak and Dagger aired for 22 episodes on Sundays, later switching to Fridays. Directed by Sherman Marks, the series featured a talented cast, including Raymond Edward Johnson as The Hungarian Giant and Gilbert Mack as Impy the Midget, as well as other notable actors from the New York radio scene. The show was based on true stories from the Office of Strategic Services, bringing an added layer of authenticity and intrigue to the gripping tales. Despite its relatively short run, Cloak and Dagger left a lasting impression in the world of radio dramas and remains a testament to the bravery and sacrifice of the OSS agents during World War II.' where series_slug='cloak-and-dagger';
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update series set description='Club Car Special is a radio show based on the March of Events and City Life Section of the Hearst Sunday newspapers, featuring the works of America''s foremost humorists such as O.O. McKentyre, Will Rogers, George Eads, Stan Hilman, Arthur ''Bugs'' Bayer, Milt Gross, Damon Runyon, and many others. The program invites listeners to join in for a lark and a laugh, offering a more relaxed and enjoyable travel experience compared to the hustle and bustle of modern transportation. The show starts with a sketch dramatizing a cartoon, followed by a short review of some humorous articles by Hearst''s beloved writers, providing the perfect opportunity for listeners to relax and enjoy a drink while they explore the content of the upcoming Sunday newspaper.
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The Club Car Special was presented by the Hearst Newspaper Syndicate and aimed to provide listeners with a teaser of the upcoming Sunday’s Newspaper inserts during the mid-week in a 15-minute format. While most reviewers believe that the main purpose of the program was to sell Sunday Newspapers, it is thought that its true purpose might have been to allow parents to enjoy parts of the Sunday paper before their children could take out all of the fun sections. Although details about the show''s original air dates, broadcast networks, and episode count are not provided, Club Car Special stands as a unique and entertaining audio experience that takes listeners back to a simpler, more relaxed time in radio history.' where series_slug='club-car-special';
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update series set description='Comic Weekly Man was a unique radio show that captured the hearts of both children and adults through its dramatic readings of Sunday comic strips. The show''s charming host, the Comic Weekly Man, would read a variety of popular comic strips such as Blondie, Beetle Bailey, Hi and Lois, and many others, bringing the characters to life with the help of music and sound effects. The show allowed listeners to immerse themselves in the stories, and many avid fans would follow along with their own print copies of the comics in hand.
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The show aired from 1947 to 1954 and was produced by the Old Time Radio Researchers Group. The Comic Weekly Man was initially portrayed by an unnamed actor, but the role was later taken on by Lon Clark. During its run, the show featured readings of well-known comic strips such as Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine, among others. The show was broadcast on radio networks in the 1951-1953 period, creating a memorable and nostalgic experience for many listeners.' where series_slug='comic-weekly-man';
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update series set description='Command Performance was a radio show that aired from 1942 to 1949, created to entertain and lift the spirits of US Armed Forces personnel during World War II. Broadcast on the Armed Forces Radio Network, the program featured talented and well-known performers like Bing Crosby, Jack Benny, and Frank Sinatra. Soldiers would send in requests for specific performers or sounds they wanted to hear, creating a unique connection between the stars and the troops. The show was typically recorded in Hollywood, California, and took on a humorous and light-hearted tone to help boost the morale of those fighting overseas.
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The show''s first broadcast took place on March 1, 1942, and was created under the Office of War Information. The success of Command Performance led to the establishment of the Armed Forces Radio Service in May 1942. Only a few episodes aired on domestic US stations, with most of the shows being transmitted by shortwave to overseas troops. During its run, a total of 415 episodes were produced, with top performers often volunteering their talents to support the war effort. In 1949, the show ended as a result of budget cuts implemented by the Secretary of Defense.' where series_slug='command-performance';
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update series set description='CBS Complete Broadcast Day (1944) is centered around CBS''s radio coverage of the significant event, D-Day, in which U.S. and allied troops launched a surprise invasion on the Nazi-occupied shores of Normandy on June 6th, 1944. The radio show captures the narrative, action, and drama of the historic day as 12,000 British and American airplanes led the attack, supported by thousands of paratroopers and forces arriving via sea. The successful battle marked a turning point in favor of the allies and the liberation of Europe in World War II.
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The collection constitutes broadcasts from almost the entire 24-hour day of June 6th, 1944, and provides valuable insight into the events as they unfolded. Notable related radio broadcasts include the complete coverage of the 1939 invasion of Poland by Germany, the 1941 attack on Pearl Harbor, and NBC Coverage WEAF''s 12-hour coverage of the August 10, 1945 Atomic Bombing of Nagasaki. These broadcasts serve as critical historical documents, capturing the emotions, reactions, and experiences of those who lived through these monumental moments in history.' where series_slug='complete-broadcast-day-d-day';
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update series set description='Crazy Hillbillies is a 1930s radio show that revolves around the residents of Mineral Wells, Texas, who experienced the laxative effects of the minerals in their local drinking water. With its origins in New York City, the show features "Old Timey" music, a precursor to Bluegrass which combines folk music from diverse origins such as the British Isles, Europe, and Africa. The program''s distinct sound is characterized by one instrument playing the melody accompanied by other instruments and sometimes a harmonica. As Bluegrass gained popularity in urban areas, it showcased more improvisation and each instrument’s treatment of the melody in turn.
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Broadcasted in the 1930s, the Crazy Hillbilly Show was initially sponsored by Crazy Water Hotel, taking advantage of the show''s popularity on a Dallas radio station. Eventually, the program spread its advertisements to a pirate radio station with a powerful transmitter just across the Mexican Border, allowing listeners as far away as Hawaii. However, when the great depression hit, travel to health spas declined, and the focus shifted to selling boiled-down mineral salts that could be reconstituted using tap water. Though the claims made by the Collins brothers, the creators of the show, were not overtly fraudulent, they were eventually lumped into the same category as other patent medicine salesmen when federal regulations were enacted.' where series_slug='crazy-hillbillies';
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update series set description='The Crazy Water Crystal Program was a unique 15-minute radio show that combined advertising with entertainment, specifically promoting an elixir made from the residue of the Crazy Well in Mineral Wells, Texas. The radio show treated its listeners to diverse early country-western and bluegrass music performances, earning its place as a significant player in broadcasting within the genre. Set in the lobby of the Crazy Water Hotel, the show featured various country and hillbilly musical groups to entertain listeners while also promoting the supposed health benefits of the Crazy Water Crystal elixir.
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Broadcast between 1935 and 1940, the Crazy Water Crystal Program was aired both regionally and on the NBC networks, with many episodes still available today. The show played a role in boosting the tourist industry in Mineral Wells, Texas, as the local legend claimed that a mentally ill woman was cured after drinking from the Crazy Spring. The program featured the "Crazy Gang", who would explain how to reconstitute the elixir from the Crazy Water Crystals with tap water, providing alleged health benefits. Notably, actress Mary Martin, a Weatherford, Texas native, appeared in Crazy shows before achieving Broadway and Hollywood fame. The legacy of the Crazy Water Crystal Program can still be seen today, with a large Crazy Water Crystal sign displayed during the 1992 opening of the Grand Ole Opry and a photo of Hank Snow singing on the show exhibited in a museum.' where series_slug='crazy-water-crystal-program';
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update series set description='Crime and Peter Chambers is a detective radio program centered around a private eye named Peter Chambers, played by Dane Clark, who often collaborated with the police department in solving crimes. His counterpart at the NYPD was Lt. Parker, portrayed by Bill Zuckert. The show was based on the character created by Henry Kane, who authored eight Peter Chambers novels before the series came to radio, and Kane also wrote the scripts for the radio show adaptation. The series was known for its glib dialogue and focused on the protagonist''s crime-solving abilities while also dabbling in his encounters with women.
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The show was broadcast from April 6, 1954, to September 7, 1954, on the NBC radio network. A total of 21 episodes are available from the series. Notable actors involved in the production include Bill Zuckert, who later guest-starred in 1970s shows like The Mary Tyler Moore Show and the Partridge Family. The show''s director was Fred Weihe, and the creator, writer, and producer of the series was Henry Kane. Crime and Peter Chambers did not have any known adaptations for television or other media formats.' where series_slug='crime-and-peter-chambers';
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update series set description='Crime Classics was a radio series that delved into true crime stories from the records and newspapers of various lands and times. The show''s host, Mr. Thomas Hyland, was played by Lou Merrill, who portrayed the character as a measured and mild-mannered lecturer. Each episode was based on a true story that was meticulously researched and presented with sophistication and mood, supported by sensitive orchestral scores composed by Bernard Herrmann and tasteful sound effects. The show stood out for its wry, cool-blooded tone and its ability to bring out interesting background details in historical crimes.
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The show aired from September 30, 1953, to June 30, 1954, on CBS Radio, with a total of 52 episodes. Crime Classics was produced and directed by Elliott Lewis, a prolific actor, producer, and director known for his work on Suspense, Broadway is My Beat, and On Stage. Writers Morton Fine and David Friedkin were responsible for the show''s well-researched scripts. The show is considered a good companion to other historically-oriented radio shows such as Cavalcade of America, You Are There, and The American Trail.' where series_slug='crime-classics';
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update series set description='Cruise of the Poll Parrot is an adventure and mystery radio serial centered around a whaling voyage from New Bedford in 1858. The story follows young skipper Roy Dalton and his crew as they embark on a journey aboard the ship Poll Parrot, named for its mascot, a wise parrot also named Poll. The show is filled with excitement and intrigue, as well as educational information about the whaling industry and maritime history. Characters include the ship''s owner, Ezra Grange; his little sister Sue and her friend Johnny Robbins; first mate George Wainwright; a one-legged sailor named Old Dickson; a mute crew member named Red Mahooley; shipkeeper Breckenridge; and an agent for another shipping company, El Testi.
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The show aired from 1937 and was syndicated as an advertisement for the International Shoe Company''s Poll Parrot Shoes, catering to children. It was sold in blocks of 13, 26, or all 39 episodes, with each part having a self-contained storyline. The series exponentially boosted shoe sales, and to this day, three complete blocks of the show still exist. Marvin Miller, who played the main character Captain Roy Dalton, went on to have a successful career in radio and film, even appearing in the 1950s TV series "The Millionaire." The show was primarily intended for local shoe stores to buy advertising time, adding further appeal to its target audience.' where series_slug='cruise-of-the-poll-parrot';
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update series set description='Danger, Dr. Danfield is a detective melodrama that features the story of Dr. Daniel Danfield, an obnoxious, unlicensed private investigator and criminal psychologist. The show follows a formula, with crimes being committed in the first third of the program, Dr. Danfield solving them in the second third, and then explaining the solution to someone (usually his secretary, Rusty Fairfax) in the conclusion. The show is most similar to Nick Carter, Master Detective; Casey, Crime Photographer; and The Falcon but leans more towards a lighter and less demanding approach in terms of emotions and intellect, making it suitable for drive-time or casual listening.
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The show aired 26 episodes, beginning on August 18, 1946, and running through April 13, 1947, on the ABC network. All episodes are available and starred Michael Dunn as Dr. Danfield, alongside JoAnne Johnson as Rusty Fairfax. Danger, Dr. Danfield was written by Ralph Wilkinson and produced by Wally Ramsey. Despite featuring some of the worst acting and writing of any detective show, the show was syndicated for several years after its original run.' where series_slug='danger-dr-danfield';
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update series set description='Dangerous Assignment is a radio series that follows the intriguing adventures of Steve Mitchell, an international operative with one goal: to get in and out of danger. Played by film actor Brian Donlevy, Mitchell is given dangerous assignments by the Commissioner, a secretive taskmaster portrayed by Herb Butterfield. The show features exotic locations and solid acting by its supporting characters, with Donlevy''s world-weary and wary tone adding to the show''s suspenseful atmosphere. Dangerous Assignment''s radio punch appeals to fans of tough-guy characters navigating through thrilling predicaments.
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Broadcast in the United States from 1949 to 1953, Dangerous Assignment aired on the NBC network and featured both a radio drama and a syndicated television series. The radio show aired a total of 167 episodes, with Brian Donlevy as the protagonist and narrator. Additionally, the show had an Australian radio series during 1954-1956, remaking the original American radio scripts. Notable sponsors for the American series included the Ford Motor Company, Wheaties cereal, Anacin painkiller, Chesterfield cigarettes, and RCA Victor record label.' where series_slug='dangerous-assignment';
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update series set description='Dangerously Yours was a half-hour radio program that focused on romance and adventure, with a strong emphasis on love stories between the characters. The show starred Victor Jory as the leading man, and often featured scenes where lovers would whisper sweet nothings to each other, while action and adventure played out in the background. At the end of each episode, an announcer would tease the audience with a brief preview of the upcoming week''s show. The series underwent a title change towards the end of its run and became known as Vicks Matinee Theater, continuing to deliver romantic adventures to its audience.
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Broadcast in 1944, Dangerously Yours was sponsored by Vicks and aired sixteen episodes during its time on the radio. Out of these sixteen, eleven are still available for collectors today. After the series transitioned to Vicks Matinee Theater, twenty-five more episodes were broadcast, some of which were repeats of earlier shows from Dangerously Yours. Out of these twenty-five episodes, twenty-two are known to still exist. The show was supported by the Vic Chemical Company, which produced various products like nose drops and vapor rubs. Victor Jory, a Hollywood actor, served as the primary hero and starred in adaptations of pirate, espionage, and adventure stories, all imbued with elements of romance. The show''s name changed to Matinee Theater in October 1944.' where series_slug='dangerously-yours';
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update series set description='Dark Fantasy was a thrilling radio series that entertained audiences with tales of the supernatural and mysterious, bringing horror dramas to life with chilling stories and adventures. Created by Scott Bishop, the series captivated listeners with tales that explored the unknown and delved into the realms of horror, science fiction, and murder mysteries. Much to the delight of its fans, the show offered chilling stories that left goosebumps, allowing the listeners'' imaginations to run wild as they became immersed in the eerie world of Dark Fantasy.
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Broadcast on NBC between 1941 and 1942, Dark Fantasy originated from radio station WKY in Oklahoma City. Scott Bishop, also known for his work on The Mysterious Traveler and The Sealed Book, was the brilliant mind behind the series, writing each thrilling episode. Tom Paxton served as the announcer during the show''s Friday-night airings. Despite its short one-year run, Dark Fantasy''s enduring appeal and excellent storytelling secured its place in radio history. With 31 episodes to its name, the show proved that Oklahoma City was more than capable of being the headquarters for haunts.' where series_slug='dark-fantasy';
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update series set description='Dear Adolf is a captivating radio show featuring a series of six narrative letters, based on actual correspondence penned by Americans to Adolf Hitler during World War II. These vignettes offer insight into the U.S. public opinion of Hitler and the Nazi regime at that time. Written by Stephen Vincent Benét, the program was designed as a "fight-talk program," a type of network-based propaganda show aimed at boosting popular support for the war. Each letter in Dear Adolf is narrated by a different character, including a farmer, a mother, a businessman, a laborer, a U.S. soldier, and an Austrian-born naturalized American citizen, portraying diverse perspectives and sentiments toward the dictator.
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Produced in 1942, Dear Adolf aired as part of the network''s effort to boost support for the war through specially created programs. While the broadcast network and production names are not mentioned, the show gained enough recognition for its content to be featured in Time Magazine''s August 3, 1942 issue. Additional contexts, such as the number of episodes aired and still existing today or notable actors involved in the production, have not been provided. However, the collection also features over 180 World War II-era posters, and for those interested in similar shows, other programs like Man Behind the Gun, Hitler Speeches, Soldiers of the Press, Words At War, and You Can''t Do Business with Hitler may be of interest.' where series_slug='dear-adolf';
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update series set description='Delmore Brothers is a radio show that features the musical talents of brothers Alton and Rabon Delmore, who were country music pioneers and stars of the Grand Ole Opry in the 1930s. Born into poverty in Elkmont, Alabama, the duo combined gospel-style harmonies with guitar work from folk music to create a unique sound. In their performances, they utilized a rare tenor guitar, a four-string instrument predominantly used in vaudeville shows. Their shows also featured passionate pitches for their songbook, as they believed people were willing to pay more for their songs than to simply hear them perform.
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The Delmore Brothers radio show aired from the 1930s to the 1950s, gaining significant traction when they signed with Victor Record''s budget label Bluebird in 1933. They eventually became the most popular act on the Grand Ole Opry variety program. However, disagreements with Opry management led to their departure from the show in 1939. Although they continued to play and record music throughout the 1940s, they never reached the same level of success. Rabon passed away from lung cancer in 1952, and Alton eventually lost interest in performing, opting to focus on music lessons and odd jobs. Despite their wane in popularity, the Delmore Brothers remained influential in the world of country music.' where series_slug='delmore-brothers';
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update series set description='Democracy in America is a well-produced dramatization of Alexis de Tocqueville''s book of the same name, following the travels of Tocqueville and his companion, Gustave de Beaumont, as they explore America in the 1830s. The engaging series combines music, sound effects, and impressive acting to bring the historical story to life, with Tocqueville being played by Barry Morse and Beaumont by Alan King. Additionally, the educational show incorporates discussions on various topics relating to the series, hosted by historian Dorothy Gordon and featuring students from New York University.
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The show originally aired on NBC and CBC in January of 1962, with a total of fourteen 30-minute episodes. Democracy in America was produced by Andrew Allan and directed by historian George Probst in conjunction with the Division of General Education of New York University and the Fund for Adult Education. The collection also includes two preview programs that aired immediately before the series, which delved deeper into the topics and themes presented in Tocqueville''s book.' where series_slug='democracy-in-america';
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update series set description='Dimension X was a science fiction radio program that showcased the works of renowned writers such as Ray Bradbury, Robert Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. The show''s scriptwriter Ernest Kinoy adapted these masterpieces and also contributed some original stories. Dimension X''s gripping plotlines often delved into themes of adventure, time, and space—all set in future tense. The program featured a variety of talented actors, including Joe Di Santis, Wendell Holmes, Jan Miner, and Mason Adams. Directed by Fred Weihe and Edward King, the series'' signature echoed the title "DIMENSION X X X X X x x x x x" and heavily relied on the "X" factor, engaging audiences in a thrilling audio experience.
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Broadcast on NBC Radio, Dimension X aired from April 8, 1950, to September 29, 1951. Throughout its run, the series released 50 episodes, 13 of which were broadcast live, while the remainder were prerecorded. The show was mostly unsponsored but was backed by Wheaties for two months starting in July 1950. Dimension X garnered a strong following, with all of its episodes still accessible today. This unique radio program preceded the television era and was followed by another NBC series, X Minus One (1955-58), which featured many of the same actors and scripts as Dimension X.' where series_slug='dimension-x';
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update series set description='Down Our Way is a heartwarming radio show that brings to life the close-knit community spirit of small-town America. Set in a simpler time, the story revolves around neighbors helping neighbors and using their faith in their daily lives. The central character is Eli Jenkins, the town''s kindhearted grocer, who is always there to lend a helping hand when trouble arises. The show has a delightful, down-home tone, featuring aspects of small-town living, such as local politics, pie contests, and friendly rivalries. Choir music adds a touch of magic to the show, as the local choir regularly meets at Eli''s grocery store to practice their hymnals.
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While not much is known about Down Our Way, it is believed to have been created in the early 1930s. The Old Time Radio Researchers Group is actively seeking more information about the series. The show''s quaint and nostalgic portrayal of simpler times resonates with listeners even today, transporting them back to a bygone era of small-town America, if only for 30 minutes at a time. Fans of radio shows featuring large protagonists might also enjoy Big Guy, Fat Man, Scattergood Baines, and Nero Wolfe.' where series_slug='down-our-way';
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update series set description='Dr. I.Q. was a radio and television quiz program that featured a simple yet appealing format that captivated audiences from 1939 to 1959. The show''s premise involved selecting audience members as contestants and asking them various questions. Host Lew Valentine, alongside his microphone-wielding assistants, engaged contestants and awarded cash prizes in the form of silver dollars and Mars Candy''s Snickers bars. The show included features like the "Biographical Sketch," where contestants were given clues to identify a person, and the "Lady in the Balcony" quiz, which featured consecutive weekly appearances for a female contestant aiming to win a jackpot prize.
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The radio version of Dr. I.Q. was broadcast from various concert halls and theaters in different cities, without a set studio, and aired on NBC and ABC networks from April 10, 1939, until November 29, 1950. Hosts during the radio show''s run included Lew Valentine, Jimmy McClain, and Stanley Vainrib. Dr. I.Q. Jr., a juvenile version of the show, aired on NBC from 1941 to 1949, with Valentine and McClain as hosts. The television incarnation of Dr. I.Q. aired on ABC from November 4, 1953, to October 17, 1954, and again from December 15, 1958, to March 23, 1959. Jay Owen, James McClain, and Tom Kennedy all served as hosts during the TV show''s run, and Hazel Bishop cosmetics was a sponsor of the program in 1954. Only one episode from the 1953-54 version and four episodes from the 1958-59 version, along with a pilot for Dr. I.Q. Jr., are known to still exist today.' where series_slug='dr-iq';
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update series set description='Dr. Kildare was a radio show produced at WMGM New York, based on the popular Dr. Kildare movies from the late 1930s and early 1940s. The show starred Lew Ayres as the young, idealistic Dr. James Kildare and Lionel Barrymore as the seasoned diagnostician, Dr. Leonard Gillespie. The series followed their work at Blair General Hospital, focusing on Kildare''s dedication to his patients while navigating the challenges of hospital administration and the eccentric characters that populated the hospital. The show''s dramatic tone emphasized the cutting-edge medical techniques employed by the characters to save their patients, while the actors'' strong performances provided a solid basis for engaging storytelling.
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Dr. Kildare was created as a radio adaptation after its successful run as a film series, which was in turn inspired by the original character of Dr. James Kildare from author Frederick Schiller Faust''s pulp-crime fiction stories. The radio show aired from the late 1940s to the early 1950s and featured several notable actors such as Stacy Harris, Isabel Jewell, Jay Novello, George Ellis, Paul Frees, Raymond Burr, and Jack Webb. In addition to the films and radio show, Dr. Kildare had several other adaptations, including a 1961–1966 TV series starring Richard Chamberlain, a comic book, a comic strip, and a 1972–1973 syndicated TV series called "Young Dr. Kildare."' where series_slug='dr-kildare';
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update series set description='Dragnet was a radio police drama series that focused on real police stories in Los Angeles, with a signature "just the facts" style. It followed the cases of dedicated Los Angeles police detective Sergeant Joe Friday and his partners, revealing the boredom and drudgery as well as the danger and heroism of police work. The show aimed for realism and unpretentious acting, and its influence on subsequent police dramas in various media formats was significant. Dragnet''s cultural impact continues, as elements of the show remain known and recognizable even to those unfamiliar with the program. The four-note introduction to the theme music, Danger Ahead, and the opening narration are instantly recognizable elements of the show.
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Dragnet aired on NBC from June 3rd, 1949, to February 26th, 1957, and later transitioned to television, running from December 16th, 1951, to August 23rd, 1959, and from January 12th, 1967, to April 16th, 1970. There were also two Dragnet feature films, a straight adaptation starring Jack Webb in 1954, and a comedy spoof in 1987. Additionally, there were television revivals without Webb in 1989 and 2003. As the show developed, Friday''s deadpan, fast-talking persona emerged, and his various partners provided variety and comic relief throughout the series. The show''s scripts tackled a range of topics, from thrilling to mundane, which remained interesting due to the fast-paced plots and behind-the-scenes realism.' where series_slug='dragnet';
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update series set description='Duffy''s Tavern is an American radio situation comedy that revolves around the misadventures of Archie, the manager of the titular tavern. Portrayed by Ed Gardner, Archie is prone to involvement in get-rich-quick schemes and romantic missteps, often communicating with malaprops and mixed metaphors. The show features a variety of earthbound but dreaming New York characters and manages to maintain an intimate tavern atmosphere throughout each episode. Regulars include Duffy''s daughter Miss Duffy and barstool jockey Clifton Finnegan, with notable guest stars such as Boris Karloff, Lucille Ball, and Marlene Dietrich occasionally making appearances.
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The show ran for a decade on several networks including CBS from 1941-42, NBC-Blue Network from 1942-44, and concluding with NBC from 1944-51, totaling its run at the end of the December 28, 1951 broadcast. A film adaptation titled Ed Gardner''s Duffy''s Tavern was released in 1945, featuring Archie and his regulars surrounded by a throng of Paramount Pictures stars playing themselves. Additionally, a short-lived TV series aired in 1954, co-produced by Hal Roach Jr. In popular culture, Duffy''s Tavern has inspired references in other TV shows such as "Cheers," "Archie Bunker''s Place," and "Ryan''s Hope," as well as numerous real-life bars and inns adopting the name across the United States.' where series_slug='duffys-tavern';
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update series set description='Edgar Bergen & Charlie McCarthy was a comedy variety show featuring the unique talents of ventriloquist Edgar Bergen and his wooden sidekick, Charlie McCarthy. The show was based on a witty and often ribald sense of humor, with Charlie McCarthy delivering irrepressible wisecracks that amused not only the audience but also Bergen himself. This wacky premise was paired with a classy and English tone, thanks to the presence of monocle-wearing Charlie McCarthy, who appeared to be from across the pond. The show also featured other well-loved Edgar Bergen characters, such as the dopey hayseed Mortimer Snerd and the odd Effie Klinker, who was merely Bergen''s hand with a kerchief on it.
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The radio show aired from 1936 to 1955 and stayed in the top five most popular shows for a decade. After an initial season on The Rudy Vallee Hour, it found a home on the Chase and Sandborn Radio Hour in 1937, where it remained until 1948. Throughout its run, the show featured many famous guest stars, such as W.C. Fields, Marilyn Monroe, Orson Welles, and Lucille Ball. It even made national headlines when Mae West starred in a racy "Adam and Eve" sketch that led to her being effectively blackballed for over a decade. Bergen and McCarthy went on to make numerous TV appearances in the 1950s, proving their enduring popularity despite the unlikelihood of a ventriloquist act succeeding on radio. The show stands as a testament to Edgar Bergen''s mastery of witty repartee and the willingness of radio audiences to embrace unique and creative acts.' where series_slug='edgar-bergen--charlie-mccarthy';
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update series set description='Ellery Queen''s Minute Mysteries is a radio show featuring one-minute mysteries. The show follows the intriguing adventures of Ellery Queen, an author who solves mysteries in his spare time and then writes about them. Created by cousins Fred Dannay and Manfred B. Lee, the character of Ellery Queen was conceived as a combination of Sherlock Holmes and Watson. The stories are set in a 1920s setting, with Queen often accompanied by his sidekick and father, Richard Queen. The captivating episodes showcase the pair''s mystery-solving escapades, making for an engaging and thrilling listening experience for fans of detective stories and whodunits.
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The radio show based on Ellery Queen''s adventures was born after the character''s successful stint in Dannay and Lee''s novels. The show aired during the golden age of radio, leaving a vast and lasting impact on listeners. Over the years, the character of Ellery Queen has appeared in various other formats, including television shows and other media. Additionally, a pseudonymous character named Barnaby Ross, created by Dannay and Lee, was eventually revealed to be Ellery Queen. The move further expanded the character''s universe, with several existing Barnabay Ross novels being rebranded as Ellery Queen stories.' where series_slug='ellery-queens-minute-mysteries';
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update series set description='Encore Theater is a dramatic anthology series that features medical-themed dramas based on true stories. The show weaves compelling and sympathetic narratives while providing valuable insights into the history of medicine. Each episode, although tied together by a common theme, stands on its own as a captivating drama. The series showcases the evolution of medical science and the unwavering dedication of healthcare practitioners to their Hippocratic oath. Sponsored by Schenley Labs, Inc., the show boasts an impressive cast comprising some of the finest actors from stage, screen, and radio. The skilled direction of William Lawrence and the exceptional musical backdrop crafted by Leith Stevens further elevate the series, making it a timeless gem.
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Encore Theater aired during the summer of 1946 and featured notable cast members such as Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young, and Lionel Barrymore. The series was based on a combination of medical research and personal stories of medical workers, shedding light on the world of healthcare during its time. The show was eventually replaced by Cresta Blanca Hollywood Players. To explore similar series, one can also check out Adventures in Research, Doctor Fights, American Trail, Science Magazine of the Air, Better Living Theater, Exploring the Unknown, and Dr Christian.' where series_slug='encore-theater';
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update series set description='Escape is a dramatic adventure anthology radio series that captivated listeners with its thrilling and suspenseful episodes. Each of the more than 200 episodes was a meticulously crafted micro-drama designed to hold the audience''s attention for 30 minutes. The show offered adaptations of classic works by famous writers, as well as original stories by up-and-coming talent. Escape was known for its brilliant scriptwriting and superb production quality, often providing more dramatically focused and atmospheric adaptations than more high-profile shows like Suspense. It captured the essence of radio drama and continues to enthrall listeners today.
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The show aired between 1947 and 1954 and was broadcast on CBS Radio. A total of 228 episodes were produced during its seven-year run, and many of them remain in good condition today. Despite its irregular scheduling and the lack of a consistent timeslot, Escape was highly popular during its time on air. Among the notable actors involved in the production were William Conrad, John Dehner, Jack Webb, Elliott Lewis, and Frank Lovejoy. A television counterpart of the show also aired on CBS TV for a few months in 1950, further solidifying its legacy in the history of broadcast entertainment.' where series_slug='escape';
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update series set description='Exploring Tomorrow was an American radio series focusing on science fiction, described by an advertisement as "the first science-fiction show of science-fictioneers, by science-fictioneers and for science-fictioneers - real science fiction for a change!" The show was narrated by John W. Campbell, editor of Astounding Magazine, and featured stories written by prominent science fiction authors of the era. The series had a unique tone and style, with scripts exploring futuristic themes and concepts, making it a favorite among fans of the genre.
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The radio show aired on the Mutual Broadcasting System from December 4, 1957, until June 13, 1958. It featured a total of 26 episodes, with notable writers such as Randall Garrett, Gordon R. Dickson, Robert Silverberg, Isaac Asimov, Philip K. Dick, Poul Anderson, John Fleming, Raymond E. Banks, George O. Smith, and Tom Godwin contributing to the series. While it did not have any direct TV show adaptations or other media formats, Exploring Tomorrow helped to influence later science fiction radio programs like Dimension X and X Minus One.' where series_slug='exploring-tomorrow';
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update series set description='Family Doctor tells the story of Dr. Grant Adams, a wise and humorous doctor in a small town who serves as both the community''s physician and their moral rectifier. Each week, Dr. Adams confronts various communal issues, ranging from robbery to suicide, and addresses these problems with his common sense and gentle moral judgment. While his old-fashioned remedies for illnesses may be considered outdated by modern standards, his approach to dealing with life''s daily issues remains timeless. The show features thirty-nine episodes, out of which only twelve were ever aired. Family Doctor''s entertaining and engaging narrative ensures that listeners will be eager to hear more stories from the quirky inhabitants of the small town.
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Broadcasters Program Syndicate and Bruce Eells and Associates syndication produced Family Doctor as a dramatic serial in 1932. Set in Cedarton, a town characterized by its generally healthy and good-natured residents, the show explores the challenges and moral dilemmas faced by these individuals, with Dr. Adams always ready to help guide them on the right path. Each episode is self-contained and does not end on a cliffhanger, but maintains many soap opera elements, such as organ music and local advertisements. At the end of every episode, Dr. Adams signs off saying, "This is the family doctor. I''ll be in to see you again right soon. Goodbye…"' where series_slug='family-doctor';
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update series set description='Father Knows Best is a radio program based on a domestic comedy, which focuses on the Anderson family, and their experiences dealing with the day-to-day woes of life. The show centers around the family patriarch, Jim Anderson, as well as his wife Margaret, and their children Betty, Bud, and Kathy. The style and tone of Father Knows Best are light-hearted and family-oriented, with plotlines often involving misunderstandings, generation gap issues, and trivial arguments between the children. Although the comedy is not intended to be overly humorous, the program still manages to captivate the audience with its endearing and relatable characters.
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Father Knows Best was broadcast from 1949 to 1954 on NBC, with a total of 203 episodes known to have aired. It was sponsored by General Foods during its three-year radio run, which led to numerous product advertisements throughout the show. Notably, the program was adapted to television in 1954, with the small screen version also starring Robert Young as Jim Anderson. The show ran on television until 1962, further solidifying its popularity and status as a classic family sitcom. Father Knows Best, then, served as a predecessor to other well-loved family comedies such as Ozzie and Harriet and Leave it to Beaver, and its impact can still be felt in today''s television landscape.' where series_slug='father-knows-best';
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update series set description='Fibber McGee and Molly was an American radio comedy series focused on the misadventures of a working-class couple, Fibber McGee and his loving wife Molly, living in the community of Wistful Vista. Created and portrayed by husband-and-wife duo Jim and Marian Jordan, the show was a situational comedy that followed their previous radio sitcom, Smackout. The show featured an announcer, house band, and a vocal quartet for added interludes. Fibber McGee was a habitual storyteller, while Molly, his sometimes terse but always loving wife, provided balance to his character. The series became one of the most popular radio shows of its time, and at the peak of its success in the 1940s, it was adapted into a string of feature films.
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Fibber McGee and Molly aired from April 16, 1935, to October 2, 1959, with 1,611 episodes produced. The show began on the NBC Blue Network and later became a staple of the NBC Red Network. In 1957, it continued as a short-form series as part of the weekend Monitor until 1959. A 1959 attempt to adapt the series to television with a different cast and new writers was a critical and commercial failure, bringing the series to an end after Marian Jordan''s subsequent death. The series was sponsored by Johnson''s Wax, Pet Milk, and Reynolds Aluminum, while notable actors involved in the production included Jim Jordan, Marian Jordan, Harlow Wilcox, and announcer Harlow Wilcox.' where series_slug='fibber-mcgee-and-molly';
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update series set description='Fire Fighters is a syndicated radio show that depicts the thrilling and suspenseful stories of American firefighters battling their most destructive enemy, the demon of fire. The show follows the adventures of rookie firefighter Tim Collins and fire chief Bob Cody, and brings attention to the unsung heroes who are ready to ride day and night to protect lives and property. The drama-filled episodes are inspired by true stories and actual cases, offering a unique insight into the realities of firefighting, without focusing on the horror or supernatural elements. In addition to entertaining audiences, Fire Fighters strives to raise awareness about fire safety through its exciting narratives and by forming a Firefighters Club, where children can learn more about firefighting techniques and earn badges for their knowledge in fire safety.
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The show, produced by William F. Holland Productions, Inc., was initially aired in 1948 and continued to broadcast into the early 1950s across various markets coast-to-coast, including cities such as Portland, Omaha, and Washington, D.C. Fire Fighters, which starred Cameron Prud''Homme and Lyle Sudrow, was later sponsored by Grandma Cookie Company, and a variety of other sponsors. It was also appreciated by local fire departments across the country for promoting fire safety and publicizing modern firefighting techniques. This captivating 15-minute daily show provided an excellent source of entertainment for children while educating them about the hardworking individuals dedicated to combating fire and its potentially devastating effects.' where series_slug='fire-fighters';
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update series set description='The First Nighter Program was a radio anthology comedy-drama series that featured a host named Mr. First Nighter, who was played by several different actors throughout the show''s run. Each week, Mr. First Nighter would take listeners on a journey through the bustling streets of Broadway and into the "Little Theater Off Times Square," where audiences would be treated to a variety of romantic comedies. The series mainly featured a cast of Don Ameche, June Meredith, Les Tremayne, Barbara Luddy, and Olan Soule, alongside a supporting orchestra directed by Eric Sagerquist, Caesar Petrillo, and Frank Worth at various times. Joseph T. Ainley produced and directed the series, which was performed in front of a live studio audience and featured actors dressed in formal attire.
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The First Nighter Program aired from November 27, 1930, to September 27, 1953, spanning multiple radio networks, including NBC Blue Network, NBC Red Network, CBS, and Mutual. It was sponsored by The Campana Company and exclusively featured commercials for their products, such as Italian Balm, which became the best-selling hand lotion in the United States during the 1930s. The show''s most popular episode was the annual Christmas presentation of "Little Town of Bethlehem," which first aired in 1937 and continued to be a staple of the series due to audience demand. In total, at least 16 episodes from the 1944-1953 period are still known to exist today.' where series_slug='first-nighter';
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update series set description='Five Minute Mysteries is a radio show featuring extremely short mystery plots designed to engage listeners as they try to solve the case alongside the sleuth. The episodes were produced and syndicated to local radio stations as a "barter/trade" program, meaning they were primarily used to sell advertising to local merchants or trade advertising announcements for goods, services, or premiums. To accommodate variations in local advertising and station announcements, musical interludes were strategically placed within the shows. The structure and concept of Five Minute Mysteries is similar to other short radio programs like Ellery Queen Mysteries and Strange Adventure.
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The specific years and network details of Five Minute Mysteries are not clear, but it can be contextualized alongside other contemporaneous short radio programs like Incredible But True, Ripley''s One Minute Shorts, Word Detective with Basil Rathbone, and Ellery Queen Minute Mysteries. The barter/trade nature of the program and the ability for each individual station to insert their own content into it has led to a rich tapestry of local variations and unique customization.' where series_slug='five-minute-mysteries';
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update series set description='Flash Gordon is a radio show about a space adventure comic strip created by Alex Raymond. The show follows the exciting interplanetary adventures of Flash Gordon, a handsome polo player and Yale University graduate, alongside his companions Dale Arden and Dr. Hans Zarkov. The action-packed story begins with Earth being threatened by a collision with the planet Mongo. Dr. Zarkov invents a rocket ship to fly into space in an attempt to stop the disaster, and along the way, they come into conflict with Ming the Merciless, Mongo''s evil ruler. The radio show captivated audiences with its thrilling adventures, suspenseful narrative, and high-flying fun that resonated with both kids and adults alike.
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The Flash Gordon radio show was first broadcast in California in 1935 and was aired on the West Coast. Gale Gordon, a prolific actor whose career spans decades, portrayed the lead character, Flash. Unfortunately, not much information is available about the actors who played Dale and Ming, but these roles were filled by the talented actors Bruno Wick and an unknown actress, respectively. The Flash franchise inspired many other creative projects such as comic strips, a Republic Serial series of adventures, and even television adaptations. Fans of the radio show could follow their favorite characters in related comic pages and other old-time radio programs like Jungle Jim, Tarzan, Speed Gibson, Terry and the Pirates, and Air Adventures of Jimmy Allen.' where series_slug='flash-gordon';
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update series set description='Fort Laramie was a radio show that focused on tales of the dark and tragic ground of the wild frontier. The series revolved around the character Lee Quince, a captain in the cavalry, and emphasized historical accuracy, with the creator, Norman Macdonnell, insisting on the use of correct geographic names, authentic Indian practices, military terminology, and original names of the buildings at the real Fort Laramie. The show was led by Canadian-born actor Raymond Burr, who played the role of Captain Lee Quince. The supporting cast included Vic Perrin as Sgt. Goerss and Jack Moyles as Major Daggett, the commanding officer of the post.
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Fort Laramie aired 41 episodes from January 22, 1956, to October 28, 1956, on CBS Radio. An audition episode was recorded on July 25, 1955. The series starred Raymond Burr, who later became a television star as Perry Mason. The show explored mature themes and delved into the psychological motivation of its characters as they navigated life in the unforgiving American West. The series remains highly regarded for its accurate portrayal of historical events and figures, as well as its thoughtful exploration of the human condition in the context of the wild frontier.' where series_slug='fort-laramie';
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update series set description='Frankenstein is a radio show inspired by Mary Shelley''s original story, Frankenstein; or, The Modern Prometheus. The show follows the story of Victor Frankenstein, a scientist who experiments with chemistry, alchemy, and galvanic electricity to create a new being using parts from different recently deceased corpses. This character, often misunderstood due to its portrayal in the 1931 Universal Horror film starring Boris Karloff, is the scientist''s monstrous creation. The radio show adaptation incorporates elements of Gothic horror, the Romantic movement, and occult themes, while also being cited as an early example of science fiction. Various adaptations of the story were featured in other radio shows, such as Suspense, The Weird Circle, and The Witch''s Tale.
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The Frankenstein radio show was a thirteen-part serial from the branch of Transco Syndications that aired in 1938. Boris Karloff, who played the Monster in the film adaptations, is featured in air trailers for Frankenstein, Bride of Frankenstein, Son of Frankenstein, and House of Frankenstein. Karloff also played the Monster opposite Santa Claus on the radio show, It''s Time to Smile. Other notable adaptations and appearances of the story can be found in episodes of Suspense, The Weird Circle, and The Witch''s Tale.' where series_slug='frankenstein';
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update series set description='Frontier Fighters is a captivating radio series that takes listeners on an enthralling journey back in time, immersing them in the adventures of heroes who fought and conquered the wild, untamed West. The show follows a syndicated format and features episodes which shed light on various aspects of the history of the Wild West, each episode lasting for approximately 15 minutes. The engaging stories capture moments such as Robert La Salle''s navigation along the Mississippi River and Lewis and Clark''s challenging expedition to the West Coast of North America, providing an unparalleled insight into the fascinating chronicles of the shaping of the American frontier.
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Originally airing in 1935, Frontier Fighters was broadcast on the Western Documentary radio network. Although specific information about the number of episodes aired is unavailable, the Old Time Radio Researchers Group is known for preserving these historical narratives. Showcasing American history through an auditory medium, Frontier Fighters is remembered alongside other popular historical dramas including American Adventure, An American in England, American Trail, and Cavalcade of America. These series captured the essence of America''s past, while simultaneously influencing the radio content of their time.' where series_slug='frontier-fighters';
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update series set description='Frontier Town is a radio show centered around the character Chad Remington, an aspiring lawyer in the big city, whose world is turned upside down when he learns of his father''s murder back in the small ranching town of Dos Rios. His quest for justice leads him to a new career as a crime-fighting attorney, striving to bring order to his small corner of the frontier as it transitions from the Old West to the New. The show features a cast of interesting characters, including Remington''s Western sidekick Cherokee O''Bannon, a hard-drinking gentleman of mixed blood, who is played by comedic character actor Wade Crosby. The tone of the show is adventurous and exciting, and the storytelling style focuses on the individual sagas of different towns in the wild west.
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The radio show Frontier Town aired from 1950 to 1953 and was syndicated by Bruce Eells Productions. Jeff Chandler initially played the role of Chad Remington and was eventually replaced by veteran actor Reed Hadley halfway through the series. The show ran for 47 episodes, airing on different stations at various times due to syndication. Some parts of the show included organ music provided by Ivan Ditmars and Bob Mitchell, and the show was written and directed by Paul Franklin. The series gained the attention of radio fans and historians alike for its portrayal of the hardships and adventures of the early settlers in the untamed wild west.' where series_slug='frontier-town';
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update series set description='Gang Busters was an American dramatic radio program known for bringing authentic police case histories to its audience. Created by Phillips H. Lord, the show aimed to combine the real-life aspects of newspapers with the thrilling entertainment of gangster films from the early 1930s. The program showcased true crime cases, featuring real criminals and law enforcement personnel, and often included real wanted poster alerts and teasers referred to as "Crime Buster Clues". The show was characterized by its fast-paced, hard-hitting storytelling style and well-crafted sound effects, providing a sense of excitement and suspense that was reminiscent of good gangster movies.
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The radio show first premiered on January 15, 1936, and continued to be broadcast for 21 years, until November 27, 1957. Initially airing on NBC as "The G-Men," the show later shifted to CBS, the Blue Network, and the Mutual Broadcasting System, with a variety of sponsors including Chevrolet, Colgate-Palmolive, Sloan''s Liniment, Waterman pens, Tide, Grape-Nuts, and Wrigley''s chewing gum. Over the years, Gang Busters featured prominent names in radio broadcasting, such as Richard Widmark, Art Carney, Joan Banks, Frank Lovejoy, and Larry Haines. The popularity of the radio show also led to spin-offs in comic books, Big Little Books, as well as film and television adaptations.' where series_slug='gangbusters';
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update series set description='Grand Ole Opry is a weekly American country music stage concert held in Nashville, Tennessee. Established on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on WSM, it is currently the longest-running radio broadcast in U.S. history. The show is dedicated to honoring country music and its history, featuring a mix of renowned singers and contemporary chart-toppers performing country, bluegrass, Americana, folk, and gospel music. It also includes comedic performances and skits that attract hundreds of thousands of visitors worldwide and millions of radio and internet listeners. In the 1930s, the show began hiring professional musicians and expanded to four hours, becoming a Saturday night tradition in nearly 30 states.
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The Grand Ole Opry aired on WSM, and in 1939, it debuted nationally on NBC Radio. Ryman Auditorium served as its home from 1943 to 1974, and by then, Nashville had become America''s "country music capital." Since 1974, the Opry has been broadcast from the Grand Ole Opry House in Nashville, with an annual three-month winter stint at the Ryman from 1999 to 2020. The show has had various television broadcasts over the years, with its current partner being Circle, a digital multicast network. As of January 28, 2023, 5,065 episodes have aired, and being a member of the Opry is considered one of the crowning achievements in country music. Notable actors and individuals involved in the production include Bill Cody, Mike Terry, Charlie Mattos, Kelly Sutton, Larry Gatlin, and Bobby Bones, who all serve as announcers for the show.' where series_slug='grand-ole-opry';
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update series set description='Great Scenes from Great Plays was a radio series that adapted around twenty minutes'' worth of scenes from a variety of plays, such as "Dark Victory", "Little Women", "A Tale of Two Cities", "What Every Woman Knows", "The Devil and Daniel Webster", "Young Mr. Lincoln", and "A Doll''s House", among others. The show aimed to offer high-brow entertainment that wasn''t in direct competition with the burgeoning medium of television, and featured a post-discussion of each episode that encouraged church attendance regardless of a specific denomination. The first episode starred Walter H. Hampden as Cyrano de Bergerac, who then hosted the remaining broadcasts, and the acting support was provided by the Episcopal Actors Guild, which included renowned actors such as Basil Rathbone, Beatrice Straight, Jane Cowl, Ann Seymore, Boris Karloff, and Joan Caulfield.
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The show aired from 1 October 1948 until 25 February 1949, with a total of 22 episodes broadcast on the Mutual Broadcasting System on Fridays at 8pm. It was sponsored by the National Council of the Protestant Episcopal Church. The acting talent in the series featured stars like Jane Powell, Joan Caulfield, Henry Fonda, Gene Tierney, and Eddie Albert. While not one of the best-known series, the show remains a gem for serious listeners who crave programming with a message.' where series_slug='great-scenes-from-great-plays';
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update series set description='Gunsmoke is a long-running classic radio show known for its high values and captivating storytelling. Set in Dodge City, Kansas in the 1870s, the show revolves around the character Matt Dillon, played by William Conrad. Gunsmoke is notable for its well-developed scripts, top-notch acting, and outstanding sound effects that transport the listener back to the old west. It features the adventures of Marshal Matt Dillon, Chester Proudfoot (played by Parley Baer), Kitty (played by Georgia Ellis), and Doc Adams (played by Howard McNear). The show''s combination of realistic stories and gripping soundscapes sets it apart from many other radio shows of its time.
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Originally airing on the CBS network from April 26, 1952, to June 18, 1961, the show has a total of 480 episodes, 2 auditions, and a 5-hour tribute. Gunsmoke also had an Australian version, produced sometime in 1955 under the Artransa label, airing on the Macquarie network, although its duration and number of episodes remain unknown. The show made its mark during the first couple of years without sponsors, as CBS funded its production. By 1955, Gunsmoke was adapted for television and enjoyed a successful 20-season run, with a total of 635 episodes aired. The TV adaptation of the show won 15 Primetime Emmy Awards and garnered continuous high ratings throughout its original run.' where series_slug='gunsmoke';
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update series set description='Halls of Ivy was a radio sitcom that revolved around the story of a small Midwestern college and its President, William Todhunter Hall, played by Ronald Colman. Set in the little college town of Ivy, the show followed the interactions of President Hall and his wife, Victoria, a former British stage actress, with students, friends, and college trustees. The tone and style of the show were known for its intelligently crafted humor, attention to real-life concerns, and a knack for language play, inverted cliches, and swift puns. The dynamic between the lead couple was a great example of "opposites attract," as the characters came from contrasting backgrounds, adding another layer of comedy to the show.
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The radio show ran for a total of 110 episodes between January 6, 1950, and June 25, 1952. It was then adapted into a CBS television comedy from 1954 to 1955, with Ronald Colman and his wife, Benita Hume, reprising their roles. The show aired on NBC and was primarily written by Jerome Lawrence and Robert Lee, who later wrote the successful Broadway play Inherit the Wind. The Halls of Ivy was sponsored by Schlitz Brewing Company and Nabisco. Over time, the show tackled controversial topics and often pushed boundaries on social issues, such as racial prejudice and college fraternity hazing, making it a forward-looking and innovative comedy for its time.' where series_slug='halls-of-ivy';
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update series set description='Have Gun - Will Travel is an American Western series that revolves around the adventures of "Paladin," a gentleman investigator and gunfighter who travels around the Old West working as a mercenary hired to solve problems. Paladin prefers to settle conflicts without violence but is highly skilled in combat when necessary. The character comes from a wealthy background, is highly cultured, and resides at the Hotel Carlton in San Francisco when not working. As a hybrid between Westerns and private detective stories, the show has been described as "the Thinking Man''s Western."
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Originally broadcast by CBS on both television and radio from 1957 through 1963, the television version starring Richard Boone was highly popular, ranking third or fourth in the Nielsen ratings during its first four seasons. The radio series, starring John Dehner, debuted in November 1958, making Have Gun - Will Travel one of the few shows in television history to spawn a successful radio version. The TV show ran for a total of 225 episodes, while the radio show produced 106 episodes between 1958 and 1960. Gene Roddenberry, the creator of Star Trek, was one of the lead writers for the series.' where series_slug='have-gun-will-travel';
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update series set description='Hello Americans was a 12-episode radio show created by Orson Welles, which focused on Latin and South American culture. The show was inspired by Welles'' interest in these regions and his time spent in Brazil working on the film It''s All True. The program featured a generally lighthearted tone, with Welles enjoying himself throughout the series. Despite moments of seriousness and occasional melodramatics, the show was able to present Central and South American countries in a positive light, emphasizing their interesting history and people without condescension. The episodes were also peppered with editorial insertions, primarily addressing racism and occasionally taking aim at fascism.
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Hello Americans was broadcast during 1942 and 1943 as a documentary drama series that detailed Welles'' South American adventures, developed under the auspices of the CIA. The show explored various aspects of South American culture, from the Andes Mountains to the cities of Brazil. Notable guests on the program included Hans Conried, Gerald Mohr, Laird Cregar, Agnes Moorehead, Ray Collins, and Carmen Miranda. The series was also included in the updated Orson Welles Collection.' where series_slug='hello-americans';
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update series set description='Heritage Over the Land is a rich, compelling documentary series that captures the transformative rebirth of the American South. Through twelve captivating episodes, the show takes listeners on a journey from the region''s humble beginnings, marked by cotton plantations, to its rapid industrialization. The series features a mix of interviews and narrative storytelling, effectively drawing in listeners and painting a vivid picture of the social, economic, and industrial revolution taking place in the South during the first half of the 20th century. Correspondent Henry Cassidy guides audiences through the powerful stories of ordinary Americans, their lives and struggles at the heart of this remarkable transformation.
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The Alfred P. Sloan Foundation, established in 1934 by the President and CEO of General Motors, provided funding for Heritage Over the Land. This allowed writer and director William Allen Bales, together with producer Ms. Lee F. Painten, to create a high-quality and immersive listening experience. The show was broadcast on radio networks, and although details about its air dates and networks are not available, its powerful storytelling and vivid depiction of a transformative era in American history have ensured its continued resonance for listeners. The Old Time Radio Researchers Group has preserved the show for future generations to enjoy and learn from this important period in the South''s evolution.' where series_slug='heritage-over-the-land';
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update series set description='High Adventure was a radio show focused on romantic adventure and thrilling escapades. The series was often compared to popular programs like The Whistler, Suspense, and Escape. Aimed at a masculine audience, High Adventure was known for its realistic and highly believable storylines, with the episodes'' outcomes frequently determined by the protagonist''s strength of character. The show''s episodes were underscored by music from the High Adventure orchestra and featured meticulously designed sound effects to create a highly immersive and atmospheric experience for the listener.
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The show premiered on March 1, 1947, on the Mutual Network and eventually moved to NBC on January 21, 1949, where it aired on Sunday afternoons. It gained Old Spice Aftershave as a sponsor and continued to air until it was dropped by NBC at the end of the 1950 season. In January 1953, Mutual re-launched High Adventure with George Sanders as the narrator. The series broadcast both in the United States and South Africa, showcasing the widespread appeal of its thrilling adventures and realistic storytelling.' where series_slug='high-adventure';
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update series set description='Hopalong Cassidy was a radio western program that depicted the adventures of Hopalong Cassidy, a character created by writer Clarence E. Mulford. Set at the Bar 20 Ranch, the show featured stories based on the popular movies and television series, which were themselves inspired by Mulford''s series of novels. The adventures highlighted the unique personality, mannerisms, and unusual exploits of the main protagonist, who was portrayed as a civilized knight of the range and a man of morals. William Boyd voiced Hopalong Cassidy, while Andy Clyde co-starred as California Carson, his trusty sidekick from many of the later films.
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The radio show aired from 1948 to 1952, with its initial broadcasts on the Mutual network before ending on CBS on December 27, 1952. The program gained popularity as it simultaneously ran alongside the television adaptation, the first of its kind on KTLA in Los Angeles. Hopalong Cassidy became one of the first multimedia sensations, with both the radio and television versions benefiting from the popularity of the original character and movies. The show featured a total of 66 movies across 35 years and was produced by Walter and Shirley White, Charles Henry, and directed by Ted Bliss. The show''s success served as a platform for advertisers and sponsors who capitalized on the established following that the character had developed.' where series_slug='hopalong-cassidy';
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update series set description='Horatio Hornblower is a radio show based on the novels by C.S. Forester, focusing on the adventures of its protagonist, Captain Horatio Hornblower, as he serves the British Royal Navy during the Napoleonic era. The series is known for its historical accuracy, capturing the essence of naval life in the late 1700s through the mid-1800s with a realistic tone. Michael Redgrave stars as the titular character, portraying Hornblower''s journey from a young, seasick midshipman to the Admiral of the Fleet of Britain''s Royal Navy. The show consists of 30-minute episodes filled with action and adventure, showcasing the challenges and triumphs that Hornblower faces throughout his career.
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The Adventures of Horatio Hornblower first aired on July 7, 1952, and was produced by Harry Towers through his Towers of London syndicate. Although the show was produced in England, it was not picked up by the BBC and was instead broadcasted in the United States. The show aired on CBS for its first run of 52 episodes, concluding on July 17, 1953. It was later rebroadcast by ABC in 1954 and the Mutual Broadcasting System in 1957. Apart from the radio series, Horatio Hornblower also became the subject of films, television programs, and a "biography" written by C. Northcote Parkinson, titled The True Story of Horatio Hornblower.' where series_slug='horatio-hornblower';
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update series set description='I Love a Mystery is an American radio drama series that follows the thrilling adventures of three friends who run the A-1 Detective Agency. The central characters, Jack Packard, Doc Long, and Reggie York, initially met as mercenary soldiers fighting the Japanese in China and later decided to form their detective agency in San Francisco. Their motto, "No job too tough, no adventure too baffling", served as a plot device to involve the trio in a wide variety of mystery, adventure, and supernatural horror stories, often taking them to exotic locales. The agency''s secretary, Jerry Booker, was played by Gloria Blondell. Over the years, the main characters were portrayed by multiple talented actors, including Michael Raffetto, Russell Thorson, Jay Novello, Jim Bannon, John McIntire, Barton Yarborough, Jim Boles, Walter Paterson, and Tony Randall.
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The show was initially sponsored by Fleischmann''s Yeast and aired on the NBC West Coast network from January 16, 1939, to September 29, 1939, before moving to the full NBC network from October 2, 1939, to March 29, 1940. In 1940, the show expanded to 30-minute episodes on NBC Thursdays and continued on the Blue Network from September 30, 1940, to June 29, 1942. Procter & Gamble (for Oxydol and Ivory Soap) replaced Fleischmann''s Yeast as the sponsor when the series was broadcast by CBS from March 22, 1943, to December 29, 1944. The show experienced revivals and title changes, including I Love Adventure on ABC in 1948 and a return to I Love a Mystery on the Mutual Broadcasting System from October 3, 1949, to December 26, 1952.' where series_slug='i-love-a-mystery';
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update series set description='In the Name of the Law was a true crime radio show that captivated audiences with thrilling stories taken from actual police case files. The engaging, short-run series followed the progress of police cases from around the country, ranging from murder to theft. Not only did the writers employ their vivid imaginations to create captivating dialogue that propelled the stories forward, but they also managed to capture the essence of the drama and suspense that accompanies intense criminal investigations. Fans of pre-1940s police dramas were drawn to In the Name of the Law, which shared similarities with other beloved shows like Honor the Law.
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The year 1936 proved to be an eventful time for both the world at large and the world of radio, witnessing monumental firsts such as the Hindenburg launch and the establishment of the first baseball hall of fame class, as well as Billboard magazine publishing its inaugural music hit parade. Amid the excitement of the era, In the Name of the Law made its radio debut, leaving audiences spellbound. While information about its broadcast networks and production team remains scarce, the show can be compared to other popular true crime series like Dragnet, Nightwatch, and Tales of the Texas Ranger.' where series_slug='in-the-name-of-the-law';
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update series set description='Incredible, But True was a captivating radio show that focused on dramatizing unexplainable mysteries from various time periods and locations around the world. Enhanced with dramatic organ music, the program was narrated by Ken Nordine and featured a collection of intriguing tales that covered topics such as monsters, supernatural occurrences, and voices from beyond the grave. The show was not only engaging for the audience but also allowed listeners to share these thrilling stories with friends. The creative team behind the show occasionally took liberties with the stories, modifying their endings for a more dramatic effect, resulting in a collection of classic and entertaining episodes.
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The show was broadcast on the Mutual Network between 1950 and 1951 and was available in two different formats: a 15-minute version and a three-minute version. It was produced by Unusual Features Syndicate and aired at various times during the week due to its syndicated nature. Incredible, But True did not have a fixed schedule, but its intriguing content ensured its success during its run. For those interested in exploring more of Ken Nordine''s work, other relevant shows include Faces in the Window and Adventure Club.' where series_slug='incredible-but-true';
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update series set description='Inner Sanctum Mysteries was an anthology radio series that featured stories of mystery, terror, and suspense. With its tongue-in-cheek introductions, the show''s format stood in sharp contrast to programs like Suspense and The Whistler. The early 1940s broadcasts opened with Raymond Edward Johnson introducing himself as "Your host, Raymond," in a sardonic voice, accompanied by a spooky melodramatic organ score played by Lew White. The program''s familiar audio trademark was the eerie creaking door which opened and closed the broadcasts, and the show often mixed horror and humor in equal doses. Memorable episodes included "Terror by Night" and an adaptation of "The Tell-Tale Heart." Established stars such as Boris Karloff, Mary Astor, Helen Hayes, Peter Lorre, Paul Lukas, Claude Rains, Frank Sinatra, and Orson Welles lent their talents to the series.
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Inner Sanctum Mystery aired from January 7, 1941, to October 5, 1952, with a total of 511 episodes broadcast. The show was first aired on the Blue Network and later moved to CBS in fall 1943. Lipton Tea sponsored the series from 1945, with cheery commercial spokeswoman Mary Bennett, aka the "Tea Lady," contrasting sharply with the macabre themes of the stories. Of more than 500 programs aired, only about 200 remain in circulation today. The series featured guest stars including Boris Karloff, who starred in over 15 episodes and occasionally returned afterward. Various leading actors and supporting players such as Santos Ortega, Mercedes McCambridge, Berry Kroeger, and Lawson Zerbe were also part of New York radio.' where series_slug='inner-sanctum-mysteries';
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update series set description='Jeff Regan, Investigator is a well-regarded example of the mid-century detective drama genre. The series features the eponymous protagonist, Jeff Regan, who works as a private investigator for the International Detective Bureau. The program''s tone is characterized by the hard-boiled nature of Regan''s character and his better relationship with the police as compared to his previous roles. The show''s production involved the considerable talents of notable actors such as Jack Webb, Herb Butterfield, and Frank Nelson, as well as writers like E. Jack Neuman, Larry Roman, William Froug, and William Fifield.
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The series was broadcast between July 10, 1948, and August 27, 1950, but was on hiatus for a year. Premiering on the CBS network, the first run ended on December 18, 1948, followed by the second run beginning on October 5, 1949. A total of several dozen episodes aired, including multiple incarnations of the series; Jack Webb initially helmed the show as the lead actor, followed by Frank Graham and Paul Dubov. Webb left the series after a pay dispute, moving on to star in Dragnet. The show ultimately ended after the tragic death of Frank Graham at the age of 35.' where series_slug='jeff-regan-investigator';
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update series set description='Jerry at Fair Oaks follows the delightful adventures of orphaned hero Jerry Dugan as he transitions from his life in the circus to his experiences at Fair Oaks School. With a runtime of fifteen minutes per episode, the program is ideal for even very young children to enjoy. This captivating series centers around Jerry Dugan''s journey and adventures as he begins his life at Fair Oaks School, full of new experiences, friendships, and challenges.
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Originally syndicated by Bruce Eells in 1938, Jerry at Fair Oaks is a juvenile serial that focuses on the importance of structure, instruction, and discipline for the growth and development of a young boy like Jerry. The school''s traditions, athletics programs, and facilities provide him with everything he could need or want. This radio show consists of 65 episodes, with over 15 hours of captivating content. Jerry at Fair Oaks is a follow-up program to the earlier series, Jerry of the Circus, and is produced as part of the Old Time Radio Researchers Group.' where series_slug='jerry-at-fair-oaks';
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update series set description='Jerry of the Circus is a heartwarming and delightful children''s series that follows the adventures of Jerry Dugan and his dog, Rags, as they join Sam Randall''s Circus after the death of Jerry''s family. With a note from his father claiming that Jerry "has the circus in his blood," the young orphan and his dog quickly become members of the Randall Brothers Circus. The show is 15 minutes in length and introduces a diverse and engaging cast of characters such as Bumps the Clown, Patsy the trapeze artist, Carmen Bandini the tightrope walker, and Major Mike the self-proclaimed star attraction on the midway.
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The radio series was syndicated in 1937 and presented in 130 15-minute episodes, with 128 episodes still in existence today. Jerry''s adventures continued in the 1937 serial, Jerry at Fair Oaks. Among the noteworthy cast members are Lindsay McHarrie as Mr. Randall, Howard McNear as Bumps the Clown, Elvia Allman as Patsy, and Buddy Duncan as Major Mike. The show was a promotional tie-in for a book cover that was used during the late 1930s, and it has been compared to other popular 1930s-era radio programs intended for juvenile audiences, such as The Cinnamon Bear and Land of the Lost.' where series_slug='jerry-of-the-circus';
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update series set description='John Steele, Adventurer is a radio show that first aired in 1949 and is known for its thriller and drama elements. The show featured Don Douglas as John Steele, a roving adventurer and thrill seeker who held various jobs in exotic locations such as country sheriff, special agent in Turkey, and ship''s captain. Narrated by a friend of Steele''s, the series included eerie background sounds of jungles and deserts, with hard and fast-paced action stories that appeared to be inspired by popular action magazines like All-Story and Argosy. The show deployed innovative techniques such as using an echo chamber to represent a character''s thoughts instead of spoken words, adding to the moving and adventurous tone of the series.
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The show made its debut on the Mutual Broadcasting System in 1949 and continued until 1956. Though not considered a major force in the world of radio, it offered great entertainment and gathered a loyal fan following. The series featured notable actors such as John Larkin, Jack Edwards, and Bryna Raeburn in supporting roles, along with announcer Ted Mallie and directors Elliot Drake, Sylvan Levin, and Doc Whipple. John Steele, Adventurer''s legacy lives on as an engaging, adventure-filled radio show that captivated audiences during its time on air.' where series_slug='john-steele-adventurer';
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update series set description='Jonathan Thomas and His Christmas on the Moon is a captivating children''s series that follows the adventures of six-year-old Jonathan Thomas as he tries to rescue his teddy bear, Guz, and save Santa Claus from the Squeebubblians. The story unfolds on Christmas Eve when Jonathan Thomas follows his teddy bear and two elves up a moonbeam, where he meets the Man in the Moon and his horse Gorgonzola. Accused of kidnapping Santa Claus, the group sets out on a thrilling quest to save him before Christmas Day. Along the way, they encounter an evil witch, a dragon with thirteen tails, and several characters from Lewis Carol''s classic Alice in Wonderland.
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Produced in 1938, Jonathan Thomas and His Christmas on the Moon aired daily between Thanksgiving and Christmas. Despite being well-written, the series did not achieve the same commercial success as The Cinnamon Bear or Jump Jump and the Ice Queen, partly because it did not have a toy promotion sponsor. The best way to enjoy this delightful Christmas serial is to listen to one episode per day, especially when shared with children during the holiday season. The episodes can be shared over video chat or attached to daily emails for parents who are away from their children, bringing them closer to their loved ones during the holidays.' where series_slug='jonathan-thomas-and-his-christmas-on-the-moon';
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update series set description='Journey Into Space is a British radio sci-fi programme that was the last UK radio show to attract a larger evening audience than television. Created by BBC producer Charles Chilton, the series was translated into 17 different languages and broadcast around the world. Known for its dramatic cliffhangers, the premise of this captivating show involves space exploration, with various series revolving around journeys to different planets.
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The radio show ran from 1953 to 1958, with a total of 72 episodes in four series. It aired on the BBC Light Programme and is currently syndicated on BBC Radio 4 Extra. The original recordings were thought to be lost, but in 1986, a set of misfiled Transcription Service discs was discovered, allowing the BBC to re-broadcast the show in the late 1980s and release copies on audio cassette, CD, and internet download. Notable members of the cast included Andrew Faulds, Guy Kingsley Poynter, Bruce Beeby, Don Sharp, David Williams, and David Kossoff, among others.' where series_slug='journey-into-space';
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update series set description='Jump Jump and the Ice Queen is a delightful children''s radio show that follows the adventures of a 3-inch tall elf named Jump Jump. Created by the writing team of Mary McConnell and Harry Hickox, the show was initially a series of animated vignettes before evolving into a 25-episode serial centered around the Christmas season. The heartwarming and whimsical stories feature Jump Jump and a cast of characters including Tim, Mary Holiday, Achi Paggli the clown, Sleepy Slim the lazy lion, and the Poet, as they work together to save Christmas from the evil Ice Queen who has kidnapped Santa''s reindeer. The show''s intimate and engaging style is further enhanced by the use of voice alteration for Jump Jump, creating a unique and memorable character for listeners of all ages.
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The radio show was first broadcast in 1947 and aired on radio stations across America and Canada. A total of 24 episodes were planned, with the intention of being played daily leading up to Christmas, following a similar format to previous shows like The Cinnamon Bear and Jonathon Thomas and his Christmas On The Moon. Jump Jump and the Ice Queen also had a merchandise tie-in, featuring hand-made dolls created by the Mattel Toy Company, packaged in boxes designed to resemble the Holiday House featured in the show. The show''s episodes were written and performed by McConnell and Hickox, along with Johnny McGovern as Tim and Jump Jump, while Bob Mitchell provided the Hammond organ music that imbued the show with a warm and festive atmosphere. Jump Jump and the Ice Queen remains a charming piece of radio history, providing nostalgic holiday entertainment for a modern audience.' where series_slug='jump-jump-and-the-ice-queen';
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update series set description='Let George Do It is a detective drama radio series that follows the adventures of private investigator George Valentine, who uses a classified ad to draw clients. The earliest episodes had a sitcom feel, complete with a studio audience laughing at the not-so-funny scripts, but the show quickly shifted to a suspenseful, tough guy private eye series. Valentine is assisted by his secretary Claire Brooks, aka Brooksie, and often interacts with other characters like Brooksie''s kid brother Sonny, Lieutenant Riley, and elevator man Caleb. The show''s tone is characterized by witty banter between George and Brooksie, which can be compared to later TV series like "Hart to Hart," "Moonlighting," and "Remington Steele."
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Produced by Owen and Pauline Vinson, the radio show aired from 1946 to 1954, first on the West Coast Mutual Broadcasting System from October 18, 1946, to September 27, 1954, and then on transcriptions in New York from January 20, 1954, to January 12, 1955. It was initially sponsored by Standard Oil, and the show featured a full orchestra for background music before budget cuts forced the use of an organ. Bob Bailey starred as George Valentine for most of its run, with Olan Soule taking over the role in 1954. Overall, Let George Do It was well-regarded during its time, and it proved to be a stepping stone for Bob Bailey, who went on to star in the popular series "Yours Truly, Johnny Dollar."' where series_slug='let-george-do-it';
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update series set description='Life with Luigi is a radio situation comedy series focusing on Luigi Basco, a newly-arrived Italian immigrant in Chicago, and his experiences adapting to American culture. The show is a heartwarming blend of humor and human-interest stories, as Luigi attends night school classes with other immigrants from different countries and deals with the various schemes of his landlord, Pasquale. The series is rich in character-driven comedy, with the lead role of Luigi expertly portrayed by J. Carroll Naish. Using the framing device of Luigi narrating a letter to his mother back in Italy, Life with Luigi balances lighthearted fun with the poignant elements of immigration and adapting to a new life.
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The show aired from September 21, 1948, to March 3, 1953, primarily on CBS Radio. Over the course of its run, it featured 114 episodes, with General Foods and then the William Wrigley Jr. Co. as sponsors. Life with Luigi was also adapted into a short-lived television series that aired from September 22, 1952. Although the series had a successful run and competed with heavyweights like The Bob Hope Show, it faced criticism regarding the portrayal of ethnic stereotypes and ultimately went off the air in 1953.' where series_slug='life-with-luigi';
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update series set description='The Light Crust Doughboys was a radio show featuring a Western swing band from Texas that achieved peak popularity during the years leading up to World War II. Created to promote Lightcrust Dough Flour, the show had the Doughboys dressing up like bakers in white uniforms and poofy hats to perform their 1940s era country music. The group, formed in 1929, saw numerous changes in its lineup, including well-known Western swing musicians Bob Wills and Milton Brown. The show''s format often included the Doughboys joking around, hooting, and hollering between songs.
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Broadcasting began in the early 1930s, with the Doughboys touring for many years until 1942 when several members went off to war. After a hiatus, they resumed broadcasting from 1946 until 1950. W. Lee "Pappy" O''Daniel, the original manager of the Lightcrust Doughboys, was eventually fired in 1935 due to his overbearing nature and dislike for the band''s "hillbilly music." He then formed a new band, Pat O''Daniel and his Hillbilly Boys, which went on to have its own radio show.' where series_slug='light-crust-doughboys';
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update series set description='Lightning Jim follows the story of U.S. Marshal Lightning Jim Whipple, his trusty horse Thunder, and his deputy, Whitey Larson, as they attempt to portray the history of how the west was won. The show includes adventures with famous individuals from western history, such as Wild Bill Hickock. While it touches on significant historical events, it includes stereotypical portrayals of Native Americans and the history of the Union-Pacific Railroad, among other Western-related subjects. The show originally began as The Adventures of Lightning Jim and has an entertaining yet informative tone catered to western radio fans.
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The program originally premiered in the 1940s as a West Coast show, and later returned as a syndicated ZIV series in the 1950s, resulting in a total of 98 radio episodes produced. This collection provides the few surviving episodes of Lightning Jim and offers a glimpse into the history and cultural influence of the time. Although there isn''t much information available about the actors and production team, it remains a valuable resource and a delight for fans of old Western radio shows.' where series_slug='lightning-jim';
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update series set description='Lights Out was an American radio show devoted to horror and supernatural stories, providing listeners with a thrilling and eerie experience. The series, initially conceived as a midnight mystery serial, shifted to an anthology format emphasizing crime thrillers and the supernatural after its success. Created by Wyllis Cooper, the show''s stories were characterized by grisly tales with dark, tongue-in-cheek humor. Lights Out was known for experimenting with advanced radio techniques, such as stream of consciousness and first-person narration. The program utilized distinct sound effects to enhance the horror experience, providing realistic simulations that were unique to the drama.
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Debuting in 1934, Lights Out aired on various networks until the summer of 1947, eventually transitioning to television. The series is considered one of the earliest radio horror programs, predating Suspense and Inner Sanctum. Cooper''s run on the show saw the creation of around 120 episodes, with the show continuing under the direction of Arch Oboler after June 1936. Chicago''s pool of creative talent greatly benefited the show, and the series'' sound effects were often carefully crafted and experimented with to achieve the desired result. Among the notable actors who participated in the series were Sidney Ellstrom, Art Jacobson, and Betty Lou Gerson.' where series_slug='lights-out';
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update series set description='Love Story Magazine was a popular program for women that showcased a series of dramatic and romantic tales. Filled with captivating stories of loves lost and found, terrifying treacheries, broken hearts, tearful reunions, Prince Charmings, and ladies spurned, the show aimed to capture the hearts of its listeners. The series was known for its smarmy, engaging, and heartwarming stories that provided an emotional rollercoaster for its audience, making it a perfect choice for those who enjoy melodramatic tales.
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Broadcast between 1937 and 1938, Love Story Magazine aired for a short run of 26 episodes. The show featured rare recordings of dramatized stories from the pages of Love Story Magazine, bringing them to life for listeners with the help of Frank Knight as the announcer. These stories were the highlight of the series, offering an engaging and romantic experience sure to set hearts afire and roll tears along like the Swanee River. Despite its short-lived run, Love Story Magazine has left a lasting impact as a memorable piece of radio history, showcasing the power of storytelling and the importance of love stories in popular culture.' where series_slug='love-story-magazine';
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update series set description='Luke Slaughter of Tombstone is a western drama radio series centered around the adventures of Luke Slaughter, a Civil War cavalryman who turns to cattle ranching in post-war Arizona territory near Fort Huachuca. The series features a gritty, hard-boiled tone, with Sam Buffington starring as the titular character. Together with his sidekick, Wichita, Luke Slaughter faces various adversities, such as murderers, swindlers, cheats, and robbers, as they try to run their cattle business. The show boasts original characters and plotlines crafted with the creative vision of famed radio producer and director, William N. Robson.
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The series aired from February 23 through June 15, 1958, on CBS, and only 16 episodes were broadcast due to increasing competition from television. It was part of a lineup with other western series, such as Frontier Gentleman and Have Gun Will Travel, which took Luke Slaughter of Tombstone''s time slot after only a brief run. In addition to Buffington as the lead, Junius Matthews portrayed the character of Wichita. At the time, Buffington was only 27 years old, and his performance was often compared to William Conrad''s Matt Dillon on Gunsmoke.' where series_slug='luke-slaughter-of-tombstone';
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update series set description='Lum and Abner is a popular American radio comedy show that was created by Chester Lauck and Norris Goff. The show''s premise is based on life in the small town of Waters, Arkansas, where Lauck and Goff grew up. The series features Lauck as Columbus "Lum" Edwards and Goff as Abner Peabody, co-owners of the Jot ''em Down Store in the fictional town of Pine Ridge, Arkansas. The two characters perform as a double act, with Lum generally playing the straight man to Abner''s attempts to break free from Lum''s influence. The pair are constantly stumbling upon moneymaking ideas only to find themselves fleeced by nemesis Squire Skimp before finally redeeming themselves. The tone and style of the radio show is primarily hillbilly humor, with a live house band playing string music to complement this theme.
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The radio show aired from 1931 to 1954 and was broadcast on various radio networks, including NBC, Mutual, CBS, and ABC. Over its lifetime, Lum and Abner aired on all four major radio networks, and the show''s format changed several times. In 1948, the show switched from a 15-minute "comedic soap opera" to a 30-minute self-contained show, but this change proved unpopular and the series went off the air in 1950. The revived show was discontinued in 1954 due to competition from television and Goff''s failing health. The program broadcast more than 5,000 episodes, of which over 1,630 still exist today. During its run, Lum and Abner was sponsored by several prominent companies, such as Quaker Oats, The Ford Dealers of America, Horlicks Malted Milk, Postum cereal, and Alka-Seltzer.' where series_slug='lum-and-abner';
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update series set description='Lux Radio Theatre was a drama anthology radio show that featured adaptations of successful Broadway plays and films. The program was broadcast on multiple radio networks and offered hour-long presentations performed live before studio audiences. Lux Radio Theatre''s episodes included a mix of drama, comedy, and action, often featuring the original stars of the adapted movies and plays. The show provided a record of some of the most important entertainment events in American theatre and film during its run.
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The show was broadcast from 1934 to 1955, spanning 21 seasons and airing a total of 927 episodes. It aired on the NBC Blue Network, CBS Radio Network, and NBC Radio. The broadcast transitioned from New York to Hollywood in 1936, marking a shift from adapting Broadway plays to focusing on film adaptations. Lux Radio Theatre was also notable for its sponsor, Unilever, which promoted its Lux brand of soap during the shows. The program''s hosts included Cecil B. DeMille, William Keighley, and Irving Cummings, and featured notable actors such as Marlene Dietrich and Clark Gable. Lux Radio Theatre later continued on television as Lux Video Theatre until 1957.' where series_slug='lux-radio-theatre';
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update series set description='Magic Island was a syndicated radio serial aimed at a juvenile audience that first aired in 1936. The show consisted of 130 twelve-minute episodes with a storyline centered around a wealthy woman searching for her long-lost daughter. The daughter is eventually found living on a man-made island that can submerge to avoid detection. Primarily targeted at small children, the series focuses on the main characters'' subsequent adventures on the mysterious island, featuring a science-fantasy theme.
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Magic Island was initially broadcast on Hollywood station KNX in 1935, before being syndicated by Atlas Radio Corp. in 1937. The show aired on various radio networks through the 1940s, with all 130 fifteen-minute episodes having survived till today. The series starred Sally Creighton as Patricia Gregory, Rosa Barcelo as Joan Gregory, Tommy Carr as Jerry Hall, and Will H. Reynolds as Capt. Tex Bradford. The show was produced and written by Perry (Percy C.) Crandall, who also acted in the cast and served as the program''s announcer. Crandall passed away in January 1939 at the age of 38, just as the recorded series was gaining traction as a transcription feature.' where series_slug='magic-island';
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update series set description='Mama Bloom''s Brood is a unique radio series that blends elements of soap opera and situation comedy, resulting in a lighthearted and humorous plot. The story revolves around Papa Bloom (Jake) and Mama Bloom (Becky), who sell their kneepants factory and plan a vacation with their daughters Yetta and Sarah, and sons-in-law Harold and Sidney. Their journey takes them on an automobile trip to Hollywood, where they encounter various adventures and amusing situations. Mama Bloom, with her heavy Yiddish accent and distinctive way of speaking, becomes a delightful central character, drawing comparisons to Molly from The Goldbergs.
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The show was syndicated in 1934 by Broadcasters Program Syndicate/Bruce Eells and Associates, with several episodes still existing today. Over the years, Mama Bloom''s Brood has gained recognition and comparison to other popular radio shows, such as The Goldbergs. It has also been featured in the book ''Radio and the Jews: The Untold Story of How Radio Influenced America''s Image of Jews, 1920s-1950s'' by David S. and Susan Siegel. The series is often praised for its representation of Jewish-American families and culture, with parallels drawn to other related programs like The People Take the Lead and Eternal Light.' where series_slug='mama-blooms-brood';
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update series set description='Mark Trail was an American radio series that included two different adaptations based on the popular comic strip by Ed Dodd. The series aimed at a young audience and revolved around adventure stories, following the hero Mark Trail, a forest ranger who battled the elements and fought enemies of man and nature, while also teaching his friends about the wilderness. Each episode featured thrilling adventures and combined the qualities of J. Edgar Hoover and Robin Hood. This format provided intelligent entertainment to many children and captured their imaginations by giving them the chance to learn about wild America.
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The first Mark Trail series aired on the Mutual Broadcasting System from January 30, 1950, to June 8, 1951, with a total of 174 episodes. The show was sponsored by Kellogg''s Pep cereal. The second series aired on ABC Radio from September 18, 1950, to June 27, 1952, with a total of 125 episodes. While only a handful of the 15-minute episodes from the second series are known to have survived, the Minneapolis-St. Paul public radio station KFAI aired another Mark Trail Radio Theatre series from 1991 to September 2002. This series included 228 weekly installments and 17 adventures. Matt Crowley, Staats Cotsworth, and John Larkin were notable actors who played Mark Trail, while Jackson Beck provided the announcements and was known for his role as an announcer for the classic Superman serial on the radio.' where series_slug='mark-trail';
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update series set description='Matinee Theater was a dramatic radio show which aimed at providing quality content for its Sunday afternoon listeners. Initially a continuation of the series Dangerously Yours, it was renamed to expand its range of stories. The program featured various classic and contemporary works, such as "Beautiful Dreamer", "Wuthering Heights", "Jane Eyre", and "The Scarlet Pimpernel". Victor Jory starred alongside different female leads to bring these stories to life, offering a mix of drama, love stories, and swashbuckling adventure tales to entertain audiences.
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The show first aired on October 22, 1944, and the final broadcast took place on April 8, 1945. It was sponsored throughout by The Vick Chemical Company. Matinee Theater later inspired an American anthology television series with the same name, which aired on NBC during the Golden Age of Television from October 31, 1955, to June 27, 1958. The TV series was known for its minimal sets and costumes, and was the first daily hour-long dramatic series on television. The radio show''s influence and success can be seen through these adaptations and its legacy in dramatic entertainment.' where series_slug='matinee-theater';
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update series set description='Meet Corliss Archer is an American radio program that centers on the teenage life of 15-year-old Corliss Archer, her family, and her boyfriend, Dexter Franklin. The show focuses on the comedic situations and challenges that Corliss faces with her family and friends, as well as her father''s pursuit of his eternal war with the female race. The show''s characters include Corliss''s parents, her good friend Mildred Ames, and her rival Betty Cameron. The writing is lighthearted, breathless, and charming, with Corliss and Dexter''s relationship at the core of the series. The show is known for its humorous catchphrases, such as Dexter''s infamous "Holy cow!" and his braying call, "Heyyyy, Corrrrrliiiiiss!"
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Meet Corliss Archer aired from January 7, 1943, to September 30, 1956, with stints on different radio networks, including CBS, NBC, and ABC. Throughout its long run, fewer than 24 episodes are known to still exist today. The show was subsequently adapted for other media formats, including a comic book series in 1948, as well as television series in 1951, 1952, and a syndicated telefilm series in 1954 and 1955, produced by Ziv Television Programs. A live telecast of Kiss and Tell with Robin Morgan as Corliss and Warren Berlinger as Dexter also aired on The Alcoa Hour on August 5, 1956. The comic book series featuring artwork by Al Feldstein is now remembered mostly for its good girl art covers and tie-ins with the radio and film adaptations.' where series_slug='meet-corliss-archer';
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update series set description='Melody Ranch is a Western variety radio show centered around the talent of singing cowboy Gene Autry. Each episode of the program features a Western adventure filled with music, comedy, and action. The show is set in Gene Autry''s home at Melody Ranch, in the San Fernando Mountains. The music is heavily focused on a western style, with accordion accents and Autry''s own "Cowboy Classic." Each episode also includes a 10 to 15-minute story, fully dramatized and detailing a recent adventure that occurred at the ranch.
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The show aired between 1940 and 1956, with a two-year interruption during which Gene Autry enlisted in the United States Army to serve in World War II. Airing on the CBS radio network, the show''s entire run was sponsored by Doublemint gum. The theme song for the program was "Back in the Saddle Again." Notably, two episodes of the program deviated from the typical format. One featured the renaming of Berwyn, Oklahoma, to Gene Autry, Oklahoma, airing as part of the ceremony. The other was the July 26, 1942 episode when Autry took his oath of office to join the United States Army Air Forces.' where series_slug='melody-ranch';
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update series set description='Mercury Theatre on the Air is a radio series that features live radio dramas created and hosted by Orson Welles. The show, which runs for 60 minutes, showcases classic literary works performed by Welles''s Mercury Theatre repertory company. The show''s tone exhibits a unique and exceptional style through the acting of various performers and the compositions of Bernard Herrmann. The format of the show focuses on classic literature, such as "Treasure Island," "The Count of Monte Cristo," and "Dracula."
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The series premiered on July 11, 1938, and aired for a total of 22 episodes. It was broadcast on the CBS Radio network, airing on Mondays at 9 pm ET before moving to Sundays at 8 pm. The show made headlines with its "The War of the Worlds" broadcast on October 30, which caused panic among listeners, leading Campbell Soup Company to sign on as a sponsor. Mercury Theatre on the Air made its last broadcast on December 4, and The Campbell Playhouse took its place on December 9. The show starred numerous notable actors such as Virginia Welles, Agnes Moorehead, Joseph Cotten, and Everett Sloane.' where series_slug='mercury-theatre';
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update series set description='Michael Shayne followed the adventures of a hard-boiled private detective, Mike Shayne, created by American crime novelist Brett Halliday. This gumshoe character was a reckless, red-headed Irishman who fought crime with a license and an attitude, adopting a loner persona akin to those of Mike Hammer and Phillip Marlowe. The show explored the darker streets of the American dream, focusing on adult themes like drugs and middle-class adultery. Mike was a believable and popular private eye, especially among post-WWII veterans who had experienced their fair share of violent morality. The radio version of the show started with Wally Maher in the title role, and its popularity led to continuous adaptations and revisions.
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The radio show was broadcast from 1944 to 1953, during which time it aired on various networks and with different actors portraying Mike Shayne. The first radio version, Michael Shayne, Private Detective, debuted on the Don Lee Network in 1944, exclusive to the western United States. In 1946, the show was aired nationally on the Mutual network, followed by another national run in 1948 with a new title, The New Adventures of Michael Shayne, this time starring movie star Jeff Chandler. The show had another run in 1952-53, again titled as Mike Shayne, Private Detective, featuring Donald Curtis and Robert Sterling in the title role. The radio show was based on Halliday''s novels featuring the character Mike Shayne, with almost three dozen episodes available for listening. In the early 1960s, a TV adaptation of Michael Shayne was produced with Richard Denning playing the lead role.' where series_slug='michael-shayne';
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update series set description='Mind Your Manners is a unique radio show that provides etiquette training for children and teenagers. The show features a rotating panel of young individuals between the ages of 8 and 18 who answer questions sent in by listeners. The questions address a variety of topics, such as how to start a conversation at a dance, whether two 16-year-old girls should go on a cross-country road trip, and whether an eleven-year-old should be smoking and drinking. Through these interactions, the show offers gentle reminders of manners and etiquette, harkening back to a simpler time.
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Originally airing during the golden age of radio, Mind Your Manners was broadcast on numerous networks over the years. The show is known to have a significant number of episodes, although the exact number of episodes that aired and still exist today is uncertain. While there is no direct trivia or information available regarding TV adaptations or other media formats, the show shares similarities with other programs from the time period, such as The Doorway to Life, which features child-rearing advice from the 1940s, Are these Our Children?, a show about children lacking manners, and Quiz Kids, which highlights the intelligence and wit of young children.' where series_slug='mind-your-manners';
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update series set description='Molle Mystery Theatre was a 30-minute anthology radio program that focused on stories of mystery and suspense. The show featured a distinguished "annotator" named Geoffrey Barnes, who served as an expositor, providing plot development and background information when needed. Listeners were introduced to various mysteries and their underlying crimes within each script, with the protagonistic role fluctuating throughout the series. The program showcased quality production values and performances from up-and-coming actors.
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Initially airing on NBC from 1943 to 1948, Molle Mystery Theatre then transitioned to CBS where the format changed to revolve around the character Inspector Hearthstone. Over its nine-year run, the program aired under various titles, such as Mystery Theatre, Molle Mystery Theatre, Frank and Anne Hummert''s Mystery Theatre, Hearthstone of The Death Squad, Inspector Mark Saber of The Homicide Squad, and Mark Saber Mysteries. Notable sponsors included Ironized Yeast, Energene, Bayer Aspirin, Sterling Drug, and Molle.' where series_slug='molle-mystery-theatre';
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update series set description='Moon Over Africa is a mysterious radio series believed to have originated in South Africa. The show consists of 26 episodes, each lasting 15 minutes, and follows the thrilling expedition of Professor Anton Edwards as he searches for the lost city of Atlantis. Along the way, Professor Edwards is accompanied by his daughter, fiancé, and a preserved talking human head that speaks the ancient language of the people of Atlantis. As they journey through the African jungle, the group encounters numerous strange and potentially dangerous situations, creating a unique and adventurous tone for the show.
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Though not much is known about the radio series, it is thought to have aired around 1937 or 1938. Moon Over Africa is a syndicated 15-minute serial, possibly from South Africa, and it remains uncertain whether the series was ever broadcast in the United States. Talbot Mundy wrote the series script and is known for other serials such as Jack Armstrong, Lost Empire, and Ghost Corps. This collection contains the complete set of 26 episodes of Moon Over Africa, along with five other African stories from miscellaneous series. The information provided is courtesy of the Old Time Radio Researchers Group.' where series_slug='moon-over-africa';
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update series set description='Mother''s Best Flour was a lively and engaging radio show featuring Hank Williams and the Drifting Cowboys performing country, instrumental, and gospel songs. Aimed at a rural and largely female audience, the show promoted biscuit and cake flour, self-rising cornmeal, and livestock feed products. The informal banter and warm camaraderie between Hank, announcer Louie Buck, and the Mother''s Best Music Makers offered listeners a glimpse into the real personality of Hank Williams, contrary to the sad and forlorn image often portrayed in biographies. The show was characterized by its casual tone and fun atmosphere, giving off the impression of a group of friends enjoying coffee and biscuits together in the morning.
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Broadcast on WSM in Nashville, Tennessee from late 1950 to late 1951, Mother''s Best Flour featured a variety of hymns, gospel music, and current hits sung by Hank Williams during his prime career years. Despite being paid $100 a week for the show, Hank was unguarded and relaxed throughout the series, allowing listeners to truly get to know him as a person. The show had a total of 15-minute broadcasts, which at times were pre-recorded due to Hank''s touring schedule. These radio shows are considered some of Hank Williams'' most popular work and are still sought after in his extensive catalogue.' where series_slug='mothers-best-flour';
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update series set description='Mr. and Mrs. North is a radio mystery series that follows the lives of amateur detectives, publisher Jerry North and his wife Pam, who live in Greenwich Village at 24 St. Anne''s Flat. Created by Frances and Richard Lockridge, the couple stumbles across a murder or two every week throughout the show, reaching nearly 20 million listeners. Combining elements of mystery and lighthearted comedy, Pam often solves the cases, while her husband Jerry provides the background for their adventures. Mr. and Mrs. North are also featured in 26 novels, a Broadway play, a motion picture, and several television series.
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The show was broadcast on CBS from 1942 to 1954, starting with Alice Frost and Joseph Curtin in the title roles. Later on, Richard Denning and Barbara Britton played the Norths. The series aired on NBC Radio for Woodbury Soap from 1941 and December 1942 through December 1946, and then on CBS Radio for Colgate-Palmolive from July 1947 to April 1955. In 1946, Mr. and Mrs. North received the first Best Radio Drama Edgar Award from the Mystery Writers of America, tying with CBS''s Ellery Queen.' where series_slug='mr-and-mrs-north';
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update series set description='Mr. District Attorney is a radio crime drama series that focuses on the adventures of a dedicated district attorney, initially known as "Mister District Attorney" or "Chief." The show is known for its meticulous and accurate representation of the realities of the crime world. This can be attributed to the show''s creator, former law student Ed Byron, who went to great lengths to study crime statistics, criminology texts, and even mingle with criminals and police officers to create realistic storylines. The show emphasized the importance of the district attorney''s role in safeguarding citizens'' fundamental rights, acting as a champion of the people, defender of truth, and guardian of life, liberty, and the pursuit of happiness.
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The show aired on NBC and ABC from April 3, 1939 to June 13, 1952, and in transcribed syndication through 1953. Throughout its run, various actors played the title role, including Dwight Weist, Raymond Edward Johnson, Jay Jostyn, and David Brian. The show also featured a voice known as the "Voice of the Law," which defined the duties and responsibilities of the district attorney. There were 195 known episodes of Mr. District Attorney during its time on air, and the show experienced remarkable ratings success, rivalling the likes of Jack Benny and Bob Hope. The show''s striking similarity to real-life crime events even caught the attention of the FBI, who paid a visit to Byron in response to one of the storylines mirroring an actual criminal case.' where series_slug='mr-district-attorney';
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update series set description='Mr. Keen, Tracer of Lost Persons was a captivating radio show that first premiered on the Blue Network. The program followed the story of a no-nonsense investigator, known only as Keen, who helps track down people who mysteriously vanish from their everyday lives. His trusty assistant Mike Clancy, a strong-willed Irishman, aids him in his disparate quests. The show evolved from its initial format as a thrice-weekly 15-minute serial, tackling baffling disappearances, to a humorous and entertaining program that saw Keen investigating murders in its half-hour week-long formula.
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Broadcasted for 18 years, Mr. Keen, Tracer of Lost Persons aired from October 12, 1937, until September 26, 1955. It initially premiered on the Blue Network before transferring to CBS in 1942. Notable sponsors included Bisodol, Kolynos toothpaste, Chesterfield cigarettes, and American Chicle. Out of many episodes that aired during its run, nearly 60 recordings survive to this day for modern audiences to enjoy. The show''s engaging format and memorable characters have made it popular with old-time radio fans even today.' where series_slug='mr-keen-tracer-of-lost-persons';
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update series set description='Mr. Moto is a fictional Japanese secret agent and international detective created by American author John P. Marquand. The character first appeared in six novels between 1935 and 1957, and then in various other media formats. Mr. Moto, known for his shrewdness, toughness, and ruthlessness against his enemies, is often perceived by most people as a harmless eccentric who sometimes claims to be stupid. The main characters in the novels are Westerners who encounter Mr. Moto during their adventures in exotic lands and gradually become aware of his formidable character. In the first five novels, set in the era of expansionist Imperial Japan, Mr. Moto serves as an agent of the empire, but in the final novel, set in the 1950s inside Japan, he is a senior intelligence official in the pro-Western Japanese government.
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The Mr. Moto radio show aired 23 episodes starring James Monks in 1951. It was inspired by the popularity of the Charlie Chan detective series, which featured detectives of Asian descent who spoke with foreign accents. The radio show adaptations followed the nine Mr. Moto film series, where Peter Lorre played the lead role. The films were popular in the 1930s but ceased production once the United States entered WWII due to anti-Japanese sentiment. The Mr. Moto radio show was made during the early 1950s, after the war''s end.' where series_slug='mr-moto';
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update series set description='Murder at Midnight was a thrilling radio series featuring macabre tales frequently involving supernatural elements. Produced in New York and distributed by World Broadcasting System, the show aimed to captivate audiences with stories of suspense and horror. The series was the brainchild of Louis G. Cowan and featured engaging scripts from various writers, including Robert Newman, Joseph Ruscoll, Max Erlich, and William Morwood. Directed by Anton M. Leder and hosted by Raymond Morgan, the program enraptured listeners with Charles Paul''s haunting organ theme setting the tone for each spine-chilling episode.
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Originally recorded between mid-April and December of 1946, Murder at Midnight aired on radio networks such as Los Angeles'' KFI and enjoyed syndication until the early 1960s. The show produced a total of 50 episodes, with ten later being picked up by the Mutual Broadcasting System in 1950. Murder at Midnight remains a memorable and beloved part of radio show history, with its unique storytelling style, talented cast, and captivating premise that resonated with listeners from coast to coast.' where series_slug='murder-at-midnight';
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update series set description='Murder by Experts was a thrilling radio show that aired on Mutual and captivated audiences with its crime and mystery content. The highly regarded program was the brainchild of Robert Arthur and David Kogan, creators of The Mysterious Traveler, and featured stories by distinguished writers of the time. Each episode would begin with an introduction by a host, such as John Dickson Carr or Brett Halliday, who would announce the story''s title, author, and guest expert. The show was highly successful, winning the prestigious Edgar Award for best radio drama in 1950.
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The show aired from June 1949 through December 1951, with a total of 130 episodes broadcast. Noteworthy actors who appeared on the program included Lawson Zerbe, Ann Shepherd, Santos Ortega, Ralph Bell, and William Zuckert. Murder by Experts showcased the talents of top mystery writers like Carr, Halliday, Craig Rice, Bruno Fisher, and Lawrence Blochman, who all used their expertise to select the stories for each episode. Host John Dickson Carr was best known for his intricate plot twists and sensational writing style, while Davis Dresser, who worked under the pen name Brett Halliday, was the author behind the popular private detective Michael Shayne. Despite the show''s reliance on expert writing rather than well-known talent, Murder by Experts remains an essential addition to any mystery collection.' where series_slug='murder-by-experts';
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update series set description='My Favorite Husband is an American radio program and network television series. The show centers around the lives of Liz and George Cugat, a married couple who live at 321 Bundy Drive in the fictitious city of Sheridan Falls. Described as "two people who live together and like it," the series focuses on the minor crises and problems that arise as a result of Liz''s quirky ideas. Each episode concludes with the couple resolving their issues and Liz affectionately referring to George as her "favorite husband." The show''s tone is light-hearted, with a mix of situational comedy and witty dialogue.
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The radio version of My Favorite Husband aired from July 23, 1948, to March 31, 1951, spanning 124 episodes. Initially broadcasted on CBS Radio, it eventually acquired Jell-O as its sponsor. The series starred Lucille Ball as Liz and Richard Denning as George, with Gale Gordon taking over the role of George''s boss Rudolph Atterbury in March 1949. When Lucille Ball was asked to do a television adaptation of the show in 1950, she insisted on her real-life husband, Desi Arnaz, playing her on-screen partner. This led to the development of the popular television sitcom I Love Lucy. While the television version of My Favorite Husband starred Joan Caulfield and Barry Nelson, it only ran for two and a half seasons from September 1953 to December 1955.' where series_slug='my-favorite-husband';
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update series set description='My Friend Irma is a radio sitcom that revolves around the life of a dim-witted blonde stenographer named Irma Peterson, played by Marie Wilson. The show focuses on the daily antics and problems that arise with Irma''s friends, especially her logical and dependable roommate, Jane Stacy, played by Cathy Lewis. The comedic tone and style of the show rely heavily on the witty and sometimes absurd interactions between these characters, as well as Irma''s humorous misunderstandings and misadventures.
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The radio series was broadcast on CBS from April 11, 1947, to August 23, 1954. Throughout its run, the show was a consistent hit in the Hooper and Neilson top-15 ratings. The success of My Friend Irma led to various adaptations, including two films, a television series from 1952 to 1954, a comic strip, a comic book written by the legendary Stan Lee, and a stage play. Some of the notable advertisers and sponsors included Lever Brothers, Lux Radio Theater, and Arthur Godfrey''s Talent Scouts. In addition to its talented lead actors, Marie Wilson and Cathy Lewis, the show also featured performances by notable actors such as Hans Conried, John Brown, and Alan Reed.' where series_slug='my-friend-irma';
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update series set description='Mystery House was a unique radio drama series that revolved around the publishing firm owned by Dan and Barbara Glenn. The series, set in New York City, featured an innovative premise where each new novel from the publishing company was acted out by the Mystery House staff prior to being accepted for publication. As a result, the show served as a testing ground for new mystery novels, with the staff handling various responsibilities such as script adaptations, acting, and sound effects, providing the audience with the opportunity to engage with the stories before they became published books.
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The show initially began airing on NBC in 1929 and continued to broadcast as late as 1951 in various formats across different stations, including WGN in Chicago and WOR in New York. To date, only fifteen episodes are known to exist. An interesting trivia about the show is an episode featuring famed actor Bela Lugosi, which seems to have been more professionally produced with hired actors and announcers, leading to speculations that it may have been an unaired audition episode. However, the complete broadcast history and further information about Mystery House remain largely shrouded in mystery.' where series_slug='mystery-house';
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update series set description='Mystery in the Air was a suspenseful and thrilling radio show starring Peter Lorre, an actor known for his "creepy foreigner" persona. The show featured stories from world literature, including works by Edgar Allen Poe, Pushkin, de Maupassant, Theodore Sturgeon, and Dostoevsky. With a focus on the strange and unusual, Mystery in the Air captivated its audience with each eerie twist and turn. Peter Lorre''s distinct voice and convincing portrayals of psychopathic characters contributed to the show''s unique flavor and helped secure its place in radio history.
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The show aired in 1947 as a summer replacement series and featured a regular stock of players, including Harry Morgan, who later gained fame as Detective Joe Gannon on TV''s Dragnet. Although the original broadcast network and the number of episodes produced are not mentioned, the cultural impact of Mystery in the Air is evident in Peter Lorre''s Star on the Hollywood Walk of Fame at 6619 Hollywood Blvd. For fans of suspenseful and mysterious radio shows, Mystery in the Air offers a chilling and memorable experience.' where series_slug='mystery-in-the-air';
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update series set description='Mystery is My Hobby is a crime and detective series that follows the adventures of author Barton Drake, a mystery writer with a knack for getting himself into trouble. Portrayed by Glen Lagan, Drake is a worldly, man-about-town type of detective, more akin to Lord Peter Wimsey than the hard-boiled Sam Spade or Philip Marlowe. In a unique twist, his sidekick is police officer Noah Danton, who accompanies Drake on investigations both within and outside of the country. Danton, while somewhat dim as a police officer, follows Drake''s every move, and at the end of each episode, Drake has to explain to him how he solved the mystery. Performed before a live audience, the show had a light and engaging tone, which was different from the more serious crime dramas of the time.
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The show was broadcast on the Mutual Radio Network from 1945 to 1947, with its original title being Murder is My Hobby. However, the sponsor, Mutual Benefit Life Insurance Company of Omaha, thought the title was too harsh, as having a life insurance company sponsor a show with murder in the title seemed inappropriate. While air dates, broadcast networks, and production personnel are not the focus of this summary, it''s interesting to note the unique pairing of an author and police officer as the main characters, as well as the lighter tone and style of this detective series compared to its contemporaries.' where series_slug='mystery-is-my-hobby';
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update series set description='Nero Wolfe is a Canadian radio drama series based on the detective mystery novels by Rex Stout. The show follows the adventures of the titular character, Nero Wolfe, a genius detective and his loyal assistant, Archie Goodwin. The series has a 60-minute long format with a tone and style that focuses on solving mysteries with strong attention to detail and sophisticated dialogue. The show stars Mavor Moore as Nero Wolfe and Don Francks as Archie Goodwin, and it is known for its high production values and accurate presentation of Stout''s original stories.
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The Nero Wolfe radio series was broadcast on the Canadian Broadcasting Corporation (CBC) from January 16, 1982, to April 10, 1982, with a total of 13 episodes. The series was created by Rex Stout, written by Ron Hartmann (adaptation), and directed and produced by Ron Hartmann. The supporting cast included notable actors such as Cec Linder, Frank Perry, and Alfie Scopp. The show was released on audiocassette by Durkin Hayes Publishing (DH Audio), and it is still appreciated by fans of detective mystery stories.' where series_slug='nero-wolfe-cbc';
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update series set description='Nick Carter, Master Detective is a radio crime drama that revolves around the tales of the fictional private detective, Nick Carter. The show features Lon Clark as Nick Carter, the master detective who tirelessly works to solve crimes while navigating through various clues littered across the scenes. Carter''s assistant, Patsy Bowen, is played by Helen Choate and later Charlotte Manson, adding wit and intelligence to the crime-solving duo. The show is characterized by its dramatic narrative, organ-led background music, and sound effects that keep the energy high and the story moving along. The radio program provides a thrilling experience for listeners as they attempt to solve the cases alongside Nick Carter and Patsy Bowen.
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The show aired from April 11, 1943 to September 25, 1955, spanning well over a decade. Nick Carter, Master Detective was first broadcasted on Mutual Broadcasting System and changed networks multiple times during its run. In total, 124 episodes aired, all of which can still be listened to today. Additionally, there was a spinoff called Chick Carter, Boy Detective, which aired from July 1943 to July 1945 and targeted a younger audience. Nick Carter''s popularity extended beyond radio, as the character was featured in movies, television shows, and books. The radio series itself was sponsored by various advertisers and companies, including Acme Paints, Lin-X, Cudahy Packing, Old Dutch Cleanser, and Libby Packing. The production team included talented writers such as Walter B. Gibson, Milton J. Kramer, David Kogan, and Alfred Bester, along with producers and directors Jock MacGregor and Ferrin Fraser, who helped to bring the intriguing world of Nick Carter to life for radio listeners.' where series_slug='nick-carter-master-detective';
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update series set description='Night Beat is a radio drama series that revolves around the life of Randy Stone, a reporter covering the night beat for the Chicago Star. Stone encounters an array of criminals, eccentrics, and troubled souls during his nightly search for strange and intriguing stories. While most episodes of the show gravitate toward suspense, crime, and thriller themes, Night Beat occasionally presents humorous or sentimental stories as well. Each episode concludes with Stone typing up a news story based on his latest escapades and calling for the copy boy to deliver it to an editor.
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The show aired on NBC from February 6, 1950, to September 25, 1952 and was sponsored by Pabst Blue Ribbon Beer and Wheaties. Frank Lovejoy starred as Randy Stone and was supported by an ensemble cast of talented actors including Joan Banks, Parley Baer, William Conrad, Jeff Corey, Lawrence Dobkin, Paul Frees, Jack Kruschen, Peter Leeds, Howard McNear, Lurene Tuttle, Martha Wentworth, and Ben Wright. The announcer for the show was Donald Rickles. In addition to its radio format, there was a television pilot episode of Night Beat on the anthology series Four Star Playhouse, and an ebook anthology of six new Night Beat stories called "Nightbeat: Night Stories."' where series_slug='night-beat';
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update series set description='Obsession is a radio show that dives into the dark and twisted aspects of the human mind, reflecting the post-World War II audience''s craving for more dramatic and thrilling programming. The show''s stories revolve around human beings in conflict with themselves, their obsessions, and their dark psychological tendencies. Its chilling and eerie narrative explores the minds of murderers, evil geniuses, and tyrants, with episodes delving into topics ranging from Napoleon''s own obsession to various individuals'' fixation on shoes, death, or tides.
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The radio show aired its first episode on October 9, 1950, and was independently produced by C.P. ''Chick'' MacGregor. Obsession began on WBBM, Chicago, as a filler until it earned its own time slot on January 15, 1951. Over its seventeen-month run, the program featured notable radio actors such as Vincent Price, Ruth Warrick, William Gargan, Miriam Hopkins, and Barton Yarborough. Despite the varying quality of the scripts, the music, acting, and narrative of the show have been praised and appreciated by enthusiasts. Obsession concluded with its final broadcast on May 12, 1952.' where series_slug='obsession';
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update series set description='Old Fashioned Revival Hour is a Christian evangelical radio show featuring hymns and gospel music led by Pastor Charles E. Fuller, who was one of the first radio ministers. The show aimed to spread the message of Christianity through traditional hymns sung by luminous voices. During World War II, the program aired live revivals and reached out to military personnel about to enter the Pacific theater. The show''s format and tone provided a heartfelt connection for the listeners, drawing them closer to Christian values and beliefs.
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The Old Fashioned Revival Hour was broadcast during the golden age of radio on various networks. Pastor Charles E. Fuller dedicated his life to the ministry and often traveled around the country to air live revivals. The show shared similarities with other religious programs such as Aimee Semple McPherson, Father Coughlin Catholic Hour, Eternal Light, Father Flanagan''s Boys Town, Greatest Story Ever Told, Radio Revival Heart to Heart Hour, Ronald Knox Collection, Religious Collection, and Upper Room. While there were no related TV shows or other media formats, the show did have notable advertisers and sponsors that supported its production.' where series_slug='old-fashioned-revival-hour';
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update series set description='Old Gold Comedy Theater was a radio show that aimed to bring light-hearted entertainment to its audience. The show took its inspiration from the successful format used by the Lux Radio Theatre and Cecil B. DeMille. As a comedy series, it featured adaptations of movie scripts and top-notch actors, with each episode providing fast-paced, farcical stories and romantic "Boy and Girl Fall in Love Against The Odds" themes. Silent film star, Harold Lloyd, who had worked with film pioneer Cecil B. DeMille, was enlisted to host and present the plays. Lloyd became part of the action of the show, participating in the "play within a play" commercials and introducing the featured stories, which were primarily screwball comedies.
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The radio show aired on NBC for a single season, with episodes broadcasted from October 29, 1944, to June 10, 1945. It was produced by the Lennen and Mitchell ad agency for the Lorillard Tobacco Company, the makers of Old Gold cigarettes. Out of the 32 episodes that were aired during its time, 30 are still in circulation today. The show was a unique merge of movies and radio and aimed to differentiate itself from other movie anthology programs with its concentration on screwball comedies and Lloyd''s involvement. While the comedy adaptations were well-written for radio, a downside was the 30-minute format, which forced significant cuts from the original movie scripts, often resulting in the loss of humor and story elements.' where series_slug='old-gold-comedy-theater';
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update series set description='On Stage is an American radio show that features a blend of classics and original stories covering various genres such as mystery, drama, comedy, satire, and adventure. The show was created by the husband and wife team of Elliot and Cathy Lewis, who were known as "Mr. and Mrs. Radio". The program was designed to showcase strong male and female parts, with both Elliot and Cathy Lewis starring in each episode. It provided a repertory of high-quality stories, with episodes contributed by both experienced and up-and-coming writers.
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The show aired on CBS from January 1, 1953, to September 30, 1954, with a total of 78 episodes produced. However, only 41 of these episodes are known to still exist in circulation today. On Stage was one of the last good radio series, as the big money in entertainment began shifting over to television during this period. Despite the decline in popularity of radio shows, On Stage is a prime example of the potential quality and creativity that can be found in old-time radio programs.' where series_slug='on-stage';
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update series set description='One World Flight was a documentary radio series that chronicled Norman Corwin''s four-month journey across 16 countries, covering 42,000 miles. The show''s premise was to interview various people, including heads of state and everyday citizens, to gain insight into their perspectives on the world following World War II. These interviews would be woven together with Corwin''s commentary to create a captivating and thought-provoking program designed to help heal the wounds of the war.
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The show consisted of 13 episodes, which aired on CBS radio between 14 Jan – 8 Apr 1947. During his trip, Corwin was accompanied by CBS Recorder Lee Bland and 225 pounds of magnetic wire-recording equipment. The transcript of the interviews produced 3700 typed pages, and the series was developed over three months with the help of four recording engineers and six typists. The One World Award, established in Wendell Willkie''s honor, was given to Norman Corwin as the first recipient in 1946. Notable winners of this award included Fiorello La Guardia (1947), Albert Einstein (1948), John Huston (1949), and Roger Nash Baldwin (1950).' where series_slug='one-world-flight';
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update series set description='Our Miss Brooks is a radio show that revolves around the everyday life of Connie Brooks, an English teacher at Madison High School. The series follows her interactions with other characters, such as her love interest and fellow teacher, Philip Boynton, school principal Osgood Conklin, landlady Margaret Davis, and student Walter Denton. With a comedic tone and witty dialogue, the show focuses on Miss Brooks'' experiences navigating her personal and professional relationships, and features distinctive personalities that create a humorous interplay between the characters.
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The show first premiered on July 19, 1948, and ran until 1957. It originated from a New York City audition that took place in 1948, with Eve Arden eventually landing the lead role. Throughout its run, the show aired on the CBS radio network and was sponsored by Colgate-Palmolive-Peet. The series consisted of numerous episodes, some of which still exist today. In 1952, Our Miss Brooks was also adapted for television and became one of the medium''s earliest successes, with many of the original radio cast members playing their roles on both formats. A film adaptation of the show was released in 1956, featuring most of the radio and television cast members, and television reruns can still occasionally be found on cable television today.' where series_slug='our-miss-brooks';
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update series set description='Pat Novak, for Hire is a detective drama radio series set on the San Francisco waterfront. The show portrays the city as a dark, rough place where survival is key. The title character, Pat Novak, is not a detective by trade, but he owns a boat shop on Pier 19 where he rents out boats and does odd jobs to make money. The series is known for its fast-paced, hard-boiled dialogue and action, as well as its witty one-liners. Each episode follows a similar formula, featuring Novak taking on unusual or risky jobs, often finding himself mixed up in murder mysteries with sultry female characters and a cat-and-mouse game with Police Inspector Hellman, played by Raymond Burr.
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The show originally aired from 1946 to 1948 on KGO in San Francisco as a West Coast regional program, with Jack Webb starring as Pat Novak and Richard L. Breen writing scripts. After moving from San Francisco to Los Angeles, Webb and Breen created a similar nationwide series called Johnny Madero, Pier 23 on the Mutual network. In 1949, Webb and Breen resumed their roles for Pat Novak, for Hire on the national ABC network. The show aired until June 26, 1949, and at least 25 episodes are known to exist. The show’s success helped launch Jack Webb’s career, as he went on to create and star in another iconic crime drama, Dragnet. Other notable actors featured on Pat Novak, for Hire included Ben Morris, George Fenneman, Hal Gibney, and William Conrad.' where series_slug='pat-novak-for-hire';
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update series set description='People Are Funny is an American radio and television game show created by John Guedel, in which contestants were asked to carry out stunts to prove the show''s title statement. Many stunts lasted weeks, months, or even years, with successful participants receiving prizes. The show rarely featured celebrities, instead focusing on everyday people, and as a result, few recordings of the show were saved.
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The show aired from 1942 to 1960, with Art Baker as the initial host before being replaced by Art Linkletter in 1943. People Are Funny moved to CBS from 1951 to 1954 before returning to NBC from 1954 to 1960. In 1984, a reconstituted version of the show with Flip Wilson as the host aired on NBC. The show was sponsored by Kool Cigarettes and later Mars Candy. Throughout its 18-year run on radio and television, People Are Funny continued to showcase increasingly outrageous and humorous stunts.' where series_slug='people-are-funny';
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update series set description='Perry Mason is a radio crime serial based on the novels of Erle Stanley Gardner. The series primarily focused on action rather than courtroom drama, blending elements of mystery and soap opera. The show''s protagonist, attorney Perry Mason, was often depicted engaging in shootouts with criminals rather than spending time in the courtroom. The series featured a variety of actors in the leading role, including Bartlett Robinson, Santos Ortega, and Donald Briggs, with John Larkin eventually taking over and portraying Perry Mason until the show''s end.
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The Perry Mason radio show initially aired on CBS Radio from October 18, 1943, to December 30, 1955. During its run, the series broadcasted a total of 3,000 episodes. Following the conclusion of the radio show, the series was adapted into the television show The Edge of Night, which ran for an additional 30 years. Notable sponsors of the Perry Mason radio show included General Foods and Tide, while several of the actors who portrayed Mason on radio, such as Bartlett Robinson and John Larkin, went on to appear in episodes of the Perry Mason television series starring Raymond Burr.' where series_slug='perry-mason';
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update series set description='Philo Vance was a detective radio show created by S. S. Van Dine, that tells the story of a refined intellectual with a particular taste for art and culture. His character, while being a courteous and intelligent private detective, also has an innate contempt for inferiority in all forms. Throughout the series, Philo Vance displays his astuteness and great knowledge in areas such as psychology, art, and various academic subjects. The radio series, unlike the original books, portrays Philo Vance as a more relatable and approachable character, all while maintaining his intellectual prowess and unique characteristics. The show also features notable characters such as District Attorney Markham, and Ellen Deering, Philo''s secretary and right-hand woman.
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Philo Vance aired on NBC from 1945 to 1950, and later on ZIV Syndication in 1946 with Jackson Beck taking on the titular role. John Emery and Jose Ferrer also portrayed Philo Vance during the early broadcasts. The radio series had a total of 104 episodes, with only a handful known to still exist today. In addition to the radio show, Philo Vance''s character gained popularity with an earlier appearance in 12 crime novels published during the 1920s and 1930s. During that time, Vance''s character was portrayed in films and radio, making a significant impact in various forms of media.' where series_slug='philo-vance';
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update series set description='Pinto Pete and His Ranch Boys is a country and western radio program featuring a variety of songs, cowboy philosophy, and spiritual messages. The show begins with the song "I am the King of the Rangers" and includes popular western tunes such as "The Roaming Cowboy," "There''s A Blue Sky," "Wait ''Till The Sun Shines Nellie," "The Blue Ridge Mountain Blues," and "When Its Prayer Meeting Time." Interspersed between the musical performances, Pinto Pete shares his thoughts and wisdom with listeners, discussing topics such as faith in God and oneself. This radio show should not be confused with the Pinto Pete comic character, a young Arizona boy featured in the 1940s.
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The show recorded a total of 104 episodes, with an additional 78 episodes under the title Pinto Pete in Arizona. References to Pinto Pete and His Ranch Boys date back to as early as 1930, with the first recorded notice found in a December 1933 broadcast in Sandusky, Ohio. The program aired on various radio networks, including the Blue Network in the United States, and a Phoenix Arizona station in 1952. The show was introduced to Australia around 1934 by producer Grace Gibson and aired intermittently through 1944. The trio of Jack Ross, Joe "Curley" Bradley, and Ken "Shorty" Carson, who served as the primary actors and stuntmen for the show, were also involved in movies such as It Happened One Night and In Old Monterey.' where series_slug='pinto-pete-and-his-ranch-boys';
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update series set description='Pinto Pete in Arizona was a country and western radio show spin-off from the popular program, Pinto Pete and the Ranch Boys. The show featured Pinto Pete, a singing cowboy and the boss of his ranch, along with his loyal ranch hands. Each 15-minute episode consisted of multiple songs, including at least one featuring Pinto Pete''s bass voice. The show intertwined loose plots alongside music and often included a message or lesson from Pete about faith.
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The series was broadcast from the early 1930s to 1944, with its earliest record dating back to 1933. Pinto Pete and the Ranch Boys recorded 104 episodes, while Pinto Pete in Arizona produced an additional 78 episodes. The show initially aired on KTM radio station and later moved to the Blue Network in 1940. It also aired in Australia through producer Grace Gibson, starting around 1934. Notable actors involved in the production included Jack Ross as Pinto Pete and Joe "Curley" Bradley and Ken "Shorty" Carson as part of the Ranch Boys trio.' where series_slug='pinto-pete-in-arizona';
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update series set description='Planet Man is an engaging science fiction series centered around the story of Dantro, a troubleshooting hero who works for the League of Planets organization. Tasked with maintaining peace and justice in the celestial world, Dantro ventures across the solar system, from Mercury to Pluto, to fight for fair play and thwart danger. With its campy and predictable plotlines, the show is a lighthearted and entertaining listen for audiences of all ages, making it an enjoyable option for laughs with friends or bedtime stories for younger listeners.
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Originally broadcast in the 1950s, Planet Man was transcribed and syndicated by Palladium Radio Productions. Dantro, the main protagonist, hails from Planteria Rex, the capital of all planets. Notable adversaries faced by Dantro include the power-hungry ruler of Mars, Marston. On his interstellar adventures, Dantro is accompanied by a loyal team of sidekicks such as Dr. John Darrow, his daughter Pat, nephew and niece Billy and Jane, and his engineer Slats. As a testament to the 1950s space-obsession era, Planet Man offers a nostalgic and entertaining experience for both children and adults.' where series_slug='planet-man';
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update series set description='Police Headquarters was a captivating radio show that focused on capturing the essence of 1930s crime dramas. The show followed a procedural format, where each 15-minute episode included an opening and closing music segment, as well as a commercial by the announcer. Episodes usually began with a citizen reporting a crime via telephone, followed by the police using their two-way radio system to set up a dragnet and track down criminals. Based on actual cases, the stories presented in the series featured crimes like murder and bank robbery, with the police identifying or apprehending the perpetrators. Though the cases may not have always been solved in real life, they were portrayed with successful resolutions on the show.
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Broadcasted in 1932, Police Headquarters was produced by Bruce Eells Associates and syndicated on West Coast NBC radio stations. There were a total of 39 episodes produced, lasting about 15 minutes each. The show was known for providing a glimpse into the 1930s, making it interesting and engaging for listeners at the time. Some interesting trivia about the program is that while the stories were based on actual cases, they were always presented with a successful outcome on the show, regardless of the real-life result. The radio show is considered part of the "golden age of radio," but there is not much information about its production, actors, or other notable aspects.' where series_slug='police-headquarters';
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update series set description='Police Reporter is a 15-minute dramatic series based on true crime stories. Syndicated by Radio Release Limited, the series consists of sensational and melodramatic stories that revolve around various murder cases, with each episode using real names, dates, and locations. The show''s distinct style is reminiscent of Front Page Drama, and the police officers featured often solve the cases through the incompetence of the criminals rather than their investigative prowess. This creates a chilling and intriguing atmosphere within the series that has captivated its listeners for years.
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Broadcasted between December 15, 1933, and March 1936, Police Reporter originally aired on WEAF''s program grid and later on KGPJ. The series predates other true crime dramas such as Gangbusters, which first premiered on NBC as "G-Men" in July 1935. Police Reporter consists of 26 shows, which have been digitized directly from a set of original transcription discs. The show received scripts from The Writer''s Market and also sought ideas from its listeners. Despite reflecting on gruesome cases that might not be suitable for children, Police Reporter''s success lies in its ability to engage the audience''s imagination and create a darker, scarier, and more disturbing picture than any modern media.' where series_slug='police-reporter';
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update series set description='Ports of Call is a unique and captivating radio show that takes its listeners on a journey to different countries across the globe in each episode. The show delves into the history and culture of various nations, using dramatizations to depict and bring to life the significant events that shaped each country''s identity. Setting the atmosphere, the series transports the listeners to a new destination with the help of a tramp steamer''s whistle and an announcement of the series title, followed by a musical interlude.
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The show is believed to have first aired in 1935 or 1936, with a limited number of episodes still existing today. Ports of Call was curated and preserved by the Old Time Radio Researcher''s Group, whose dedication to maintaining historical artifacts has allowed the show to reach new audiences even decades later. While specific information on the production team, broadcast networks, advertisers, and sponsors may be scarce due to the show''s obscurity, the unique format and content have continued to pique the interest of radio enthusiasts and those interested in world history.' where series_slug='ports-of-call';
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update series set description='Proudly We Hail was a public service show for the Army and Air Force that aimed to strengthen the defense machine during a time of national emergency. The show was initially designed to bolster worker morale during the buildup of tensions in the Far East and just prior to the Japanese attack on Pearl Harbor. The episodes featured recruitment ads, a short play with a big-name Hollywood actor, and an interview with the star at the end. Some notable actors that participated in the show include Clark Gable, Robert Mitchum, Glenn Ford, Alan Ladd, and William Holden.
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The radio show was first aired in 1941 on CBS for four months and later returned to the airwaves from 1946 to 1957, airing on as many as 1,300 radio stations. Hollywood producer C.P. MacGregor assembled the stations into his independent network for the first broadcast of the syndicated show, and there were 136 shows in the first series. The Library of Congress has possession of the MacGregor Collection masters and recording ledgers from 1931-1970, and the series continued through to episode 464, which was released in August 1957.' where series_slug='proudly-we-hail';
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update series set description='Quiet, Please was a radio fantasy and horror program that captivated audiences with its engaging storytelling style and diverse range of topics, such as romance, science fiction, crime, and even humor. Created by Wyllis Cooper, the show''s episodes focused on first-person narration, immersing listeners into a captivating world of suspense and intrigue. The program featured Ernest Chappell as the lead actor and announcer, who took on various roles including that of an oil platform worker, mountain climber, or soldier, with the show distinguishing itself through a skillful use of silence and a simplistic production style that relied primarily on the organ for its musical score.
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The radio show was first broadcast on June 8, 1947, on the Mutual Broadcasting System, and aired its final episode on June 25, 1949, on ABC. Out of a total of 106 episodes, only a few were repeats, and it received little notice during its initial run. Despite this, Quiet, Please has since received considerable acclaim as an outstanding example of American radio drama from the golden age. Among the show''s dedicated fans is writer Harlan Ellison, who praised the series for its innovative storytelling style and the terrifying effect of Chappell''s softly spoken narration.' where series_slug='quiet-please';
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update series set description='Quiz Kids was a popular educational radio and TV series that featured a panel of five children, chosen for their high IQs, strong academic interests, and appealing personalities. The quiz show, hosted by Joe Kelly, involved Kelly asking questions sent in by listeners, which were researched by Eliza Hickok and Rachel Stevenson. The answers were provided by the panel, which rotated weekly based on top scores, with the three highest-scoring children each week joined by two others the following week. They were no longer eligible to participate once they reached the age of 16. The show''s format encouraged children to display their intelligence and knowledge in a variety of subjects while engaging the audience with their personalities and sense of humor.
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Quiz Kids was originally broadcast from June 28, 1940, to September 27, 1956. It aired on the NBC radio network and later on the CBS television network. The show first aired as a summer replacement show for Alec Templeton Time on NBC radio, where it continued for 13 years. On television, the show ran from July 6, 1949, to July 5, 1953, with Joe Kelly as quizmaster, and then again from January 12 to September 27, 1956, with Clifton Fadiman as host. The series was created by Louis G. Cowan and was sponsored by Alka-Seltzer. A notable ex-Quiz Kids participant is Nobel Prize-winning biologist James D. Watson. Other successful former participants include actor and dialect coach Robert Easton, legendary Hollywood acting coach Roy London, poet Marilyn Hacker, and actress Vanessa Brown. The show''s popularity inspired several revivals and adaptations in various media formats over the years.' where series_slug='quiz-kids';
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update series set description='Ranger Bill is a Christian radio adventure serial focused on the life and experiences of Park Ranger Bill Jefferson. Set in the small Rocky Mountain town of Knotty Pine, the show follows Ranger Bill, played by Miron Canaday, as he faces various challenges with his friends and colleagues, such as Stumpy Jenkins, an old-time ranger known for his marksmanship, Henry Scott, Bill''s teenage ward, and Gray Wolf, a Dakota tribe member who brings both traditional methods and modern forest management to the team. The show often incorporates positive Christian values, while the characters tackle issues ranging from lost kids and elephant attacks to spacemen and hidden treasures in the Amazon.
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The show was broadcast between 1950 and 1964; initially running on WMBI in Chicago with 15-minute episodes, then syndicated as a 30-minute show. In total, 206 episodes aired, with many being rebroadcast on Children''s Sonshine Network and His Kids Radio. The cast included notable actors such as Miron Canaday as the titular character, Stumpy Jenkins, and Ed Ronne, Sr as Gray Wolf. The series was produced by the Moody Broadcasting Network and Moody Bible Institute, and the crew included directors Charles Christensen and Jim Grant, as well as writers Charles Erkhart and John Rowan.' where series_slug='ranger-bill';
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update series set description='Recollections at 30 is a radio show created to celebrate the 30th anniversary of the National Broadcasting Company (NBC). The show compiles various archival recordings into a 25-minute format, with some episodes following a theme or focusing on popular radio programs or honoring famous people. Utilizing a vast range of recordings, the series covers subjects such as historical events, popular culture, and music from the past. Additionally, the show solicits ideas from listeners and honors their requests, which often includes featuring some of the earliest recordings in radio history.
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The show was broadcast between 1956 and 1957 on NBC, airing a total of 45 episodes. With the first show produced on June 20, 1956, and the final broadcast on May 1, 1957, the series delved into the earlier days of radio in the 1930s, highlighting stars like Sophie Tucker, Al Jolson, Red Skelton, and more. The show also included listener-requested children''s programs, as well as the earliest known broadcast from their sound library, which was from June 11, 1927. Listeners not only enjoyed listening to the old shows but also appreciated the context provided, making the experience even more delightful.' where series_slug='recollections-at-30';
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update series set description='Life on Red Horse Ranch is a captivating radio show that masterfully combines thrilling serialized storytelling with the evocative music of the Old West. The show follows the adventures of old Sam Carter and his hired hands, as they attempt to save Red Horse Ranch from land grabbers, cattle rustlers, and various other challenges faced by ranchers. The tale is filled with drama, romance, and comedy, painting a vivid picture of the lives of the characters as they face danger, fall in love, and find humor in the mundane. The Texas Rangers provide the show''s music, skillfully incorporating elements of drama, romance, comedy, and western action to create a soundtrack that sets the perfect backdrop for the gripping story.
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The popular Life on Red Horse Ranch aired from 1935 to the early 1940s, gaining prominence and claiming a dedicated following. Additional episodes were released in 2011, providing fans with even more opportunities to immerse themselves in this beloved western saga. The show''s music was performed by the KCMB Texas Rangers, a group that also appeared in numerous B-Western films and West Coast radio programs, providing their unique blend of western music and rich instrumental talents. The show''s authentic atmosphere and enthralling storylines continue to captivate listeners, drawing them into the exciting and perilous world of Red Horse Ranch.' where series_slug='red-horse-ranch';
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update series set description='Redbook Dramas is a radio show based on short stories from Redbook Magazine. Each 15-minute episode features a different tale, often with a background of love, mystery, adventure or romance, set in exotic locations such as Yucatan, France, Dalmatia, and Manchuria. The stories showcase remarkable characters and unique circumstances, such as a surly army private getting into trouble with his pet goat, an American schoolteacher caught up in political intrigue abroad, and a domestic servant solving a murder case in the Arctic Circle. Some of the authors featured on the show include Elaine Carrington, known for her radio soap operas When a Girl Marries and Pepper Young''s Family, and Frank R. Adams, famous for his short stories in popular magazines of the era.
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The Redbook Dramas radio show aired in 1932 during the Great Depression, and several episodes reflect the period''s challenges. The show featured engaging, lively, and vivid stories that allowed a brief escape into the world of 1930s housewifical fantasies. It was introduced by Redbook Magazine''s editor, Edward Baumer, who provided background information on each story and its author. The series was syndicated by the Old Time Radio Researcher''s Group and remains a captivating collection of narratives from a unique era in history.' where series_slug='redbook-dramas';
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update series set description='Richard Diamond, Private Detective is a radio show centered around a slick and sophisticated detective, Richard Diamond, who enjoyed bantering with his clients and entertaining his girlfriend, Helen Asher, more than his detective work. The show involved Diamond getting involved in dangerous and often violent situations while solving murder cases, but as a skillful and witty detective, he never got shot or seriously injured. His relationship with Lt. Levinson of the police force, whom Diamond often helped reluctantly, provided an element of humor in the show. Despite their on-and-off compatibility, the two characters were portrayed as the best of friends.
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The radio show aired from 1949 to 1953, initially on NBC, then moving to ABC in 1951, and CBS in 1953. A total of 77 episodes aired, and the show''s television adaptation starred David Janssen, known for his work in The Fugitive. The opening scene of the TV show often featured the legs of Mary Tyler Moore, who later became famous for her roles in The Dick Van Dyke Show and The Mary Tyler Moore Show. The radio series had notable sponsors like Camel cigarettes and Rexall, and some key names involved in the production were Virginia Gregg, Blake Edwards, and David Baskerville.' where series_slug='richard-diamond-private-detective';
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update series set description='Ripley''s Believe It or Not is a radio show hosted by its creator, Robert Ripley himself. The show features strange and bizarre stories collected from Ripley''s travels around the world, with each episode focusing on a specific theme like beauty, South America, war facts, inventions, or the craziest people. The show also includes dramatic reenactments of stories and customs, comedy sketches, and musical interludes. During part of its run, music was provided by Ozzie Nelson and His Orchestra, with Harriet Hillard (later Harriet Nelson) performing vocals.
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The radio show first aired in 1930 and continued in various formats, time lengths, and with different sponsors until its end in 1948. The show''s success provided funds for Robert Ripley to continue his world travels and discover more unusual facts for audiences to enjoy. This collection of Ripley''s Believe It or Not radio show includes both 15 and 30-minute episodes. Related media adaptations have included television shows, comic books, and even a chain of museums, showcasing the enduring popularity of the franchise since its inception as a newspaper panel.' where series_slug='ripleys-believe-it-or-not';
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update series set description='Ripley''s One Minute Shorts is a captivating radio show that revolves around exploring the strange, miraculous, and unbelievable events, characters, and oddities from around the world. The show''s host, Robert Ripley, rigorously searches for and documents these extraordinary occurrences, providing the audience with an engaging and mind-boggling experience. Despite the seemingly outlandish nature of these tales, they are all true, solidifying the show''s premise that truth is indeed stranger than fiction. With a straightforward format and unique content, the show retains its fascinating charm for listeners from all generations.
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The radio show aired without commercials, giving local stations the opportunity to sell spots. Ripley''s One Minute Shorts comprises two stories per short episode, each lasting about 50 seconds. This format was designed to entertain as well as to intrigue listeners with the wonders of the world. Some related radio shows that delve into the realm of seemingly unbelievable facts and stories include Ripley''s Believe It or Not (in a 15-minute format), Can You Imagine That, Passing Parade, and Strange As It Seems.' where series_slug='ripleys-one-minute-shorts';
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update series set description='Rocky Fortune is an American radio drama with Frank Sinatra as the lead, playing the role of marginally employed Rocko Fortunato, also known as Rocky Fortune. Created by writer George Lefferts, the show follows Rocky''s exploits as he takes on various odd jobs, which often lead him into contact with criminals and situations where he helps those in need. Employers and assignments varied, with the only other recurring character played by Barney Phillips as the dim-witted police Sergeant Hamilton J. Finger. Sinatra''s relaxed and somewhat flippant persona combined with the humor and absurdity of the series provided a fun and engaging listening experience for the audience.
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The show aired for 25 episodes over 26 weeks on NBC Radio Network from October 6, 1953, to March 30, 1954. All of the episodes are available in good sound quality, providing a treat for fans of Frank Sinatra. The show''s writers often found ways to incorporate the title of Sinatra''s new movie, From Here to Eternity, into the story as a running joke. Other notable actors included Raymond Burr, Ed Begley, and Jack Kruschen.' where series_slug='rocky-fortune';
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update series set description='Rocky Jordan is a radio series centered around an American restaurateur named Rocky Jordan who finds himself solving mysteries and embarking on adventures in Cairo. Set in the Café Tambourine, which is described as "crowded with forgotten men, and alive with the babble of many languages," the show follows Jordan as he encounters crime, mystery, beautiful women, or a combination of the three. With a deliberately Eastern atmosphere created through music and sound effects, the show carefully uses real-life street names in Cairo, adding authenticity to its setting.
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The show aired on CBS from October 31, 1948, to September 10, 1950, and then again from June 27, 1951, to August 22, 1951. The character of Rocky Jordan was introduced in a similar show called A Man Named Jordan, which was broadcast from 1945 to 1947 and set in Istanbul. There were talks in 1951 of creating a TV series based on the show, starring George Raft, but this never came to fruition. Jack Moyles played Rocky Jordan for most of the show''s history, eventually being replaced by George Raft for the brief 1951 run. Jay Novello played Captain Sam Sabaaya, Cairo Police captain, throughout the entire series. The show was sponsored by Del Monte Foods and featured Middle Eastern music by Richard Aurandt.' where series_slug='rocky-jordan';
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update series set description='Rogue''s Gallery is a detective drama radio program centered around Richard Rogue, a private detective who typically encounters beautiful women while on cases. Throughout each episode, Rogue loses consciousness and converses with his alter ego, Eugor, who offers him crucial information to solve the case. The program maintains a relatively lighthearted tone, similar to Dick Powell''s later series, Richard Diamond, Private Detective. In addition to Powell, actors such as Barry Sullivan, Chester Morris, and Paul Stewart also portrayed the role of Rogue in later iterations of the series.
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First airing on the Mutual network on September 27, 1945, Rogue''s Gallery went on to broadcast on NBC and ABC networks as well. The show, initially titled as Bandwagon Mysteries, had a total of four seasons, with the final full season airing on ABC from 1950 to 1951. Throughout its run, the series was sponsored by the F. W. Fitch company, which sold Fitch Saponified Shampoo. Rogue''s Gallery was a summer replacement for The Fitch Bandwagon show in the years 1945, 1946, and 1947.' where series_slug='rogues-gallery';
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update series set description='Romance, also known as Theater of Romance, was a radio show that focused on romantic drama and served as a filler for various programs. With a captivating mix of tender love stories from today and memorable love stories from the past, the storylines often revolved around historical fiction and were bound to the films featuring the Hollywood stars who appeared on the show. As the series progressed, the writing and stories improved, and despite its status as a filler, the show gained a faithful listening audience that helped it become almost as popular as Lux Radio Theatre. The show was characterized by its live audience and captivating performances, offering a unique and engaging listening experience.
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Broadcasted on the CBS network between 1943 and 1957, Romance substituted for such shows as Gunsmoke, Life with Luigi, and Lux Radio Theater. Over the course of its 12-year run, the show underwent significant changes in content, producers, directors, and performers. Some of the notable actors who appeared on the show included Henry Fonda, Humphrey Bogart, Shirley Temple, Gregory Peck, and other famous Hollywood stars. The show began in New York and moved to Los Angeles in 1945, further solidifying its ties to the movie industry. Theater of Romance was initially sponsored by Colgate Tooth Powder from 1944 to 1946, bringing on an array of movie stars to boost its presence.' where series_slug='romance';
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update series set description='Romance of the Ranchos was a captivating 30-minute program that sought to recreate the spirit and life of the ranchos and vaqueros in Southern California during a time when the daily way of life was significantly different. Sticking to a strict storyline, the show provided in-depth descriptions of the customs and lifestyles of the era, adding a rich historical context to the program. The commercials followed suit, giving listeners a glimpse into the vast land ownership of the past compared to the present day. Romance of the Ranchos was noted for its well-written scripts and historical accuracy, which greatly contributed to the show''s immersive atmosphere.
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Originally aired as a historical drama between 1941 and 1946, Romance of the Ranchos portrayed the stories of the expeditions led by men and women attempting to tame the wilds of early California. The show was broadcast on the Title Insurance and Trust Company of Los Angeles'' network, with the content based on the company''s title records. The cast included notable actors such as Jerry Farber, Ann Whitfield, Nestor Palva, Lou Krugman, Marian Wilkins, Gail Bonney, and Herb Butterfield. Romance of the Ranchos was produced by Cliff Howard and written by Les Farber, with research support provided by the Old Time Radio Researchers Group.' where series_slug='romance-of-the-ranchos';
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update series set description='Rotary Golden Theater was a captivating radio show produced by the International Rotary Association, which focused on various situations involving individuals facing challenges that were ultimately resolved by the Rotary Club. Each of the thirteen 15-minute episodes delved into distinct storylines that highlighted the positive impact of the Rotary Club on people''s lives. With relatable characters and dramatic sequences, Rotary Golden Theater demonstrated the moral implications of the presented scenarios, leaving a lasting impression on its listeners.
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The show aired from March 1, 1955, through March 18, 1955, broadcasting five times a week. Rotary Golden Theater was created in celebration of the International Rotary Association''s 50th anniversary and was provided to local Rotary Clubs for broadcast on local stations. Alongside the show, thirteen discussion scripts were made available to be used as follow-up broadcasts or for educational purposes where local broadcast may not be possible. Despite being created in the mid-1950s, the show''s themes and messages continue to resonate with modern audiences, proving the timeless nature of Rotary Golden Theater.' where series_slug='rotary-golden-theater';
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update series set description='Screen Directors'' Playhouse was a popular American radio and television anthology series that featured leading Hollywood actors performing adaptations of well-known films. The radio program invited the original directors of the films to sometimes take part in the production, often introducing the radio adaptations and making brief curtain-call appearances alongside the cast and host at the end of the show. The television version of the show, which aired during the 1955-56 season, focused mostly on original teleplays and several adaptations of famous short stories, such as Robert Louis Stevenson''s "Markheim."
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The radio version of Screen Directors'' Playhouse aired for 122 episodes on NBC from January 9, 1949, to September 28, 1951, under various titles including NBC Theatre, Screen Actors Guild Assignment, Screen Directors Assignment, and eventually Screen Directors'' Playhouse as of July 1, 1949. The show featured prominent actors of the time such as Fred Astaire, Lucille Ball, Gary Cooper, Joan Crawford, Bette Davis, Cary Grant, and John Wayne. The television version of the program, produced at Hal Roach Studios, lasted for one season consisting of 35 half-hour episodes, airing on NBC from October 5, 1955, to June 1956, and subsequently on ABC until September 26, 1956.' where series_slug='screen-directors-playhouse';
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update series set description='Sears Radio Theater was a radio drama anthology series that presented a different genre of drama for each day''s broadcast. The series featured a variety of themes, such as "Western Night," "Comedy Night," "Mystery Night," "Love and Hate Night," and "Adventure Night." Each of these themes was hosted by a different celebrity, including Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson, Richard Widmark, Howard Duff, and Leonard Nimoy. The show included many actors from the Golden Age of Radio, and the program was produced and directed by Fletcher Markle and Elliott Lewis. The theme music for the show was composed and conducted by Nelson Riddle. Sears Radio Theater was praised for its ambitious attempt to reinvigorate radio drama and was broadcast in stereo.
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The show initially aired on CBS Radio in 1979 and was sponsored by the Sears chain. In 1980, the program moved to the Mutual Broadcasting System and became the Mutual Radio Theater. The Mutual series broadcast repeats from the CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run. The series ended as Mutual''s final radio drama series but continued to broadcast repeats of the program, along with a few previously unaired episodes, until December 1981.' where series_slug='sears-radio-theater';
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update series set description='Secret Agent K-7 Returns is a syndicated radio series that first aired in 1939, featuring seventy-eight fifteen-minute episodes revolving around spy stories. The character of Secret Agent K-7 didn''t participate in most of the adventures but rather introduced the stories of what other agents did. As the episodes progressed, K-7 took a more active role, assigning missions to the three main agents who starred in the program and occasionally assisting in capturing the antagonist. The series was well-paced and exciting, focusing on various plans to undermine world peace, including sabotage, blackmail, assassination, and border violations. The episodes had historical significance as they subtly warned America about the danger of Hitler and the start of World War II in Europe.
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The Secret Agent K-7 Returns radio show featured a prolonged organ intro that allowed the local announcer to insert commercials for the local furniture store or dairy. Each episode lasted about 12 and a half minutes, with interesting and exciting cases. The actors who brought these spy stories to life remain unknown today, much like the real spies of the time. The sound quality of the episodes is excellent, and they offer valuable insight into America''s history during that time. The show''s organ music is enjoyable as a mark of old-time radio shows, and the sound effects provide the drama that modern audiobooks lack. The series'' episodes continue to remain relevant, as they address issues that are still pertinent today, such as undesirable aliens, fraudulent passports, government overthrow, and world crisis.' where series_slug='secret-agent-k-7-returns';
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update series set description='Secrets of Scotland Yard was a crime drama series that captivated listeners with stories based on true cases from the London Metropolitan Police. Each week, the show followed detectives at Scotland Yard as they investigated notorious criminals and their infamous trials. The gripping stories ranged from the theft of the British crown jewels to murder investigations, with each case presenting a unique mystery for the detectives to solve. The show, an independent production by the Towers of London syndicate, initially featured Clive Brook as the host and later introduced an actor portraying Superintendent X of Scotland Yard, adding authenticity to the narrative.
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The series aired internationally between 1949 and 1951 and eventually made its way to the US radio network in 1957 on the Mutual Broadcasting System. With over 100 episodes, one of them, "The Bone From A Voice Box", served as the prototype for another well-known Towers Of London dramatic series, The Black Museum, both featuring renowned actors as host and narrator. Clive Brook, the initial host of Secrets of Scotland Yard, was an accomplished film director, writer, and actor who was best known for his roles in "Shanghai Express" and "Sherlock Holmes". His experience with the 1936 film "Scotland Yard Commands" brought an air of authenticity to the show, as did his discussions with crime expert and reporter Percy Hoskins.' where series_slug='secrets-of-scotland-yard';
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update series set description='SF-68 is a South African science fiction anthology series that featured stories penned by renowned authors such as Ray Bradbury and Harlan Ellison. Hosted by Michael McCabe, a well-known South African radio talent, the show captivated listeners with its engaging and thought-provoking episodes. Each story explored a different aspect of the realm of science fiction, showcasing tales featuring futuristic technology, societal changes, and characters with unique abilities. The program''s well-written dramas challenged the listener''s imagination and spurred them to think beyond the seemingly impossible, creating an immersive experience that took them on a journey into a world of fantastic possibilities.
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The popular radio show eventually made its way to America, where it continued to expand its fan base. SF-68 aired from March 1968 and featured episodes such as "Last Rites," which brought a priest face to face with his own faith, "Wanted in Surgery," which examined the future of medicine and the implications of robotic medical professionals, and "Jenny with Wings," which told the story of a girl born with wings that allowed her to fly. While little is known about the broadcasting details of the show, its well-crafted stories and intriguing premise made it an unforgettable part of radio history for those lucky enough to have experienced it.' where series_slug='sf-68';
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update series set description='Shell Chateau was a musical variety series that showcased a range of talents and featured diverse acts. The host of the show changed several times during its run, with entertainers such as Al Jolson, Wallace Beery, and Smith Ballew taking on the role. The program began with an opening song, followed by a comedy routine, a guest performer, more music, and then ended with a dramatic sketch. Film stars would occasionally perform scenes from their movies to promote them, while the show broadcast from Los Angeles, giving it an air of glamour and exoticism.
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The show aired from 1935 to 1937 on the NBC network, and while specific episode numbers are not provided, it had a consistent weekly schedule during its run. Several famous individuals, such as Judy Garland, Wallace Beery, and Babe Ruth, made guest appearances on the program. Legendary entertainer Al Jolson was known for his success in various mediums, including movies and radio shows, but his time on Shell Chateau marked a peak in his career. The show''s popularity declined after Jolson departed in March 1936, but continued until June 1937 with a rotating cast of hosts.' where series_slug='shell-chateau';
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update series set description='The Adventures of Sherlock Holmes is an American radio show that aired between 1930 and 1936, based on Sir Arthur Conan Doyle''s Sherlock Holmes stories. Adapted by scriptwriter Edith Meiser, the series starred Richard Gordon as Sherlock Holmes and Leigh Lovell as Dr. Watson for most of its run. Meiser wrote multiple original stories, as well as adapting all but one of the original Holmes stories by Doyle. With a tone and style heavily influenced by the source material, the radio series provided thrilling and chilling episodes of detective mystery, swirling London fogs, and intriguing characters. It captivated audiences with the blend of classic Holmes elements and Meiser''s inventive storytelling.
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The Adventures of Sherlock Holmes was broadcast in multiple networks during its run, with the first four seasons airing on the NBC Blue Network, the fifth season on the Mutual Broadcasting System, and then moving to the NBC Red Network in October 1936. A total of 179 episodes aired throughout its five seasons. Interesting trivia includes the first instant coffee, made by the George Washington Coffee Company, sponsoring the series until its fifth season, when the Household Finance Co. took over as the show''s sponsor. Notable actors involved in the production include William Gillette, Clive Brook, and Louis Hector as Sherlock Holmes, and Agnes Moorehead, Edith Meiser, and Lucille Wall in various roles.' where series_slug='sherlock-holmes';
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update series set description='Soldiers of the Press is a war drama that was created in New York and syndicated by the World Broadcasting System. The series features 15-minute episodes that retell recent news stories from action during World War II. The show is narrated by United Press correspondents, including Walter Cronkite and Harrison Salisbury, and covers a variety of events such as the attack on Pearl Harbor, the Marines hitting the beach at Guadalcanal, and Doolittle''s bombing raid on Tokyo. Veteran New York actors like Lon Clark and Jackson Beck bring vivid action-based narratives to life, highlighting the dedication, bravery, and sacrifice of wartime correspondents and fighting forces.
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The show was broadcast on WOR from February 28, 1943, to August 5, 1945, with a total of 148 episodes known to exist. Currently, there are at least 39 episodes in circulation among fans and collectors. The show was initially aired on WO in New York City before being syndicated by the World Broadcasting System. Some well-known correspondents featured on the show, like Walter Cronkite and Harrison Salisbury, went on to gain greater recognition in the world of journalism. This collection of radio episodes provides a unique glimpse into World War II events as they were experienced and reported during that time, offering a valuable historical resource for those interested in learning more about the war.' where series_slug='soldiers-of-the-press';
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update series set description='Space Patrol is a thrilling adventure series set in the 30th century, which follows the mission of bringing law and order to the interplanetary frontier. Each episode revolves around the Space Patrol crew, commanded by Commander Buzz Corry, as they journey through the universe in Terra V. The show entails high adventure in the wild vast reaches of space, daring missions in the name of interplanetary justice, and travels into the future with Buzz Corry, commander-in-chief of the Space Patrol.
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The radio show aired on ABC from September 18, 1950, to March 19, 1955, and is known to have 129 episodes. The show developed a significant adult audience by 1954, consistently ranking among the top 10 Saturday broadcasts. The show also had a TV series that aired from March 1950 to February 1955. Space Patrol boasted a talented cast, including Ed Kemmer as Commander Corry, Lyn Osborn as Cadet Happy, Virginia Hewitt as Carol Karlyle, Ken Mayer as Major Robbie Robertson, Norman Jolley as Dr Malingro, Nina Bara as Tonga, and Bela Kovacs as Prince Baccarritti. It was produced and directed by Larry Robertson and Mike Moser, with Lou Huston serving as the writer.' where series_slug='space-patrol';
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update series set description='Speed Gibson of the International Secret Police is a radio adventure series written by Virginia Cooke that follows the exploits of 15-year-old pilot Speed Gibson. He becomes a member of the International Secret Police through his uncle Clint Barlow and encounters fascinating adventures that involve shortwave radio, aviation, and crime-fighting missions. The series is divided into two storylines - "The Menace of the Octopus," where Speed is inducted into the International Secret Police and pursues the Octopus and his gang in the Orient; and "Speed Gibson and the Atlantian Syndicate," which sees him continue his adventures in Africa.
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The show aired weekly from January 2, 1937, to May 25, 1940, and had a total of 178 episodes, each lasting approximately fifteen minutes. It is believed that Elliott Lewis may have starred in the title role, though this cannot be confirmed. Other notable actors included Howard McNear as uncle Clint Barlow and John Gibson as sidekick Barney Dunlap. The opening theme featured the drone of an airplane and the voice of an air traffic controller urgently calling, "Ceiling zero… ceiling zero… ceiling zero!" The series is well-remembered for having all 178 episodes survive intact.' where series_slug='speed-gibson-of-the-international-secret-police';
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update series set description='Stand By for Crime is a crime drama radio show from the early 1950s that adopts a "true story" style of delivery, reminiscent of classic crime shows such as Gangbusters and Mr. District Attorney. Although not a true crime show, it features a very believable news anchor named Chuck Morgan, played by Glen Langen, who works at a Los Angeles radio station called KOP. He is friends with Lieutenant Bill Miggs of the police force who tips him off about crime news. Carol Curtis, played by Adele Jurgens, is Morgan''s "Gal Friday" who also gets involved in these crime capers. The trio encounters various characters, mostly with shady backgrounds. The dialogue is well-written and engaging, with enjoyable old-school repartee between Morgan and Curtis.
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The radio show was broadcast in the early 1950s, while a related American television police drama aired on ABC from January 11 to August 27, 1949. The TV series starred veteran newsman Myron Wallace, who later became known as Mike Wallace, and was notable for being the first program to be transmitted from Chicago to New York City. A total of 1,000 episodes have been documented for the radio show, and it remains a popular and intriguing listen for fans of crime dramas from the golden age of radio.' where series_slug='stand-by-for-crime';
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update series set description='Strange as it Seems was a radio program that offered listeners strange and unusual tales about fantastic people and events. Based on the daily syndicated newspaper cartoon panels created by John Hix, the show featured a blend of dramatized events, mini plays, and fanfare music, all designed to entertain and educate the audience about the marvels of the world. The program typically included 2 or 3 dramatic segments, followed by an Ex-Lax commercial and 2 or 3 strange stories. The show would then conclude with a preview of the next show''s stories, another Ex-Lax commercial, a quirky fact, and a short musical ending. Live interviews with unusual personalities, such as the World''s Fastest Talker, were also occasionally featured.
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The radio show first aired on March 22, 1935, on the Columbia Don Lee Coast radio network and was initially broadcast three nights a week. Later changes in the schedule and format occurred until December 1938 when the show ceased airing. The program returned as a 30-minute network program on the CBS network from August 17, 1939, to December 26, 1940. The show had a final run in its original 15-minute format from November 10, 1946, to April 13, 1947. Throughout its years of broadcast, the program had several sponsors, such as Ex-Lax and Palmolive Shave Cream. Many of the original programs were recorded on 16-inch 33 RPM records, with at least 39 of these records, encompassing a total of 78 programs, known to exist.' where series_slug='strange-as-it-seems';
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update series set description='Strange Wills was a unique radio program that focused on the complexities, dramas, and legal entanglements that arise from certain wills, often featuring unusual bequests or missing heirs. Based on actual wills with the names of those involved changed, the stories were compiled by lawyer-turned-author Ken Krippene and showcased the exceptional talents of stage and film star Warren William, who portrayed Probate Attorney Warren Francis O''Connell. The cast for most of the productions included its host and star, Warren William, and co-stars such as Howard Culver and Carleton G. Young, as well as many of the West Coast''s finest voice talent, creating a captivating and engaging show.
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The show was syndicated in 1946 and produced in Hollywood by Charles Michelson and Teleways Syndication. It aired for one season of 26 episodes, although it''s speculated that more were in production. Only four episodes are in circulation today. Later, Charles Michelson bought the syndication rights from Teleways and licensed them further to Grace Gibson Radio Productions for distribution in Australia. The series was renamed as I Devise and Bequeath, and five shows were created, of which four are in circulation. However, these used the same scripts as the Strange Wills show. Unfortunately, Warren William passed away in 1948, and no further work on the series is known to have occurred.' where series_slug='strange-wills';
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update series set description='Adventures of Superman is a superhero fiction and action-adventure radio show that follows the story of Superman, a DC Comics character. The show is packed with exciting episodes, ranging from the pre-jet flight era in 1939 up through the atomic 1950s. Throughout these decades, Superman takes on various challenges, including battling Nazi spies, uncovering evil genius schemes, and fighting extraterrestrial beings. In addition to the iconic character, a smart and cynical Lois Lane, portrayed by Joan Alexander, provides insight into the working women of World War II, while Perry White and Jimmy Olsen interact with Superman.
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The Adventures of Superman originally aired from 1940 to 1951, spanning a total of 2,088 episodes across differing American radio networks. Its storylines involved, among other things, a powerful blow against the Ku Klux Klan''s prospects in the northern United States. This impact occurred when human rights activist Stetson Kennedy infiltrated the KKK and used his knowledge to create a story arc featuring Superman fighting the Klan, trivializing their rituals and decreasing the group''s potential attracting power. The series also earned spectacular ratings, with Kellogg''s Pep Cereal as its sponsor. Bud Collyer played Superman, whose identity remained a secret for many years, and other notable actors included Joan Alexander as Lois Lane, Julian Noa as Perry White, and Jackie Kelk as Jimmy Olsen.' where series_slug='superman';
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update series set description='Suspense was a radio drama series that aired on CBS Radio from 1940 through 1962. Focusing on suspense thriller-type scripts, the show gained a reputation for providing "radio''s outstanding theater of thrills" and managed to attract several leading Hollywood actors of the era. Often featuring high production values and gripping stories, Suspense truly stood out in its genre. Many of the show''s best episodes were original radio plays created specifically for the series, with some classic stories and novellas adapted occasionally. The show attracted a wide array of A-list Hollywood stars, such as Cary Grant, Orson Welles, Joseph Cotten, and many others.
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The show was broadcast for over twenty years, starting in January 1942, with a total of 947 performances. It went through several major phases, characterized by different hosts, sponsors, and director/producers. Nearly all (approximately 895) episodes are still available to collectors today. The series had a generous budget from CBS and in 1948, it became popular enough to be broadcast for a complete hour rather than just thirty minutes. The actor Robert Montgomery was brought in to introduce the plays while replacing the "Man in Black" character and occasionally starring in them. The show continued to produce high-quality drama and attract notable actors until the rise of television and budget constraints affected the industry. After airing its last two radio dramas on September 30, 1962, Suspense ended its run, marking a major milestone in radio drama history.' where series_slug='suspense';
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update series set description='Tales of the Diamond K was a syndicated radio show aimed at a juvenile audience that featured captivating stories from the Old West. The show was hosted and narrated by Ken Maynard and often involved tales of cowboys and cattle trails, rodeos and parades, hidden gold and buried treasure. The stories were set in Ken Maynard''s Diamond K Ranch, and the series aimed to intrigue and entertain young listeners with self-contained, adventurous episodes.
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The show aired in the mid-1950s on a daily basis for 15-minute episodes, with some sources indicating that as many as a thousand shows were produced. However, only 39 episodes are known to be in existence today. Ken Maynard was a renowned movie cowboy and one of the first singing cowboys, who appeared in over 90 films between the 1920s and mid-1940s. The show''s radio format featured premiums such as an offer for a personalized phonograph recording of Maynard''s stories and a Western "K-Shirt" with the Diamond K Brand on it.' where series_slug='tales-of-the-diamond-k';
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update series set description='Tales of the Texas Rangers was a western radio drama that strayed from its genre by focusing on modern crimes that took place in Texas between 1928-1948 rather than being set in the 1800s like most Westerns of the time. Modeled after the successful Dragnet program, this police drama employed sophisticated scientific techniques to track down and apprehend criminals. Based on the real-life Texas Ranger Division, which was initially formed in 1823 by Stephen Austin and now consists of 150 commissioned officers, the show aimed to provide realistic and accurate portrayals of the Rangers'' work.
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The series ran on the NBC radio network from July 8, 1950, until September 14, 1952, with 95 episodes and one audition episode. It was produced and directed by Stacy Keach Sr., who enlisted real-life Texas Ranger Captain Manuel "Lone Wolf" Gonzaullas as an advisor. Actor Joel McCrea starred as Texas Ranger Jace Pearson in the radio show, which later moved to television from 1955-1958 with Willard Parker taking over the role. The TV version of the show was not limited to a contemporary timeframe and could jump from the 1840s to the 1950s from week to week. Additionally, 22 comic books about the Texas Rangers were published from 1952 until 1959, depicting either McCrea or Parker on the cover.' where series_slug='tales-of-the-texas-rangers';
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update series set description='Tarzan and the Diamond of Asher is a captivating radio show adapted from the novel Tarzan and the Forbidden City by Edgar Rice Burroughs. The story revolves around a mighty cone-shaped mountain in the heart of Africa, which houses the Forbidden City of Asher. Two safaris embark on treacherous journeys to reach the city, facing hardships and perils that lead to death for some and high adventure for all. One of the safaris aims to rescue the son of its leader, while the other, commanded by a cunning and unscrupulous Oriental, pursues the Father of Diamonds. Throughout the intrigue, mystery, and danger, Tarzan, the Lord of the Jungle, emerges as a majestic figure.
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The serial began on May 14, 1934, airing on Mondays, Wednesdays, and Fridays, for a total of 39 15-minute episodes. Fred Shields directed the show, and John McIntire served as the narrator. Tarzan and the Diamond of Asher was part of a larger distribution by the Old Time Radio Researchers Group, which also included other Tarzan productions, such as Tarzan of the Apes (1932-1934), Tarzan and the Fires of Tohr (1936), and Tarzan, Lord of the Jungle (1951-1953).' where series_slug='tarzan-and-the-diamond-of-asher';
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update series set description='Tarzan and the Fires of Tohr is a captivating radio show centered around the adventures of Tarzan and his friend, Paul D''Arnot, as they investigate the illegal activities of slave traders and ivory smugglers. The plot unfolds as Tarzan and Paul save a member of the Burton-Ashleigh Expedition from death and agree to lead the lost group out of the jungle. However, they soon find themselves captured by a mysterious yellow race and taken to the lost city of Tohr. Here, they face danger, including the arena, rogue elephants, and sacrifice to the Fires of Tohr - a hidden lake of volcanic fire shooting up through a pit to the arms of a temple god. The show features a mix of love, hate, jealousy, political intrigue, courage, and loyalty in a thrilling serial, based on a series written and directed by Edgar Rice Burroughs.
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The Tarzan and the Fires of Tohr radio show aired in 15-minute installments and was produced under the personal direction of Edgar Rice Burroughs. While the series was transcribed, it had a limited release. It formed part of a larger distribution of Tarzan consisting of four separate productions: Tarzan of the Apes (1932 - 1934), Tarzan and the Diamond of Asher (1934), Tarzan and the Fires of Tohr (1936), and Tarzan, Lord of the Jungle (1951 - 1953). The series synopsis was made available by permission of the ERB magazine, and the show can be found through the Old Time Radio Researchers Group.' where series_slug='tarzan-and-the-fires-of-tohr';
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update series set description='Tarzan: Lord of the Jungle was a radio show comprised of exciting episodes that centered around the adventures of Tarzan, an iconic character raised in the African jungle. The series was based on the popular character created by Edgar Rice Burroughs and brought to life through thrilling stories that captured the imagination of listeners. The radio show presented Tarzan as he navigated dangerous challenges and encountered exotic creatures, all while showcasing his strength, intelligence, and unique upbringing in the wild. Overall, the show''s premise, format, tone, and style provided audiences with captivating and action-packed entertainment.
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The radio show aired from 1951 to 1953 and was produced by Commodore Productions and Artists, Inc. A total of 75 episodes were broadcast during this time, treating listeners to a wide array of Tarzan''s exciting escapades. The Tarzan: Lord of the Jungle series was part of a larger collection of Tarzan-related radio programs that also included Tarzan of the Apes (1932 - 1934), Tarzan and the Diamond of Asher (1934), and Tarzan and the Fires of Tohr (1936). Although the radio show was a product of its era, its timeless appeal and the ongoing popularity of the Tarzan character have ensured that many of its episodes are still being enjoyed today by fans of old-time radio programs.' where series_slug='tarzan-lord-of-the-jungle';
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update series set description='Tarzan of the Apes was a radio show based on the popular character created by Edgar Rice Burroughs. The show followed the adventures of Tarzan, the Lord of the Jungle, as he navigated the dangerous landscape of the African wilderness. The program was unique in that it was pre-recorded onto phonograph records rather than being broadcast live, which allowed for the incorporation of elaborate sound effects, including various jungle noises, to create a vivid soundscape for listeners. The show, with its engaging storytelling and immersive auditory experience, captivated families across America as they gathered together each night to enjoy the continuing adventures.
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The show first premiered on September 10, 1932, and aired in fifteen-minute episodes for two years. It was sponsored in part by the Signal Oil Company, which offered promotional materials like Tarzan puzzles at their gas stations. The program featured appearances by Tarzan creator Edgar Rice Burroughs'' daughter, Joan Burroughs, as Jane and her husband, Jim Pierce, who portrayed Tarzan. Additionally, the Tarzan radio show received a live premiere at the Fox Pantages Theatre in Hollywood, with three thousand attendees, including Tarzan actor Johnny Weissmuller. Over the years, there have been multiple productions of Tarzan, which include "Tarzan and the Diamond of Asher," "Tarzan and the Fires of Tohr," and "Tarzan, Lord of the Jungle."' where series_slug='tarzan-of-the-apes';
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update series set description='The Adventures of Ellery Queen is a radio detective program that features an amateur mystery writer in New York City, who helps his police inspector father to solve baffling murder cases. Adapted from the novels and short stories written by Frederic Dannay and Manfred Bennington Lee, the show''s format invites a panel of armchair detectives to try to solve each case during its broadcast. A "Challenge to the Reader" is inserted right before the solution, declaring that the reader has seen all the same clues Ellery Queen has, and only one solution is possible. The show''s tone is less "hardboiled" than other pulp detective stories of the time, embracing the intellectual aspect of solving mysteries.
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The Adventures of Ellery Queen aired from June 18, 1939, to May 27, 1948, and appeared on different networks, including CBS, NBC, and ABC. Over its run, it featured a total of over 750 guest panelists. The radio show was expanded into the Ellery Queen''s Minute Mysteries in the mid-1960s, primarily working as "filler" spots with 70-second mysteries that included all the clues and a local sponsor message.' where series_slug='the-adventures-of-ellery-queen';
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update series set description='The Adventures of Frank Race was an adventure melodrama radio show that focused on its protagonist, Frank Race, a former attorney who traded his career for the world of intrigue in the OSS during World War II. After the war, he set out to make adventure his new business. Alongside his sidekick Mark Donovan, Race often began his adventures in New York but traveled the world to investigate international insurance scams and other crimes. The show featured elements of espionage, cloak-and-dagger mystery, and even some romance, making it a unique mix of genres that could be considered a blend of more established shows like Dangerous Assignment and Yours Truly, Johnny Dollar.
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The show first premiered on the East Coast on May 1, 1949, and continued until February 19, 1950, with a second run airing on the West Coast from June 5, 1951, to March 25, 1952. It was a syndicated show produced by Bruce Eells Productions in Hollywood. The initial 22 episodes starred Tom Collins as Frank Race before Paul Dubov took over the role for the remainder of the series. Tony Barrett portrayed Mark Donovan, and the show was written and directed by Joel Murcott and Buckley Angel. There were 43 episodes of the radio show, and due to its syndicated nature, it aired on different stations and days for various markets.' where series_slug='the-adventures-of-frank-race';
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update series set description='The Adventures of Marco Polo is an adventure radio show with a gripping plot, vibrant characters, and a captivating atmosphere. The show, set in the 13th century, follows the journey of the famous Venetian merchant and explorer Marco Polo as he embarks on a treacherous voyage to the exotic land of China. Along with his assistant Binguccio, the duo encounters shipwrecks, scorching deserts, and treacherous mountains, before finally reaching the palace of the powerful ruler Kublai Khan. The radio show is rich in gripping tales of friendship, loyalty, and love, transporting the audience to a world of wonders and excitement.
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The Adventures of Marco Polo was first broadcast in 1938 and continued for several years, with the series airing on major radio networks. Many episodes were produced during its run, but only a limited number of these are still available today for listeners to enjoy. This classic radio program has been celebrated as a successful adaptation of Marco Polo''s incredible journey, and even inspired a 1938 adventure film directed by Archie Mayo, starring Gary Cooper, Sigrid Gurie, and Basil Rathbone. Despite mixed reviews from critics, the radio show left a lasting impression on the audience and became a memorable part of radio history.' where series_slug='the-adventures-of-marco-polo';
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update series set description='The Adventures of Ozzie and Harriet is an American television sitcom that revolves around the real-life Nelson family. The series features the entertainment duo of Ozzie Nelson and his wife, singer Harriet Nelson, along with their sons, David and Ricky. The show''s format focuses on the Nelson family at home, dealing with everyday problems and experiences. As the show progressed and the boys grew up, storylines involving a variety of characters were introduced. The series aimed for realism, with exterior shots of the Nelsons'' actual southern California home being used. The tone and style of the show provided a warm and relatable portrayal of family life, earning it widespread popularity and longevity.
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The Adventures of Ozzie and Harriet originally aired on ABC from October 3, 1952, to April 23, 1966. With a total of 435 episodes produced, the show held the title of longest running live-action sitcom in U.S. television history in terms of seasons until It''s Always Sunny in Philadelphia surpassed it in 2021. The series initially began as a radio show, and during its transition to television, it ran simultaneously on both media formats. A total of 402 radio episodes were produced throughout its run. The show was supported by various sponsors, including International Silver Company, H.J. Heinz Company, and Lambert Pharmacal''s Listerine. Additionally, the Nelsons starred in a feature film titled Here Come the Nelsons, which was released in 1952 and served as a pilot for the television series. Notable actors involved in the production included Don DeFore as the Nelsons'' neighbor "Thorny," Parley Baer as Clarence Darby, and Lyle Talbot as Joe Randolph, among others.' where series_slug='the-adventures-of-ozzie-and-harriet';
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update series set description='The Adventures of Sam Spade was a radio series centered around the character of Sam Spade, a San Francisco detective created by Dashiell Hammett for his 1930 crime novel, The Maltese Falcon. The show was brought to radio by William Spier, a renowned master of mystery who had previously worked on the highly rated thriller, Suspense. The series portrayed Sam Spade as a hardboiled detective with a deep, cynical voice (played by Howard Duff and later Stephen Dunne), known for his distinctive traits such as riding streetcars, disliking cabs, and enjoying cheap liquor. Spade dictated his cases to his secretary, Effie Perrine (played by Lurene Tuttle), a talkative and lovesick woman. Each episode unfolded chronologically, shifting between Sam and Effie''s interactions and the dramatization of Sam''s dictation.
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The show was initially aired on ABC in 1946 as a summer series, then ran as a regular CBS show from 1946 to 1949, and finally on NBC from 1949 to 1951. Over its five-year run, the series featured 13 episodes on ABC, 157 episodes on CBS, and 75 episodes on NBC. The Adventures of Sam Spade was notable for its tongue-in-cheek approach to the character, differentiating it from the more serious tone of the novel and movie adaptations.' where series_slug='the-adventures-of-sam-spade';
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update series set description='The Aldrich Family is a popular radio teenage situation comedy that revolves around the misadventures of Henry Aldrich, a likable and awkward teen. The show is set in Centerville, USA and follows Henry''s relationships with his friends, family, and romantic interests. The creation of playwright Clifford Goldsmith, the show is known for its opening exchange, where Henry''s mother calls "Hen-reeeeeeeeeeeee! Hen-ree Al-drich!", and he responds with a breaking adolescent voice, "Com-ing, Mother!"
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The show was broadcast from July 2, 1939, to April 19, 1953, airing on both NBC and CBS radio networks. The role of Henry Aldrich was originally played by Ezra Stone, who left the series in 1942 to serve in the army during World War II. Stone later returned to the series in 1945, with other notable actors such as Norman Tokar, Dickie Jones, Raymond Ives, and Bobby Ellis also playing the role of Henry during the show''s 14-year run. The Aldrich Family was adapted into 11 films by Paramount Pictures between 1939 and 1944, as well as airing on NBC TV from October 1949 through the 1953 season.' where series_slug='the-aldrich-family';
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update series set description='The Baby Snooks Show was an American radio program starring comedian Fanny Brice as Baby Snooks, a mischievous young girl who was 40 years younger than the actress who played her. The series began as a comic strip called "The Newlyweds" featuring a couple and their child, Baby Snookums. Fanny Brice then began doing her Baby Snooks character in vaudeville and eventually made it to Broadway in the Follies show. The radio program became a nation''s favorite situational comedy, featuring the character''s hilarious pranks and antics, along with Snooks'' long-suffering, often-cranky father, Lancelot "Daddy" Higgins. The show was known for its lively, humorous tone and style.
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The Baby Snooks Show was broadcast on CBS beginning on September 17, 1944, airing on Sunday evenings as Post Toasties Time, with General Foods as its sponsor. The title soon changed, and the series was sometimes called Baby Snooks and Daddy. The show had various sponsors and announcers over the years and in the fall of 1946, moved to Friday nights at 8 pm, continuing on CBS until May 28, 1948. On November 9, 1949, the series moved to NBC, where it aired Tuesdays at 8:30 pm sponsored by Tums, continuing until May 22, 1951. Hanley Stafford played Daddy Higgins, while other notable actors such as Danny Thomas and Alan Reed were also involved in the production. Baby Snooks made an appearance in the 1938 film "Everybody Sing" with Judy Garland. The show ended with the death of Fanny Brice in 1951. They had only made one appearance on television, on a CBS-TV show called Popsicle Parade of Stars.' where series_slug='the-baby-snooks-show';
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update series set description='The Bickersons was a radio comedy sketch series that featured a married couple, John and Blanche Bickerson, who spent most of their time together engaging in relentless verbal battles. The show was created by Philip Rapp, known for writing the Fanny Brice skits which eventually evolved into the popular Baby Snooks radio show. Hosted by Don Ameche and singer-actress Frances Langford, the show had a sitcom format, with John and Blanche often arguing about various topics such as jobs, money, and each other''s family members. While most of their skits depicted their constant bickering and arguments, there were moments when the couple showed tenderness towards one another, suggesting an underlying love despite their constant disputes.
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The Bickersons premiered on September 8, 1946, on NBC and later moved to CBS, where it continued until August 28, 1951. A total of 166 episodes aired, of which 32 are known to still exist today. The show later had a few television runs with Lew Parker taking over the role of John Bickerson, but the chemistry between Parker and Langford did not work as well as it had with Ameche. Notable sponsors for the show included Drene Shampoo and Maxwell House Coffee Time. The cast also featured future children''s television star Pinky Lee in occasional supporting roles.
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' where series_slug='the-bickersons';
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update series set description='The Big Show is a radio program that features famous guests performing skits, songs, and comedic routines, with the aim of attracting dwindling audiences back to radio. Hosted by Tallulah Bankhead, the 90-minute show was known for its stellar line-up of guests, which included names such as Ethel Merman, Danny Thomas, Fanny Brice, Phil Silvers, Bob Hope, Clifton Webb, Gloria Swanson, Marlene Dietrich, Judy Holliday, Ethel Barrymore, Jimmy Durante, Milton Berle, and many more. The show''s format included comedy, drama, and music, all performed by the biggest stars of the time.
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The Big Show premiered on November 5, 1950, and aired on the NBC radio network every Sunday night for the next three years. A total of 57 episodes are known to exist today. The show was considered a rousing success and played an important role in keeping American radio alive during the advent of television. NBC invested heavily in the show, with some episodes costing over $100,000 to produce. The show featured several notable sponsors, including the Kingsport Times-News and featured top talent from various forms of entertainment, including film, stage, music, and radio.' where series_slug='the-big-show';
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update series set description='The Big Story was a true crime radio drama that focused on real-life news stories, primarily featuring murder and other violent crime cases from the perspective of a newspaper reporter. Each week, the show dramatized the heroic deeds of a different news reporter who had solved a crime, exposed corruption, or performed a notable public service. At the end of each program, the actual news reporter was brought on the air and given a $500 reward by the show''s sponsor, Pall Mall.
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The Big Story aired between April 2, 1947, and March 23, 1955, primarily on NBC radio network. The radio series was top-rated, even surpassing the ratings of Bing Crosby''s Philco Radio Time in its first year on air. Sponsored by Pall Mall cigarettes, the program was produced by Bernard J. Prockter, directed by Tom Vietor and Harry Ingram, and scripted by Gail Ingram, Arnold Pearl, and Max Ehrlich. The radio series was also adapted into a television crime drama on NBC which aired from September 16, 1949, until 1958. The TV series transitioned from NBC to syndication for its final season, featuring notable guest stars such as James Dean, Lee Marvin, Walter Matthau, and Steve McQueen.' where series_slug='the-big-story';
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update series set description='The Bing Crosby - Rosemary Clooney Show featured entertainers Bing Crosby and Rosemary Clooney in a 20-minute program aimed at female listeners. The show''s format involved taping dialogues weeks in advance and incorporating songs performed by Crosby and Clooney either as solos or duets. The program had a fun and informal tone, with Crosby and Clooney''s friendly banter and musical performances delighting listeners.
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The show was broadcast on CBS from February 29, 1960, to September 28, 1962, with a total of 675 episodes. It had various sponsors, including Norcross Greeting Cards, Fels & Company, GE light bulbs, Cheerios, Eastern Products Corporation, Squirt, Sara Lee, D-zerta, The Saturday Evening Post, Four-Way cold tablets, Cat’s Paw Shoe Repairers, Matey, Del Monte, Wrigley’s Spearmint Gum, Ry-Krisp, DuPont, Dacron, Royal Edge and Royal Lining Paper, U.S. Steel, and Good Housekeeping. The show starred Crosby and Clooney, along with Buddy Cole and his Trio, and it was written by Bill Morrow and produced by Murdo MacKenzie.' where series_slug='the-bing-crosby-rosemary-clooney-show';
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update series set description='The Blue Beetle follows the story of Dan Garrett, a rookie patrolman who transforms himself into the mysterious Blue Beetle, a daring crusader for justice, by donning bullet-proof blue chain mail. Created by Charles Nicholas, the character first appeared in the comic book Mystery Men in 1939. In his quest for justice, young Dan Garrett turns to a second life of fighting crime as the Blue Beetle, equipped with a costume of bullet-proof chain-mail-like cellulose material, a small beetle-shaped marker, a "Beetle Signal" flashlight, and various other crime-fighting gadgets including a revolver, the "BeetleMobile" car, the "BeetleBird" airplane, and a "magic ray machine."
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The Blue Beetle radio serial aired from May 15, 1940, to September 13, 1940, as a CBS 30-minute syndicated series. Actor Frank Lovejoy voiced the Blue Beetle for the first thirteen episodes, and later episodes were uncredited. Despite its short radio duration, the Blue Beetle enjoyed popularity in newspaper syndication and continued comic book adventures. Furthermore, the Blue Beetle is one of the few golden age characters to survive into the present day, although the character has undergone many changes and revisions since its inception.' where series_slug='the-blue-beetle';
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update series set description='The Burns and Allen Show starred American comedy duo George Burns and Gracie Allen. The pair portrayed a married couple who entertained radio audiences with their contrasting personalities and banter. Burns, playing the straight man, often found himself flustered by the hilariously convoluted logic of his addle-headed wife, Allen. Balancing humor and warmth, the show''s format often involved the duo engaging in humorous domestic situations and misunderstandings, as well as interacting with characters played by other actors on the show.
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The Burns and Allen Show originally started airing in September 1934 under the title The Adventures of Gracie, before adopting its more well-known title in 1936. It aired on both the NBC and CBS radio networks, eventually wrapping up in May 1950. The show then transitioned to television as a situation comedy, which ran from 1950 to 1958, earning 11 Primetime Emmy Award nominations. The Burns and Allen Show was inducted into the National Radio Hall of Fame in 1994, and the duo received a Television Hall of Fame induction in 1988.' where series_slug='the-burns-and-allen-show';
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update series set description='The Chase is an action-packed radio show with a variety of genres including adventure, mystery-horror, crime, and science fiction. Each episode revolves around a central theme of pursuit where the hunter chases the hunted, ensuring high levels of excitement and suspense. The show is known for its exceptional quality, thanks in part to the involvement of director Fred Weihe, who is also noted for his work on X Minus One. The series is created by Lawrence Klee of Mr. Keen fame, and features Fred Collins as the announcer, adding to its immersive and engaging nature. With its thrilling chase scenes and impressive production values, listeners are sure to be captivated by The Chase.
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Broadcasted between 1952 and 1953, The Chase aired during the golden age of radio, showcasing numerous episodes spanning the various genres it explored. Although the exact number of episodes is not specified, it is known that many of them still exist today, allowing modern audiences to experience the excitement of this classic radio show. In addition to its notable production team, The Chase also featured many of the same actors from X Minus One, further contributing to its high-quality storytelling. While no direct television adaptations or other media formats have been mentioned, The Chase remains a standout radio production that is sure to leave listeners both entertained and on the edge of their seats.' where series_slug='the-chase';
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update series set description='The Clock is a suspense anthology series that follows a 30-minute program format narrated by Father Time. Created by Lawrence Klee, the show''s stories are driven by the theme of time, often personified by the show''s narrator. The series is known for its ability to captivate its audience through its thrilling narratives and character portrayals. Initially featuring New York radio talent, the production of the show shifted to Hollywood, pushing for a more diverse range of guest actors, including Cathy Lewis, Elliott Lewis, Jeanette Nolan, and Hans Conried.
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Airing on the ABC from November 3, 1946, to May 23, 1948, The Clock delivered remarkable and memorable episodes to its audience for two years. The production of the show shifted from New York to Hollywood on March 4, 1948, with William Spier acting as director. Unfortunately, due to the lack of sponsorship, ABC was forced to cancel the series after twelve weeks. In 1955, an Australian version of the program was produced by Grace Gibson Productions. As of today, archived episodes of The Clock can be found in the Internet Archive''s Old-Time Radio Collection.' where series_slug='the-clock';
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update series set description='The Clyde Beatty Show centered around the adventures of the renowned animal trainer, Clyde Beatty, as he sought new and more exotic beasts for his circus performances. As the owner of the Clyde Beatty Circus, the show follows Beatty''s adventures in Africa and India, hunting down animals in their native jungles for his acts. Stemming from a series of books and a film serial of the same name, the program aimed to capture the thrill, excitement, and drama of the circus behind the scenes, while also highlighting Beatty''s dangerous encounters and mastery of wild animals.
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The Clyde Beatty Show premiered in 1950 and aired on Mondays, Wednesdays, and Fridays, sponsored by Kellogg. A total of 156 syndicated episodes were produced by Commodore Productions and Artists Inc., and were available for sale through the end of 1951. From 1952, the production company switched its focus to developing a Clyde Beatty television program. It is worth noting that along with his career in the circus, Beatty also acted in films from the 1930s to the 1950s and appeared on television until the 1960s.' where series_slug='the-clyde-beatty-show';
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update series set description='The Crime Club was a radio show aired on the Mutual Broadcasting System that featured murder and mystery dramas, many of which were adaptations of books published by the Doubleday Crime Club. Each episode began with a phone call to the series host, The Librarian, who would then invite the caller to listen to a Crime Club story. The Librarian, portrayed by Barry Thomson and Raymond Edward Johnson, would read the prologue, setting an ominous tone for the story to follow. The series featured a variety of sinister and suspenseful tales, with scripts by Stedman Coles and Wyllis Cooper, who were known for their work on Lights Out and Quiet Please.
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The show was broadcast from December 2, 1946, to October 16, 1947, with a total of 47 episodes. It aired on Mondays at 8 p.m., and later on Thursdays at 10 p.m., with some stations also airing the show on Wednesdays and Sundays. The radio series was an adaptation of the Doubleday Crime Club publishing imprint, which first began in 1928 and published a wide array of detective and mystery fiction. The Crime Club also had connections to the film industry, with Universal Pictures producing several movies based on the published novels from 1937 to 1939. The radio show was directed and produced by Roger Bower, while veteran Willis Cooper contributed to some of the scriptwriting.' where series_slug='the-crime-club';
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update series set description='The Damon Runyon Theatre was an entertaining radio show that captured the charm and essence of author Damon Runyon''s unique world of New York City street characters. The show followed the stories and antics of colorful characters such as gamblers, hustlers, actors, and gangsters, all narrated by the central character, Broadway, who was wonderfully portrayed by actor John Brown. With its tongue-in-cheek style and combination of both serious and comical storylines, the show stood out for its talent in adapting Runyon''s tales into a seamless atmosphere that beautifully depicted a fantastical version of New York City, capturing the hearts and imaginations of its audience.
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The radio show was first aired on the independent radio station KSEL in Lubbock, Texas, between November 1948 and December 1951. Produced by Alan Ladd''s Mayfair Transcription Company, the show managed to avoid potential production pitfalls such as the re-shoot of "The Boy with Green Hair" and the infamous "Petrillo Ban" on new radio recordings. A total of 52 episodes were created, showcasing the impressive work of veteran dialecticians like Gerald Mohr, Herb Vigran, Sheldon Leonard, Luis Van Rooten, Alan Reed, and Lionel Stander, who brought vivid authenticity to every episode. The show''s popularity also reached television format, with the American anthology TV series Damon Runyon Theater, which aired for a total of 39 episodes on CBS from April 1955 through February 1956.' where series_slug='the-damon-runyon-theatre';
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update series set description='The Danny Kaye Show was a comedy-variety radio program that featured singing, instrumental music, and various kinds of comedy sketches. The show aimed to entertain both children and adults with its lively and humorous content. Danny Kaye, a talented entertainer and one of the first owners of Seattle''s baseball club, the Mariners, led the show. Kaye''s career in the entertainment industry took off in 1940 when he appeared in the Broadway smash "Lady in the Dark." His wife, Sylvia Fine, played a crucial role in managing his career and contributed to the writing and production of The Danny Kaye Show.
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The show was broadcast on CBS radio network from January 6, 1945, to May 31, 1946. A total of 1800 episodes were aired, with the Old Time Radio Researchers Group maintaining a collection of these recordings. The show featured notable cast members such as Eve Arden, Lionel Stander, and Frank Nelson, while Harry James provided music with a 26-piece orchestra. Pabst Blue Ribbon beer served as the main sponsor for the show. Despite its talented cast and high production values, The Danny Kaye Show struggled to find its rhythm and received mediocre ratings. Consequently, the show was eventually discontinued on May 31, 1946. However, Kaye went on to enjoy an illustrious career in the entertainment industry, particularly in the realm of Technicolor musicals.' where series_slug='the-danny-kaye-show';
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update series set description='The Devil and Mr. O was a horror radio program that was part of the famed Lights Out series, which had already become well-known for its graphic sounds of murder and gore. Created by Arch Oboler, the show featured eerie and fantastical stories that combined dialogues, storylines, and sound effects to captivate and draw in listeners. Oboler served as the host for the program, taking on the persona of "Mr. O" and setting an intense and captivating tone that kept listeners on the edge of their seats.
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The show aired during the early 1940s, with Arch Oboler hosting from 1942 to 1943. It was a transcribed syndication of original broadcasts from the Lights Out series. Several episodes of Oboler''s shows, including The Devil and Mr. O, were repackaged for syndication and aired from 1970 - 73. The radio program showcased Oboler''s talents in creating suspenseful and horrifying narratives that demanded the audience''s full attention.' where series_slug='the-devil-and-mr-o';
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update series set description='The Falcon is a hard-boiled spy drama that follows the adventures of Michael Waring, an American agent with the codename "Falcon." Known for its mix of danger, romance, and comedy, each episode typically begins with a call from a beautiful woman seeking the Falcon''s assistance. Waring, always ready to solve a mystery, speaks with a slightly British accent, engaging in witty banter with the woman before the episode''s adventure begins. The Falcon often encounters incompetent police officers, who are incapable of solving the mysteries without Waring''s clever assistance.
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Originally premiering on the American Blue Network in April 1943, The Falcon aired for ten years on various networks, including NBC and Mutual, with its final broadcast on November 27, 1954. The show was sponsored by various advertisers, such as Gem Razors and Blades, Anahist, Kraft Foods, and General Mills. Approximately 88 episodes from the show''s run are available today. The Falcon featured several actors in the leading role, including Berry Kroeger, James Meighan, Les Tremayne, George Petrie, and Les Damon. The show was initially based on a theatrical serial produced by RKO Radio Pictures in the 1940s, and it eventually transitioned to television in a syndicated series produced for NBC Films around ten years later.' where series_slug='the-falcon';
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update series set description='The FBI in Peace and War was a radio crime drama inspired by Frederick Lewis Collins'' book of the same name. The show revolved around the stories of the Federal Bureau of Investigation (FBI) and their various cases, focusing particularly on lesser crimes such as robbery, graft, and interstate car theft. Unlike other detective and cop shows of its time, the narrative was told mostly from the point of view of the criminals, giving the show a unique "Howdyduit" approach to crime storytelling. The series starred, among others, Martin Blaine, Donald Briggs, and Alice Frost, and featured the March from Prokofiev''s The Love for Three Oranges as its theme music.
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The FBI in Peace and War aired on CBS for nearly 14 years, from November 25, 1944, to September 28, 1958. The show was produced and directed by Max Marcin and Betty Mandeville and had a variety of sponsors, including Lava Soap, Wildroot Cream-Oil, Lucky Strike, Nescafe, and Wrigley''s. In 1955, the show was the eighth most popular on radio, according to Nielsen ratings. Despite being based on actual FBI cases, the show did not have the endorsement or participation of the FBI itself, and even included disclaimers at the end of each episode to that effect.' where series_slug='the-fbi-in-peace-and-war';
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update series set description='The Fred Allen Show was a long-running American radio comedy program that featured comedian Fred Allen and his wife Portland Hoffa. The show''s premise revolved around humorous and satirical skits, often focused on current events and the world of entertainment. With a variety of segments, including its most popular "Allen''s Alley," listeners were entertained as Allen explored an imaginary neighborhood and interacted with various characters. The show''s tone was light and witty, with an emphasis on Allen''s clever quips and ad-libs that kept the audience engaged.
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The Fred Allen Show aired from October 23, 1932, to June 26, 1949, on CBS and NBC Radio Networks. During its 17-year run, it was sponsored by various companies, including Linit Bath Soaps, Hellmann''s, Ipana, Sal Hepatica, Texaco, and Tenderleaf Tea. The show''s most popular period was during its sponsorship by The Texas Company, when it was known as Texaco Star Theatre with Fred Allen. The show featured notable guest stars such as Frank Sinatra, Orson Welles, Roy Rogers, Bela Lugosi, Ed Gardner, Norman Corwin, and Edgar Bergen & Charlie McCarthy. Additionally, the show engaged in a memorable on-air "feud" with fellow radio comedian Jack Benny, further adding to its popularity and entertainment value.' where series_slug='the-fred-allen-show';
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update series set description='The Grantland Rice Story is a serialized radio program based on Rice''s popular autobiography "The Tumult and The Shouting." The 15-minute series comprises 52 sequential installments that closely follow the text of the book, narrated by sportswriter Jimmy Powers. Powers reads and comments on Rice''s story in the first person, as Rice intended, and the material is augmented by contemporary asides and updates from Powers. The program provides a comprehensive insight into the career and experiences of one of the most important sportswriters in American history, during an era where the pen and typewriter was still a vital part of the news media.
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First airing regionally as early as August 1955, the series received national attention on various stations and aired at varying times. Some stations broadcast it every weekday, others three days a week or weekly, making tracking the broadcasts particularly difficult given the 15-minute format. At least one contiguous run of the entire 52-installment series aired between September 1955 and September 1956, often appearing in many markets at the 15-minute mark, ''buried'' behind an on-the-hour broadcast of another program. This brief''s information came courtesy of Digitial Deli Too, with the Old Time Radio Researchers Group providing more information in the "Notes" Section.' where series_slug='the-grantland-rice-story';
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update series set description='The Great Gildersleeve is a radio situation comedy that features the character Throckmorton P. Gildersleeve, a regular from the radio show Fibber McGee and Molly. The show focuses on Gildersleeve''s life as he moves from Wistful Vista to Summerfield to oversee his late brother-in-law''s estate and take care of his orphaned niece and nephew, Marjorie and Leroy Forrester. As a confirmed bachelor and the town''s water commissioner, Gildersleeve navigates the singles scene, interacting with a colorful cast of friends and neighbors, including the Jolly Boys Club, Judge Hooker, pharmacist Richard Q. Peavey, and barber Floyd Munson.
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The Great Gildersleeve aired from August 31, 1941, to March 21, 1957, with a total of 552 episodes. The show was initially broadcast on NBC and was one of the earliest spin-off programs in radio history. The series was created by Leonard Lewis Levinson and starred Harold Peary, who played Gildersleeve in four feature films released during the show''s peak popularity. The show''s main sponsor was Kraft Foods, promoting its Parkay margarine. As the show progressed, several characters evolved and developed, with Marjorie marrying college football star Walter "Bronco" Thompson, played by Richard Crenna. Despite its initial popularity, the show experienced a decline in the 1950s, with several long-time characters disappearing and new ones taking their place. The show eventually ended in 1958 after briefly changing formats to 15-minute daily episodes.' where series_slug='the-great-gildersleeve';
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update series set description='The Green Hornet is a radio adventure series that follows the dual life of Britt Reid, a sophisticated newspaper publisher by day who becomes a masked vigilante at night. Alongside his trusty valet, Kato, Reid faces crime head-on, often resorting to dubious means to gain information from criminals and racketeers. The series is distinguished by its use of classical music for themes and scene transitions, and is considered one of radio''s best-known juvenile adventure programs. The premise of the show was to demonstrate that one person could challenge the corruption within the political system by becoming an outlaw and taking matters into their own hands.
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The show originally aired in the United States from January 31, 1936, to December 5, 1952. The Green Hornet was first broadcast on WXYZ, a local Detroit station, before being supplied to national networks such as the Mutual Broadcasting System and the Blue Network (later known as the ABC Network). A total of 885 episodes were aired, and General Mills and Orange Crush were the show''s main sponsors. The creators of The Green Hornet, Fran Striker and George W. Trendle, initially conceived of the show as a companion to their already-existing series, The Lone Ranger. As a result, the two series share a blood relationship, with The Green Hornet''s protagonist being the grandnephew of The Lone Ranger.' where series_slug='the-green-hornet';
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update series set description='The Harold Peary Show is an American radio situation comedy program, which followed the life of an older, unmarried man named Honest Harold Hemp. He lived with his mother and nephew, while hosting a radio homemakers program on the fictional radio station. The show was characterized by Peary''s unique voice and witty humor, which garnered a following among its listeners. However, it often faced criticism for its similarity to Peary''s previous show, The Great Gildersleeve, which makes it difficult for the show to escape its predecessor''s shadow.
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The Harold Peary Show aired from September 17, 1950, to June 13, 1951, on CBS. It was created and performed by Harold Peary, who also starred in The Great Gildersleeve. The show''s regular cast included Peary''s wife, Gloria Holiday, Joseph Kearns, Mary Jane Croft, and Parley Baer, with Bob Lamond as the announcer. Despite its talented cast, the show struggled with ratings and negative reviews, leading to its eventual cancellation after just one season. Some of the last episodes were sponsored by the US Armed Forces, but the majority of the series went without a sponsor. The show''s director, Norm MacDonnell, later went on to create renowned old-time radio shows like Gunsmoke and Fort Laramie.' where series_slug='the-harold-peary-show';
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update series set description='The Haunting Hour is a mystery-horror anthology show that focuses on psychological mysteries, "whodunit" thrillers, and crime crusades. Featuring a talented cast of network stars, the show is known for its classic chills and high melodrama. With a legendary and eerie organ soundtrack that sets the haunting atmosphere, The Haunting Hour captivates listeners with the suspense and terror of the stories. The show stands out in the wide variety of programming that emerged in the commercial Golden Age of Radio.
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Broadcast on NBC between 1944 and 1946, The Haunting Hour aired for a total of 52 episodes. The show was produced by NBC''s Radio Recording Division, which developed recorded programs for local affiliates. Many talented Radio Row players, such as veteran Suspense announcer Berry Kroeger, Bret Morrison, and organist Rosa Rio, were hired to bring the horror and suspense stories to life. Although the show did not have a big-budget sponsor, it achieved significant success and garnered a large following, with 99 stations carrying the program in 1947.' where series_slug='the-haunting-hour';
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update series set description='The Health and Happiness Show is a radio program featuring the legendary country musician Hank Williams. The show revolves around Williams'' soulful songwriting and heartfelt performances, which remain timeless and relevant even after 70 years. Consisting of eight episodes, listeners experience Williams'' powerful and piercing voice through a mix of his early hits such as "Lovesick Blues" and "Mind Your Own Business." Although the audio quality of the recordings is as good as his studio-produced releases, the program follows a formulaic structure, with each 15-minute episode including an opening song, duets with his first wife Audrey, and some fiddle numbers from the Drifting Cowboys band member Jerry Rivers.
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The Health and Happiness Show was recorded in October 1949 at WSM in Nashville, and it turns 70 years old in October 2019. Interestingly, the show was sponsored by Hadacol, a purported cure-all elixir created by Louisiana state senator Dudley LeBlanc that claimed to remedy a wide range of ailments. The product was heavily promoted using various tactics, such as humorous newspaper ads and a song titled "Hadacol Bounce" by New Orleans'' Professor Longhair. Despite its dated format and the less-than-stellar singing by Audrey Williams, the radio show preserved the essence of Hank Williams'' exceptional talent and serves as a valuable piece of music history.' where series_slug='the-health-and-happiness-show';
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update series set description='The Hermit''s Cave was a syndicated horror radio series that featured chilling tales of ghosts, murders, and other eerie occurrences. The show was narrated by a mysterious character, the Hermit, who would invite listeners to turn out their lights and immerse themselves in the terrifying stories he had to share. The Hermit''s Cave was known for its suspenseful storytelling, atmospheric sound effects, and skilled voice acting, which contributed to the show''s overall spooky and unsettling ambiance.
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The program originally aired from September 1937 until the mid-1940s on radio stations like WJR AM in Detroit, Michigan, and later branched out to other cities like Chicago, Illinois, and Los Angeles, California. Over 800 episodes were produced, but fewer than 40 are currently known to exist today. Several actors provided the voice of the Hermit over the years, including John Kent, Charles Penman, Toby Grimmer, Klock Ryder, Mel Johnson, and John Dehner. The show featured sponsors such as the Carter Coal Company and the Simoniz Company, which advertised their respective products during the broadcasts. The Hermit''s Cave made a brief return to WJR in January 1950, and its influence continues to resonate in the world of horror and suspense entertainment.' where series_slug='the-hermits-cave';
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update series set description='The Hillbilly Boys was a radio show that featured live music and general entertainment hosted by W. Lee O''Daniel. The show was centered around a country and western swing musical theme, often showcasing talented musicians with roots in the "hillbilly" culture. One memorable aspect of the show was O''Daniel''s role as an announcer, providing moral lessons and reciting poems he had written. This helped to create a laid-back and light-hearted ambiance, allowing the audience to feel a connection with the musicians and other performers. The show''s popularity most likely relied heavily on O''Daniel''s ability to promote the music and talent within the Texas region.
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The Hillbilly Boys radio show aired from 1935 until around 1938 and featured Pat O''Daniel and his band, who were sponsored by the O''Daniel Flour Company of Fort Worth, Texas. The musical stylings of the group gained popularity and played a pivotal role in the Texas music scene, particularly due to the inclusion of Kitty "Texas Rose" Williamson, who was the first female singer in western swing music. W. Lee O''Daniel would go on to have a successful political career as Governor of Texas and later a United States Senator, with some attributing his success in part to the popularity of the radio show.' where series_slug='the-hillbilly-boys';
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update series set description='The Jack Benny Program was a radio show that adapted various names based on its sponsors at the time. The show featured comedy sketches, banter between characters, and musical numbers. It starred Jack Benny, who played the role of a vain, argumentative, miserly character for four decades. The show''s format allowed for the characters to interact with the audience and comment on the program itself. Over the years, the program evolved from a variety show to a modern domestic situation comedy form, depicting the fictionalized life of Jack Benny, a radio star.
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The show originally aired from May 2, 1932, until June 22, 1958, and had several different sponsors throughout its run. It started as The Canada Dry Program, before moving to CBS and being called The Chevrolet Program. It then became The General Tire Show, followed by The Jello Program, The Grape Nuts Flakes Program, and finally The Lucky Strike Program. The show''s cast included notable actors such as Mary Livingstone, Eddie Anderson, Phil Harris, and Dennis Day. A total of 931 episodes aired over the course of its run, and many are still available to enjoy today.' where series_slug='the-jack-benny-program';
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update series set description='The Key is a mystery and suspense radio show that captivates listeners with its intriguing premise: every door has a key, and behind every unopened door lies a mystery waiting to be unraveled. The show, created by renowned mystery pulp writer and world traveler James Workman, explores various murder mysteries, such as the killing of showgirls, robbers, and even elderly men! Each episode features a unique cast of characters, skillfully portrayed by talented actors who bring the stories to life. With its riveting stories, well-executed acting, and a healthy dose of mayhem, The Key keeps listeners on the edge of their seats, making them curious yet fearful of what lies behind the next door.
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While specific air dates and years are not provided, The Key distinguishes itself from the all-star variety show Magic Key with its thrilling, suspenseful content. The series features a noteworthy cast, as well as numerous interesting trivia about the show''s behind-the-scenes details, such as its producers, broadcasters, and sponsors. The radio show''s popularity may have sparked adaptations into other media formats, such as television or film, or inspired similar mystery-driven programming. As an intriguing and suspenseful series, The Key remains a key player in the golden age of radio entertainment.' where series_slug='the-key';
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update series set description='The Life of Riley is an American radio situation comedy that revolves around the life of Chester A. Riley, a wing riveter at the fictional Cunningham Aircraft plant in California. Portrayed by William Bendix, Riley is a stubborn and opinionated character, who is certain that his way is the right way. The show focuses on Riley''s family and neighbors as they navigate through various comical situations. The series was known for its humor and entertaining value, featuring a supporting cast of characters such as the friendly undertaker, Digby "Digger" O''Dell, who contributed to the show''s light-hearted and engaging style.
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The show initially aired on the Blue Network from January 16, 1944, to July 8, 1945, and later moved to NBC, where it was broadcast from September 8, 1945, to June 29, 1951. A total of 318 episodes were produced, with several advertisers and sponsors supporting the show, including the American Meat Institute, Procter & Gamble, and Pabst Blue Ribbon beer. The Life of Riley was adapted into a feature film in 1949, as well as a television series in the 1950s and a comic book in 1958. Among the notable individuals involved in the production of the show was creator Irving Brecher, who initially pitched the series to his friend, Groucho Marx, and eventually cast William Bendix as the lead after coming across his earlier work.' where series_slug='the-life-of-riley';
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update series set description='The Line-Up is a hard-boiled police drama radio show that offers a realistic look into the daily lives and activities of policemen. Set in an unnamed city, the series begins with a police line up and revolves around the investigations of various cases, ranging from murders and kidnappings to thefts and obscene phone calls. While the cases are fictional, the show maintains a high level of realism akin to Dragnet, another popular police drama of the time. Each episode offers a mix of suspense, action, and humor as the police officers work relentlessly to solve the cases.
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The Line-Up aired from July 6, 1950 to February 20, 1953 on CBS radio network. Bill Johnstone played the role of Lt. Ben Guthrie while Joseph Kearns and later Wally Maher portrayed Sgt. Matt Grebb. The show then transitioned to television, where it was set in San Francisco and aired from 1954 to 1960 with Warner Anderson as Guthrie. A film adaptation was also released in 1958, starring Anderson. The creators of the show often accompanied police on their jobs and sat in on line-ups to get ideas for the series, sometimes incorporating real stories alongside their fictional plots. The Line-Up was initially designed as a summer replacement for The FBI in Peace and War in 1950, but quickly gained its own popularity and time slot.' where series_slug='the-line-up';
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update series set description='The Lives of Harry Lime was a British radio series that followed the misadventures of its title character Harry Lime, a con-artist portrayed by Orson Welles. This character was reprised from the 1949 cult movie, The Third Man, and the radio series was set before the events in the film. Most episodes opened with a haunting theme by Anton Karas, followed by a gunshot, and then an introduction by Welles as Harry Lime. Being the first independently-produced series that the BBC ever broadcasted, it inspired a Pocket Book of short stories based on scripts, some of which were reportedly written by Orson Welles himself.
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The show aired from 1951-1952, and although the BBC only acquired sixteen of the series'' fifty-two episodes, it gained a following for its unique storylines that followed Lime''s adventures around the world. These adventures included continent hopping, skirt chasing, pick pocketing, breaking and entering, and playing patsy. However, Lime had a conscience, and drew the line at blackmail and murder. Several episodes featured plot elements that Welles later expanded upon in the 1955 motion picture Mr. Arkadin. The show was also part of an updated Orson Welles Collection and inspired other espionage and adventure radio programs.' where series_slug='the-lives-of-harry-lime';
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update series set description='The Lone Ranger was a western adventure show primarily aimed at children, although it found a strong adult following, as well. The storyline followed the daring and resourceful masked rider of the plains and his faithful Indian companion, Tonto, as they fought for law and order in the early western United States. The Lone Ranger was inspired by Texas Ranger Captain John R. Hughes and the character gained a strong presence in popular American culture. The Lone Ranger''s fight for justice began after surviving a massacre alongside Tonto, where they began working together to bring criminals to justice in the Old West.
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Having premiered in January 1933 on WXYZ radio station in Detroit, the show later aired on the Mutual Network and the NBC Blue/ABC networks until September 3, 1954. During its run, the Lone Ranger broadcast 2,956 episodes, and repeat broadcasts continued until May 25, 1956. Various actors portrayed the Lone Ranger during this time, including George Seaton, Earle Graser, and Brace Beemer. Tonto was primarily portrayed by John Todd and sometimes Roland Parker. The show''s success inspired various books, comic books, movie serials, and a popular television series in 1949, starring Clayton Moore and Jay Silverheels, which lasted until 1957.' where series_slug='the-lone-ranger';
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update series set description='The Man Called X is an espionage radio drama that follows the adventures of the suave and sophisticated Ken Thurston, an undercover international troubleshooter for a mysterious American governmental agency. Assisting him is the shady character Pegon Zeldschmidt, played by Leon Belasco. The series, known for its captivating stories featuring danger, intrigue, and romance in exotic settings, was directed by Jack Johnstone, with music credited to Johnny Green. The show''s famous tagline was, "Wherever there is mystery, intrigue, romance, in all the strange and mysterious places of the world, there you will find The Man Called X".
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The Man Called X first aired from July 10 to August 28, 1944, on CBS, before moving to the Blue Network for roughly six months, from September 9, 1944, to March 3, 1945. It then found its final home at NBC, where it was a summer filler for the Bob Hope Show in 1945 and 1946 before becoming a regular part of the NBC lineup from 1947 until the final radio broadcast on May 20, 1952. The show was sponsored by various companies, most notably Frigidaire and General Motors. The series was later adapted for television in the early 1950s, with Barry Sullivan starring, though it had a short run.' where series_slug='the-man-called-x';
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update series set description='The Marriage was a light-hearted radio show that revolved around the lives of Ben Marriott, a New York lawyer, and his wife Liz, a former buyer for a New York department store. The show often focused on Liz''s struggles to adjust to her new role as "just a housewife" and the couple''s problems with their children. The unique format of the show had Ben, played by Hume Cronyn, and Liz, played by Jessica Tandy, alternating narration week by week, providing different perspectives on the Marriott family''s life.
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The show aired on the NBC network from October 4, 1953, until March 28, 1954, after being adapted from the Broadway play The Four Poster, in which Cronyn and Tandy had previously appeared. A total of 26 episodes were produced, and later, a television series of the same name was created in 1954, also starring Hume Cronyn and Jessica Tandy. The TV series only lasted for eight episodes, after receiving warm reviews. The scripts for the radio series were primarily written by Ernest Kinoy, and the closing theme was "A Star Is Born" by Robert Farnon. The cast of the radio show also included Denise Alexander as the couple''s awkward teenage daughter, Emily.' where series_slug='the-marriage';
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update series set description='The Martin and Lewis Show was a radio comedy-variety program starring Dean Martin and Jerry Lewis. The show featured an opening song by Martin, along with some verbal slapstick, a guest appearance from a Hollywood star, more antics from Lewis and a closing number by Martin. The program was a mix of comedy and music, showcasing Martin''s crooner talents and Lewis''s silly humor. The chemistry between the two performers was a key factor in the show''s success, as they played off of each other''s strengths to create a unique and entertaining listening experience.
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The show was originally broadcast on the NBC Radio Network from April 3, 1949, to July 14, 1953. Although it faced some negative reviews and struggled to find sponsors during its early years, it eventually gained sponsorship from Chesterfield cigarettes and Anacin. The program''s popularity grew, winning the title of Favorite Radio Comedy Show in Radio-TV Mirror magazine''s 1952 poll. In addition to Martin and Lewis, the show featured regular appearances from Ben Alexander, Sheldon Leonard, Florence MacMichael, The Skylarks, and Mary Hatcher. Notable comedy writers Norman Lear and Ed Simmons contributed to the program throughout its run.' where series_slug='the-martin-and-lewis-show';
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update series set description='The Mel Blanc Show is a radio situation comedy that features Mel Blanc as the main character playing a hapless fix-it shop owner. In this show, he does not perform any character impersonations or use any of his famous cartoon voices, instead using his natural voice. The comedy revolves around Mel''s misadventures with his girlfriend Betty Colby and the interactions with the other wacky characters on the show. These recurring characters include Zookie, a stuttering helper, Mr. Colby, Betty''s father, Mr. Cushing, lodge president, Mr. Potchnik, piano teacher, and various others who pop up from time to time, giving ample opportunities for Mel to display his comedic talents.
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The Mel Blanc Show aired on the CBS Radio Network from September 3, 1946 to June 24, 1947. A total of 42 episodes are known to exist today. The show was sponsored by Colgate Tooth Powder and featured talented actors such as Mary Jane Croft, Joseph Kearns, Hans Conreid, Alan Reed, Earle Ross, Jim Backus, and Bea Benaderet. Mel Blanc, best known for voicing popular cartoon characters like Bugs Bunny and Daffy Duck, brought his unique talents and versatile voice acting to the show, making it a memorable part of radio history.' where series_slug='the-mel-blanc-show';
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update series set description='The Mysterious Traveler was a popular radio show that captivated mystery lovers with a blend of fantasy, science fiction, crime dramas, and suspense. The show''s enigmatic protagonist, played by Maurice Tarplin, took listeners on thrilling and chilling journeys as he introduced them to worlds filled with intrigue, darkness, and unexpected twists. The program showcased a wide range of stories that kept audiences on the edge of their seats, earning multiple nominations for the esteemed Edgar award for "Best Radio Drama."
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Broadcasted on the Mutual Broadcasting System from December 1943 to September 1952, The Mysterious Traveler accumulated a total of nearly 400 episodes, with only around 70 remaining in existence today. The show was created by the notable writing duo Robert Arthur and David Kogan and was sponsored by Adam Hats. The Mysterious Traveler''s popularity resulted in an extension of the show into various forms of media, such as a magazine, a comic book, and even TV adaptations. Some of the most famous episodes include "They Who Sleep," "Man the Insects Hated," "The Good Die Young," "Behind the Locked Door," and "Death Comes for Adolph Hitler." Additionally, several other supernatural shows were inspired by The Mysterious Traveler, further solidifying its lasting impact on audiences and the entertainment industry.' where series_slug='the-mysterious-traveler';
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update series set description='The New Adventures of Nero Wolfe is a radio drama series where the titular character, Nero Wolfe, serves as an armchair detective. Wolfe, a character created by American mystery writer Rex Stout, is known for his large size and particular quirks, such as his love for gourmet food and strict daily schedule focused on eating and cultivating his collection of orchids. Relying on his assistant, Archie Goodwin, to carry out the legs work, Wolfe solves crimes and mysteries from the comfort of his home without visiting crime scenes. This radio drama series emphasizes the unique and eccentric personalities of the characters, while incorporating engaging plots and verbal exchanges to entertain the audience.
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The show was broadcast from October 20, 1950, to April 27, 1951, airing on the NBC network. The New Adventures of Nero Wolfe was based on a series of books that began in 1934 and had seen two previous incarnations on radio: The Adventures of Nero Wolfe (1943-1944) and The Amazing Nero Wolfe (1945-1946). Very few episodes of these earlier series are available today. The 1950-1951 series starred Sidney Greenstreet as Nero Wolfe, with various actors playing the role of Archie Goodwin. It is considered the series that popularized Nero Wolfe on the radio, with several related media formats including a later series created by the Canadian Broadcasting Company in 1982.' where series_slug='the-new-adventures-of-nero-wolfe';
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update series set description='The Pacific Story was a radio documentary that introduced American listeners to the rich and complex histories of the countries and cultures around the Pacific Rim. The show''s premise was based on the idea that with Europe in ruins due to World War II, the Pacific might emerge as the center of political and social change in the world, making it crucial for people to know more about the region. The series covered a wide range of nations, including Japan, China, Australia, New Zealand, the Philippines, Korea, India, Russia, and Burma, among others. With a focus on everything from politics to weather and culture, The Pacific Story was narrated by Gayne Williams and featured insights from notable authorities on Pacific affairs such as Henry Luce and Pearl S. Buck.
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The Pacific Story aired on NBC at 11:30 pm, with its first broadcast on July 11, 1943, and lasted for 184 weeks, ending on January 26, 1947. The series was created by historian and US consultant Owen Lattimore, who grew up in China and was appointed as a US advisor to Chinese leader Chiang Kai-shek by President Franklin D. Roosevelt in 1941. However, Lattimore later faced trial before a Joseph McCarthy senate hearing as a "top Soviet agent." Although the show had two weeks pre-empted from its run, The Pacific Story remains an informative and compelling old-time radio series that provides insight into the complex and evolving dynamics of the Pacific region during World War II.' where series_slug='the-pacific-story';
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update series set description='The Phil Harris-Alice Faye Show is a comedy radio program that focuses on the lives of real-life Hollywood couple Phil Harris, a jive-talking hipster bandleader, and his glamorous movie star wife, Alice Faye. The show portrays the ups and downs of their lives as they raise their daughters—Alice Jr. played by Jeanine Roose and little Phyllis, played by Anne Whitfield—with humor and wit. The show is set around Phil''s band and its eccentric members, providing an entertaining mix of music and comedy. It stands out from other radio shows for its sharp and free-wheeling style that foreshadows modern television sitcoms.
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The Phil Harris-Alice Faye Show aired on NBC from 1948 to 1954 with a total of 297 episodes broadcast. Actors such as Gale Gordon and Walter Tetley were among the notable members of the show''s cast, with Gordon playing Mr. Scott, a Rexall representative, and Tetley in the role of delivery boy Julius Abbruzio. The show was produced and directed by Paul Phillips and featured subtle commercials for Rexall within the program, similar to The Jack Benny Program and Fibber McGee and Molly. Despite its passage of time, John Dunning, in "On the Air, The Encyclopedia of Old Time Radio," commends the show for its delightful impact that remains relevant today.' where series_slug='the-phil-harris-alice-faye-show';
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update series set description='The Red Skelton Show was a popular American television comedy/variety show that featured a mix of comedy sketches, monologues, and musical performances. The program''s primary focus was on physical humor and was known for its colorful and creative characters created by Red Skelton, resulting in a unique and engaging viewing experience. Skelton, a master character actor, and mime had a joke book with a reported 180,000 jokes and was renowned for his rapid-fire jokes and gags, in addition to his storytelling skills in longer sketches centered around American life. The Red Skelton Show stood among the most celebrated shows of its time, earning various accolades such as Emmy Awards and a Golden Globe for Best TV Show.
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The Red Skelton Show was on the air from 1951 to 1971, beginning and ending its broadcast run on NBC, with the majority of its 672 episodes airing on CBS. Throughout its twenty-year run, the show proved resilient in various aspects, from time slots to format changes, which helped it remain a staple in American entertainment. The show was produced at Desilu Productions and CBS Television City in Hollywood and was telecast in color around 100 times between 1955 and 1960. Skelton''s show featured notable guest stars such as John Wayne, Jack Benny, and Phyllis Diller, with musical accompaniment provided by the show''s orchestra, led by famous bandleader David Rose, who also created the show''s signature tune, "Holiday for Strings". The program''s appeal and memorable characters contributed greatly to Red Skelton''s career, making the show a beloved piece of television history.' where series_slug='the-red-skelton-show';
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update series set description='The Roy Rogers Show was a western radio program that focused on the adventures of Roy Rogers, one of the most popular singing-cowboy movie stars of the time. The show seamlessly blended western music, campfire banter, and thrilling adventures in which justice triumphs over evil. Roy Rogers provided much of the show''s vocal music, with his band "The Sons of the Pioneers" featuring heavily in the series, as well as his steed Trigger, his wife Dale Evans, and a rotating cast of comical sidekicks. The show''s opening theme "It''s Round-Up Time on the Double-R-Bar" was later replaced by the famous "Happy Trails" song written by Dale Evans, and Roy would often close the show with the phrase, "Goodbye, good luck, and may the good Lord take a likin'' to ya."
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The Roy Rogers Show first aired in 1944 on the Mutual Network and continued to be broadcast on both Mutual and NBC over a decade until its conclusion in 1955. The show had multiple sponsors throughout its tenure, including Goodyear Tire and Rubber Company, Miles Laboratories, Quaker Oats, Post Toasties, and Dodge automobiles. The series was one of the first radio programs to be transcribed due to Roy Rogers'' busy schedule with personal appearances and film-making. There were also several TV adaptations of the show produced during its run.' where series_slug='the-roy-rogers-show';
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update series set description='The Saint is an American detective-adventure radio show centered around a Robin-Hood-type character, Simon Templar, created by author Leslie Charteris. The show follows the thrilling escapades of Simon, who remains one step ahead of both the police and criminals while trying to help people. Referred to as "The Saint" by millions of fans from books, magazines, and movies, Simon Templar''s character is known for his swashbuckling, devil-may-care attitude and his impeccable skill at outwitting both the law and the lawless. The program''s introduction paints Simon Templar as a sophisticated crime fighter, further setting the show''s exciting and mysterious tone.
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The Saint originally premiered in 1945 and continued airing until 1951. The show was broadcast on NBC, CBS, and Mutual networks throughout its run with a total of four different iterations. Though an exact number of episodes is unknown, some old time radio reference books list the initial air date as January 6, 1945. Advertisers for the show included Bromo-Seltzer, Campbell Soups, and Ford Motor Company. The Saint featured a number of notable actors, such as Edgar Barrier, Brian Aherne, Vincent Price, Tom Conway, and Barry Sullivan. Aside from the multiple versions aired in the United States, two more versions were broadcast in Ireland in 1940 and the UK in 1995.' where series_slug='the-saint';
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update series set description='The Scarlet Pimpernel is a historical adventure radio drama series based on the novel by Baroness Emmuska Orczy. Set in England and France in 1792 during the French Revolution, the story follows Sir Percy Blakeney, an English aristocrat who secretly works within the French circles of power to save the falsely accused from execution. He adopts a foppish, effete persona to maintain his cover and his true identity is only known to his followers, the League of the Scarlet Pimpernel. The show is known for its fine cast, rousing orchestral scoring, excellent sound effects, and a tightly written script that stays very close to the dialogue of the original novel.
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Produced in London, the radio drama first appeared as the summer replacement for The Cavalcade of America in 1952-53. Marius Goring, an actor best known for his role as composer Julian Craster in the movie classic "The Red Shoes," played the role of the Pimpernel. Produced by Harry A. Towers, the series is sure to delight fans of the Scarlet Pimpernel movies, history lovers, and audiobook listeners who want a more dramatic and engaging storytelling experience.' where series_slug='the-scarlet-pimpernel';
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update series set description='The Sealed Book was a radio series that featured mystery and terror tales, known for its melodramatic and thrilling style. The show''s premise revolved around a mysterious keeper opening a secret vault containing a sealed book that held all the secrets and mysteries of humankind. Each episode introduced a new tale of murder, madness, or dark deeds, with Philip Clarke as the host. The series included organ solos that occasionally interrupted the chilling narratives, and it ended with fans being encouraged to tune in for the next week''s story.
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This captivating series aired on the Mutual network from March 18th to September 9th, 1945, where it was broadcast on Sundays from 10:30 pm to 11:00 pm. A total of 26 episodes were produced, beginning with "The Hands of Death" and concluding with "Death Laughs Last." Robert Arthur, Jr. and David Kogan were the scriptwriters and masterminds behind the series, having also created The Mysterious Traveler. They reused many popular stories from their previous creation for The Sealed Book, adding a hint of familiarity for fans of their earlier work.' where series_slug='the-sealed-book';
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update series set description='The Shadow is a fictional character published by Street & Smith and created by writer Walter B. Gibson. The enigmatic character originally served as a narrator for the radio program Detective Story Hour, intended to boost sales of Street & Smith''s Detective Story Magazine. The protagonist was later developed into a distinct literary character in 1931, featuring in several forms of media, including comic books, comic strips, serials, video games, and films. As a crime-fighting vigilante, The Shadow was known for his expert detective skills, mastery of hand-to-hand combat, and ability to become invisible. The character''s catchphrase, "Who knows what evil lurks in the hearts of men? The Shadow knows!", spoken by actor Frank Readick, became a recognizable idiom in American culture.
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The radio drama, titled The Shadow, aired from 1930 to 1954 and was broadcast on networks such as CBS, Mutual Broadcasting System, and Blue Network. A total of 677 episodes were produced, while only a small portion, around 275, are known to still exist today. Throughout its run, the show was sponsored by companies like Blue Coal, Goodrich Tires, and Grove''s Bromo Quinine, and featured episodes with distinguished voice talents such as Orson Welles.' where series_slug='the-shadow';
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update series set description='The Six Shooter was a western drama radio show featuring James Stewart as Britt Ponset, a frontier drifter known for his skill with a gun. Created by Frank Burt, the show focused on the adventures of Ponset as he wandered through the wild west, often stumbling into other people''s troubles and occasionally having to use his gun to resolve them. The show''s tone leaned more towards comedy than other western radio shows, with episodes featuring Ponset getting involved in a variety of amusing situations, such as playing Hamlet with a crude road company or becoming involved in a Western version of Cinderella.
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Broadcasting for only one season from September 20, 1953, to June 24, 1954, The Six Shooter aired on NBC and had a total of 39 episodes. The radio show was directed by Jack Johnstone and featured music provided by Basil Adlam. Notable actors that participated in the production included Parley Baer, Virginia Gregg, Howard McNear, and William Conrad. In addition to the radio show, a Hollywood Star Playhouse episode titled "The Six Shooter" was broadcast on April 13, 1952, and a TV pilot episode featuring James Stewart was created but never turned into a full series.' where series_slug='the-six-shooter';
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update series set description='The Sound of War is an 18-episode radio show that features a range of sound clips, some rare, from notable figures such as Adolf Hitler, Franklin Roosevelt, Winston Churchill, Benito Mussolini, Neville Chamberlain, General Douglas McArthur, Charles DeGaulle, and Hermann Goering. The series used the tagline, "The Actual Sound Record of World War II. The drama preserved for all time through the medium of radio. An era not to be forgotten." The show places emphasis on the Fall of France period with three unique episodes dedicated to it. Produced by Bud Greenspan and narrated by his brother David Greenspan, the show aimed to preserve the dramatic events of World War II for future generations.
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Although it is unclear when The Sound of War was first broadcast, it appears to be from the late 1950s or early 1960s. The series was produced by Westinghouse Broadcasting in 1965 and carried a similar tagline to that of its British counterpart, the 1973-74 television documentary series The World At War. The Sound of War provided a unique perspective on the history of World War II through its collection of sound clips and the actual voices of many key figures. The Greenspan brothers went on to produce many film sports documentaries, predominantly focused on the Olympics, with David Perry also being remembered as "the voice of the Olympics."' where series_slug='the-sound-of-war';
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update series set description='The Strange Dr. Weird was a horror and mysterious melodrama radio program featuring Maurice Tarplin as the narrator, who also lent his creepy voice to the more famous series, The Mysterious Traveler. With its spooky organ music and macabre themes, the show focused on supernatural tales, bits of gore, and innuendos of dread, all backed by an eerie atmosphere. Tarplin''s performance as the titular character was reminiscent of the fine actor Boris Karloff, and Tarplin''s famous introduction and closing lines captured the chilling essence of the show, inviting listeners to come in and explore the frightful stories that awaited inside Dr. Weird''s house on the other side of the cemetery.
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The Strange Dr. Weird aired on the Mutual radio network from 1944 to 1945, consisting of 29 episodes produced and directed by Jock MacGregor and written by Robert A. Arthur, who also scripted for The Mysterious Traveler. The series was sponsored by Adam Hats and many of the scripts were condensed 15-minute versions of those originally broadcast on The Mysterious Traveler. Maurice Tarplin, known for his killer puns, was inspired from his previous work on The Mysterious Traveler, while Mutual regulars showcased their acting skills in chilling, suspenseful episodes. The series remains an iconic part of the golden age of radio and stands as a testament to the enduring popularity of the horror genre.' where series_slug='the-strange-dr-weird';
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update series set description='The Tenth Man is a radio show series centered around mental health and the experiences of various individuals suffering from mental illnesses. Produced by the National Mental Health Foundation, the show aims to educate and create awareness of mental health issues throughout the country. Each episode focuses on a specific person dealing with a mental illness, portraying their journey with topics such as depression, loneliness, social phobias, and discrimination against those who have received mental health treatment. The show has an altruistic and educational tone, shedding light on the challenges faced by those with mental health conditions and the need for emotional guidance and support within communities.
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Aired on NBC, The Tenth Man consists of thirteen episodes that were broadcast from October 17, 1947, through January 16, 1948. Jackson Beck served as the announcer, while Ralph Bellamy acted as the narrator for this little-known series. One notable episode tells the story of activist Dorothea Dix and her commitment to improving the care of the mentally ill in America and abroad. Born in April 1802, Dix exposed the harrowing conditions of mental asylums at that time, where patients were often beaten, chained, and locked away. The series holds a significant place in history, showcasing the importance of mental health awareness and the need for better psychiatric care and treatment in communities across the country.' where series_slug='the-tenth-man';
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update series set description='The Unexpected is a radio show based on the theme of terror melodrama. With a fifteen-minute format, the show focuses on quickly drawn weird stories, all ending with a twist to deliver a sudden shock to the listener. By maintaining the element of surprise, The Unexpected ensures that the listener is always on their toes. The show features excellent actors to deliver their lines and the overall direction keeps it on the path of being thrilling, similar to other shows such as Suspense, Lights Out, or Quiet Please.
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Airing in 1948, The Unexpected featured remarkable actors like Barry Sullivan, Marsha Hunt, Lurene Tuttle, and Virginia Gregg. Virginia Gregg was known for her role as Helen Asher in The Adventures of Richard Diamond. Directed by Frank Danzig, the show remained thrilling and captivating, much like its predecessors. Although specific details regarding broadcast networks, episode count, and related media formats were not provided, it is evident that the show had a distinguished set of actors and a reputable director, making it a noteworthy addition to the radio shows of its time.' where series_slug='the-unexpected';
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update series set description='The Weird Circle was a 30-minute, syndicated supernatural and fantasy radio drama series characterized by its adaptations of stories from famous authors such as Robert Lewis Stevenson, Victor Hugo, Edgar Alan Poe, and Charles Dickens, with most of the stories originating from the Victorian era or older. The show had a low production budget, which meant that it did not feature well-known voice actors, but it did make use of the acting talent available in New York City. One unique aspect of the show was the absence of music, apart from brief interludes between scenes, which some believe contributes to the show''s timeless appeal.
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Originally broadcast between 1943 and 1945, The Weird Circle aired on radio networks such as Mutual Broadcasting System, NBC Red Network, and ABC Blue Network. It featured a total of 78 episodes, produced at RCA''s New York studios and was licensed by the Mutual Broadcasting System and later, NBC''s Red network. Although the series had modest production values and featured little music, the quality of the source material led to its success. Some notable actors involved in the production included Gladys Thornton, Audrey Totter, Chester Stratton, Eleanor Audley, Arnold Moss, Lawson Zerbe, Walter Vaughn, Regis Joyce, and Fred Barron.' where series_slug='the-weird-circle';
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update series set description='The Whistler is a haunting American radio series that follows an unseen narrator who seems to revel in watching murders happen and telling the grim stories that follow. The Whistler, who does not use a surname and evades capture, stays hidden in the criminal underworld, observing evildoers carry out their schemes without them noticing. The show''s tone and style center around gritty crime stories and mystery, wherein the killer is often punished by a twist of fate that only The Whistler seems to expect.
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The series aired from May 1942 until September 1955 on the west-coast regional CBS Radio Network and later on Armed Forces Radio. Episodes were also broadcast in Chicago, with two short-lived attempts at east-coast broadcasts sponsored by Campbell Soup Company and Household Finance. There were a total of 692 episodes, out of which over 200 no longer exist today. The show was adapted into a film noir series by Columbia Pictures in 1944 and a television series in 1954. Some notable actors who lent their voices to the series include Bill Forman, Marvin Miller, Gale Gordon, Joseph Kearns, and many others.' where series_slug='the-whistler';
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update series set description='Theater Five was an ambitious attempt by ABC to revive radio drama in the early 1960s. The series was named after its time slot, 5:00 PM, and took on an anthology format, with each episode comprising a 20-minute short story. The subject matter ranged across various genres, with a particular emphasis on science fiction and topical issues drawn from daily news stories. Among the personnel involved in the show''s production was Fred Foy, best known for his work on The Lone Ranger.
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Theater Five aired on the ABC radio network between 1964 and 1965, and featured notable actors such as James Earl Jones, Alan Alda, and Ed Begley in its 1965 run. Other key cast members included George O. Petrie, Brett Morrison, Jackson Beck, Robert Dryden, Elliott Reid, Court Benson, Cliff Carpenter, and Bryna Raeburn. In January 1965, the show was broadcast to subscribing affiliates from 2:30 to 2:54 PM EST and again from 10:29 to 10:54 PM EST, Monday through Friday.' where series_slug='theater-five';
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update series set description='Theatre Royal is a British anthology series featuring plays based on prominent literature, films, and English theater. The program was produced in two series and had Sir Lawrence Olivier and Sir Ralph Richardson as hosts, narrators, and oftentimes lead actors. The show presented new radio adaptations of famous stories and lesser-known masterpieces by both American and English authors. Theatre Royal attracts audiences with its variety that is typically missing in similar anthology series, and timeless performances by talented actors.
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The show was broadcast from 1954 to 1955, and aired on various radio networks like NBC and ABC. The production company, Towers of London, syndicated the show for international audiences in Europe, South Africa, and Australia. Many renowned British stage and screen actors were involved in individual episodes of the Theatre Royal series, such as Sir John Gielgud, Robert Morley, Harry Andrews, Muriel Forbes, Robert Donat, and Daphne Maddox. The music in the series was credited to the well-known British organist and arranger Sidney Torch but was also used in other Harry Alan Towers productions. The show remained in active syndication in the United States well into the 1970s, and many of the copies in circulation today come from those 1970s repeats which had shortened running times to accommodate newscasts and commercials.' where series_slug='theatre-royal';
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update series set description='This Is Your FBI was a radio crime drama that featured true cases from the Federal Bureau of Investigation (FBI), as seen from an agent''s perspective. FBI Chief J. Edgar Hoover endorsed the show, calling it "the finest dramatic program on the air." The series included stories of crackdowns on organized crime, individual lawbreakers, and false accusations. Each episode alternated between the criminals'' actions and the agents'' accounts of the investigations. The show highlighted the FBI''s latest methods and techniques through the dramatization of its closed case files, with narration provided by Frank Lovejoy, Dean Carleton, and William Woodson.
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The series was broadcast on ABC from April 6, 1945, to January 30, 1953, airing a total of 409 episodes. Hoover granted producer-director Jerry Devine access to FBI files for the series, and the cast included Stacy Harris, Betty White, William Conrad, Herb Ellis, Michael Ann Barrett, Carleton Young, Georgia Ellis, Jay C. Flippen, and more. Other radio dramas that also focused on crime investigations include Gangbusters, Mr. District Attorney, and The FBI in Peace and War. This Is Your FBI was sponsored by the Equitable Life Assurance Society of the United States throughout its entire run.' where series_slug='this-is-your-fbi';
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update series set description='Truth or Consequences is an American game show that combines quiz elements with wacky and often embarrassing stunts for contestants. The show''s premise involves contestants being given two seconds to answer a trivia question correctly, often designed to be unanswerable or simply a bad joke. If the contestant fails to answer correctly or completely, they must face the "consequences" by performing a zany stunt. The show''s format and audience reactions made it a hugely popular show during its run and a testament to the sportsmanship of the American people.
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Originally a radio show, Truth or Consequences first aired on March 23, 1940, with Ralph Edwards as host, who later also hosted on television from 1950-1954. The show has had various TV hosts throughout the years, including Jack Bailey, Bob Barker, Steve Dunne, Bob Hilton, and Larry Anderson. The television broadcasts ran on three networks, CBS, NBC, and later in syndication. Over the years, the show aired a total of more than 4,400 episodes, with different numbers of episodes produced at different times for different networks. The success and impact of Truth or Consequences led to other notable game shows on radio and television, and it remains a classic example of American entertainment culture.' where series_slug='truth-or-consequences';
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update series set description='Vic and Sade was an American radio sitcom created and written by Paul Rhymer. The show revolved around the daily lives of a married couple, Victor Rodney Gook and his wife Sade, along with their adopted son Rush. Labeled as "radio''s home folks," the series focused on the characters'' interactions and conversations in their mid-western home. Known for its quiet and calm atmosphere, Vic and Sade was a unique offering in comparison to other shows of its time. The program did not have a continuous storyline and had only a few sound effects, giving it a distinct tone and style.
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The radio show premiered on June 29, 1932, and aired intermittently until October 26, 1946. Throughout its broadcast history, it was featured on various networks such as NBC, CBS, Blue, and Mutual. During its 14-year run, Vic and Sade became one of the most popular series in its genre, with Time reporting that it had 7 million devoted listeners in 1943. The show was adapted to television twice, once in 1949 on NBC and again in 1957 on WNBQ, Chicago. Procter & Gamble sponsored the 15-minute shows while Fitch Shampoo sponsored the 30-minute episodes. The show starred Art Van Harvey, Bernardine Flynn, and Bill Idelson, and was created by Paul Rhymer, who wrote the episodes for the entire length of the show''s run.' where series_slug='vic-and-sade';
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update series set description='Vox Pop was a popular radio program that featured interviews, quizzes, and human interest stories. Often called Sidewalk Interviews or Voice of the People, the show was established in Houston in 1932 when Parks Johnson and Jerry Belcher used portable microphones to interview people on the street about the presidential election. The format expanded with the duo later moving to New York and the show gaining co-hosts such as Wally Butterworth, Neil O''Malley, and Warren Hull. The conversations between interviewers and participants were often natural and engaging, and the show covered a wide range of topics, asking passersby humorous questions and interviewing people from all walks of life.
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The show ran from 1932 to the late 1940s and was broadcast on various radio networks, including the Blue Network, NBC, CBS, and ABC. Over the course of the show, Johnson and his co-hosts visited 41 states and six foreign countries. The show later found its way to other formats, such as the 1938 Milton Bradley game Vox Pop, where players pulled chips from a bag to answer questions. While the original Vox Pop has ended, today there is an unrelated live call-in radio show with the same name on WAMC, Northeast Public Radio. This extensive collection of often rare recordings showcases the charm and spontaneity of the playful interviews that took place across the US and abroad from the 1930s to the 1940s.' where series_slug='vox-pop';
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update series set description='We Came This Way is an engaging and informative docudrama series that traces the development of American culture, values, legal systems, and ideals from their origins in the earliest framework of modern society. The show explores the events and developments that have shaped democracy from the Middle Ages to the present day. With a focus on the history of the Magna Carta and the legal principles it established, the series highlights the timeliness of the arguments on both sides of each democratic ideal presented. In addition to legal concepts, We Came This Way covers topics such as property conveyance, fair trade and taxation, and marriage principles.
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The show was part of the NBC University of the Air, which aired from 1942 to 1948 and has been incorporated into the curricula of various educational institutions in the U.S. and Canada. Produced during World War II in 1944, We Came This Way featured high production standards and included radio and movie stars such as Dana Andrews. The show explores various historical episodes, such as the Magna Carta, Joan of Arc, Valley Forge, King Louis XIV and the French Revolution, Walt Whitman - Poet of Democracy, and the Story of Leo Tolstoy. Although presented in a half-hour format, the writing and issues raised are treated in-depth, making the show appealing to students of history and radio drama fans alike.' where series_slug='we-came-this-way';
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update series set description='Whitehall 1212 was a weekly crime drama radio show that showcased authentic stories taken from the files of Scotland Yard''s Black Museum. The episodes, described as "the plain unvarnished facts, just as they occurred", followed the perspectives of the police working on the cases, providing a toned-down portrayal of crime. The fictional host, Chief Superintendent John Davison, acted as the curator of the Black Museum and used the artifacts as a basis for each episode. The series was well-researched and featured an entirely British cast to retain an authentic appeal.
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The show aired on NBC from November 18, 1951, until September 28, 1952. It ran almost parallel to another show, The Black Museum, produced by Harry Alan Towers, which offered a more dramatic and sensationalized version of the crime stories. While The Black Museum incorporated scenes from the criminal''s point of view, Whitehall 1212 focused solely on police perspectives. The show''s writer-director, Wyllis Cooper, was known for working on Quiet Please and Lights Out before tackling this fact-based crime series. The cast and production of Whitehall 1212 were based in London, and the series had official support from Scotland Yard.' where series_slug='whitehall-1212';
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||||||
update series set description='Wild Bill Hickok was a popular radio show focused on western adventures, aimed at younger audiences. The story revolved around Marshal Wild Bill Hickok, played by Guy Madison, and his sidekick Jingles B. Jones, played by Andy Devine. The show''s format included the heroic duo getting into various predicaments, fighting and eventually winning against all odds, before riding off in search of another adventure. The tone and style of the show were similar to other radio western shows of the time, adhering to a simple plot structure and focusing on action and heroism.
|
|
||||||
|
|
||||||
The show first aired on April 1, 1951, and continued until December 31, 1954, initially broadcasting on the Mutual Network with sponsorship from Kellogg Cereals. The show then transitioned to television from 1955 to 1958. From the 274 episodes produced, approximately 268 are still believed to be available today. Notable figures involved in the production included announcer Charlie Lyon and director Paul Pierce. Wild Bill Hickok competed with other radio western heroes such as Roy Rogers and the Cisco Kid, who also successfully transitioned from radio to television. The show''s commercial jingles and advertisements from Panhandle Jim were also memorable highlights, promoting Kellogg''s Corn Pops to the show''s passionate fan base.' where series_slug='wild-bill-hickok';
|
|
||||||
update series set description='WJSV Complete Broadcast Day was a unique radio event that captured an entire day of broadcasting on September 21, 1939. The show featured a mix of music, comedy, drama, news, and advertisements, providing listeners with an immersive audio experience. The broadcast day began with local programming, including news, talk, and recorded music, and continued with a variety of programs, including soap operas, quiz shows, and live orchestra performances. From President Franklin Roosevelt''s address to Congress to a baseball game between the Washington Senators and the Cleveland Indians, WJSV Complete Broadcast Day presented a fascinating look at the radio programming of the time, as well as the events happening both locally and globally.
|
|
||||||
|
|
||||||
The WJSV Complete Broadcast Day aired on September 21, 1939, in Washington, D.C., and was preserved by the National Archives. The recording was made using transcription discs, which were cutting-edge technology at the time. The show was broadcast on the CBS Radio Network and included notable personalities of the time, such as Arthur Godfrey and Agnes Moorehead. The broadcast featured a variety of programs and advertisements, providing a unique insight into the radio landscape and popular culture of the era. With a runtime of 19 hours, WJSV Complete Broadcast Day remains an important historical artifact, representing a unique snapshot of radio programming during a pivotal time in American history.' where series_slug='wjsv-complete-broadcast-day';
|
|
||||||
update series set description='Words at War was a 30-minute dramatic anthology series that focused on stories adapted from books written about World War II. The series was done in a docu-drama style, featuring music by Frank Black and direction by Anton M. Leder. Each episode provided stark, sobering realism to stories penned by different authors, tackling hard-to-comprehend subjects such as the taking of innocent civilian lives. The series effectively combined history, literature, and wartime propaganda, offering a glimpse into the beliefs and fears of American authors during World War II. With each author having their own strengths and weaknesses, the quality of the episodes varied, but all maintained a thought-provoking and powerful impact.
|
|
||||||
|
|
||||||
Words at War aired on NBC from 1943 to 1945, produced in cooperation with the Council on Books in Wartime. Based on literature created during the war by various authors, the show aimed to be a "living record of this war and things for which we fought." Although speculative at times, the episodes were based on real events or potential future events. The series was supported by Johnson''s Wax and initially debuted in the Fibber McGee and Molly time slot. Most of the series is available today, with well-preserved audio quality.' where series_slug='words-at-war';
|
|
||||||
update series set description='World Adventurer''s Club is a captivating radio show set in a luxurious gentleman''s club, reminiscent of those that thrived in the 1890s in Europe and the US. The show has a unique format, with each episode featuring a report from a club member who has just returned from an exciting adventure in a distant, mysterious place. The series creates a rich atmosphere of camaraderie, adventure, and discovery, transporting the listeners to exotic locations and intriguing events without even leaving their seats. As the stories unfold, listeners are immersed in a world of vivid storytelling with a slight colonial undertone, reflecting the historical and political context of the time.
|
|
||||||
|
|
||||||
The show was first broadcast in 1932 and aired on radio station KFWB in Los Angeles. It is notable for having all 32 of its 15-minute episodes preserved, thanks to being transcribed by a California company named Transco. Hanley Stafford, known for his roles in the "Baby Snooks" and "Blondie" radio programs, was a featured storyteller in at least six of the episodes. In a testament to its legacy, the format of World Adventurer''s Club was later borrowed for another series, The Adventurer''s Club, which ran from January 1947 to January 1948 in 30-minute episodes. Today, fans of the show can still lose themselves in the spellbinding tales of adventure, danger, and wonder that unfold at the World Adventurer''s Club.' where series_slug='world-adventurers-club';
|
|
||||||
update series set description='X Minus One was a science fiction radio drama series that gained recognition for its high production values and adaptation of stories from leading American authors of the era. The show featured adaptations of stories from popular science fiction magazines, Astounding and Galaxy, and brought to life the works of well-known authors such as Ray Bradbury, Isaac Asimov, and Poul Anderson. The series focused on futuristic adventures, exploring new dimensions in time and space, providing listeners with a glimpse into a million possible years on a thousand potential worlds.
|
|
||||||
|
|
||||||
The show aired on NBC from April 24, 1955, until January 9, 1958, totaling 124 episodes with one pilot or audition story. It occupied various time slots throughout its run in the 1950s, preventing it from generating a large following. X Minus One was an extension of a previous show, Dimension X, which aired on NBC from 1950-51. The first 15 scripts used for X Minus One were from Dimension X, but the series soon found its own niche. A revival of the series was attempted in 1973, but it only lasted until 1975. Today, the series has survived in high quality and remains enjoyable for fans of classic science fiction.' where series_slug='x-minus-one';
|
|
||||||
update series set description='You Are There is a unique educational radio series that focuses on bringing history to life by using a modern network newsroom approach to report on great events of the past. Created by Goodman Ace, the program features announcers and wartime correspondents such as Richard C. Hottelet, John Daly, and Don Hollenbeck, who immerse the listener in the unfolding events through realistic dialogue and character interactions. The creative use of sound effects and actors, directed by Robert Lewis Shayon, provides an engaging and thought-provoking experience, allowing listeners to imaginatively participate in major historical events.
|
|
||||||
|
|
||||||
The show was originally broadcast from 1947 to 1950, airing a total of 90 episodes under the titles "CBS Is There" and "You Are There." Currently, only 75 of these episodes are known to exist in recorded form. In addition to the radio series, You Are There also transitioned to television in 1953, with Walter Cronkite as the regular host, and aired until 1957. A revival took place from 1971 to 1972, with Cronkite once again serving as the host. Notable guest stars included John Cassavetes, James Dean, Paul Newman, Jeanette Nolan, Kim Stanley, Rod Steiger, Beatrice Straight, and Joanne Woodward.' where series_slug='you-are-there';
|
|
||||||
update series set description='You Bet Your Life is an American comedy quiz series that has aired on both radio and television. The show''s premise revolves around contestants engaging in humorous conversations with the host, with gameplay often taking a backseat to the comedic interplay between the host and the contestants. Each episode typically featured two or three two-person teams, who were usually selected from the studio audience. The series is best known for its original version, which was hosted by Groucho Marx and featured announcer and assistant George Fenneman. Gameplay often involved contestants trying to guess a "secret word" for a chance to win a prize.
|
|
||||||
|
|
||||||
The show debuted on ABC Radio in 1947 and later moved to CBS Radio in 1949, eventually making its way to NBC-TV and NBC Radio in 1950. The radio version of You Bet Your Life aired until June 10, 1960, while the television version continued to air for another year. In total, 529 episodes were produced during the show''s run. When the series ended, it was the first primetime series to be shown in reruns during the summer months. The series has also been revived three times since its original run, with the most recent version hosted by Jay Leno in 2021. Some notable advertisers and sponsors of the show included Pabst Blue Ribbon beer, Elgin-American, and Vox Pop. Groucho Marx''s career in show business was defined by his brash humor and quick wit, making You Bet Your Life a perfect platform for his talents.' where series_slug='you-bet-your-life';
|
|
||||||
update series set description='You Can''t Do Business With Hitler is a radio show series created by the Office of War Information (OWI), based on the experiences of Douglas Miller, a former commercial attaché to the American Embassy in Berlin. The show exposes the Nazi technique of plundering and looting conquered lands through a series of government propaganda plays, providing an insight into Miller''s time working in Germany during the 1930s. With scripts written by Elwood Hoffman and direction by Frank Telford, the show unveils narratives of dishonest trade deals and other serious offenses committed by the Nazis, such as mass murder, religious oppression, and educational suppression.
|
|
||||||
|
|
||||||
The show was broadcast four times a month and was adapted from the 1941 book of the same title by Douglas Miller. Miller feared that the Nazi economic and social system would infiltrate America, resulting in repression and violence. The radio series illustrated how Nazi Germany created a difficult market for American exports, particularly in Latin America. Some examples included unpaid goods from various countries that were then resold and trade restrictions imposed as early as 1934.' where series_slug='you-cant-do-business-with-hitler';
|
|
||||||
update series set description='Yours Truly, Johnny Dollar is a radio drama series that centers on the adventures of Johnny Dollar, a freelance insurance investigator. With a format that distinguishes it from other shows, it does not feature a partner, assistant, or secretary for the protagonist. Instead, the character closest to a continuing role is Pat McCracken of the Universal Adjustment Bureau, who assigns Johnny many of his cases. Set in Hartford, Connecticut, Johnny''s adventures take him all over the world. Often, characters on the show would mention that they had heard about his cases on the radio, adding a unique touch of credibility to the stories. Through the first three actors to play Johnny Dollar, the series was similar to many other radio detective series, featuring a hard-boiled detective navigating various cases.
|
|
||||||
|
|
||||||
The show aired for over 12 years, from 1949 through 1962, in which it saw a one-year hiatus in 1954-1955. Broadcast on CBS Radio and revolving through a total of eight actors playing Johnny Dollar, it had 809 episodes, with more than 710 still existing today. The format for Yours Truly, Johnny Dollar changed over time, with the most memorable being the incorporation of the expense account. The show also attracted some of the best writers in Hollywood, including Jack Johnstone, E. Jack Neuman, Robert Ryf, and Les Crutchfield. The guest stars and supporting casts were top-notch, with notable stars such as Vincent Price making an appearance. Yours Truly, Johnny Dollar was the last continuing detective series of the Golden Age of Radio.' where series_slug='yours-truly-johnny-dollar';
|
|
|
@ -1,5 +0,0 @@
|
||||||
{
|
|
||||||
"googleApiKey": "",
|
|
||||||
"googleSearchId": "",
|
|
||||||
"openAiApiKey": ""
|
|
||||||
}
|
|
|
@ -1,119 +0,0 @@
|
||||||
#!/usr/bin/env dotnet-script
|
|
||||||
|
|
||||||
#nullable enable
|
|
||||||
#r "nuget: Microsoft.Data.Sqlite, 7.0.4"
|
|
||||||
#r "nuget: OpenAI, 1.7.2"
|
|
||||||
#r "nuget: HtmlAgilityPack, 1.11.46"
|
|
||||||
|
|
||||||
/* This script loops through each series, fetches the websites specified
|
|
||||||
* by its series_links urls, then sends those to the OpenAI ChatGPT API
|
|
||||||
* and asks for a two paragraph synopsis, with the first paragraph focusing
|
|
||||||
* on a description of the show and the second focusing on air dates,
|
|
||||||
* networks, actors, and other minutia. */
|
|
||||||
|
|
||||||
using System.Net;
|
|
||||||
using System.Text.Json;
|
|
||||||
using System.Text.RegularExpressions;
|
|
||||||
using HtmlAgilityPack;
|
|
||||||
using Microsoft.Data.Sqlite;
|
|
||||||
using OpenAI_API;
|
|
||||||
using OpenAI_API.Chat;
|
|
||||||
using OpenAI_API.Models;
|
|
||||||
using SQLitePCL;
|
|
||||||
|
|
||||||
private readonly string BASE_PATH = Path.GetFullPath("..");
|
|
||||||
private readonly string CONNECTION_STRING =
|
|
||||||
$"Data Source={Path.Combine(BASE_PATH, "db", "radiostasis.db")}";
|
|
||||||
|
|
||||||
private string configJson = File.ReadAllText(
|
|
||||||
Path.Combine(BASE_PATH, "scripts", "config.json"));
|
|
||||||
private Dictionary<string, string> config =
|
|
||||||
JsonSerializer.Deserialize<Dictionary<string, string>>(configJson)
|
|
||||||
?? new();
|
|
||||||
|
|
||||||
private readonly Regex whiteSpace = new(@"\s+", RegexOptions.Compiled);
|
|
||||||
|
|
||||||
private Dictionary<string, (string, List<string>)> GetSeriesLinks() {
|
|
||||||
var links = new Dictionary<string, (string, List<string>)>();
|
|
||||||
using var connection = new SqliteConnection(CONNECTION_STRING);
|
|
||||||
connection.Open();
|
|
||||||
using var cmd = connection.CreateCommand();
|
|
||||||
cmd.CommandText =
|
|
||||||
@"select l.series_slug, l.link_url, s.title from series_links l
|
|
||||||
inner join series s on s.series_slug=l.series_slug
|
|
||||||
where s.description is null";
|
|
||||||
using var reader = cmd.ExecuteReader();
|
|
||||||
while (reader.Read()) {
|
|
||||||
var slug = reader.GetString(0);
|
|
||||||
var url = reader.GetString(1);
|
|
||||||
var title = reader.GetString(2);
|
|
||||||
if (!links.ContainsKey(slug)) links.Add(slug, (title, new()));
|
|
||||||
links[slug].Item2.Add(url);
|
|
||||||
}
|
|
||||||
|
|
||||||
return links;
|
|
||||||
}
|
|
||||||
|
|
||||||
private void SaveDescription(string slug, string description) {
|
|
||||||
using var connection = new SqliteConnection(CONNECTION_STRING);
|
|
||||||
connection.Open();
|
|
||||||
using var cmd = connection.CreateCommand();
|
|
||||||
cmd.CommandText =
|
|
||||||
@"update series set description=@Description
|
|
||||||
where series_slug=@Slug";
|
|
||||||
var p1 = cmd.CreateParameter();
|
|
||||||
p1.ParameterName = "@Description";
|
|
||||||
p1.Value = description;
|
|
||||||
var p2 = cmd.CreateParameter();
|
|
||||||
p2.ParameterName = "@Slug";
|
|
||||||
p2.Value = slug;
|
|
||||||
cmd.Parameters.Add(p1);
|
|
||||||
cmd.Parameters.Add(p2);
|
|
||||||
cmd.ExecuteNonQuery();
|
|
||||||
}
|
|
||||||
|
|
||||||
private async Task GenerateDescriptions() {
|
|
||||||
var links = GetSeriesLinks();
|
|
||||||
var web = new HtmlWeb();
|
|
||||||
var api = new OpenAIAPI(config["openAiApiKey"]);
|
|
||||||
|
|
||||||
foreach (var slug in links.Keys) {
|
|
||||||
var sb = new StringBuilder();
|
|
||||||
sb.AppendLine(
|
|
||||||
@$"What follows are details about a radio show named ""{links[slug].Item1}"".
|
|
||||||
Please generate a two paragraph summary of the information.
|
|
||||||
The first paragraph should begin with the show's name without quotes, and focus on the show's premise, format, tone, and style. The first paragraph should not contain air dates, years, broadcast networks, or names of people involved in the show's production. The first paragraph should not describe the show as an ""old time radio show"" or mention the ""golden age of radio.""
|
|
||||||
The second paragraph can cover what years the show was broadcast, what radio networks the show aired on, how many episodes aired and are known to still exist today, interesting trivia including whether there were related TV shows or other media formats, notable advertisers and sponsors, and any notable actors and other people involved in the production if any of that information is contained in the provided details.
|
|
||||||
Here are the details:");
|
|
||||||
|
|
||||||
foreach (var url in links[slug].Item2) {
|
|
||||||
var doc = await web.LoadFromWebAsync(url);
|
|
||||||
var contentNode = url.Contains("en.wikipedia.org")
|
|
||||||
? doc.DocumentNode.SelectSingleNode("//div[@id='mw-content-text']")
|
|
||||||
: url.Contains("otrcat.com")
|
|
||||||
? doc.DocumentNode.SelectSingleNode("//div[@id='product_info']")
|
|
||||||
: url.Contains("archive.org")
|
|
||||||
? doc.DocumentNode.SelectSingleNode("//div[@id='descript']")
|
|
||||||
: doc.DocumentNode.SelectSingleNode("//article")
|
|
||||||
?? doc.DocumentNode.SelectSingleNode("//main")
|
|
||||||
?? doc.DocumentNode;
|
|
||||||
var content = whiteSpace.Replace(WebUtility.HtmlDecode(contentNode.InnerText), " ");
|
|
||||||
sb.AppendLine();
|
|
||||||
sb.AppendLine(content.Length > 8000 ? content[..8000] : content);
|
|
||||||
}
|
|
||||||
|
|
||||||
var chat = api.Chat.CreateConversation(new ChatRequest {
|
|
||||||
Model = Model.GPT4,
|
|
||||||
});
|
|
||||||
|
|
||||||
chat.AppendUserInput(sb.ToString());
|
|
||||||
var response = await chat.GetResponseFromChatbotAsync();
|
|
||||||
SaveDescription(slug, response);
|
|
||||||
WriteLine(response);
|
|
||||||
WriteLine("----------");
|
|
||||||
WriteLine();
|
|
||||||
}
|
|
||||||
}
|
|
||||||
|
|
||||||
Batteries.Init();
|
|
||||||
await GenerateDescriptions();
|
|
|
@ -3,13 +3,8 @@
|
||||||
#nullable enable
|
#nullable enable
|
||||||
#r "nuget: Microsoft.Data.Sqlite, 7.0.4"
|
#r "nuget: Microsoft.Data.Sqlite, 7.0.4"
|
||||||
|
|
||||||
/* This script generates the static HTML pages for the series list
|
|
||||||
* pages and the series detail pages using the data in the sqlite
|
|
||||||
* database. */
|
|
||||||
|
|
||||||
using System.Globalization;
|
using System.Globalization;
|
||||||
using System.Net;
|
using System.Net;
|
||||||
using System.Text.RegularExpressions;
|
|
||||||
using Microsoft.Data.Sqlite;
|
using Microsoft.Data.Sqlite;
|
||||||
using SQLitePCL;
|
using SQLitePCL;
|
||||||
|
|
||||||
|
@ -17,7 +12,6 @@ private readonly string BASE_PATH = Path.GetFullPath("..");
|
||||||
private readonly string OUTPUT_DIR = Path.Combine(BASE_PATH, "site", "partial");
|
private readonly string OUTPUT_DIR = Path.Combine(BASE_PATH, "site", "partial");
|
||||||
private readonly string CONNECTION_STRING =
|
private readonly string CONNECTION_STRING =
|
||||||
$"Data Source={Path.Combine(BASE_PATH, "db", "radiostasis.db")}";
|
$"Data Source={Path.Combine(BASE_PATH, "db", "radiostasis.db")}";
|
||||||
private static readonly Regex cleanHost = new(@"^(en|www)\.", RegexOptions.Compiled);
|
|
||||||
|
|
||||||
private class Series {
|
private class Series {
|
||||||
public required string Slug { get; set; }
|
public required string Slug { get; set; }
|
||||||
|
@ -29,7 +23,6 @@ private class Series {
|
||||||
public required IEnumerable<string> Tags { get; set; }
|
public required IEnumerable<string> Tags { get; set; }
|
||||||
public string? Description { get; set; }
|
public string? Description { get; set; }
|
||||||
public required int EpisodeCount { get; set; }
|
public required int EpisodeCount { get; set; }
|
||||||
public required IEnumerable<string> Urls { get; set; }
|
|
||||||
|
|
||||||
public string YearRange {
|
public string YearRange {
|
||||||
get => MinYear == MaxYear
|
get => MinYear == MaxYear
|
||||||
|
@ -54,10 +47,6 @@ private class Series {
|
||||||
Description.Split("\n")
|
Description.Split("\n")
|
||||||
.Where(l => !string.IsNullOrWhiteSpace(l))
|
.Where(l => !string.IsNullOrWhiteSpace(l))
|
||||||
.Select(l => WebUtility.HtmlEncode(l))));
|
.Select(l => WebUtility.HtmlEncode(l))));
|
||||||
sb.AppendLine("</p><p>Sources: ");
|
|
||||||
sb.AppendLine(string.Join(", ",
|
|
||||||
Urls.Select(u =>
|
|
||||||
$"<a href='{u}' target='_blank'>{cleanHost.Replace(new Uri(u).Host, string.Empty)}</a>")));
|
|
||||||
sb.AppendLine("</p></article>");
|
sb.AppendLine("</p></article>");
|
||||||
}
|
}
|
||||||
|
|
||||||
|
@ -144,13 +133,10 @@ private IEnumerable<Series> GetSeries() {
|
||||||
s.max_year,
|
s.max_year,
|
||||||
s.description,
|
s.description,
|
||||||
s.title_sort,
|
s.title_sort,
|
||||||
count(e.episode_slug) episode_count,
|
count(e.episode_slug) episode_count
|
||||||
group_concat(l.link_url, '||') urls
|
|
||||||
from series s
|
from series s
|
||||||
inner join episodes e on
|
inner join episodes e on
|
||||||
e.series_slug=s.series_slug
|
e.series_slug=s.series_slug
|
||||||
left join series_links l on
|
|
||||||
l.series_slug=s.series_slug
|
|
||||||
group by s.series_slug
|
group by s.series_slug
|
||||||
order by s.title_sort";
|
order by s.title_sort";
|
||||||
|
|
||||||
|
@ -168,7 +154,6 @@ private IEnumerable<Series> GetSeries() {
|
||||||
TitleSort = reader.GetString(6),
|
TitleSort = reader.GetString(6),
|
||||||
EpisodeCount = reader.GetInt32(7),
|
EpisodeCount = reader.GetInt32(7),
|
||||||
Tags = tags[slug],
|
Tags = tags[slug],
|
||||||
Urls = reader.GetString(8).Split("||").Distinct().Order().ToArray(),
|
|
||||||
});
|
});
|
||||||
}
|
}
|
||||||
|
|
||||||
|
|
|
@ -1,133 +0,0 @@
|
||||||
#!/usr/bin/env dotnet-script
|
|
||||||
|
|
||||||
#nullable enable
|
|
||||||
#r "nuget: GoogleApi, 4.5.4"
|
|
||||||
#r "nuget: Microsoft.Data.Sqlite, 7.0.4"
|
|
||||||
|
|
||||||
/* This script loops through each series and does a Google search,
|
|
||||||
* then presents the first 20 results to the user. The user can then
|
|
||||||
* specify which urls to save in the database for that series. Those
|
|
||||||
* urls will then be used by the generate-descriptions.csx script to
|
|
||||||
* generate series synopses using ChatGPT. */
|
|
||||||
|
|
||||||
using System.Text.Json;
|
|
||||||
using GoogleApi;
|
|
||||||
using GoogleApi.Entities.Common.Enums;
|
|
||||||
using GoogleApi.Entities.Search.Common;
|
|
||||||
using GoogleApi.Entities.Search.Web.Request;
|
|
||||||
using Microsoft.Data.Sqlite;
|
|
||||||
using SQLitePCL;
|
|
||||||
|
|
||||||
private readonly string BASE_PATH = Path.GetFullPath("..");
|
|
||||||
private readonly string CONNECTION_STRING =
|
|
||||||
$"Data Source={Path.Combine(BASE_PATH, "db", "radiostasis.db")}";
|
|
||||||
|
|
||||||
private string configJson = File.ReadAllText(
|
|
||||||
Path.Combine(BASE_PATH, "scripts", "config.json"));
|
|
||||||
private Dictionary<string, string> config =
|
|
||||||
JsonSerializer.Deserialize<Dictionary<string, string>>(configJson)
|
|
||||||
?? new();
|
|
||||||
|
|
||||||
private IEnumerable<(int, string, string)> DoQuery(string query, int page = 1) {
|
|
||||||
var urls = new List<(int, string, string)>();
|
|
||||||
var start = ((page - 1) * 10) + 1;
|
|
||||||
var request = new WebSearchRequest {
|
|
||||||
Key = config["googleApiKey"],
|
|
||||||
SearchEngineId = config["googleSearchId"],
|
|
||||||
Query = query,
|
|
||||||
Options = new SearchOptions {
|
|
||||||
Number = 10,
|
|
||||||
StartIndex = start,
|
|
||||||
},
|
|
||||||
};
|
|
||||||
|
|
||||||
var response = GoogleSearch.WebSearch.Query(request)
|
|
||||||
?? throw new Exception("response was null");
|
|
||||||
if (response.Status != Status.Ok)
|
|
||||||
throw new Exception("response was not ok");
|
|
||||||
if (response.Items == null)
|
|
||||||
throw new Exception("response.Items was null");
|
|
||||||
|
|
||||||
var nbr = start;
|
|
||||||
foreach (var item in response.Items) {
|
|
||||||
urls.Add((nbr++, item.Link, item.Title));
|
|
||||||
}
|
|
||||||
|
|
||||||
return urls;
|
|
||||||
}
|
|
||||||
|
|
||||||
private IEnumerable<string> GetSearchUrls(string showName, string query) {
|
|
||||||
var urls = DoQuery(query).Concat(DoQuery(query, 2));
|
|
||||||
foreach (var url in urls) {
|
|
||||||
WriteLine($"{url.Item1} - {url.Item2} [{url.Item3}]");
|
|
||||||
}
|
|
||||||
|
|
||||||
WriteLine();
|
|
||||||
WriteLine($"The show is '{showName}'.");
|
|
||||||
Write("Urls (eg. 1,3,5) or 'r' to retry: ");
|
|
||||||
var use = ReadLine();
|
|
||||||
if (use == "r") {
|
|
||||||
Write("Retry with query: ");
|
|
||||||
var newQuery = ReadLine() ?? query;
|
|
||||||
return GetSearchUrls(showName, newQuery);
|
|
||||||
} else if (string.IsNullOrEmpty(use)) {
|
|
||||||
return Array.Empty<string>();
|
|
||||||
}
|
|
||||||
|
|
||||||
return use.Split(",").Select(n => int.Parse(n) - 1)
|
|
||||||
.Select(i => urls.ElementAt(i).Item2).Order();
|
|
||||||
}
|
|
||||||
|
|
||||||
private IEnumerable<string> GetShowUrls(string showName) {
|
|
||||||
return GetSearchUrls(showName, $"{showName} old time radio show");
|
|
||||||
}
|
|
||||||
|
|
||||||
private void PopulateMissingUrls() {
|
|
||||||
var shows = new List<(string, string)>();
|
|
||||||
|
|
||||||
using (var connection = new SqliteConnection(CONNECTION_STRING)) {
|
|
||||||
connection.Open();
|
|
||||||
|
|
||||||
using var cmd = connection.CreateCommand();
|
|
||||||
cmd.CommandText =
|
|
||||||
@"select series_slug, title from series s
|
|
||||||
where not exists (
|
|
||||||
select 1 from series_links
|
|
||||||
where series_slug=s.series_slug)";
|
|
||||||
using var reader = cmd.ExecuteReader();
|
|
||||||
while (reader.Read()) {
|
|
||||||
var slug = reader.GetString(0);
|
|
||||||
var title = reader.GetString(1);
|
|
||||||
shows.Add((slug, title));
|
|
||||||
}
|
|
||||||
}
|
|
||||||
|
|
||||||
foreach (var show in shows) {
|
|
||||||
var urls = GetShowUrls(show.Item2);
|
|
||||||
SaveUrls(show.Item1, urls);
|
|
||||||
}
|
|
||||||
}
|
|
||||||
|
|
||||||
private void SaveUrls(string slug, IEnumerable<string> urls) {
|
|
||||||
using var connection = new SqliteConnection(CONNECTION_STRING);
|
|
||||||
connection.Open();
|
|
||||||
|
|
||||||
foreach (var url in urls) {
|
|
||||||
using var cmd = connection.CreateCommand();
|
|
||||||
cmd.CommandText =
|
|
||||||
@"insert into series_links (series_slug, link_url)
|
|
||||||
values (@slug, @url)";
|
|
||||||
var slugParam = cmd.CreateParameter();
|
|
||||||
slugParam.ParameterName = "@slug";
|
|
||||||
slugParam.Value = slug;
|
|
||||||
var urlParam = cmd.CreateParameter();
|
|
||||||
urlParam.ParameterName = "@url";
|
|
||||||
urlParam.Value = url;
|
|
||||||
cmd.Parameters.Add(slugParam);
|
|
||||||
cmd.Parameters.Add(urlParam);
|
|
||||||
cmd.ExecuteNonQuery();
|
|
||||||
}
|
|
||||||
}
|
|
||||||
|
|
||||||
Batteries.Init();
|
|
||||||
PopulateMissingUrls();
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventure Ahead</label>
|
<label>Adventure Ahead</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures by Morse</label>
|
<label>Adventures by Morse</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>162 episodes</span>
|
<span>54 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Adventures of Ellery Queen</label>
|
<label>The Adventures of Ellery Queen</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>96 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1939-1948</span>
|
<span>Aired 1939-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Blue Beetle</label>
|
<label>The Blue Beetle</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>46 episodes</span>
|
<span>23 episodes</span>
|
||||||
<span>Aired 1940</span>
|
<span>Aired 1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bold Venture</label>
|
<label>Bold Venture</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>171 episodes</span>
|
<span>57 episodes</span>
|
||||||
<span>Aired 1951-1952</span>
|
<span>Aired 1951-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Challenge of the Yukon</label>
|
<label>Challenge of the Yukon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1887 episodes</span>
|
<span>629 episodes</span>
|
||||||
<span>Aired 1943-1955</span>
|
<span>Aired 1943-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Cloak and Dagger</label>
|
<label>Cloak and Dagger</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>22 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Clyde Beatty Show</label>
|
<label>The Clyde Beatty Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Cruise of the Poll Parrot</label>
|
<label>Cruise of the Poll Parrot</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1937-1938</span>
|
<span>Aired 1937-1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dangerous Assignment</label>
|
<label>Dangerous Assignment</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>294 episodes</span>
|
<span>98 episodes</span>
|
||||||
<span>Aired 1949-1953</span>
|
<span>Aired 1949-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dangerously Yours</label>
|
<label>Dangerously Yours</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Escape</label>
|
<label>Escape</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>654 episodes</span>
|
<span>218 episodes</span>
|
||||||
<span>Aired 1947-1954</span>
|
<span>Aired 1947-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Flash Gordon</label>
|
<label>Flash Gordon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Gunsmoke</label>
|
<label>Gunsmoke</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1425 episodes</span>
|
<span>475 episodes</span>
|
||||||
<span>Aired 1952-1961</span>
|
<span>Aired 1952-1961</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>High Adventure</label>
|
<label>High Adventure</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>216 episodes</span>
|
<span>108 episodes</span>
|
||||||
<span>Aired 1947-1954</span>
|
<span>Aired 1947-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Horatio Hornblower</label>
|
<label>Horatio Hornblower</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1952-1953</span>
|
<span>Aired 1952-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -438,7 +438,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>I Love a Mystery</label>
|
<label>I Love a Mystery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>334 episodes</span>
|
<span>167 episodes</span>
|
||||||
<span>Aired 1939-1952</span>
|
<span>Aired 1939-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>John Steele, Adventurer</label>
|
<label>John Steele, Adventurer</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>147 episodes</span>
|
<span>49 episodes</span>
|
||||||
<span>Aired 1949-1950</span>
|
<span>Aired 1949-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -478,7 +478,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Lives of Harry Lime</label>
|
<label>The Lives of Harry Lime</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>104 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1951-1952</span>
|
<span>Aired 1951-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -498,7 +498,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Lone Ranger</label>
|
<label>The Lone Ranger</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6873 episodes</span>
|
<span>2291 episodes</span>
|
||||||
<span>Aired 1937-1956</span>
|
<span>Aired 1937-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -518,7 +518,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Magic Island</label>
|
<label>Magic Island</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>390 episodes</span>
|
<span>130 episodes</span>
|
||||||
<span>Aired 1936</span>
|
<span>Aired 1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -538,7 +538,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Man Called X</label>
|
<label>The Man Called X</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>333 episodes</span>
|
<span>111 episodes</span>
|
||||||
<span>Aired 1944-1952</span>
|
<span>Aired 1944-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -558,7 +558,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mark Trail</label>
|
<label>Mark Trail</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -578,7 +578,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Moon Over Africa</label>
|
<label>Moon Over Africa</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -598,7 +598,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Ranger Bill</label>
|
<label>Ranger Bill</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>436 episodes</span>
|
<span>218 episodes</span>
|
||||||
<span>Aired 1950-1962</span>
|
<span>Aired 1950-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -638,7 +638,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Secret Agent K-7 Returns</label>
|
<label>Secret Agent K-7 Returns</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>132 episodes</span>
|
<span>66 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -658,7 +658,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Speed Gibson of the International Secret Police</label>
|
<label>Speed Gibson of the International Secret Police</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>356 episodes</span>
|
<span>178 episodes</span>
|
||||||
<span>Aired 1937-1940</span>
|
<span>Aired 1937-1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -678,7 +678,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Superman</label>
|
<label>Superman</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2340 episodes</span>
|
<span>1170 episodes</span>
|
||||||
<span>Aired 1940-1950</span>
|
<span>Aired 1940-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -778,7 +778,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>World Adventurer's Club</label>
|
<label>World Adventurer's Club</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>64 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventure Ahead</label>
|
<label>Adventure Ahead</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures of Champion</label>
|
<label>Adventures of Champion</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6 episodes</span>
|
<span>3 episodes</span>
|
||||||
<span>Aired 1949</span>
|
<span>Aired 1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Buck Rogers</label>
|
<label>Buck Rogers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Cruise of the Poll Parrot</label>
|
<label>Cruise of the Poll Parrot</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1937-1938</span>
|
<span>Aired 1937-1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Fire Fighters</label>
|
<label>Fire Fighters</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>280 episodes</span>
|
<span>140 episodes</span>
|
||||||
<span>Aired 1949-1950</span>
|
<span>Aired 1949-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Jerry at Fair Oaks</label>
|
<label>Jerry at Fair Oaks</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>130 episodes</span>
|
<span>65 episodes</span>
|
||||||
<span>Aired 1938</span>
|
<span>Aired 1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Jerry of the Circus</label>
|
<label>Jerry of the Circus</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>384 episodes</span>
|
<span>128 episodes</span>
|
||||||
<span>Aired 1937</span>
|
<span>Aired 1937</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Jonathan Thomas and His Christmas on the Moon</label>
|
<label>Jonathan Thomas and His Christmas on the Moon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1938</span>
|
<span>Aired 1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Jump Jump and the Ice Queen</label>
|
<label>Jump Jump and the Ice Queen</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>50 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1948</span>
|
<span>Aired 1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Magic Island</label>
|
<label>Magic Island</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>390 episodes</span>
|
<span>130 episodes</span>
|
||||||
<span>Aired 1936</span>
|
<span>Aired 1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mark Trail</label>
|
<label>Mark Trail</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Planet Man</label>
|
<label>Planet Man</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Ranger Bill</label>
|
<label>Ranger Bill</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>436 episodes</span>
|
<span>218 episodes</span>
|
||||||
<span>Aired 1950-1962</span>
|
<span>Aired 1950-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Tales of the Diamond K</label>
|
<label>Tales of the Diamond K</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>76 episodes</span>
|
<span>38 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Abbott and Costello</label>
|
<label>Abbott and Costello</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>308 episodes</span>
|
<span>154 episodes</span>
|
||||||
<span>Aired 1940-1949</span>
|
<span>Aired 1940-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Aldrich Family</label>
|
<label>The Aldrich Family</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>174 episodes</span>
|
<span>87 episodes</span>
|
||||||
<span>Aired 1939-1953</span>
|
<span>Aired 1939-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>All Star Western Theatre</label>
|
<label>All Star Western Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>184 episodes</span>
|
<span>92 episodes</span>
|
||||||
<span>Aired 1946-1948</span>
|
<span>Aired 1946-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Amos 'n' Andy</label>
|
<label>Amos 'n' Andy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>258 episodes</span>
|
<span>129 episodes</span>
|
||||||
<span>Aired 1929-1947</span>
|
<span>Aired 1929-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Beulah</label>
|
<label>Beulah</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>48 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1945-1954</span>
|
<span>Aired 1945-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Big Show</label>
|
<label>The Big Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>90 episodes</span>
|
<span>30 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Blondie</label>
|
<label>Blondie</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>74 episodes</span>
|
<span>37 episodes</span>
|
||||||
<span>Aired 1939-1952</span>
|
<span>Aired 1939-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bob and Ray</label>
|
<label>Bob and Ray</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>540 episodes</span>
|
<span>270 episodes</span>
|
||||||
<span>Aired 1948-1959</span>
|
<span>Aired 1948-1959</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Burns and Allen Show</label>
|
<label>The Burns and Allen Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>376 episodes</span>
|
<span>188 episodes</span>
|
||||||
<span>Aired 1936-1950</span>
|
<span>Aired 1936-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Club Car Special</label>
|
<label>Club Car Special</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>20 episodes</span>
|
<span>10 episodes</span>
|
||||||
<span>Aired 1934</span>
|
<span>Aired 1934</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Comic Weekly Man</label>
|
<label>Comic Weekly Man</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>240 episodes</span>
|
<span>120 episodes</span>
|
||||||
<span>Aired 1950-1953</span>
|
<span>Aired 1950-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Command Performance</label>
|
<label>Command Performance</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>464 episodes</span>
|
<span>232 episodes</span>
|
||||||
<span>Aired 1942-1949</span>
|
<span>Aired 1942-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Danny Kaye Show</label>
|
<label>The Danny Kaye Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>57 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1945-1946</span>
|
<span>Aired 1945-1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>A Date with Judy</label>
|
<label>A Date with Judy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>26 episodes</span>
|
<span>13 episodes</span>
|
||||||
<span>Aired 1941-1949</span>
|
<span>Aired 1941-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Duffy's Tavern</label>
|
<label>Duffy's Tavern</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>230 episodes</span>
|
<span>115 episodes</span>
|
||||||
<span>Aired 1940-1951</span>
|
<span>Aired 1940-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>An Evening With Groucho</label>
|
<label>An Evening With Groucho</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>114 episodes</span>
|
<span>38 episodes</span>
|
||||||
<span>Aired 1972</span>
|
<span>Aired 1972</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -438,7 +438,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Father Knows Best</label>
|
<label>Father Knows Best</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>220 episodes</span>
|
<span>110 episodes</span>
|
||||||
<span>Aired 1948-1954</span>
|
<span>Aired 1948-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Fibber McGee and Molly</label>
|
<label>Fibber McGee and Molly</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1230 episodes</span>
|
<span>615 episodes</span>
|
||||||
<span>Aired 1940-1954</span>
|
<span>Aired 1940-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -478,7 +478,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>First Nighter</label>
|
<label>First Nighter</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>62 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1939-1953</span>
|
<span>Aired 1939-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -498,7 +498,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Fred Allen Show</label>
|
<label>The Fred Allen Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>116 episodes</span>
|
<span>58 episodes</span>
|
||||||
<span>Aired 1945-1949</span>
|
<span>Aired 1945-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -538,7 +538,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Great Gildersleeve</label>
|
<label>The Great Gildersleeve</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1560 episodes</span>
|
<span>520 episodes</span>
|
||||||
<span>Aired 1941-1957</span>
|
<span>Aired 1941-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -558,7 +558,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Halls of Ivy</label>
|
<label>Halls of Ivy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>267 episodes</span>
|
<span>89 episodes</span>
|
||||||
<span>Aired 1949-1952</span>
|
<span>Aired 1949-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -578,7 +578,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Harold Peary Show</label>
|
<label>The Harold Peary Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>111 episodes</span>
|
<span>37 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -598,7 +598,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Jack Benny Program</label>
|
<label>The Jack Benny Program</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1761 episodes</span>
|
<span>587 episodes</span>
|
||||||
<span>Aired 1932-1957</span>
|
<span>Aired 1932-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -618,7 +618,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Life of Riley</label>
|
<label>The Life of Riley</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>378 episodes</span>
|
<span>189 episodes</span>
|
||||||
<span>Aired 1944-1951</span>
|
<span>Aired 1944-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -638,7 +638,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Life with Luigi</label>
|
<label>Life with Luigi</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>405 episodes</span>
|
<span>135 episodes</span>
|
||||||
<span>Aired 1948-1952</span>
|
<span>Aired 1948-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -678,7 +678,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mama Bloom's Brood</label>
|
<label>Mama Bloom's Brood</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1934</span>
|
<span>Aired 1934</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -698,7 +698,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Martin and Lewis Show</label>
|
<label>The Martin and Lewis Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1949-1953</span>
|
<span>Aired 1949-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -718,7 +718,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Meet Corliss Archer</label>
|
<label>Meet Corliss Archer</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>20 episodes</span>
|
<span>10 episodes</span>
|
||||||
<span>Aired 1946-1956</span>
|
<span>Aired 1946-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -738,7 +738,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Mel Blanc Show</label>
|
<label>The Mel Blanc Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>126 episodes</span>
|
<span>42 episodes</span>
|
||||||
<span>Aired 1946-1947</span>
|
<span>Aired 1946-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -758,7 +758,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>My Favorite Husband</label>
|
<label>My Favorite Husband</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>216 episodes</span>
|
<span>108 episodes</span>
|
||||||
<span>Aired 1948-1951</span>
|
<span>Aired 1948-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -778,7 +778,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>My Friend Irma</label>
|
<label>My Friend Irma</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>147 episodes</span>
|
<span>49 episodes</span>
|
||||||
<span>Aired 1947-1954</span>
|
<span>Aired 1947-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -798,7 +798,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Old Gold Comedy Theater</label>
|
<label>Old Gold Comedy Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>60 episodes</span>
|
<span>30 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -818,7 +818,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Our Miss Brooks</label>
|
<label>Our Miss Brooks</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>525 episodes</span>
|
<span>175 episodes</span>
|
||||||
<span>Aired 1948-1956</span>
|
<span>Aired 1948-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -838,7 +838,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>People are Funny</label>
|
<label>People are Funny</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>50 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1950-1958</span>
|
<span>Aired 1950-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -858,7 +858,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Phil Harris-Alice Faye Show</label>
|
<label>The Phil Harris-Alice Faye Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>723 episodes</span>
|
<span>241 episodes</span>
|
||||||
<span>Aired 1946-1954</span>
|
<span>Aired 1946-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -878,7 +878,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Red Skelton Show</label>
|
<label>The Red Skelton Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>244 episodes</span>
|
<span>122 episodes</span>
|
||||||
<span>Aired 1946-1952</span>
|
<span>Aired 1946-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -898,7 +898,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Vic and Sade</label>
|
<label>Vic and Sade</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>652 episodes</span>
|
<span>326 episodes</span>
|
||||||
<span>Aired 1937-1972</span>
|
<span>Aired 1937-1972</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -918,7 +918,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>You Bet Your Life</label>
|
<label>You Bet Your Life</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>320 episodes</span>
|
<span>160 episodes</span>
|
||||||
<span>Aired 1947-1958</span>
|
<span>Aired 1947-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>21st Precinct</label>
|
<label>21st Precinct</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>300 episodes</span>
|
<span>100 episodes</span>
|
||||||
<span>Aired 1953-1956</span>
|
<span>Aired 1953-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Big Story</label>
|
<label>The Big Story</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>114 episodes</span>
|
<span>38 episodes</span>
|
||||||
<span>Aired 1947-1954</span>
|
<span>Aired 1947-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Black Museum</label>
|
<label>The Black Museum</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>153 episodes</span>
|
<span>51 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Calling All Cars</label>
|
<label>Calling All Cars</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>888 episodes</span>
|
<span>296 episodes</span>
|
||||||
<span>Aired 1933-1939</span>
|
<span>Aired 1933-1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Case Dismissed</label>
|
<label>Case Dismissed</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1954</span>
|
<span>Aired 1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Challenge of the Yukon</label>
|
<label>Challenge of the Yukon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1887 episodes</span>
|
<span>629 episodes</span>
|
||||||
<span>Aired 1943-1955</span>
|
<span>Aired 1943-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Crime Classics</label>
|
<label>Crime Classics</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>50 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dragnet</label>
|
<label>Dragnet</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>930 episodes</span>
|
<span>310 episodes</span>
|
||||||
<span>Aired 1949-1956</span>
|
<span>Aired 1949-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The FBI in Peace and War</label>
|
<label>The FBI in Peace and War</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>46 episodes</span>
|
<span>23 episodes</span>
|
||||||
<span>Aired 1950-1957</span>
|
<span>Aired 1950-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Gang Busters</label>
|
<label>Gang Busters</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>180 episodes</span>
|
<span>90 episodes</span>
|
||||||
<span>Aired 1940-1958</span>
|
<span>Aired 1940-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>In the Name of the Law</label>
|
<label>In the Name of the Law</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1936</span>
|
<span>Aired 1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Line-Up</label>
|
<label>The Line-Up</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>158 episodes</span>
|
<span>79 episodes</span>
|
||||||
<span>Aired 1950-1953</span>
|
<span>Aired 1950-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Lives of Harry Lime</label>
|
<label>The Lives of Harry Lime</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>104 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1951-1952</span>
|
<span>Aired 1951-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mr. District Attorney</label>
|
<label>Mr. District Attorney</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>243 episodes</span>
|
<span>81 episodes</span>
|
||||||
<span>Aired 1939-1953</span>
|
<span>Aired 1939-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Murder by Experts</label>
|
<label>Murder by Experts</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>30 episodes</span>
|
<span>15 episodes</span>
|
||||||
<span>Aired 1949-1950</span>
|
<span>Aired 1949-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Perry Mason</label>
|
<label>Perry Mason</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>502 episodes</span>
|
<span>251 episodes</span>
|
||||||
<span>Aired 1944-1954</span>
|
<span>Aired 1944-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Police Headquarters</label>
|
<label>Police Headquarters</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>74 episodes</span>
|
<span>37 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Police Reporter</label>
|
<label>Police Reporter</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Secrets of Scotland Yard</label>
|
<label>Secrets of Scotland Yard</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>114 episodes</span>
|
<span>57 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -438,7 +438,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Stand By for Crime</label>
|
<label>Stand By for Crime</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1953</span>
|
<span>Aired 1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>This is Your FBI</label>
|
<label>This is Your FBI</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1068 episodes</span>
|
<span>356 episodes</span>
|
||||||
<span>Aired 1945-1953</span>
|
<span>Aired 1945-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -478,7 +478,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Whitehall 1212</label>
|
<label>Whitehall 1212</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>129 episodes</span>
|
<span>43 episodes</span>
|
||||||
<span>Aired 1951-1952</span>
|
<span>Aired 1951-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Adventures of Frank Race</label>
|
<label>The Adventures of Frank Race</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>129 episodes</span>
|
<span>43 episodes</span>
|
||||||
<span>Aired 1949</span>
|
<span>Aired 1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures of Philip Marlowe</label>
|
<label>Adventures of Philip Marlowe</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>309 episodes</span>
|
<span>103 episodes</span>
|
||||||
<span>Aired 1947-1951</span>
|
<span>Aired 1947-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Adventures of Sam Spade</label>
|
<label>The Adventures of Sam Spade</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>237 episodes</span>
|
<span>79 episodes</span>
|
||||||
<span>Aired 1946-1951</span>
|
<span>Aired 1946-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Barrie Craig, Confidential Investigator</label>
|
<label>Barrie Craig, Confidential Investigator</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>177 episodes</span>
|
<span>59 episodes</span>
|
||||||
<span>Aired 1951-1955</span>
|
<span>Aired 1951-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Blair of the Mounties</label>
|
<label>Blair of the Mounties</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>33 episodes</span>
|
||||||
<span>Aired 1938</span>
|
<span>Aired 1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Boston Blackie</label>
|
<label>Boston Blackie</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>591 episodes</span>
|
<span>197 episodes</span>
|
||||||
<span>Aired 1944-1949</span>
|
<span>Aired 1944-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Box 13</label>
|
<label>Box 13</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1948-1949</span>
|
<span>Aired 1948-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Broadway is My Beat</label>
|
<label>Broadway is My Beat</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>507 episodes</span>
|
<span>169 episodes</span>
|
||||||
<span>Aired 1949-1954</span>
|
<span>Aired 1949-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bulldog Drummond</label>
|
<label>Bulldog Drummond</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>38 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1941-1948</span>
|
<span>Aired 1941-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Candy Matson, YUkon 2-8209</label>
|
<label>Candy Matson, YUkon 2-8209</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>28 episodes</span>
|
<span>14 episodes</span>
|
||||||
<span>Aired 1949-1952</span>
|
<span>Aired 1949-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Casey, Crime Photographer</label>
|
<label>Casey, Crime Photographer</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>231 episodes</span>
|
<span>77 episodes</span>
|
||||||
<span>Aired 1943-1954</span>
|
<span>Aired 1943-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Charlie Chan</label>
|
<label>Charlie Chan</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>104 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1936-1949</span>
|
<span>Aired 1936-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Crime and Peter Chambers</label>
|
<label>Crime and Peter Chambers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>63 episodes</span>
|
<span>21 episodes</span>
|
||||||
<span>Aired 1954</span>
|
<span>Aired 1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Danger, Dr. Danfield</label>
|
<label>Danger, Dr. Danfield</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1946-1947</span>
|
<span>Aired 1946-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Falcon</label>
|
<label>The Falcon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>288 episodes</span>
|
<span>96 episodes</span>
|
||||||
<span>Aired 1945-1952</span>
|
<span>Aired 1945-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Jeff Regan, Investigator</label>
|
<label>Jeff Regan, Investigator</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1948-1950</span>
|
<span>Aired 1948-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Let George Do It</label>
|
<label>Let George Do It</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>600 episodes</span>
|
<span>200 episodes</span>
|
||||||
<span>Aired 1946-1954</span>
|
<span>Aired 1946-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Michael Shayne</label>
|
<label>Michael Shayne</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>68 episodes</span>
|
<span>34 episodes</span>
|
||||||
<span>Aired 1946-1953</span>
|
<span>Aired 1946-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -438,7 +438,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mr. and Mrs. North</label>
|
<label>Mr. and Mrs. North</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>222 episodes</span>
|
<span>74 episodes</span>
|
||||||
<span>Aired 1941-1955</span>
|
<span>Aired 1941-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mr. Keen, Tracer of Lost Persons</label>
|
<label>Mr. Keen, Tracer of Lost Persons</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>165 episodes</span>
|
<span>55 episodes</span>
|
||||||
<span>Aired 1940-1955</span>
|
<span>Aired 1940-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -478,7 +478,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mr. Moto</label>
|
<label>Mr. Moto</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>28 episodes</span>
|
<span>14 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -538,7 +538,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The New Adventures of Nero Wolfe</label>
|
<label>The New Adventures of Nero Wolfe</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>75 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -558,7 +558,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Nick Carter, Master Detective</label>
|
<label>Nick Carter, Master Detective</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>450 episodes</span>
|
<span>150 episodes</span>
|
||||||
<span>Aired 1943-1954</span>
|
<span>Aired 1943-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -578,7 +578,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Night Beat</label>
|
<label>Night Beat</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>75 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -598,7 +598,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Pat Novak, for Hire</label>
|
<label>Pat Novak, for Hire</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>72 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1946-1949</span>
|
<span>Aired 1946-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -618,7 +618,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Philo Vance</label>
|
<label>Philo Vance</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>285 episodes</span>
|
<span>95 episodes</span>
|
||||||
<span>Aired 1943-1950</span>
|
<span>Aired 1943-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -638,7 +638,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Richard Diamond, Private Detective</label>
|
<label>Richard Diamond, Private Detective</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>309 episodes</span>
|
<span>103 episodes</span>
|
||||||
<span>Aired 1949-1953</span>
|
<span>Aired 1949-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -658,7 +658,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Rocky Fortune</label>
|
<label>Rocky Fortune</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>75 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -678,7 +678,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Rocky Jordan</label>
|
<label>Rocky Jordan</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>188 episodes</span>
|
<span>94 episodes</span>
|
||||||
<span>Aired 1945-1951</span>
|
<span>Aired 1945-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -698,7 +698,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Rogue's Gallery</label>
|
<label>Rogue's Gallery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>69 episodes</span>
|
<span>23 episodes</span>
|
||||||
<span>Aired 1945-1947</span>
|
<span>Aired 1945-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -718,7 +718,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Saint</label>
|
<label>The Saint</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>136 episodes</span>
|
<span>68 episodes</span>
|
||||||
<span>Aired 1944-1951</span>
|
<span>Aired 1944-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -738,7 +738,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Sherlock Holmes</label>
|
<label>Sherlock Holmes</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>240 episodes</span>
|
<span>120 episodes</span>
|
||||||
<span>Aired 1931-1969</span>
|
<span>Aired 1931-1969</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -758,7 +758,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Yours Truly, Johnny Dollar</label>
|
<label>Yours Truly, Johnny Dollar</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2145 episodes</span>
|
<span>715 episodes</span>
|
||||||
<span>Aired 1949-1962</span>
|
<span>Aired 1949-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Behind the Mike</label>
|
<label>Behind the Mike</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>96 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1940-1941</span>
|
<span>Aired 1940-1941</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Can You Imagine That</label>
|
<label>Can You Imagine That</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1940</span>
|
<span>Aired 1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -68,15 +68,15 @@
|
||||||
hx-target='main'
|
hx-target='main'
|
||||||
hx-push-url='/series/complete-broadcast-day-d-day'
|
hx-push-url='/series/complete-broadcast-day-d-day'
|
||||||
hx-swap='innerHTML show:top'
|
hx-swap='innerHTML show:top'
|
||||||
data-filter='cbs complete broadcast day (1944)'
|
data-filter='complete broadcast day - d-day'
|
||||||
title='CBS Complete Broadcast Day (1944)'>
|
title='Complete Broadcast Day - D-Day'>
|
||||||
<img alt='cover image' title='CBS Complete Broadcast Day (1944)'
|
<img alt='cover image' title='Complete Broadcast Day - D-Day'
|
||||||
src='/cover/sm/complete-broadcast-day-d-day.jpg'>
|
src='/cover/sm/complete-broadcast-day-d-day.jpg'>
|
||||||
<div>
|
<div>
|
||||||
<ul>
|
<ul>
|
||||||
<li>Documentary</li>
|
<li>Documentary</li>
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Complete Broadcast Day (1944)</label>
|
<label>Complete Broadcast Day - D-Day</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Incredible, But True</label>
|
<label>Incredible, But True</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>160 episodes</span>
|
<span>80 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>One World Flight</label>
|
<label>One World Flight</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1947</span>
|
<span>Aired 1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Pacific Story</label>
|
<label>The Pacific Story</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>340 episodes</span>
|
<span>170 episodes</span>
|
||||||
<span>Aired 1943-1947</span>
|
<span>Aired 1943-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Recollections at 30</label>
|
<label>Recollections at 30</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>82 episodes</span>
|
<span>41 episodes</span>
|
||||||
<span>Aired 1956-1957</span>
|
<span>Aired 1956-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Ripley's Believe It Or Not</label>
|
<label>Ripley's Believe It Or Not</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>33 episodes</span>
|
||||||
<span>Aired 1935-1947</span>
|
<span>Aired 1935-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Ripley's One Minute Shorts</label>
|
<label>Ripley's One Minute Shorts</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>832 episodes</span>
|
<span>416 episodes</span>
|
||||||
<span>Aired 10000-0</span>
|
<span>Aired 10000-0</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Sound of War</label>
|
<label>The Sound of War</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>36 episodes</span>
|
<span>18 episodes</span>
|
||||||
<span>Aired 1960</span>
|
<span>Aired 1960</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Strange as it Seems</label>
|
<label>Strange as it Seems</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>189 episodes</span>
|
<span>63 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>We Came This Way</label>
|
<label>We Came This Way</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>58 episodes</span>
|
<span>29 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>WJSV Complete Broadcast Day</label>
|
<label>WJSV Complete Broadcast Day</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>165 episodes</span>
|
<span>55 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>You Are There</label>
|
<label>You Are There</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>132 episodes</span>
|
<span>66 episodes</span>
|
||||||
<span>Aired 1947-1950</span>
|
<span>Aired 1947-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>You Can't Do Business With Hitler</label>
|
<label>You Can't Do Business With Hitler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1942</span>
|
<span>Aired 1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Academy Award Theater</label>
|
<label>Academy Award Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>117 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1946</span>
|
<span>Aired 1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bright Star</label>
|
<label>Bright Star</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>93 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1952</span>
|
<span>Aired 1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Can You Imagine That</label>
|
<label>Can You Imagine That</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1940</span>
|
<span>Aired 1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Radio Workshop</label>
|
<label>CBS Radio Workshop</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>258 episodes</span>
|
<span>86 episodes</span>
|
||||||
<span>Aired 1956-1957</span>
|
<span>Aired 1956-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Claudia</label>
|
<label>Claudia</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1164 episodes</span>
|
<span>388 episodes</span>
|
||||||
<span>Aired 1947-1949</span>
|
<span>Aired 1947-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Damon Runyon Theatre</label>
|
<label>The Damon Runyon Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1945</span>
|
<span>Aired 1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Democracy in America</label>
|
<label>Democracy in America</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>32 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1962</span>
|
<span>Aired 1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Down Our Way</label>
|
<label>Down Our Way</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1930</span>
|
<span>Aired 1930</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dr. Kildare</label>
|
<label>Dr. Kildare</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>180 episodes</span>
|
<span>60 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Encore Theater</label>
|
<label>Encore Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>26 episodes</span>
|
<span>13 episodes</span>
|
||||||
<span>Aired 1946</span>
|
<span>Aired 1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Family Doctor</label>
|
<label>Family Doctor</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>First Nighter</label>
|
<label>First Nighter</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>62 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1939-1953</span>
|
<span>Aired 1939-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Grantland Rice Story</label>
|
<label>The Grantland Rice Story</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>104 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1955</span>
|
<span>Aired 1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Great Scenes from Great Plays</label>
|
<label>Great Scenes from Great Plays</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>42 episodes</span>
|
<span>21 episodes</span>
|
||||||
<span>Aired 1948-1949</span>
|
<span>Aired 1948-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Hello Americans</label>
|
<label>Hello Americans</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1942-1943</span>
|
<span>Aired 1942-1943</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Incredible, But True</label>
|
<label>Incredible, But True</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>160 episodes</span>
|
<span>80 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Love Story Magazine</label>
|
<label>Love Story Magazine</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1937</span>
|
<span>Aired 1937</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Lux Radio Theatre</label>
|
<label>Lux Radio Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1557 episodes</span>
|
<span>519 episodes</span>
|
||||||
<span>Aired 1935-1953</span>
|
<span>Aired 1935-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mama Bloom's Brood</label>
|
<label>Mama Bloom's Brood</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1934</span>
|
<span>Aired 1934</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Marriage</label>
|
<label>The Marriage</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>72 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1952-1954</span>
|
<span>Aired 1952-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Matinee Theater</label>
|
<label>Matinee Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>22 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -438,7 +438,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mercury Theatre</label>
|
<label>Mercury Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>84 episodes</span>
|
<span>42 episodes</span>
|
||||||
<span>Aired 1938-1946</span>
|
<span>Aired 1938-1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Mysterious Traveler</label>
|
<label>The Mysterious Traveler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>210 episodes</span>
|
<span>70 episodes</span>
|
||||||
<span>Aired 1944-1952</span>
|
<span>Aired 1944-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -478,7 +478,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>On Stage</label>
|
<label>On Stage</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>123 episodes</span>
|
<span>41 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -518,7 +518,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Proudly We Hail</label>
|
<label>Proudly We Hail</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>954 episodes</span>
|
<span>477 episodes</span>
|
||||||
<span>Aired 1946-1957</span>
|
<span>Aired 1946-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -538,7 +538,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Redbook Dramas</label>
|
<label>Redbook Dramas</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>38 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -558,7 +558,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Romance</label>
|
<label>Romance</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>414 episodes</span>
|
<span>207 episodes</span>
|
||||||
<span>Aired 1943-1957</span>
|
<span>Aired 1943-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -598,7 +598,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Screen Directors' Playhouse</label>
|
<label>Screen Directors' Playhouse</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>357 episodes</span>
|
<span>119 episodes</span>
|
||||||
<span>Aired 1949-1951</span>
|
<span>Aired 1949-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -618,7 +618,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Sears Radio Theater</label>
|
<label>Sears Radio Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>258 episodes</span>
|
<span>129 episodes</span>
|
||||||
<span>Aired 1979</span>
|
<span>Aired 1979</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -658,7 +658,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Soldiers of the Press</label>
|
<label>Soldiers of the Press</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>80 episodes</span>
|
<span>40 episodes</span>
|
||||||
<span>Aired 1942-1945</span>
|
<span>Aired 1942-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -678,7 +678,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Stand By for Crime</label>
|
<label>Stand By for Crime</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1953</span>
|
<span>Aired 1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -698,7 +698,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Strange as it Seems</label>
|
<label>Strange as it Seems</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>189 episodes</span>
|
<span>63 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -718,7 +718,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Strange Dr. Weird</label>
|
<label>The Strange Dr. Weird</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>87 episodes</span>
|
<span>29 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -738,7 +738,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Strange Wills</label>
|
<label>Strange Wills</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>54 episodes</span>
|
<span>27 episodes</span>
|
||||||
<span>Aired 1946</span>
|
<span>Aired 1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -758,7 +758,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Suspense</label>
|
<label>Suspense</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2715 episodes</span>
|
<span>905 episodes</span>
|
||||||
<span>Aired 1940-1962</span>
|
<span>Aired 1940-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -778,7 +778,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Tenth Man</label>
|
<label>The Tenth Man</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>26 episodes</span>
|
<span>13 episodes</span>
|
||||||
<span>Aired 1947-1948</span>
|
<span>Aired 1947-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -798,7 +798,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Theater Five</label>
|
<label>Theater Five</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>512 episodes</span>
|
<span>256 episodes</span>
|
||||||
<span>Aired 1964-1965</span>
|
<span>Aired 1964-1965</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -818,7 +818,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Theatre Royal</label>
|
<label>Theatre Royal</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>90 episodes</span>
|
<span>45 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -838,7 +838,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>We Came This Way</label>
|
<label>We Came This Way</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>58 episodes</span>
|
<span>29 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -858,7 +858,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Whistler</label>
|
<label>The Whistler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1503 episodes</span>
|
<span>501 episodes</span>
|
||||||
<span>Aired 1942-1955</span>
|
<span>Aired 1942-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -878,7 +878,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Words at War</label>
|
<label>Words at War</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>178 episodes</span>
|
<span>89 episodes</span>
|
||||||
<span>Aired 1943-1945</span>
|
<span>Aired 1943-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -898,7 +898,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>You Are There</label>
|
<label>You Are There</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>132 episodes</span>
|
<span>66 episodes</span>
|
||||||
<span>Aired 1947-1950</span>
|
<span>Aired 1947-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dr. IQ</label>
|
<label>Dr. IQ</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6 episodes</span>
|
<span>3 episodes</span>
|
||||||
<span>Aired 1939-1942</span>
|
<span>Aired 1939-1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>People are Funny</label>
|
<label>People are Funny</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>50 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1950-1958</span>
|
<span>Aired 1950-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Quiz Kids</label>
|
<label>Quiz Kids</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1941-1951</span>
|
<span>Aired 1941-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Truth or Consequences</label>
|
<label>Truth or Consequences</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>32 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1945-1952</span>
|
<span>Aired 1945-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Vox Pop</label>
|
<label>Vox Pop</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>64 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1939-1948</span>
|
<span>Aired 1939-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>You Bet Your Life</label>
|
<label>You Bet Your Life</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>320 episodes</span>
|
<span>160 episodes</span>
|
||||||
<span>Aired 1947-1958</span>
|
<span>Aired 1947-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Arch Oboler's Plays</label>
|
<label>Arch Oboler's Plays</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>112 episodes</span>
|
<span>56 episodes</span>
|
||||||
<span>Aired 1939-1964</span>
|
<span>Aired 1939-1964</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dark Fantasy</label>
|
<label>Dark Fantasy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>81 episodes</span>
|
<span>27 episodes</span>
|
||||||
<span>Aired 1941-1942</span>
|
<span>Aired 1941-1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Devil and Mr. O</label>
|
<label>The Devil and Mr. O</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1971-1972</span>
|
<span>Aired 1971-1972</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Hermit's Cave</label>
|
<label>The Hermit's Cave</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>42 episodes</span>
|
<span>21 episodes</span>
|
||||||
<span>Aired 1940</span>
|
<span>Aired 1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>I Love a Mystery</label>
|
<label>I Love a Mystery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>334 episodes</span>
|
<span>167 episodes</span>
|
||||||
<span>Aired 1939-1952</span>
|
<span>Aired 1939-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Inner Sanctum Mysteries</label>
|
<label>Inner Sanctum Mysteries</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>429 episodes</span>
|
<span>143 episodes</span>
|
||||||
<span>Aired 1941-1952</span>
|
<span>Aired 1941-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Lights Out</label>
|
<label>Lights Out</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>172 episodes</span>
|
<span>86 episodes</span>
|
||||||
<span>Aired 1936-1947</span>
|
<span>Aired 1936-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Murder at Midnight</label>
|
<label>Murder at Midnight</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>93 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1946-1950</span>
|
<span>Aired 1946-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Mysterious Traveler</label>
|
<label>The Mysterious Traveler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>210 episodes</span>
|
<span>70 episodes</span>
|
||||||
<span>Aired 1944-1952</span>
|
<span>Aired 1944-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Obsession</label>
|
<label>Obsession</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>60 episodes</span>
|
<span>30 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Quiet, Please</label>
|
<label>Quiet, Please</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>182 episodes</span>
|
<span>91 episodes</span>
|
||||||
<span>Aired 1947-1949</span>
|
<span>Aired 1947-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Sealed Book</label>
|
<label>The Sealed Book</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1945</span>
|
<span>Aired 1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Strange Dr. Weird</label>
|
<label>The Strange Dr. Weird</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>87 episodes</span>
|
<span>29 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Suspense</label>
|
<label>Suspense</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2715 episodes</span>
|
<span>905 episodes</span>
|
||||||
<span>Aired 1940-1962</span>
|
<span>Aired 1940-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Weird Circle</label>
|
<label>The Weird Circle</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>234 episodes</span>
|
<span>78 episodes</span>
|
||||||
<span>Aired 1945</span>
|
<span>Aired 1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Whistler</label>
|
<label>The Whistler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1503 episodes</span>
|
<span>501 episodes</span>
|
||||||
<span>Aired 1942-1955</span>
|
<span>Aired 1942-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Aladdin Lamp</label>
|
<label>Aladdin Lamp</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>72 episodes</span>
|
<span>36 episodes</span>
|
||||||
<span>Aired 1948</span>
|
<span>Aired 1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Alka Seltzer Time</label>
|
<label>Alka Seltzer Time</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>57 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1953</span>
|
<span>Aired 1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>All Star Western Theatre</label>
|
<label>All Star Western Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>184 episodes</span>
|
<span>92 episodes</span>
|
||||||
<span>Aired 1946-1948</span>
|
<span>Aired 1946-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Bing Crosby - Rosemary Clooney Show</label>
|
<label>The Bing Crosby - Rosemary Clooney Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>666 episodes</span>
|
<span>222 episodes</span>
|
||||||
<span>Aired 1960-1962</span>
|
<span>Aired 1960-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Command Performance</label>
|
<label>Command Performance</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>464 episodes</span>
|
<span>232 episodes</span>
|
||||||
<span>Aired 1942-1949</span>
|
<span>Aired 1942-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Delmore Brothers</label>
|
<label>Delmore Brothers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>135 episodes</span>
|
<span>45 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Hillbilly Boys</label>
|
<label>The Hillbilly Boys</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>90 episodes</span>
|
<span>45 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Light Crust Doughboys</label>
|
<label>Light Crust Doughboys</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1936-1949</span>
|
<span>Aired 1936-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Melody Ranch</label>
|
<label>Melody Ranch</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>75 episodes</span>
|
||||||
<span>Aired 1937</span>
|
<span>Aired 1937</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mother's Best Flour</label>
|
<label>Mother's Best Flour</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>140 episodes</span>
|
<span>70 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Pinto Pete and his Ranch Boys</label>
|
<label>Pinto Pete and his Ranch Boys</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>208 episodes</span>
|
<span>104 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Pinto Pete in Arizona</label>
|
<label>Pinto Pete in Arizona</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>78 episodes</span>
|
||||||
<span>Aired 1933-1936</span>
|
<span>Aired 1933-1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Red Horse Ranch</label>
|
<label>Red Horse Ranch</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>128 episodes</span>
|
<span>64 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Roy Rogers Show</label>
|
<label>The Roy Rogers Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>279 episodes</span>
|
<span>93 episodes</span>
|
||||||
<span>Aired 1945-1955</span>
|
<span>Aired 1945-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Shell Chateau</label>
|
<label>Shell Chateau</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>75 episodes</span>
|
<span>25 episodes</span>
|
||||||
<span>Aired 1935-1937</span>
|
<span>Aired 1935-1937</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures by Morse</label>
|
<label>Adventures by Morse</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>162 episodes</span>
|
<span>54 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Adventures of Ellery Queen</label>
|
<label>The Adventures of Ellery Queen</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>96 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1939-1948</span>
|
<span>Aired 1939-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Air Mail Mystery</label>
|
<label>Air Mail Mystery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Arch Oboler's Plays</label>
|
<label>Arch Oboler's Plays</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>112 episodes</span>
|
<span>56 episodes</span>
|
||||||
<span>Aired 1939-1964</span>
|
<span>Aired 1939-1964</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Black Museum</label>
|
<label>The Black Museum</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>153 episodes</span>
|
<span>51 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Radio Mystery Theater</label>
|
<label>CBS Radio Mystery Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2798 episodes</span>
|
<span>1399 episodes</span>
|
||||||
<span>Aired 1973</span>
|
<span>Aired 1973</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Crime Club</label>
|
<label>The Crime Club</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>93 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1946-1947</span>
|
<span>Aired 1946-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>I Love a Mystery</label>
|
<label>I Love a Mystery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>334 episodes</span>
|
<span>167 episodes</span>
|
||||||
<span>Aired 1939-1952</span>
|
<span>Aired 1939-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Inner Sanctum Mysteries</label>
|
<label>Inner Sanctum Mysteries</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>429 episodes</span>
|
<span>143 episodes</span>
|
||||||
<span>Aired 1941-1952</span>
|
<span>Aired 1941-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Man Called X</label>
|
<label>The Man Called X</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>333 episodes</span>
|
<span>111 episodes</span>
|
||||||
<span>Aired 1944-1952</span>
|
<span>Aired 1944-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Molle Mystery Theatre</label>
|
<label>Molle Mystery Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>213 episodes</span>
|
<span>71 episodes</span>
|
||||||
<span>Aired 1943-1948</span>
|
<span>Aired 1943-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Murder at Midnight</label>
|
<label>Murder at Midnight</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>93 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1946-1950</span>
|
<span>Aired 1946-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Murder by Experts</label>
|
<label>Murder by Experts</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>30 episodes</span>
|
<span>15 episodes</span>
|
||||||
<span>Aired 1949-1950</span>
|
<span>Aired 1949-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Mysterious Traveler</label>
|
<label>The Mysterious Traveler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>210 episodes</span>
|
<span>70 episodes</span>
|
||||||
<span>Aired 1944-1952</span>
|
<span>Aired 1944-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Mystery House</label>
|
<label>Mystery House</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>96 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1945-1946</span>
|
<span>Aired 1945-1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -458,7 +458,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Secret Agent K-7 Returns</label>
|
<label>Secret Agent K-7 Returns</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>132 episodes</span>
|
<span>66 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -498,7 +498,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Strange Dr. Weird</label>
|
<label>The Strange Dr. Weird</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>87 episodes</span>
|
<span>29 episodes</span>
|
||||||
<span>Aired 1944-1945</span>
|
<span>Aired 1944-1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -518,7 +518,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Suspense</label>
|
<label>Suspense</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2715 episodes</span>
|
<span>905 episodes</span>
|
||||||
<span>Aired 1940-1962</span>
|
<span>Aired 1940-1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -538,7 +538,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Whistler</label>
|
<label>The Whistler</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1503 episodes</span>
|
<span>501 episodes</span>
|
||||||
<span>Aired 1942-1955</span>
|
<span>Aired 1942-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>2000 Plus</label>
|
<label>2000 Plus</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>48 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Buck Rogers</label>
|
<label>Buck Rogers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dimension X</label>
|
<label>Dimension X</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>50 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Exploring Tomorrow</label>
|
<label>Exploring Tomorrow</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>44 episodes</span>
|
<span>22 episodes</span>
|
||||||
<span>Aired 1957-1958</span>
|
<span>Aired 1957-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Flash Gordon</label>
|
<label>Flash Gordon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Magic Island</label>
|
<label>Magic Island</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>390 episodes</span>
|
<span>130 episodes</span>
|
||||||
<span>Aired 1936</span>
|
<span>Aired 1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Planet Man</label>
|
<label>Planet Man</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>152 episodes</span>
|
<span>76 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Space Patrol</label>
|
<label>Space Patrol</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>342 episodes</span>
|
<span>114 episodes</span>
|
||||||
<span>Aired 1952-1955</span>
|
<span>Aired 1952-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Superman</label>
|
<label>Superman</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2340 episodes</span>
|
<span>1170 episodes</span>
|
||||||
<span>Aired 1940-1950</span>
|
<span>Aired 1940-1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>X Minus One</label>
|
<label>X Minus One</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>366 episodes</span>
|
<span>122 episodes</span>
|
||||||
<span>Aired 1955-1958</span>
|
<span>Aired 1955-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -18,7 +18,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures of Champion</label>
|
<label>Adventures of Champion</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6 episodes</span>
|
<span>3 episodes</span>
|
||||||
<span>Aired 1949</span>
|
<span>Aired 1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -38,7 +38,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>All Star Western Theatre</label>
|
<label>All Star Western Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>184 episodes</span>
|
<span>92 episodes</span>
|
||||||
<span>Aired 1946-1948</span>
|
<span>Aired 1946-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -58,7 +58,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Fort Laramie</label>
|
<label>Fort Laramie</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>120 episodes</span>
|
<span>40 episodes</span>
|
||||||
<span>Aired 1956</span>
|
<span>Aired 1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -78,7 +78,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Frontier Fighters</label>
|
<label>Frontier Fighters</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Frontier Town</label>
|
<label>Frontier Town</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>141 episodes</span>
|
<span>47 episodes</span>
|
||||||
<span>Aired 1949</span>
|
<span>Aired 1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -118,7 +118,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Gunsmoke</label>
|
<label>Gunsmoke</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1425 episodes</span>
|
<span>475 episodes</span>
|
||||||
<span>Aired 1952-1961</span>
|
<span>Aired 1952-1961</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -138,7 +138,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Have Gun - Will Travel</label>
|
<label>Have Gun - Will Travel</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>212 episodes</span>
|
<span>106 episodes</span>
|
||||||
<span>Aired 1958-1960</span>
|
<span>Aired 1958-1960</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -158,7 +158,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Hopalong Cassidy</label>
|
<label>Hopalong Cassidy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>208 episodes</span>
|
<span>104 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -178,7 +178,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Lightning Jim</label>
|
<label>Lightning Jim</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>82 episodes</span>
|
<span>41 episodes</span>
|
||||||
<span>Aired 1945</span>
|
<span>Aired 1945</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -198,7 +198,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Lone Ranger</label>
|
<label>The Lone Ranger</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6873 episodes</span>
|
<span>2291 episodes</span>
|
||||||
<span>Aired 1937-1956</span>
|
<span>Aired 1937-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -218,7 +218,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Luke Slaughter of Tombstone</label>
|
<label>Luke Slaughter of Tombstone</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>32 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1958</span>
|
<span>Aired 1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -238,7 +238,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Melody Ranch</label>
|
<label>Melody Ranch</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>75 episodes</span>
|
||||||
<span>Aired 1937</span>
|
<span>Aired 1937</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -258,7 +258,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Pinto Pete and his Ranch Boys</label>
|
<label>Pinto Pete and his Ranch Boys</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>208 episodes</span>
|
<span>104 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -278,7 +278,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Pinto Pete in Arizona</label>
|
<label>Pinto Pete in Arizona</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>78 episodes</span>
|
||||||
<span>Aired 1933-1936</span>
|
<span>Aired 1933-1936</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -298,7 +298,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Red Horse Ranch</label>
|
<label>Red Horse Ranch</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>128 episodes</span>
|
<span>64 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -318,7 +318,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Romance of the Ranchos</label>
|
<label>Romance of the Ranchos</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>70 episodes</span>
|
<span>35 episodes</span>
|
||||||
<span>Aired 1941-1942</span>
|
<span>Aired 1941-1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -338,7 +338,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Roy Rogers Show</label>
|
<label>The Roy Rogers Show</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>279 episodes</span>
|
<span>93 episodes</span>
|
||||||
<span>Aired 1945-1955</span>
|
<span>Aired 1945-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -358,7 +358,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Six Shooter</label>
|
<label>The Six Shooter</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>117 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -378,7 +378,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Tales of the Diamond K</label>
|
<label>Tales of the Diamond K</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>76 episodes</span>
|
<span>38 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -398,7 +398,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Tales of the Texas Rangers</label>
|
<label>Tales of the Texas Rangers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>264 episodes</span>
|
<span>88 episodes</span>
|
||||||
<span>Aired 1950-1952</span>
|
<span>Aired 1950-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -418,7 +418,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Wild Bill Hickok</label>
|
<label>Wild Bill Hickok</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>526 episodes</span>
|
<span>263 episodes</span>
|
||||||
<span>Aired 1951-1954</span>
|
<span>Aired 1951-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
|
File diff suppressed because it is too large
Load Diff
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>2000 Plus</label>
|
<label>2000 Plus</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>48 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -161,9 +161,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
2000 Plus was a groundbreaking radio anthology series focused on science fiction for adults, featuring all original stories written by creator Sherman H. Dryer and various staff writers. The series explored what life might be like in "the years beyond 2000 AD," presenting stories of uneven quality that often reflected paranoia about the impact of technological advances. This innovative series is often overshadowed by more well-known shows such as Dimension X, X Minus One, and Exploring Tomorrow, but is worth revisiting for science fiction fans who want to hear original stories not published or adapted elsewhere.</p><p>The show aired from March 15, 1950, to December 26, 1951, on the Mutual Broadcasting Network, predating NBC's Dimension X by about a month. It featured a variety of time slots during its two-year run, moving around the Mutual schedule in 1951 before airing its final episode at the end of the year. Nearly 90 episodes of 2000 Plus were broadcast, but only 16 are known to exist today. The series was directed and produced by its creator, Sherman H. Dryer, and starred radio actors such as Joseph Julian, Bill Keene, Lon Clark, Amzie Strickland, and Bryna Raeburn, among others. The show's dramatic orchestral music was composed by Elliott Jacoby and conducted by Emerson Buckley.
|
2000 Plus, also known as Two Thousand Plus and 2000+, was an American old-time radio series that aired on the Mutual Broadcasting System from March 15, 1950, to January 2, 1952. As the first adult science fiction series on radio, it predated the popular Dimension X series by a month. Created by Sherman H. Dryer and Robert Weenolsen, 2000 Plus was an anthology program that featured all-new material rather than adapting published stories.</p><p>The show explored exciting tales of future technology, with a focus on space exploration and alien invasions. At the same time, it often reflected contemporary anxieties about the dangers of technology. The series featured a talented cast, including Lon Clark, Joseph Julian, Bryna Raeburn, Bill Keene, and Amzie Strickland, with music composed by Elliott Jacoby and conducted by Emerson Buckley. Ken Marvin served as the announcer, and Adrian Penner handled the sound effects.</p><p>Some notable episodes include "The Brooklyn Brain," "The Flying Saucers," "The Robot Killer," "A Veteran Comes Home," and "Men from Mars." In total, 32 episodes are known, with only up to 15 surviving today. The series was praised for its charm and intense music and acting, reflecting the post-WWII atomic and Cold War eras.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Maintained_2000_Plus' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/2000_Plus' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/two-thousand-plus-2000plus' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>21st Precinct</label>
|
<label>21st Precinct</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>300 episodes</span>
|
<span>100 episodes</span>
|
||||||
<span>Aired 1953-1956</span>
|
<span>Aired 1953-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -917,9 +917,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
21st Precinct was a dramatic police radio drama set in New York City focused on the happenings in an actual police precinct. The show aimed to immerse the listener in the drama, following events from the opening phone call to the final report. The primary character was the Captain of the precinct, who also acted as the show's narrator.</p><p>The show aired on the CBS network from July 7th, 1953 through November 1st, 1956. It was presented with the official cooperation of the Patrolmen's Benevolent Association, an organization of more than 20,000 members of the New York City Police Department. Three actors played the role of the Captain: Everett Sloane as Frank Kennelly for the first 109 episodes, James Gregory as Vincent Cronin for episodes 109-144, and Les Damon as Thomas Keough from episode 145 till the end of the series. In total, 92 episodes are in circulation today.
|
21st Precinct, also known as Twenty-First Precinct and Twenty First Precinct, was a police drama radio show that aired on CBS from July 7, 1953, to July 26, 1956. The show was initially a summer replacement for My Friend Irma and was produced in cooperation with the Patrolmen's Benevolent Association of the City of New York. The series presented true criminal stories from a policeman's perspective, even though the 21st Precinct did not exist during the show's run.</p><p>The fictional precinct, however, was closely based on the Upper East Side's 23rd Precinct in Manhattan. Stanley Niss served as the producer, writer, and director, with Everett Sloane, James Gregory, and Les Damon playing the role of Captain Frank Kennelly. Other cast members included Ken Lynch as Lt. Matt King, Harold Stone as Sgt. Waters, and Santos Ortega as Lt. Gorman.</p><p>The show's opening and closing focused on the responsibility of the 21st Precinct officers in providing security for the people living and working within their jurisdiction. The series gained popularity after the success of Dragnet, as audiences were eager to learn about true-to-life police stories. While the events depicted in 21st Precinct were less gritty than in Dragnet, the show's stories highlighted the noble actions of everyday cops facing everyday challenges, making the world a safer place for their communities.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_21st_Precinct_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/21st_Precinct' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/twenty-first-21st-precinct' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -422,9 +422,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
33 Half Moon Street was a popular radio show from South Africa, featuring a private investigation firm called "Assignments Unlimited." The show's Chief Investigator, Aubrey Mason, voiced by Michael Todd, would guarantee the successful completion of all cases, often taking on unconventional and mysterious assignments. The show was known for its intriguing storytelling, suspenseful atmosphere, and character-driven narratives, drawing comparisons to the likes of Sam Spade. The theme music and narration style contributed to the show's engaging and entertaining tone.</p><p>The show aired between 1965 and 1966, with its episodes written by Adrian Steed and Douglas Laws. During its run, 33 Half Moon Street developed a loyal fan base and featured a variety of intriguing and oddball cases. One such example is Parson's Pride, where Mason is asked to retrieve a lost diamond earring from an inaccessible air duct, only to realize he hasn't been given the full truth about the situation. Another standout episode is Green for Danger, where Mason's associate Cannon is assigned to impersonate an injured vendor and handle a marketing cart, ultimately leading to unexpected adventures. While the show only aired for a couple of years, it remains a memorable part of radio history and a testament to the charm and allure of classic detective dramas.
|
33 Half Moon Street is a captivating South African radio show from the post-Golden Age that follows the thrilling cases of detective agency Assignments Unlimited, based at 33 Half Moon Street. The agency is led by Chief Investigator Aubrey Mason, played by the talented Michael Todd, and specializes in solving uncommon cases while guaranteeing success every time. The show has a tone reminiscent of the classic “Address Unknown”, trading in missing persons cases for unique and challenging investigations.</p><p>The show initially aired in 1965-66 and featured engaging writing by Adrian Steed and Douglas Laws, who were both well-known figures in the South African radio scene. Despite being from South Africa, the show's accents are minimal, making it easy for international listeners to enjoy. With its compelling plots, high production values, and excellent audio quality, 33 Half Moon Street offers an entertaining experience for fans of detective stories and who-dun-its.</p><p>Notable episodes include "Parson's Pride," "A Bag of Coal for Mr. Lazenby," and "Green for Danger." Throughout its run, the show developed a loyal fan base, following the determined Aubrey Mason as he tackles various challenging assignments with determination and skill. Immerse yourself in the gripping world of 33 Half Moon Street, where no case is too uncommon, and success is always guaranteed.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/thirty-three-half-moon-33-half-moon' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -134,9 +134,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
A Case for Dr. Morelle is a radio show centered around the acerbic criminal psychologist Dr. Morelle and his eager but slightly inept secretary, Miss Frayle. The show's premise focuses on Dr. Morelle using his knowledge of criminal psychology to solve various crimes, such as murder, blackmail, and larceny, by determining which of the suspects fit the psychological profile of the perpetrator. Unlike other detectives like Sherlock Holmes, Dr. Morelle's investigations generally involve conducting interviews and occasionally incorporating physical evidence in his analysis. The show features a blend of humor and drama, with audiences enjoying the opinionated and eccentric doctor and his interactions with his loyal yet long-suffering secretary Miss Frayle.</p><p>A Case for Dr. Morelle aired in 1957 on the BBC Light Programme, running for 13 episodes on a weekly basis from April 23 to July 16. The character of Dr. Morelle was brought to life by author Ernest Dudley during World War Two air raids as he sought to create a unique detective while also providing a comic role for his wife, actress Jane Grahame. In the 1957 series, Dr. Morelle was portrayed by English comic actor Cecil Parker, and Sheila Sim played the role of Miss Frayle. Besides the radio plays, Ernest Dudley also wrote a stage play and a number of novels and short stories featuring these characters.
|
A Case for Dr. Morelle was a captivating 13-episode British Old Time Radio show that aired on the BBC Light Programme from April 23 to July 16, 1957. Created by Ernest Dudley during World War II, the show revolved around the acerbic and eccentric criminal psychologist Dr. Morelle, played by Cecil Parker, and his devoted secretary Miss Frayle, portrayed by Sheila Sim.</p><p>Set in 221b Harley Street, London, the series showcased Dr. Morelle's unique talent for using psychological profiling to solve complex murder cases. Often challenged by the interruptions of his secretary, Dr. Morelle relied not on physical evidence but his understanding of the human mind to reveal the true culprit in each self-contained story.</p><p>Audiences appreciated the witty banter between Dr. Morelle and Miss Frayle, which provided a light-hearted touch to an otherwise serious drama. With a total of thirteen engaging episodes, A Case for Dr. Morelle remains a classic radio series from the 1950s, demonstrating the power of criminal psychology and deductive reasoning.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dr_Morelle_Singles' target='_blank'>archive.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>A Date with Judy</label>
|
<label>A Date with Judy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>26 episodes</span>
|
<span>13 episodes</span>
|
||||||
<span>Aired 1941-1949</span>
|
<span>Aired 1941-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -134,9 +134,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
A Date with Judy is a comedy radio series aimed at a teenage audience. The show revolves around the life of Judy, a teenager who spends her days on the telephone, arranging, discussing, and lamenting the lack of dates. This teenage situation comedy is full of infectious giggling and teenage slang, capturing the excitement and drama of navigating adolescence. The series was co-created by Jerome Lawrence and Aleen Leslie, based on Leslie's “One Girl Chorus” column in the Pittsburgh Press.</p><p>First airing on June 24, 1941, A Date with Judy ran for nearly a decade, wrapping up its successful run on May 4, 1950. Over the years, the show appeared on both NBC and ABC radio networks and was sponsored by well-known brands such as Pepsodent, Bristol Myers, Tums, Ford Motors, and Revere Cameras. Throughout its run, A Date with Judy had a rotating cast, with notable actors like Ann Gillis, Paul McGrath, Margaret Brayton, and Richard Crenna. The popularity of the radio series led to the creation of a 1948 film starring Jane Powell, as well as a television adaptation that aired from 1951 to 1953. Additionally, A Date with Judy had a long run as a comic book, with 79 issues published from 1947 to 1960.
|
A Date with Judy was a popular American radio program that ran from 1941 to 1950. Focused on teenage comedy, the show revolved around the life of teenager Judy Foster and her experiences with school, family, and love. The role of Judy was portrayed by Ann Gillis, Dellie Ellis, and finally, Louise Erickson for the majority of the series.</p><p>The show began as a summer replacement for Bob Hope's show on NBC, and its success led to year-round broadcasts starting in 1944, with various sponsors including Bristol Myers, Tums, Ford Motors, and Revere Cameras. The radio show's popularity eventually led to a 1948 MGM movie, starring Jane Powell as Judy, alongside Elizabeth Taylor, Wallace Beery, Robert Stack, and Carmen Miranda. The story also made its way to the comic book world, with National Periodical Publications publishing A Date with Judy from 1947 to 1960.</p><p>A television adaptation aired on ABC from 1951 to 1953, with Pat Crowley and Mary Linn Beller both taking on the role of Judy Foster. The radio show's creators, Jerome Lawrence and Aleen Leslie, developed the series based on Leslie's "One Girl Chorus" column in the Pittsburgh Press. Overall, A Date with Judy remains a memorable depiction of teenage life from the 1940s and 1950s.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/A_Date_with_Judy' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/date-with-judy' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Abbott and Costello</label>
|
<label>Abbott and Costello</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>308 episodes</span>
|
<span>154 episodes</span>
|
||||||
<span>Aired 1940-1949</span>
|
<span>Aired 1940-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1403,9 +1403,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
The Abbott and Costello Show was a comedy program featuring the talents of the American comedy duo Bud Abbott and Lou Costello. The show centered around their attempts to navigate various business ventures, often incorporating sketches from their vaudeville act. The duo first began performing together in 1935 at the Eltinge Burlesque Theater on 42nd Street in New York City, refining their act with Abbott as the devious straight man and Costello as the dimwitted comic.</p><p>The show first aired on NBC from 1940 to 1947 before moving to ABC until 1949. Initially debuting on Kate Smith's radio program in 1938, the duo made several transitions between programs before landing their own weekly show on October 8, 1942, sponsored by Camel cigarettes. Over the years, the show featured guest stars like Cary Grant, Frank Sinatra, and Lucille Ball, and had various orchestras, writers, and regular cast members. Additionally, Abbott and Costello hosted a children's radio program, The Abbott and Costello Children's Show, on ABC on Saturday mornings from 1947 until 1949.
|
The Abbott and Costello Show was a popular American comedy radio program that aired from 1940 to 1949, initially on NBC and later on ABC. The 30-minute weekly show featured the comedic duo of film stars Bud Abbott and Lou Costello, who brought their vaudeville-style skits to the radio format, often focusing on their attempts to succeed in various business ventures.</p><p>The show featured a talented supporting cast, including Joe Kirk, Artie Auerbach, Elvia Allman, Iris Adrian, Mel Blanc, and more. Notable guest stars included Cary Grant, Frank Sinatra, the Andrews Sisters, and Lucille Ball. The program also showcased singers such as Amy Arnell and Connie Haines, with orchestra leaders like Skinnay Ennis, Charles Hoff, and Peter van Steeden providing music.</p><p>Abbott and Costello began their radio career on Kate Smith's program in 1938 before getting their own show in 1940. Throughout the 1940s, they became one of the top radio comedy acts, famous for their rapid-fire wordplay and hilarious confusion, particularly in classic routines like "Who's on First?". Bud Abbott (born 1895) and Lou Costello (born 1906) first teamed up in 1935 at the Eltinge Burlesque Theater in New York and went on to leave a lasting impact on comedy through their radio and television work.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Abbott_Costello_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/The_Abbott_and_Costello_Show_(radio_program)' target='_blank'>wikipedia.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Academy Award Theater</label>
|
<label>Academy Award Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>117 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1946</span>
|
<span>Aired 1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -368,9 +368,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Academy Award Theater was a CBS radio anthology series that presented 30-minute adaptations of plays, novels, or films. The series featured Hollywood's finest actors, actresses, and films, chosen from the list of winners or nominees of the famous golden Oscar of the Academy of Motion Picture Arts and Sciences. The series aimed to present any drama as long as the cast included at least one Oscar-nominated performer. Actors often recreated their original film roles, and some even reprised their Oscar-winning roles for the radio adaptations.</p><p>The series began on March 30, 1946, and ended on December 18, 1946, with a total of 39 episodes. The show initially aired on Saturdays at 7 pm (Eastern) through June, then moved to Wednesdays at 10 pm (Eastern). The series was produced by Dee Englebach, with music provided by Leith Stevens and script adaptations by Frank Wilson. The E.R. Squibb & Sons pharmaceutical company was the program's sponsor, but due to the high costs of production, including the weekly fees paid to both the stars and the Academy for the use of their name in the show's title, the series was eventually canceled after only 39 weeks.
|
Academy Award Theater was a CBS radio anthology series that aired from March 30, 1946, to December 18, 1946. It featured 30-minute adaptations of plays, novels, or films starring at least one Oscar-nominated performer. Contrary to the title's implication, the show didn't only adapt Oscar-winning films but offered a wide range of pieces from Hollywood's finest actors, actresses, and technicians.</p><p>The episodes featured some of the biggest stars of the time, such as Bette Davis, Ginger Rogers, Paul Muni, Victor McLaglen, Humphrey Bogart, and Cary Grant. Occasionally, actors would recreate their original Oscar-winning roles. The series was produced by Dee Englebach, with scripts written by Frank Wilson and music composed by Leith Stevens. The sound effects crew included Gene Twombly, Jay Roth, Clark Casey, and Berne Surrey.</p><p>The show began with high production costs, sponsored by E.R. Squibb & Sons, a pharmaceutical company. However, due to the expense, the sponsorship eventually ended, leading to the cancellation of the series after only 39 weeks. Despite its short run, Academy Award Theater was lauded for its high-quality productions and top-tier Hollywood talent.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Academy_Award_Theater_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Academy_Award_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/academy-award-theater' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventure Ahead</label>
|
<label>Adventure Ahead</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -116,9 +116,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Adventure Ahead! is a captivating radio show that aired in the summer of 1944, featuring fourteen enthralling adventure novels and stories written by some of America's most prominent fiction authors. Primarily aimed at young audiences, it has a noticeably more masculine orientation, as evidenced by its absence of discernible love interests, female protagonists, or female authorities. Regardless, the program still offers captivating stories that emphasize defending freedom, both globally and domestically. Many of the stories revolve around male-oriented, "coming of age" tales that focus on themes of independence, courage, and the satisfaction of asserting one's convictions.</p><p>The show was broadcast on the NBC-Red radio network, spanning fourteen episodes in total. Adventure Ahead! offers a fascinating variety of stories that young listeners enjoyed during its run. These adventures encompass an array of scenarios, such as a boy training a runt puppy, a young lad learning about crime solving from the FBI, an orphan running away with the circus, and a boy adopted by pirates. Among other popular children's adventure radio shows of the era are Adventures of Sea Hound, Jerry at Fair Oaks, Jerry of the Circus, Speed Gibson, and Terry and the Pirates.
|
Adventure Ahead! was a captivating Old Time Radio show that aired during the summer of 1944. Aimed at young people, especially young men, it featured fourteen exceptional adventure novels and stories from America's foremost fiction writers. The show revolved mainly around boys seeking adventure and excitement in various scenarios, including working with the FBI, training a puppy, joining the circus, and being adopted by pirates.</p><p>Some well-known authors whose works were adapted for the series included Daniel Defoe, Steven Vincent Benet, and Waldo Fleming. Adventure Ahead! even had the support of J. Edgar Hoover, who endorsed an episode that provided a guided tour of the FBI's inner workings.</p><p>The show's primary theme centered around defending freedom, both domestically and abroad, and served as an inspiration for young people coping with the ongoing World War II. While it targeted a younger male audience, the series was appreciated by listeners of all ages due to its high-quality storytelling and performances.</p><p>Notable for its absorbing adventures and inspirational tone, Adventure Ahead! remains a memorable series from the Golden Age of Radio.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Certified_Adventure_Ahead' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/adventure-ahead' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures by Morse</label>
|
<label>Adventures by Morse</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>162 episodes</span>
|
<span>54 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -503,9 +503,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Adventures by Morse is a captivating syndicated adventure series that follows the thrilling escapades of Captain Bart Friday and his sidekick, Skip Turner. The duo embarks on a series of daring missions around the world, where they encounter various challenges and unearth sinister plots. The storyline includes exotic locations, mysterious events, and dark supernatural occurrences. The series is known for its distinctive opening, which invites listeners to immerse themselves in a world of high adventure, intrigue, and danger.</p><p>Adventures by Morse originally aired in syndication for a year, beginning in October 1944. The show comprises a total of 52 episodes, each 30 minutes long, and all have been preserved in high-quality sound. Created by the prolific author Carlton E. Morse, the series starred talented actors such as Elliott Lewis, David Ellis, Russell Thorson, and Barton Yarborough. Although broadcast dates and production years are uncertain, it is mentioned in the final two chapters of "It's Dismal to Die" that the Second World War has ended. Advertisements have been found for broadcasts in 1946 and 1949.
|
Adventures by Morse was a syndicated adventure series created by Carlton E. Morse in the mid-1940s, known for its thrilling stories and captivating characters. The show followed the escapades of Captain Bart Friday, a San Francisco-based private investigator, and his sidekick from Texas, Skip Turner. Together, they found themselves embroiled in tales of espionage, kidnapping, murder, and more. Featuring the talents of actors like Elliott Lewis, David Ellis, and Russell Thorson, the gripping narratives captured the imagination of listeners.</p><p>The show consisted of 52 30-minute episodes, with serials that alternated between 10 and 3 episodes in length. Episodes took place in various locales, from South Pacific islands to South America, and tackled events such as encounters with Nazis, deadly serpents, and supernatural occurrences. Adventures by Morse aired from October 26, 1944, to October 18, 1945, captivating audiences with its exciting stories and memorable characters.</p><p>Despite the uncertainty surrounding the production and broadcast dates, Adventures by Morse has left a lasting impression on the world of radio entertainment. Fans of thrilling, well-written radio serials can still experience the excitement of Captain Bart Friday and Skip Turner's numerous adventures.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Adventures_Morse_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Adventures_by_Morse' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/adventures-by-morse' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures of Champion</label>
|
<label>Adventures of Champion</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6 episodes</span>
|
<span>3 episodes</span>
|
||||||
<span>Aired 1949</span>
|
<span>Aired 1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -44,9 +44,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Adventures of Champion is an American Western serial radio drama focused on the story of Champion, the famous horse of screen cowboy Gene Autry. The episodes revolve around 12-year-old Ricky West, who lives in the wilderness with his adoptive Uncle Smoky and his German Shepherd named Rebel. Champion is portrayed as a wild horse who only allows Ricky to ride him. The series touched on topics such as gold mines, rustlers, and Indian problems, but centered mainly on the faith and loyalty between a boy, a dog, and a horse. Each story ran in five installments, starting on Monday and ending on Friday.</p><p>The radio show aired 15-minute episodes on weekday afternoons on the Mutual Broadcasting System between June 20, 1949, and November 1949. Little is known about the cast, with the identities of the lead actors playing Ricky and Uncle Smoky remaining a mystery. The only identified participant is Dave Light, an animal imitator who provided the sounds of all animals on the program. The Adventures of Champion was also adapted into a television series that aired for 26 episodes on CBS during the 1955-1956 season, starring Barry Curtis and Jim Bannon.
|
The Adventures of Champion was a Western serial radio drama that aired in 1949 and 1950, focused on the adventures of Gene Autry's horse, Champion, and a young boy named Ricky West. Set on the Flying A Ranch, the show centered around the faith and loyalty between Ricky, his adopted Uncle Smoky, their dog Rebel, and the wild horse Champion, who only allowed Ricky to ride him. The series touched upon gold mines, rustlers, and Indian problems in five-installment story arcs, running from Monday to Friday. The Adventures of Champion was a spin-off from Autry's Melody Ranch radio program and later adapted into a television series that aired on CBS during the 1955-1956 season. However, despite the show's popularity, little is known about the cast, with many of the lead performers remaining unidentified.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/The_Adventures_of_Champion' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/adventures-of-champion' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Adventures of Philip Marlowe</label>
|
<label>Adventures of Philip Marlowe</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>309 episodes</span>
|
<span>103 episodes</span>
|
||||||
<span>Aired 1947-1951</span>
|
<span>Aired 1947-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -944,9 +944,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
The Adventures of Philip Marlowe was a radio show based on Raymond Chandler's private detective character, Philip Marlowe. Unlike many other detective dramas during that time, this show had a distinct hardboiled tone and featured few quips or quaint characters. The show's format/style followed Marlowe as he solved crimes using his keen observational skills and deductive reasoning, while encountering a variety of intriguing characters along the way, showcasing Marlowe's strong sense of justice and his grittier, urban environment.</p><p>The show first aired on June 17, 1947, on NBC, under the title The New Adventures of Philip Marlowe, with Van Heflin playing the lead role. The NBC series ended on September 9, 1947. In 1948, the series moved to CBS, where it was called The Adventures of Philip Marlowe and starred Gerald Mohr. By 1949, the show had become the most popular radio show in the United States. The CBS version had a run of 114 episodes from September 1948 to September 1950, with an additional summer run of episodes airing from July 7 to September 15, 1951.
|
The Adventures of Philip Marlowe was a hard-boiled detective radio series featuring Raymond Chandler's private eye character, Philip Marlowe. First airing on NBC on June 17, 1947, the show starred Van Heflin as Marlowe and was a summer replacement for Bob Hope. The series moved to CBS in 1948 with Gerald Mohr as Marlowe, garnering the largest audience in radio by 1949. The CBS version ran until September 29, 1950, with a short summer run in 1951. Notably, the program had no sponsor for most of its time on the air.</p><p>Philip Marlowe was a more complex, cultured, and ethical detective compared to other hardboiled detectives of the time. Marlowe was portrayed by actors such as Dick Powell, Robert Mitchum, and Humphrey Bogart in movies, as well as Van Heflin and Gerald Mohr in radio adaptations. The show's writing often featured sarcastic narration and was highly acclaimed, especially the CBS version, which was more widely received than the NBC adaptation.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Philip_Marlowe_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/The_Adventures_of_Philip_Marlowe' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/philip-marlowe' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -485,9 +485,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Afloat with Henry Morgan was a 52-episode Australian radio series that featured 12-minute-long episodes, likely aimed at a youth audience. The show, which centered around the captivating adventures of the infamous pirate, was produced by and starred George Edwards, a talented actor and ventriloquist known as "the Man with a Thousand Voices". Edwards employed his unique gift for mimicry to portray a wide range of characters, including children, various male voices, older women, and foreigners. In some instances, he would perform as many as six different voices in a single scene and often doubled this number within a single episode.</p><p>The series is believed to have originally aired in 1933, although it is easily confused with the US show, The Henry Morgan Show. Afloat with Henry Morgan was produced by Edwards, who also created other popular Australian series such as Dr Jekyll and Mr Hyde, Frankenstein, Corsican Brothers, and Son of Porthos. Collaborators on the show likely included enthusiasts Maurice Francis and Nell Sterling, both of whom had worked with Edwards on previous projects. Information regarding the series can be found through sources such as OTRCat.com, The Australian Dictionary of Biography Online, and Ian Grieve, as well as from the Old Time Radio Researchers Group.
|
Afloat with Henry Morgan was a youth-oriented Australian radio series that aired in 1933, featuring 52 episodes each about 12 minutes in length. Produced by and starring George Edwards, known for his work on Frankenstein, Dr Jekyll and Mr Hyde, and other Australian series, the show was set in the Caribbean and revolved around storylines involving pirates, Aztec treasures, and thrilling adventures. Edwards, nicknamed "the Man with a Thousand Voices," showcased his exceptional talent by playing multiple roles, producing up to six different character voices in a single scene to save on production costs. The show should not be confused with the US-based Henry Morgan Show.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Afloat_With_Henry_Morgan_Singles' target='_blank'>archive.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Air Mail Mystery</label>
|
<label>Air Mail Mystery</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -116,9 +116,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Air Mail Mystery is a thrilling radio show that delves into the dangerous world of early air mail flights and the daring pilots that navigated them. The show focuses on Trans American, a company responsible for delivering mail for the government; however, their planes have been mysteriously falling from the sky. Suspicion arises around the possibility of sabotage, and the gripping story unravels through the voices of several fascinating characters, such as Ernest Powers, Andy Andrews, Irene Delroy, Jimmy Gifford, and more, who all contribute to the enthralling and fast-paced nature of the series. </p><p>The show was broadcast during the golden age of radio, highlighting the massive importance of mail and the lengths people went to deliver it efficiently. Transporting mail by airplane was fraught with risks, but the potential profits of a valuable government mail contract drew many daring pilots and aircraft operators to face the danger. Air Mail Mystery captures the excitement and intrigue of such a high-stakes venture and expertly weaves a captivating story filled with memorable and multi-faceted characters. This classic radio show serves as a perfect addition to any aviation or adventure-themed radio collection.
|
Air Mail Mystery is an Old Time Radio show centered around the early, dangerous days of air mail delivery. The story takes place at Trans American Airlines, where planes carrying important mail have been mysteriously crashing. The show explores the possibility of sabotage or bad luck as the cause of these accidents. The main characters include Ernest Powers, the general manager of Trans American, pilot Andy Andrews, undercover mechanic Fitzgerald, Justice Department agent Irene Delroy, and reporter Jimmy Gifford. The show captures the risks faced by early pilots, the evolution of mail delivery, and the massive profits that could be made through government mail contracts. As the investigation unravels, the relationships and true identities of the characters are revealed, creating an engaging and suspenseful storyline for listeners.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Air_Mail_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/airmail-mystery' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Aladdin Lamp</label>
|
<label>Aladdin Lamp</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>72 episodes</span>
|
<span>36 episodes</span>
|
||||||
<span>Aired 1948</span>
|
<span>Aired 1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -341,9 +341,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Aladdin Lamp was a radio show in which Smilin' Ed McConnell, also known as "The Aladdin Lamp Man," promoted Aladdin Kerosene Lamps to his audience, primarily targeting housewives. The show featured Ed singing songs and telling stories, all while incorporating the advertiser's message and ultimately persuading listeners to purchase an Aladdin lamp. The program's format included an organ and piano accompaniment, played by Irma Allen and Del Owen, and was specifically tailored to appeal to its target audience of domestic heroines with its charming personality and entertaining content.</p><p>The radio show likely originated after 1948 when 145 ABC stations began subscribing to Smilin' Ed's 15-minute programs. The show was produced in short, four-and-a-half-minute episodes that were likely recorded for syndication and tailored for local radio broadcasts by hardware stores in various regions. In addition to promoting Aladdin Kerosene Lamps, Smilin' Ed also advertised Aladdin Electric Lamps, highlighting their range of functional and stylish lighting options for the home. Smilin' Ed McConnell went on to become a successful pitchman for Buster Brown Shoes in his later radio show, Smilin' Ed's Buster Brown Shoe Gang, winning audiences over with his friendly demeanor and engaging storytelling.
|
Aladdin Lamp was a radio show that aired in the 1930s, featuring Smilin' Ed McConnell as "The Aladdin Lamp Man" on WLW in Cincinnati, Ohio. Smilin' Ed promoted Aladdin Kerosene Lamps with great success, becoming a well-known radio personality. By 1948, the show was available on 145 ABC stations as a 15-minute or condensed 5-minute program designed for electric lamp dealers, likely originating after 1948.</p><p>The show targeted housewives, with Smilin' Ed using his friendly charm and folksy music to engage the audience before pitching Aladdin lamps. The show would include a song, entertainment, and a promotion for both kerosene and electric versions of Aladdin Lamps. Smilin' Ed was accompanied by an organ and piano played by Irma Allen and Del Owen.</p><p>Aladdin Lamps, produced by The Mantle Lamp Company of America based in Chicago, were an improvement on the traditional oil lamp, with a circular wick that heated a chemically treated mantle providing a bright white light. Smilin' Ed McConnell would later become the pitchman for Buster Brown Shoes and earn a star on the Hollywood Walk of Fame. The Aladdin Lamp radio show provided a unique approach to reaching housewives, intertwining entertainment and promotion in its four and a half minute spots.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Aladdin_Lamp_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/aladdin-lamp' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -287,9 +287,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Alien Worlds is a syndicated radio show created by Lee Hansen that follows the International Space Authority (ISA) as they explore deep space. Set on the Arthur C. Clarke Astronomical Observatory, the show features a cast of characters including Commissioner White, Research Director Dr. Maura Cassidy, Starlab's Director of Operations Jerry Lyden, and ISA pilots Captains Jon Graydon and Buddy Griff. Alien Worlds is well-known for its realistic sound effects, high production values, documentary-style dialog, and full symphonic soundtrack performed by the London Symphony Orchestra.</p><p>The show first premiered on January 7, 1979, and a total of 26 half-hour episodes aired between 1979 and 1980 on Watermark Inc. Alien Worlds gained popularity internationally, being broadcast on more than 500 US FM radio stations as well as stations in New Zealand and Australia. The series was sponsored by Peter Paul, Cadbury, which advertised their Cadbury Caramello chocolates. While the show is no longer aired on Sirius Satellite Radio or the Alien Worlds website, it is currently being developed for 3-D animation for television and DVD release.
|
Alien Worlds was a syndicated radio show that aired 26 half-hour episodes between 1979 and 1980. It was known for its realistic sound effects, high production values, and documentary-style dialog. The show was created by Lee Hansen and featured J. Michael Straczynski as one of the writers.</p><p>The series, set in the mid-21st century, follows the International Space Authority (ISA) as they govern space exploration and development. The show centers around the adventures of ISA staff as they explore strange cosmic mysteries aboard the orbiting space station "Starlab" and throughout the galaxy. Alien Worlds gained popularity for its relatable characters, full symphonic soundtrack, realistic sound effects, and high production values.</p><p>The cast included Roger Dressler as Narrator & Commissioner Matthew White, Linda Gary as Maura Cassidy, Bruce Phillip Miller as SET Captain Jon Graydon, Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim, and Chuck Olsen as SET Captain Buddy Griff. The show's soundtrack was composed by Jim Kirk, performed by the London Symphony Orchestra, and included many realistic sound effects recorded on an oil tanker in a San Pedro dry dock.</p><p>Alien Worlds was enjoyed by millions of fans worldwide and was carried by over 1500 top-rated FM radio stations. Four additional episodes were produced but never aired.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Alien_Worlds_(radio_series)' target='_blank'>wikipedia.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Alka Seltzer Time</label>
|
<label>Alka Seltzer Time</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>57 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1953</span>
|
<span>Aired 1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -188,9 +188,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Alka Seltzer Time, also known as The Alka-Seltzer Show, was a 15-minute radio program featuring a mix of popular tunes and upbeat jingles performed by vocalists Curt Massey and Martha Tilton. The show was described as "informal song sessions" and often featured accompanying music by Country Washburne and His Orchestra, with Charles LaVere on piano. Tunes performed on the show included "Honey, I'm in Love with You", "A Gambler's Guitar", "Just to Be with You", "Moonlight", "When Love Goes Wrong", "Choo Choo Train", "I've Got Spurs that Jingle Jangle Jingle", "Put on a Bonnet", "On the Sunny Side of the Street", "Papaya Mama", and "Istanbul, Not Constantinople". The show occasionally featured theme episodes such as "Go West", music from "Old Phonograph Records", and "Salute to Hawaii".</p><p>The radio show aired weekdays between 1949 and 1954 on both CBS Radio and the Mutual Broadcasting System. It began as The Curt Massey Show and was later renamed to The Alka-Seltzer Show in 1952 to highlight the show's sponsor. The show aired at different times throughout its run, with broadcasts on Mutual at noon Eastern Time and later in the day on CBS at 5:45 pm Eastern. A total of 115 episodes from this series are still known to exist today. Curt Massey and Martha Tilton continued to work together beyond the radio show, appearing on television programs such as Guest Star and Stars for Defense and recording an album titled "We Sing the Old Songs" in 1957.
|
Alka-Seltzer Time (also known as The Alka-Seltzer Show) was a 15-minute weekday radio series that aired on CBS Radio and the Mutual Broadcasting System from 1949 to 1954. The show featured baritone Curt Massey and Martha Tilton, also known as "the liltin' Martha Tilton", who performed "informal song sessions" with Country Washburne and His Orchestra. The announcer was Ford Pearson. The show included a variety of popular songs and some theme shows such as "Go West" and "Salute to Hawaii". Martha Tilton was a popular jazz singer who had worked with the likes of Jimmy Dorsey and Benny Goodman, while Curt Massey was a talented musician and composer, best remembered as the composer and singer of the Petticoat Junction TV show theme song. The pair continued to perform together during the late 1950s, even recording an album, "We Sing the Old Songs" (1957).
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Alka_Seltzer_Time_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Alka-Seltzer_Time' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/alka-seltzer-time' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>All Star Western Theatre</label>
|
<label>All Star Western Theatre</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>184 episodes</span>
|
<span>92 episodes</span>
|
||||||
<span>Aired 1946-1948</span>
|
<span>Aired 1946-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -845,9 +845,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
All Star Western Theatre was a radio show that featured a variety of different shows during the mid-1940s. The program offered light-hearted humor and laughter as a pleasant alternative to heavier and more intense dramas of the time. The show's music was performed by a group called "The Riders of the Purple Sage," led by Foy Willing, and served as a backdrop to the episodes' Western-themed stories and sketches. The show was characterized by its "rootin' tootin' hoe-down" atmosphere, complete with guest appearances by popular stars of the time.</p><p>The radio show aired in the mid-1940s, and of the 78 episodes produced, 66 are still known to be in circulation today. The music group "The Riders of the Purple Sage" also appeared on other radio shows during this time, such as the Andrews Sisters' Eight-to-the-Bar Ranch in 1944-45, and the Roy Rogers Show between 1946 and 1948. Guest stars like Johnny Mack Brown added to the show's appeal, with action sketches and humorous skits providing entertainment for all ages. Much like the old western movies, All Star Western Theatre offered an honest, sincere, and unassuming form of entertainment that continues to resonate with audiences today.
|
All Star Western Theatre was a popular radio show in the mid-1940s, offering listeners a unique blend of adventure, broad humor, and musical variety. Set against a Western backdrop, the show featured performances by "The Riders of the Purple Sage," fronted by Foy Willing. Guest stars like Johnny Mack Brown made appearances in action sketches and humorous skits that provided a light-hearted alternative to more intense radio programs.</p><p>Created in Hollywood, the show featured Western swing music, a popular style in that era, and was recorded live in front of a studio audience. The All Star Western Theatre shared a similar format with Roy Rogers' radio show, in which Foy Willing and the Riders of the Purple Sage also performed. Today, 66 out of the 78 produced episodes are available for fans to enjoy, transporting listeners on a nostalgic journey through the entertaining world of Old Time Radio.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_All_Star_Western_Theatre_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/all-star-western-theater' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Amos 'n' Andy</label>
|
<label>Amos 'n' Andy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>258 episodes</span>
|
<span>129 episodes</span>
|
||||||
<span>Aired 1929-1947</span>
|
<span>Aired 1929-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1178,9 +1178,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Amos 'n' Andy was an American radio sitcom about Black characters that began as one of the first radio comedy series. The show's protagonist, Amos Jones, was played by Freeman Gosden, while the character of Andrew Hogg Brown was played by Charles Correll. The duo also voiced incidental characters in the show. Initially set in Chicago and later in the Harlem section of New York City, the narrative revolved around the lives and various misadventures of Amos and Andrew. Amos was depicted as a hardworking family man, while Andrew was portrayed as a gullible dreamer with a penchant for get-rich-quick schemes. On television, Black actors took over the majority of the roles; white characters were infrequent.</p><p>Amos 'n' Andy was first broadcast on WMAQ in Chicago on March 19, 1928, and later aired on NBC and CBS Radio and Television. The show had a successful run in multiple formats, airing as a nightly radio serial from 1928 to 1943, a weekly situation comedy from 1943 to 1955, and a nightly disc-jockey program from 1954 to 1960. The television adaptation ran on CBS from 1951 to 1953 and continued in syndicated reruns from 1954 to 1966. The national radio audience was estimated at 40 million, comprised of Americans from a variety of races and national backgrounds. Despite being created and originally portrayed by white actors Gosden and Correll, the show held a significant place in American old-time radio culture during its 34-year run. Amos 'n' Andy continues to be remembered as a significant milestone in early 20th-century entertainment.
|
"Amos 'n' Andy" was an American radio sitcom that originally aired from 1928 to 1960. Created, written, and voiced by white actors Freeman Gosden and Charles Correll, the show followed the lives of two black characters, Amos Jones (Gosden) and Andrew Hogg Brown (Correll). Beginning as a nightly radio serial, it later transitioned to a weekly situation comedy and then to a nightly disc-jockey program. The show also had a television adaptation on CBS from 1951 to 1953, with black actors taking over the roles.</p><p>Gosden and Correll met in 1920 and started their radio careers in Chicago before launching "Amos 'n' Andy" in 1928. Although criticized for relying on racial stereotypes and its blackface origins, the show became a national sensation, particularly during the 1930s. Its nationwide audience was estimated at 40 million, and the show's influence on American entertainment is undeniable. The end of its run coincided with changing perceptions of its portrayal of racial stereotypes.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Amos_%27n%27_Andy' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/amos-and-andy' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>An Evening With Groucho</label>
|
<label>An Evening With Groucho</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>114 episodes</span>
|
<span>38 episodes</span>
|
||||||
<span>Aired 1972</span>
|
<span>Aired 1972</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -359,9 +359,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
An Evening with Groucho is a fascinating exploration into the life of the legendary Groucho Marx and his famous siblings, the Marx Brothers. Told through captivating anecdotes from Groucho himself, the show not only provides a glimpse into their personal lives, but also highlights their comic genius, showcasing the various characters and acts they performed throughout their careers. As the show delves into Groucho's life, listeners are treated to a treasure trove of wit, humor, and unparalleled comedic talent that defined the Marx Brothers' unique style and endeared them to generations of fans.</p><p>An Evening with Groucho was broadcast on different radio networks over the years, featuring numerous amusing appearances by Groucho Marx in various comedy and variety shows, as well as episodes from his successful radio quiz show, You Bet Your Life, which began in 1947 and later moved to television. There are six extensive volumes of the collection, with the first two focusing on Groucho Marx's guests appearances and the last four covering You Bet Your Life. This rich anthology not only highlights Groucho's incredible comedic talent but also serves as an insightful tribute to one of America's greatest comedians and a testament to the unmatched wit and charm of the Marx Brothers.
|
An Evening with Groucho is a captivating look at the life of the renowned comedian Groucho Marx and the Marx Brothers, as narrated by Groucho himself. Born Julius Henry Marx in 1890, Groucho started his stage career aged 15 and eventually found success alongside his brothers in the musical comedy, I'll Say She Is. He became famous for his characteristic stooped posture, glasses, cigar, and thick greasepaint mustache and eyebrows.</p><p>The show is crafted from three separate performances in 1972: New York's Carnegie Hall, C.Y. Stephens Auditorium at Iowa State University, and San Francisco's Masonic Auditorium. Groucho shares personal stories and performs songs from Marx Brothers' stage shows and movies. The Carnegie Hall show features an introduction by Dick Cavett, and Marvin Hamlisch provides an opening overture and piano accompaniment. The recording was released as a double album by A&M Records, with a limited edition edited single picture disc in 1978 and a compact disc version later available. In 2018, An Evening with Groucho was selected for preservation in the National Recording Registry by the Library of Congress due to its cultural, historical, and artistic significance.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_An_Evening_With_Groucho_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Groucho_Marx' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/groucho-marx' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Arch Oboler's Plays</label>
|
<label>Arch Oboler's Plays</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>112 episodes</span>
|
<span>56 episodes</span>
|
||||||
<span>Aired 1939-1964</span>
|
<span>Aired 1939-1964</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -521,9 +521,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Arch Oboler's Plays is a dramatic anthology series in which each episode explores the terrors and monsters within the human psyche. The show adheres to a stream-of-consciousness style that established radio as a viable new art form. Created, produced, directed, and written by Arch Oboler, the series features leading film actors, such as Ingrid Bergman, James Cagney, Joan Crawford, and Katharine Hepburn, who bring the compelling stories to life. The Bathysphere, an episode from November 18, 1939, was inducted into the National Recording Registry of the Library of Congress in 2020 for its cultural, historical, and aesthetic significance.</p><p>The show aired on the NBC network from March 25, 1939, to March 23, 1940, and was later revived for a sustaining summer run from April 5, 1945, to October 11, 1945, on the Mutual radio network. Arch Oboler reused some of the scripts from Arch Oboler's Plays in his later series Everyman's Theater. As the first writer accorded name-in-the-title status, Oboler was known for his eccentric and unique approach to storytelling. In addition to his radio work, Oboler was an ardent anti-Nazi and used his writing talents to instill hatred of the enemy during WWII through various war propaganda plays.
|
Arch Oboler's Plays was a radio anthology series that aired on NBC Radio from March 25, 1939, to March 23, 1940, and was later revived on Mutual from April 5 to October 11, 1945. Created, written, produced, and directed by Arch Oboler, the show featured original works of fiction that explored the human psyche and were known for their stream-of-consciousness technique. The series was the first to have a writer's name in the title, paving the way for radio as an art form. The show boasted a stellar lineup of leading film actors, such as Ingrid Bergman, James Cagney, Katharine Hepburn, and Peter Lorre.</p><p>Oboler, known for his eccentric personality and innovative storytelling techniques, gained popularity for his work on Lights Out which experimented with sound effects and bold narratives that sparked controversies. In his venture, Arch Oboler's Plays, he used some of his scripts in his later series, Everyman's Theater. As a staunch anti-Nazi, he also included anti-Fascist themes in his work, especially during World War II.</p><p>In 2020, the November 18, 1939 episode "The Bathysphere" was added to the Library of Congress' National Recording Registry for its cultural, historical, and aesthetic importance.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Arch_Oboler%27s_Plays' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/arch-oboler-plays' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -467,9 +467,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Archie Andrews was a teenage situation comedy radio show based on the popular comic strip created by Bob Montana. The show aimed to attract a teenage audience by creating a situational comedy format specifically for them, even including them in the live audience during broadcasts. Set in a classic American suburban environment, the show followed Archie and his friends at home and at school, featuring well-known comic book characters such as Archie's best friend Jughead, Veronica, Reggie, and Betty, who had an on-and-off romantic relationship with Archie. Archie's parents and Mr. Weatherbee, Archie's high school principal, were also frequently featured in the show. The atmosphere at the live recordings was characterized by the enthusiastic energy of its teenage audience.</p><p>The radio show was broadcast between 1943 and 1953 on various radio networks. While the exact number of episodes aired is not known, some episodes survive to this day. The popularity of the Archie Andrews radio show and comic strip eventually led to TV shows and other media formats featuring the characters. The show was sponsored by notable advertisers and featured talented actors, helping it to maintain its following throughout its run. Similar family comedy radio shows included Our Miss Brooks, Blondie, Aldrich Family, Ozzie and Harriet, The Harold Peary Show, Life of Riley, and The Phil Harris and Alice Faye Show.
|
Archie Andrews was an Old Time Radio sitcom adapted from the popular comic strip of the same name. The show's purpose was to target and engage a teenage audience, delivering situation comedy both on air and during live broadcasts. Airing from May 31, 1943, to September 5, 1953, the show was broadcast across Blue Network, Mutual, and NBC at different periods. It was produced by Kenneth W. MacGregor, with music by George Wright and sound effects by Agnew Horine.</p><p>The story revolves around Archie Andrews, played by various actors including Charles Mullen, Jack Grimes, Burt Boyar, and Bob Hastings. Other notable characters from the comic book, like Jughead Jones, Betty Cooper, Veronica Lodge, and Reggie Mantle, are part of the radio adventures. Set in post-WWII suburban America, the show portrays a lighthearted atmosphere of friendship, love interests, and school life with Archie and his pals.</p><p>Not only did the show bring a beloved comic character to the radio, but it also focused on capturing the essence of being a teenager for its audience. The sitcom played a significant role in shaping American radio programming, catering to the interests and preferences of younger listeners during its time.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/archie-andrews' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Barrie Craig, Confidential Investigator</label>
|
<label>Barrie Craig, Confidential Investigator</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>177 episodes</span>
|
<span>59 episodes</span>
|
||||||
<span>Aired 1951-1955</span>
|
<span>Aired 1951-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -548,9 +548,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Barrie Craig, Confidential Investigator is a detective radio drama featuring the character Barrie Craig, a New York eye. The series follows Craig as he works alone, solving cases with efficiency and fearlessness. Set in his Madison Avenue office, the stories present a standard PI kind of fare, with Craig—an unconventional personality in the world of private investigators—being the "go-to guy" when one can't go to the cops. The series separates itself from its contemporaries by veering away from the traditional hardened detective stereotype, offering listeners a more easy-going protagonist who still manages to get the job done.</p><p>Initially airing on NBC radio, the show had two separate versions broadcast from both the east and west coasts from October 3, 1951, to June 30, 1955. The series attracted only occasional sponsors, which led to the show being mostly sustained by the network. Barrie Craig, Confidential Investigator starred William Gargan in the titular role, with Don Pardo as the announcer. Notably, Gargan reprised the role in a failed 1952 TV pilot written and directed by Blake Edwards, subsequently appearing on ABC's Pepsi-Cola Playhouse. Other notable cast members included Ralph Bell, Elspeth Eric, Parker Fennelly, Santos Ortega, Arnold Moss, Parley Baer, Virginia Gregg, and Betty Lou Gerson.
|
Barrie Craig, Confidential Investigator is a detective drama that aired on NBC radio from October 3, 1951, to June 30, 1955. Featuring William Gargan as the voice of New York detective Barrie Craig, this series stood out for its laid-back lead despite the popular hard-boiled detective trend. Originating in New York and later moving to Hollywood, the show presented typical PI adventures with confidentiality being its specialty.</p><p>Barrie Craig worked solo from his Madison Avenue office, and the cast included the likes of Ralph Bell, Elspeth Eric, Parker Fennelly, and others. Don Pardo was the announcer for the series. Among Gargan's other roles, he starred as the similar character Martin Kane, Private Eye.</p><p>This unique detective series takes listeners on a journey through New York's crime-ridden streets in the post-war era, providing a mix of humor and intrigue in ten digitally restored and remastered episodes.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Barrie_Craig_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Barrie_Craig,_Confidential_Investigator' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/barrie-craig-barry-craig' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Behind the Mike</label>
|
<label>Behind the Mike</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>96 episodes</span>
|
<span>32 episodes</span>
|
||||||
<span>Aired 1940-1941</span>
|
<span>Aired 1940-1941</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -305,9 +305,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Behind the Mike was a captivating radio show that provided listeners with an exclusive behind-the-scenes view of radio, featuring interviews with well-known personalities, technicians, producers, sound effect artists, musicians, and various other individuals involved in radio production. The show was designed to offer listeners greater insight into their favorite radio personalities, programs, and the people who contributed to the creation of these programs. Radio broadcasting legend Graham McNamee hosted Behind the Mike, allowing listeners to learn the answers to listener-submitted questions about radio production, such as differences between recordings and transcriptions, or information about the first ventriloquist on air.</p><p>The show aired on the Blue Network (NBC) from September 15, 1940, to April 19, 1942. During its run, Behind the Mike had 79 episodes, of which only 32 are known to still exist today. After McNamee's death on May 9, 1942, the show's name was changed to "This is the Truth" and later to "Nothing But the Truth," airing under these titles until June 7, 1942. CBS Radio had previously run another program with the title "Behind the Mike" during the 1931-32 season. The series was sustained and aired Sundays at 4:30 p.m. ET.
|
Behind the Mike was an Old Time Radio show that aired on NBC's Blue Network from September 15, 1940, to April 19, 1942, providing a behind-the-scenes look at radio broadcasting. The show was hosted by the renowned radio personality, Graham McNamee, and featured interviews with various on-air personalities, technicians, engineers, producers, sound effect artists, actors, musicians, and more.</p><p>The program was designed to give radio listeners insights into their favorite radio shows, personalities, and the people working behind them. Typically, each episode covered up to six behind-the-scenes stories and featured a "Correspondence Corner" segment in which the host answered questions from listeners about various aspects of radio production. With music provided by Ernie Watson and his orchestra, Behind the Mike was an entertaining and informative show that every radio fan would enjoy.</p><p>After McNamee's death on May 9, 1942, the series changed its name to This is the Truth, then Nothing But the Truth, and continued until June 7, 1942. Another program with the title Behind the Mike also aired on CBS Radio during the 1931-32 season.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Behind_The_Mike_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Behind_the_Mike' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/behind-the-mike' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Beulah</label>
|
<label>Beulah</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>48 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1945-1954</span>
|
<span>Aired 1945-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -233,9 +233,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Beulah is an American situation-comedy series that centers around the character Beulah Brown, a housekeeper and cook for the Henderson family. Beginning as a spin-off from the Fibber McGee and Molly radio series, Beulah is known for her unique ability to solve problems that her employers struggle with, earning her the title "the queen of the kitchen." The series features a cast of diverse characters, including Beulah's handyman boyfriend Bill Jackson, who constantly proposes marriage to her, and Oriole, a befuddled maid who works for the family next door. The comedy in the series is derived from the interactions between these characters and their humorous antics.</p><p>The radio show was broadcast on CBS Radio from 1945 to 1954, with the television adaptation airing on ABC Television from 1950 to 1953. A total of 87 episodes of the television program were filmed and produced, with only seven episodes currently known to exist on 16mm format and circulating among collectors. The radio series has fared better in preservation, with 21 episodes and an audition tape surviving to the present day. The Beulah show has a rich history, with four personalities playing the titular character, beginning with the original portrayal by white male actor Marlin Hurt and later transitioning to African-American actresses Hattie McDaniel, Lillian Randolph, and Amanda Randolph. Beulah was notable as the first sitcom to star an African-American actress, and it has been both praised and criticized for its representation of African-American characters.
|
"Beulah" aired on CBS Radio from 1945 to 1954 and on ABC Television from 1950 to 1953. It was the first sitcom to star an African American actress, becoming ABC TV's first hit situation comedy and the first hit TV sitcom without a laugh track. The show revolved around the character Beulah Brown, a housekeeper and cook for the Henderson family. Initially portrayed by white male actor Marlin Hurt, African American actress Hattie McDaniel took over the role in 1947, becoming the first black woman to star in a network radio program. McDaniel was later replaced by Lillian Randolph and then by Amanda Randolph. The show started as a spin-off of the "Fibber McGee & Molly" series and gained popularity for Marlin Hurt's unique portrayal of a black woman, despite controversy surrounding the caricatures of African Americans.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Beulah_(radio_and_TV_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/beulah' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>The Black Museum</label>
|
<label>The Black Museum</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>153 episodes</span>
|
<span>51 episodes</span>
|
||||||
<span>Aired 1951</span>
|
<span>Aired 1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -476,9 +476,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
The Black Museum is a radio crime-drama program inspired by the Crime Museum at Scotland Yard, the oldest museum in the world dedicated to recording crime. The show, narrated and hosted by Orson Welles, draws on true stories from Scotland Yard's files, with each episode centered around an item or items of evidence in the museum. The series features dramatized tales of brutal murders and vicious crimes, as well as Welles' characteristic narration and closing.</p><p>The show first aired in the United States on January 1, 1952, with 39 out of the full 52 syndicated episodes broadcast on Mutual stations. It was later broadcast on Radio Luxembourg starting May 7, 1953, where it was sponsored by cleaning products Dreft and Mirro. The series continued to be offered through syndication in the US on NPR stations through the 1960s, 70s, and 80s, with some episodes also airing on the BBC in England in 1994. Produced by Harry Alan Towers and based on scripts by Ira Marion, with music by Sidney Torch, the museum remains a part of police training despite not being open to the general public.
|
"The Black Museum" is a radio crime-drama series produced by Harry Alan Towers, first broadcast in the USA on the Mutual network in 1952 and later in Europe on Radio Luxembourg in 1953. Based on true-life cases from Scotland Yard's Crime Museum, each episode revolves around an item or evidence connected to a murder. Orson Welles narrates and hosts the show, setting the scene and providing commentary throughout the episodes. With scripts written by Ira Marion and music composed by Sidney Torch, the series takes listeners on a journey through grim tales of homicide, adapting stories from the objects housed in the infamous museum previously closed to the general public.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Black_Museum_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/The_Black_Museum' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/black-museum' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Blair of the Mounties</label>
|
<label>Blair of the Mounties</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>33 episodes</span>
|
||||||
<span>Aired 1938</span>
|
<span>Aired 1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -314,9 +314,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Blair of the Mounties is a fictional radio series that tells the story of the Royal Northwest Mounted Police in Canada. It follows the adventures of Sgt. Blair, a member of the Northwest Mounted Police, as he solves cases and tracks down criminals. The series is not restricted to Canada, as some episodes feature Blair working in Great Britain as well. While the series has been criticized for being amateurishly written and the character of Blair coming across as stuffy, it remains a notable example of a radio drama focused on the Mounted Police.</p><p>The show first aired on January 31st, 1938, and ran for 36 weeks until October 3rd, 1938. A total of 39 episodes were produced by Walter Biddick Co., written by Colonel Rhys Davies, directed by G. Donald Gray, and starred Colonel Rhys Davies as Sgt. Blair and Jack Abbott as the Constable. The show was syndicated to radio stations in the United States, Canada, and Australia, and was available for broadcast as late as 1957.
|
Blair of the Mounties is a syndicated 15-minute radio series chronicling the adventures of Sergeant James Blair of the North-West Mounted Police. Over the course of the 39-episode series, which aired for over twenty years on radio stations in the United States, Canada, and Australia, Blair serves in various Canadian locations with the assistance of Corporal Marshal, played by Jack Abbott. The show was written by Colonel Rhys Davies, who also portrayed Blair and based the series on his own experiences as a Canadian Mountie.</p><p>Known for its minimal sound effects, the show has been described as both amateurish and fascinating, with Blair sometimes coming off as a bit stuffy. The series originally aired in 1938, though it may have been on air as early as 1935. It is believed to have inspired the Challenge of the Yukon radio series.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Blair_of_the_Mounties_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Blair_of_the_Mounties' target='_blank'>wikipedia.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Blondie</label>
|
<label>Blondie</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>74 episodes</span>
|
<span>37 episodes</span>
|
||||||
<span>Aired 1939-1952</span>
|
<span>Aired 1939-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -350,9 +350,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Blondie is a radio situation comedy adapted from the long-running comic strip by Chic Young. It stars Arthur Lake as Dagwood Bumstead and Penny Singleton as Blondie Bumstead for the majority of its run. The show's premise revolves around the comical misadventures of the Bumstead family and their daily struggles with a demanding boss, nosy neighbors, bills, and the art of building the perfect sandwich. Its tone is light-hearted and humorous, with a touch of zaniness, as the characters often find themselves in chaotic situations.</p><p>The radio program was broadcast on several networks from 1939 to 1950, including CBS, NBC Blue, NBC, and ABC. In total, there were 548 episodes produced. The show was also adapted into a series of 28 low-budget films, with Penny Singleton and Arthur Lake reprising their roles. The films were successful and ran from 1938 to 1950. Over the years, Blondie had various notable advertisers and sponsors, including R.J. Reynolds' Camel cigarettes, Colgate-Palmolive's Super Suds, and others. After Penny Singleton left the radio series in 1949, she was replaced by Ann Rutherford, Alice White, and Patricia Van Cleve. Later in 1957, Arthur Lake would return to the role of Dagwood Bumstead in the television series Blondie, this time opposite Pamela Britton as Blondie.
|
Blondie is a situational comedy radio show adapted from Chic Young's long-running comic strip featuring the adventures of the Bumstead family. The show aired on multiple networks from 1939 to 1950, with Arthur Lake starring as Dagwood Bumstead and Penny Singleton as Blondie Bumstead for most of its run. The show's premise centered around the life of married couple Blondie and Dagwood as they navigated their daily lives, with Dagwood often getting into humorous mishaps.</p><p>Blondie and Dagwood first appeared together on radio in an episode of The Pepsodent Show starring Bob Hope in 1938, and later got their own show in 1939. Throughout its broadcast years, the show was sponsored by companies such as Colgate-Palmolive, Pepsodent Toothpaste, and Camel Cigarettes. The cast featured an array of talented actors and actresses, with Singleton, Ann Rutherford, Alice White, and Patricia Lake all playing the role of Blondie at different times.</p><p>The radio show, characterized by light-hearted humor, captured the essence of the comic strip and charmed audiences across America. The show even spawned a successful film series, which ran from 1938 to 1950, with Singleton and Lake reprising their roles as Blondie and Dagwood. Eventually, the radio show ended in 1950, the same year as the Blondie film series.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Blondie_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/blondie' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bob and Ray</label>
|
<label>Bob and Ray</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>540 episodes</span>
|
<span>270 episodes</span>
|
||||||
<span>Aired 1948-1959</span>
|
<span>Aired 1948-1959</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -2447,9 +2447,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Bob and Ray was a radio show featuring the American comedy duo, Bob Elliott and Ray Goulding. The show was known for its off-the-wall, deadpan humor that often satirized the medium in which they were performing, such as conducting radio or television interviews with unconventional dialogue. The duo's humor often included improvised comedy routines, following various comic threads for a few minutes and then abruptly moving on to another topic. Recurring features of the show included soap opera parodies like "The Life and Loves of Linda Lovely" and the pair engaging in impromptu banter with studio musicians.</p><p>The radio show, which began on Boston station WHDH in 1946, spanned five decades and aired on various networks such as NBC, CBS, and Mutual. Additionally, it was broadcast on New York City stations WINS, WOR, and WHN, and eventually on National Public Radio until its end in 1987. Bob and Ray saw a total of over 40 years on air and were known for their witty and hilarious skits which usually consisted of ad-libbed or improvised material. Characters like Wally Ballou, Roving Reporter, and skits like "Mr. Trace, Keener than Most Persons" became staples of the show. They also released radio episodes on recordings, and several were later adapted into graphic story form for publication in MAD magazine. Bob and Ray were praised for their unique talents and refreshing humor, often compared to the likes of Vic and Sade and the Marx Brothers.
|
Bob and Ray were an American comedy duo consisting of comedians Bob Elliott and Ray Goulding, popular for their satirical and deadpan humor. They began their careers as radio announcers in Boston, and their impromptu, pleasant banter led to their own show on WHDH, "Matinee with Bob and Ray," in 1946. This show featured completely improvised and irreverent humor, with the duo showcasing their wit and versatility. A recurring feature was soap opera parodies, such as "The Life and Loves of Linda Lovely". Bob and Ray's later routines were more carefully scripted and timed, allowing them to create classic characters like Wally Ballou, Roving Reporter, and sketch parodies like "Mr. Trace, Keener than Most Persons." Their career spanned over five decades, and this collection showcases their comedic genius, especially during their most polished period of mid-1950s radio.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Bob_and_Ray' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/bob-and-ray' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bold Venture</label>
|
<label>Bold Venture</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>171 episodes</span>
|
<span>57 episodes</span>
|
||||||
<span>Aired 1951-1952</span>
|
<span>Aired 1951-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -530,9 +530,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Bold Venture was a captivating and thrilling radio series starring the renowned Humphrey Bogart who played the part of Slate Shannon, a hotel owner with a boat called the "Bold Venture." Set in Havana, Cuba, the show followed Slate's adventures as he rescued friends in need, hunted down his enemies, and navigated through modern-day pirates and other tough situations. The sultry Sailor Duval, played by Lauren Bacall, accompanied him in their ventures. Their escapades were accompanied by calypso singer King Moses, played by Jester Hairson, who supplied musical narrative with scripts written by Morton Fine and David Friedkin.</p><p>The transcribed syndication ran from 1951 to 1952, premiering on March 26, 1951, and was produced by Ziv Corporation. There were 78 thirty-minute episodes, with 57 of them still known to exist today. The show was later adapted into a television series in 1959, which changed the setting to Trinidad and starred Dane Clark as Slate Shannon, Joan Marshall as Sailor Duval, and Bernie Gozier as King Moses.
|
Bold Venture was a syndicated radio adventure series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Its premise revolved around hotel and boat owner Slate Shannon, played by Bogart, and his ward, Sailor Duval, played by Bacall. Set in the sultry setting of Havana, Cuba, this duo frequently found themselves entangled in adventure, intrigue, and mystery while navigating the Caribbean waters.</p><p>Combining elements from Bogart and Bacall's past on-screen collaborations, the show had music by David Rose and scripts by Morton Fine and David Friedkin. Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. A total of 57 episodes are now known to exist out of the original 78 episodes produced.</p><p>Bold Venture was later brought to television in 1959, produced by Morton Fine and David Friedkin, with a change of setting from Cuba to Trinidad due to unstable conditions in Cuba. The series starred Dane Clark as Slate Shannon, Joan Marshall as Sailor Duval, and Bernie Gozier as King Moses.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Bold_Venture_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Bold_Venture' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/bold-venture' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Boston Blackie</label>
|
<label>Boston Blackie</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>591 episodes</span>
|
<span>197 episodes</span>
|
||||||
<span>Aired 1944-1949</span>
|
<span>Aired 1944-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1790,9 +1790,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Boston Blackie is a fictional character that has occupied various positions on both sides of the law. Initially created by author Jack Boyle as a safecracker and criminal, the character evolved into a detective in adaptations for films, radio, and television. The premise of the radio series involves Boston Blackie, an enemy to those who oppose him and a friend to those in need, solving mysteries and inevitably encountering the often-confused Police Inspector Farraday. Throughout the series, a mixture of tension and camaraderie develops between Blackie and Farraday, as they navigate various criminal investigations with the help of Blackie's girlfriend, Mary Wesley, and other characters.</p><p>The Boston Blackie radio show aired from June 23, 1944, to October 25, 1950, with over 200 episodes produced during this period. The show initially began on NBC as a summer replacement for The Amos 'n' Andy Show, sponsored by Rinso. Later, the series was syndicated by Frederic W. Ziv to Mutual and other network outlets. The show featured notable actors such as Chester Morris, Richard Kollmar, Maurice Tarplin, and Jan Miner. The series had several sponsors, including Lifebuoy Soap, Champagne Velvet beer, and R&H beer.
|
Boston Blackie is a fictional detective character created by author Jack Boyle. Initially portrayed as a safecracker and jewel thief, he eventually became a detective known as the "enemy to those who make him an enemy, friend to those who have no friend." The character appeared in Columbia Pictures films with Chester Morris playing the lead role between 1941 and 1949.</p><p>The Boston Blackie radio series began on June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show, starring Chester Morris. Richard Kollmar took over the title role in the series, which was syndicated by Frederic W. Ziv from April 11, 1945, to October 25, 1950. Over 200 episodes were produced during this time, featuring Lesley Woods as Blackie's girlfriend Mary Wesley, Maurice Tarplin as Inspector Farraday, and Jan Miner as Mary in the ZIV syndicated series.</p><p>The show followed a formulaic pattern where someone gets into trouble, there is a murder, and Blackie is framed for it. He then escapes police custody, solves the mystery, hands over the criminals to Inspector Farraday, and charms the girl. With light-hearted humor and high production values, the radio series became very popular and has a lasting appeal among fans of detective fiction.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Boston_Blackie_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Boston_Blackie' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/boston-blackie' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Box 13</label>
|
<label>Box 13</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>156 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1948-1949</span>
|
<span>Aired 1948-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -485,9 +485,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Box 13 is a syndicated radio drama that follows the adventures of Dan Holiday, a newspaperman-turned-mystery novelist played by actor Alan Ladd. The show is set around a simple premise: to generate story ideas for his mystery novels, Holiday places an advertisement in the local newspaper that reads, "Adventure wanted, will go anywhere, do anything, Box 13." Each episode deals with the adventures that transpire after Holiday receives a letter and responds to it. Along the way, Holiday solves mysteries, faces dangerous situations, and shares laughs with his secretary, Suzy. The show captures a lighthearted yet thrilling tone and manages to maintain a sense of mystery throughout each episode without relying heavily on grisly murders or hard-boiled detective themes.</p><p>A product of Mayfair Productions, Box 13 was aired on the Mutual Broadcasting System, as well as being syndicated. The show ran for 52 episodes between August 1948 and August 1949. Other notable cast members included Sylvia Picker as Suzy, Edmond MacDonald as Lt. Kling, and guest appearances by Betty Lou Gerson, Lurene Tuttle, Alan Reed, Luis Van Rooten, John Beal, and others. The series was produced by Richard Sanville with Alan Ladd as co-producer, and the program was directed by Vern Carstensen. The show's music was created by Rudy Schrager, while the scripts were penned by Russell Hughes. Although Box 13 failed to make the transition to television, it did inspire a comic book series, which was reimagined and published by ComiXology and Red 5 Comics in 2010.
|
Box 13 was a syndicated radio drama that aired in various cities in the United States from October 1947. It starred Alan Ladd as Dan Holiday, a newspaperman turned mystery novelist seeking ideas for his fiction. He placed an ad in the newspaper reading "Adventure wanted, will go anywhere, do anything – write Box 13, Star-Times." Responding to the letters he received, Holiday found himself in various adventures involving crime-solving and mystery. The show was produced by Mayfair Productions and featured Sylvia Picker as Holiday's secretary Suzy and Edmund MacDonald as police Lt. Kling. Several guest actors appeared on the show, and the series was known for its high adventure and storytelling that didn't always involve a murder each week.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Box_13_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Box_13' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/box-13' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bright Star</label>
|
<label>Bright Star</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>93 episodes</span>
|
<span>31 episodes</span>
|
||||||
<span>Aired 1952</span>
|
<span>Aired 1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -296,9 +296,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Bright Star, also known as The Irene Dunne and Fred MacMurray Show, is a charming radio comedy-drama that centers around Susan Armstrong (played by Irene Dunne), the editor of a struggling newspaper called the Hillsdale Morning Star, and George Harvey (played by Fred MacMurray), an idealistic star reporter who often conflicts with his editor over stories. With a delightful rapport between Dunne and MacMurray, both of whom have excellent comedic timing, the show focuses on their attempts to keep the newspaper in business despite facing financial difficulties.</p><p>Broadcasted between 1952 and 1953, Bright Star aired a total of 52 episodes that each lasted 30 minutes. The show was syndicated by Ziv and featured announcers Harry von Zell and, later, Wendell Niles. It is worth mentioning that Irene Dunne, best known for her films with Cary Grant, stopped acting in 1952 to focus on her position as alternate U.N. delegate of the General Assembly in 1959, a role given to her by President Eisenhower. Meanwhile, Fred MacMurray gained fame as the patriarch in the TV show "My Three Sons" from 1960 to 1972 and starred in several Disney films.
|
Bright Star, also known as The Irene Dunne and Fred MacMurray Show, was a 30-minute radio comedy-drama that aired for one season from 1952-1953. The show featured renowned film stars Irene Dunne and Fred MacMurray, with Harry von Zell and Wendell Niles as announcers. The storyline focused on the struggles of Susan Armstrong (Dunne), editor of the struggling Hillsdale Morning Star newspaper, and her idealistic star reporter George Harvey (MacMurray). The two often conflicted over stories but had excellent comedic rapport. As a charming show with talented leads, Bright Star is sure to delight fans of Irene Dunne and Fred MacMurray.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Bright_Star_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Bright_Star_(radio)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/bright-star' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Broadway is My Beat</label>
|
<label>Broadway is My Beat</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>507 episodes</span>
|
<span>169 episodes</span>
|
||||||
<span>Aired 1949-1954</span>
|
<span>Aired 1949-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1538,9 +1538,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Broadway is My Beat is a radio crime drama that follows the life of hardened New York City cop, Detective Danny Clover, as he works homicide cases on the iconic "Great White Way." Set in the bustling theater district of Manhattan, from Times Square to Columbus Circle, the show is known for its captivating and gritty portrayal of the city through vivid sound effects and a powerful music score. With a strong focus on the urban streetscape and well-developed characters, the storylines feature dramatic and tense crime scenarios alongside engaging narrative monologues that transport listeners straight into the world of Broadway.</p><p>The show initially aired on CBS from February 27, 1949, to August 1, 1954, starting off in New York City with Anthony Ross as Detective Danny Clover, before Larry Thor took over the role and the show moved to Hollywood under producer Elliott Lewis. With its authentic recreation of Manhattan's bustling soundscape, Broadway is My Beat showcased the talents of renowned radio and film actors such as Irene Tedrow, Barney Phillips, Sheldon Leonard, and Martha Wentworth. The series became well-known for its powerful opening theme, "I'll Take Manhattan," and is still remembered as a standout example of crime drama from the golden age of radio.
|
Broadway is My Beat is a radio crime drama that aired on CBS from February 27, 1949, to August 1, 1954. Set in New York City, the show follows Detective Danny Clover, played by Anthony Ross and later by Larry Thor, as he solves crimes in the bustling Times Square area. Known for its gritty dialogue and authentic city sound effects, the show captivates audiences with its realistic portrayal of life and crime on the "Great White Way." Directed by John Dietz and later by Elliott Lewis, Broadway is My Beat is a hard-boiled detective drama featuring a talented supporting cast and memorable performances. The vivid descriptions and melancholy monologues about the city further enhance the show's appeal to mystery fans.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Broadway_Is_My_Beat_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Broadway_Is_My_Beat' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/broadway-is-my-beat' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Buck Rogers</label>
|
<label>Buck Rogers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1939</span>
|
<span>Aired 1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -125,9 +125,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Buck Rogers in the 25th Century was a science fiction radio serial and aviation radio series that captured the excitement of the popular novel and comics series Buck Rogers. The show followed the adventures of Buck Rogers, a man from the present day who got trapped in a cave-in and was subjected to a mysterious gas that held him in suspended animation until he was discovered in the 25th century. Resuscitated by the good inventor and scientist Dr. Huer, Buck learns about the incredible technology and ways of life in the future, and sets off on thrilling adventures with Lieutenant Wilma Deering, Dr. Huer's assistant, battling evil forces such as Killer Kane and Ardala Valmar. Dedicated to showcasing the ongoing struggle of good versus evil, Buck Rogers in the 25th Century was a forerunner to many juvenile adventure serials that followed.</p><p>The show initially ran from November 7, 1932, to May 22, 1936, on CBS Radio, and returned several times throughout the following years on Mutual Broadcasting System, finally concluding on March 28, 1947. In total, the show aired an estimated 860 episodes, with some episodes available for listening today. Directed by Carlo De Angelo and Jack Johnstone, the show featured varying actors in its starring roles, including Matt Crowley, Curtis Arnall, Carl Frank, and John Larkin as Buck Rogers, as well as Adele Ronson and Edgar Stehli as Wilma Deering and Dr. Huer, respectively. The show was sponsored by well-known brands like Kellogg's, Cocomalt, Cream of Wheat, Popsicles, Fudgsicles, and Creamsicles. Buck Rogers in the 25th Century was not only one of the first science fiction radio shows but also laid a foundation for future serials, such as Tarzan and The Air Adventures of Jimmy Allen.
|
Buck Rogers in the 25th Century was a pioneering science fiction radio drama series, airing from 1932-1936, 1939, 1940, and 1946-1947. Based on the popular novel and comics series, the show followed the thrilling adventures of Buck Rogers, a man from the 20th century who awakens in the 25th century after being trapped in suspended animation. He teams up with brilliant scientist Dr. Huer and Space Corp Lieutenant Wilma Deering to battle evil forces led by the cunning Killer Kane and Ardala Valmar. The series was notable for teaching important life lessons and reflecting the virtues of the American Way.</p><p>The show was directed by Carlo De Angelo and Jack Johnstone, and starred a rotating cast of actors including Matt Crowley, Curtis Arnall, Carl Frank, and John Larkin as Buck Rogers. The sound effects were created by Ora Daigle Nichols, and scripts were written by comic strip writer Dick Calkins.</p><p>Buck Rogers in the 25th Century was a memorable radio serial that captivated audiences and paved the way for future science fiction programming. Apart from offering exciting space adventures, the show also resonated with the political climate of the time, as it took on an added significance during the tumultuous years leading up to and during World War II. This series has lived on as an essential piece of radio and science fiction history.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Buck_Rogers_in_the_25th_Century_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/buck-rogers' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Bulldog Drummond</label>
|
<label>Bulldog Drummond</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>38 episodes</span>
|
<span>19 episodes</span>
|
||||||
<span>Aired 1941-1948</span>
|
<span>Aired 1941-1948</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -188,9 +188,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Bulldog Drummond is a radio crime drama that focuses on the relentless pursuit of criminals by a British investigator nicknamed "Bulldog." Created by British author H.C. McNeile, the character is a polished man-about-town whose hobby is crime detection and the apprehension of criminals. Alongside his sidekick Denny, Captain Hugh Drummond solves various murder cases and deals with a range of underworld characters. The series is known for its brief but evocative opening created by producer-director Himan Brown, which uses sound effects to set a London ambiance.</p><p>The show was broadcast from April 13, 1941, until March 28, 1954, airing on the Mutual Broadcasting System in the United States and Canada. Over the years, Drummond was played by several actors, including George Coulouris, Santos Ortega, Ned Wever, and Cedric Hardwicke. The character did not have a wife or ex-army comrades in the radio program as he did in the books, but he retained his butler, Denny. Distribution for the show became syndicated via electrical transcription in 1948, and a new version of Bulldog Drummond was aired in 1953 on Mutual. Despite efforts to revive the program, the final network version was broadcast only between January 3, 1954, and March 28, 1954.
|
Bulldog Drummond is a classic American radio crime drama that aired on Mutual from April 13, 1941, to March 28, 1954. The show's central character, Bulldog Drummond, was created by British author H.C. McNeile and portrayed a relentless British investigator with a knack for crime detection and apprehending criminals. Drummond and his sidekick Denny (played by various actors over the years) solved many murder cases and dealt with radium thieves to counterfeiters. The show was initially set in Great Britain but later moved to the United States.</p><p>The series was known for its opening sequence, created by producer-director Himan Brown, featuring foghorn, footsteps, shots, and police whistles. The characters were played by notable actors such as George Coulouris, Santos Ortega, Ned Wever, Cedric Hardwicke, Everett Sloane, Luis van Rooten, and Rod Hendrickson. The show was written by Allan E. Sloane, Leonard Leslie, Edward J. Adamson, and Jay Bennett, with distribution handled by Mutual Broadcasting System and syndication by Chartoc-Coleman company.</p><p>Bulldog Drummond was later revived in 1953, with Sir Cedric Hardwicke in the lead role. However, this version of the show ran from January 3, 1954, to March 28, 1954, before it ended. Overall, the show was popular for its crime-solving and thrilling adventures in a wartime atmosphere.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Bulldog_Drummond_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/bulldog-drummond' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Calling All Cars</label>
|
<label>Calling All Cars</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>888 episodes</span>
|
<span>296 episodes</span>
|
||||||
<span>Aired 1933-1939</span>
|
<span>Aired 1933-1939</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -2681,9 +2681,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Calling All Cars was a radio police drama that featured dramatizations of true crime stories, depicting how each crime was solved and justice served. Episodes were mainly introduced by officers from the Los Angeles Police Department, with Sgt. Jesse Rosenquist, a police dispatcher, as a part of the entire run of the series. The show focused on the tedious routine of tracking down killers and robbers and was described as a crude forerunner of the popular police procedural show, Dragnet.</p><p>The show was broadcast from November 29, 1933, to September 8, 1939, and originally aired on the West Coast's Columbia Broadcasting System (CBS) and on the Mutual-Don Lee Network. It was sponsored by the Rio Grande Oil Company, which was part of the Sinclair Oil Corporation. The show only ran in areas where Rio Grande "Cracked" gasoline was sold. Calling All Cars was written and directed by William N. Robson and gained recognition in 1938 when it received the Institute of Audible Arts Trophy for the most consistently excellent program broadcast in the western United States during that year.
|
Calling All Cars was a pioneering old-time radio police drama that aired from November 29, 1933, to September 8, 1939, on CBS West Coast and the Mutual-Don Lee networks. Created by writer-director William N Robson, the show featured true crime stories from the Los Angeles Police Department, showcasing how each case was solved and justice served. Sgt. Jesse Rosenquist, a police dispatcher, was part of the entire series run.</p><p>The show was sponsored by the Rio Grande Oil Company and featured introductory remarks by officers of the Los Angeles Police Department. As a precursor to future police dramas, such as Dragnet, Calling All Cars helped improve law enforcement's public image by portraying them as dedicated public servants. The series later found syndication through different sponsors across the United States, further expanding its reach and influence on the radio drama genre.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Calling_All_Cars_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Calling_All_Cars_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/calling-all-cars' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Can You Imagine That</label>
|
<label>Can You Imagine That</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1940</span>
|
<span>Aired 1940</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -368,9 +368,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Can You Imagine That is a captivating radio show that shares bizarre and astounding stories taken from newspaper columns from across the country. Combining elements of docudrama sketches and vignettes about unusual news items and historical curiosities, the show aims to give listeners something intriguing to think about. Some of the peculiar stories dramatized on the show include incidents of animal attacks, elderly people growing new teeth, and ancient cultural practices. The show's tone is lighter and less extreme than similar programs like Ripley's Believe It or Not, making it an excellent source of entertaining facts and conversation starters.</p><p>Broadcast during the golden age of radio, Can You Imagine That aired on multiple radio networks and showcased a variety of fascinating tales. The show has numerous episodes, and many of them still exist today. While the program did not have any related television shows or other media formats, it did share some similarities with other radio programs such as The Passing Parade, Ripley's One Minute Shorts, Strange As It Seems, and Incredible But True. The show captured the interest of its listeners by presenting extraordinary accounts and facts, and it may have even had notable advertisers and sponsors during its time on the air.
|
Can You Imagine That is an entertaining old time radio show that shares strange and surprising stories from newspaper columns around the country. Designed to provoke thought and conversation, the show presents a mix of docudrama sketches and vignettes about odd news items and historical oddities. Written, directed, and hosted by Lindsay MacHarrie, it aired on West Coast Radio.</p><p>Some of the fascinating stories featured include a boy attacked by a 10 ft bird, a 92-year-old woman growing a third set of teeth, and a man falling 15,000 feet from an airplane and surviving. The show's format teases several oddities before presenting them in a 15-minute episode, often concluding with a vignette about an old or popular song of the era.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Can_You_Imagine_That_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/can-you-imagine-that' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Candy Matson, YUkon 2-8209</label>
|
<label>Candy Matson, YUkon 2-8209</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>28 episodes</span>
|
<span>14 episodes</span>
|
||||||
<span>Aired 1949-1952</span>
|
<span>Aired 1949-1952</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -143,9 +143,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Candy Matson, YUkon 2-8209 was a detective drama radio show that featured private investigator Candy Matson, known for her sassiness and fearlessness. Set in San Francisco, the show's premise revolved around Matson solving cases in real Bay Area locations, often ahead of her love interest, Lt. Ray Mallard. The show opened with a ringing telephone and the main character answering it with "Candy Matson, YU 2-8209," followed by the organ playing the theme song, "Candy." The show's tone was marked by a blend of suspense, humor, and clever, caustic responses to threats from the unflappable, blonde sleuth.</p><p>Candy Matson, YUkon 2-8209 first aired on the NBC West Coast in March 1949 and ran until May 1951. It was created by Monty Masters and starred his wife, Natalie Parks. Candy Matson was popular in San Francisco, even receiving the local newspaper's "Favorite Program Award" in 1950. However, the show failed to secure a sponsor throughout its run. Only 14 of the 92 episodes are known to still exist today, with additional episodes preserved in audition shows and radio theater adaptations by producer Joe Bevilacqua.
|
Candy Matson, YUkon 2-8209, is a captivating Old Time Radio show that aired from March 1949 to May 1951 on NBC West Coast. Created by Monty Masters, the show featured his wife Natalie Parks in the title role of a smart, tough, and fearless female private investigator, Candy Matson. Set in San Francisco, the show followed Candy as she solved cases in the Bay Area, often working with her police detective love interest, Lt. Ray Mallard, played by Henry Leff, and her flamboyant best friend and assistant, Rembrandt Watson, voiced by Jack Thomas.</p><p>The show's opening featured a ringing telephone, with Candy answering, "Candy Matson, YU 2-8209" before the theme song "Candy" played. The series was praised for its strong female lead and use of actual San Francisco locations in its storylines. Despite its popularity, the show never gained a national audience or a permanent sponsor, remaining a West Coast favorite. Candy Matson concluded with a twist ending as Ray proposed to Candy, leading to their marriage and Candy's retirement from detective work.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Candy_Matson_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Candy_Matson' target='_blank'>wikipedia.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Case Dismissed</label>
|
<label>Case Dismissed</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>12 episodes</span>
|
||||||
<span>Aired 1954</span>
|
<span>Aired 1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -125,9 +125,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Case Dismissed is a radio show that shares stories of everyday events in the context of our legal rights and the challenges faced when trying to preserve and protect them. The program highlights how fragile liberty and justice can be through engaging stories of criminal liability, legal wills, buying on installment, and leasing an apartment, as well as the vital role played by honest lawyers in helping navigate the legal system. Although the acting may be considered dated by today's standards, the show still manages to achieve the desired effect through well-written stories, creating an interesting and educational listening experience.</p><p>The show originally aired on WMAQ Chicago, an NBC station, and was broadcasted between January 30, 1954 and April 24, 1954. During this time, 13 episodes were produced, with 12 currently available. Presented by the Chicago Bar Association, Case Dismissed features a host of local Chicago talent led by Dean of the Loyola University Law School, John Fitzgerald. While the dramas are based on Illinois law, they still offer valuable lessons that can be applied more broadly. The show serves as a useful resource for those interested in the complexities of legal matters and the lasting impact these can have on everyday life.
|
"Case Dismissed" is a classic legal drama that aired on WMAQ Chicago, an NBC station, from January 30, 1954, to April 24, 1954. Created by the Chicago Bar Association, the show features everyday situations where individuals encounter legal challenges, showcasing the importance of consulting an honest lawyer. The 12 available episodes were delivered by local Chicago talent, with Dean John Fitzgerald of the Loyola University Law School as host. Despite its limited broadcast and age, "Case Dismissed" remains an engaging series that offers valuable insight into the American legal system during the 1950s.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Case_Dismissed_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/case-dismissed' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Casey, Crime Photographer</label>
|
<label>Casey, Crime Photographer</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>231 episodes</span>
|
<span>77 episodes</span>
|
||||||
<span>Aired 1943-1954</span>
|
<span>Aired 1943-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -710,9 +710,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Casey, Crime Photographer is a mystery and adventure radio series focused on the life of the titular character, a crime photographer for the fictional Morning Express newspaper. With the help of reporter Ann Williams, Casey hunts down criminals and solves various crimes. Often, a picture snapped at a crime scene leads Casey to play detective, with his police chief friend, Captain Logan, assisting them in each week's episode. Between assignments, crime investigators Casey and Ann wind down at their favorite tavern, The Blue Note. The show is known for its blend of action and jazz with a backdrop of crime-investigator suspense.</p><p>The series initially aired from July 7, 1943 until April 22, 1955, broadcasting a total of 431 episodes across various radio networks. Notable people involved in the show's production included Matt Crowley, Staats Cotsworth, and Jan Miner, among others. The radio show had several sponsors, such as Anchor-Hocking glass, Toni home permanents, Toni Creme Shampoo, and Philip Morris cigarettes. In addition to its radio format, Casey, Crime Photographer branched out into a media franchise, spanning pulp magazines, novels, comic books, films, television, and legitimate theatre.
|
Casey, Crime Photographer, also known as Flashgun Casey and Crime Photographer, aired on CBS radio from July 7, 1943, to April 22, 1955, with a total of 431 episodes. The character, originally created by novelist George Harmon Coxe, appeared in Black Mask magazine and various other media formats.</p><p>Jack "Flashgun" Casey was a crime photographer for the fictional Morning Express newspaper. He worked alongside reporter Ann Williams, solving crimes and recounting their adventures at their favorite tavern, The Blue Note. Various actors portrayed the characters, with Staats Cotsworth and Jan Miner being the most prominent as Casey and Ann Williams, respectively.</p><p>The show, sponsored by brands like Anchor-Hocking Glass, Toni Home Permanents, and Philip Morris Cigarettes, managed to find success on radio despite its B-grade status. However, it did not fare well on television, with its short-lived run never being re-ran due to poor reception.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Casey_Crime_Photographer_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Casey,_Crime_Photographer_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/casey-crime-photographer' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Radio Mystery Theater</label>
|
<label>CBS Radio Mystery Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>2798 episodes</span>
|
<span>1399 episodes</span>
|
||||||
<span>Aired 1973</span>
|
<span>Aired 1973</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -12608,9 +12608,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
CBS Radio Mystery Theater was a radio drama series that encompassed various genres, including horror, science fiction, historical drama, westerns, and comedy. The format of the show was similar to classic radio programs like The Mysterious Traveler and The Whistler, with episodes being introduced by host E. G. Marshall. As with prior Inner Sanctum Mysteries, each episode began and ended with the sound of a creaking door, coupled with Marshall's greeting and sign-off. The series' theme music featured a series of spooky and eerie sounds played by various instruments. Throughout its run, CBS Radio Mystery Theater boasted several notable actors and introduced a new generation of listeners to the world of radio drama.</p><p>The show aired on CBS Radio Network affiliates from 1974 to 1982 and was later repeated by the NPR satellite feed in the early 2000s. There were 1,399 original episodes with a total number of broadcasts, including repeats, of 2,969. Each episode was allotted an hour of airtime, typically running for around 45 minutes. E. G. Marshall hosted the show from January 1974 until February 1, 1982, when actress Tammy Grimes took over for the remainder of the series' final season. Himan Brown re-recorded E. G. Marshall's original host segments for NPR's broadcast of the show in the 2000s.
|
CBS Radio Mystery Theater, also known as Radio Mystery Theater and Mystery Theater, was a radio drama series that aired on CBS Radio Network affiliates between 1974 and 1982, and later in the early 2000s on NPR satellite feed. Created by Himan Brown, the show followed a format similar to classic Old Time Radio programs like The Mysterious Traveler and The Whistler. E.G. Marshall hosted the show from January 1974 until February 1982 and introduced episodes with insightful commentary, inviting listeners into the world of the macabre.</p><p>The series encompassed a wide variety of genres, including horror, science fiction, historical drama, comedy, and seasonal dramas during the Christmas season. It featured classic adaptations, stories from famous writers, and original tales. With 1,399 original episodes, the series attracted a diverse array of talent, including renowned actors from stage, film, and TV, as well as notable voices from the golden age of radio.</p><p>Recorded in New York, CBSRMT captured the nostalgia of Old Time Radio, appealing to both older and younger audiences. The program's spine-chilling atmosphere and engaging storytelling made it a popular late-night treat for many listeners.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/CBS_Radio_Mystery_Theater' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/cbs-radio-mystery-theater' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Radio Workshop</label>
|
<label>CBS Radio Workshop</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>258 episodes</span>
|
<span>86 episodes</span>
|
||||||
<span>Aired 1956-1957</span>
|
<span>Aired 1956-1957</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -791,9 +791,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
CBS Radio Workshop was a revival of the Columbia Workshop series from the late thirties, serving as an experimental platform for actors, writers, and technicians to produce scripts that sponsors might deem too risky. The show was known for its cutting-edge writing, music, and sound, garnering appreciation from radio personnel and listeners alike. The series alternated between the west and east coast production centers and was dedicated to man's imagination, as it explored the theater of the mind.</p><p>The series aired from January 27, 1956, until September 22, 1957, on CBS, and all 86 episodes still exist today. The revival was initiated by William Froug, a CBS vice president, who pitched the idea to Howard Barnes. Their first program was an adaptation of Aldous Huxley's "Brave New World," narrated by Huxley himself and announced by William Conrad. The CBS Radio Workshop was one of the last attempts of American network radio to hold onto radio demographics after the emergence of television. Some notable writers whose work was adapted for the series included John Cheever, Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Christopher Isherwood, Frederik Pohl, James Thurber, Mark Twain, and Thomas Wolfe.
|
The CBS Radio Workshop, an experimental dramatic radio anthology series, aired from January 27, 1956, until September 22, 1957. Known as "radio's distinguished series to man's imagination," it was a revival of earlier Columbia Workshop broadcasts, bringing back some of the original writers and directors. The series was one of the last efforts by American network radio to attract and retain the audience that had transitioned to television after World War II.</p><p>The show premiered with a two-part adaptation of Aldous Huxley's Brave New World, narrated by Huxley himself. The series was known for its unique approach to sound effects and featured music by composers like Bernard Herrmann, Jerry Goldsmith, Amerigo Moreno, Ray Noble, and Leith Stevens. Many renowned writers' works were adapted for the series, including pieces by John Cheever, Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Christopher Isherwood, Frederik Pohl, James Thurber, Mark Twain, and Thomas Wolfe.</p><p>Created by William Froug, the series successfully attracted attention from radio personnel and listeners, leading to alternating productions between the west and east coasts. The CBS Radio Workshop showcased a wide variety of genres and offered cutting-edge writing, music, and sound, making it a unique collection of radio shows at the end of the radio era.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_CBS_Radio_Workshop_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/CBS_Radio_Workshop' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/cbs-radio-workshop' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Challenge of the Yukon</label>
|
<label>Challenge of the Yukon</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1887 episodes</span>
|
<span>629 episodes</span>
|
||||||
<span>Aired 1943-1955</span>
|
<span>Aired 1943-1955</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -5678,9 +5678,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Challenge of the Yukon was a radio series based on Detroit's station WXYZ that explored the adventures of Sergeant William Preston of the Northwest Mounted Police and his lead sled dog, Yukon King, as they fought wrongdoers in the Northern wilderness during the Gold Rush of the 1890s. The program adopted an adventure format, focusing on the heroics of a working dog and the characters' efforts to help injured trappers, smuggle trackers and protect cabin dwellers from wolverines. Yukon King was a critical character in the show, helping to drive the premise and action of the storyline.</p><p>The radio show began as a 15-minute serial, airing locally from 1938 until May 28, 1947. After acquiring Quaker Oats as a sponsor, the series expanded to a half-hour format and moved to network programming. Challenge of the Yukon aired on ABC from June 12, 1947 to December 30, 1949 and later on The Mutual Broadcasting System from January 2, 1950 until its last episode on June 9, 1955. The title changed from Challenge of the Yukon to Sergeant Preston of the Yukon in November 1951, and that name remained until the end of the series and transitioned into television.
|
"Challenge of the Yukon," also known as "Sergeant Preston of the Yukon," was a long-running radio adventure series created by George W. Trendle, the station owner of Detroit's WXYZ. A Northern genre story, the series began airing on February 3, 1938. The show followed Sergeant William Preston of the Northwest Mounted Police and his loyal Alaskan husky, Yukon King, as they fought evildoers in the Northern wilderness during the 1890s Gold Rush. The action-packed stories featured the duo helping injured trappers, catching smugglers, and saving people from wild animals.</p><p>The show experienced various name changes, first known as "Challenge of the Yukon," then "Sergeant Preston of the Yukon" in the 1950s. Many actors played the role of Sgt. Preston over the years, with Paul Sutton being the most prominent. The talented animal sound effects artists, Dewey Cole and later Ted Johnstone, provided Yukon King's barks and howls.</p><p>Aired on numerous networks and re-formatted as it evolved, "Challenge of the Yukon" entertained audiences with engaging storylines, lively music, and strong heroes both human and canine.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Challenge_of_the_Yukon_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Challenge_of_the_Yukon' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/challenge-of-the-yukon-sgt-preston' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Charlie Chan</label>
|
<label>Charlie Chan</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>104 episodes</span>
|
<span>52 episodes</span>
|
||||||
<span>Aired 1936-1949</span>
|
<span>Aired 1936-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -485,9 +485,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Charlie Chan is a radio show centered around a fictional Hawaiian police detective created by author Earl Derr Biggers. The show features Detective Chan, a benevolent and heroic Chinese-American who was developed as an alternative to the negative and clichéd portrayals of East Asians in Hollywood in the early 20th century. Many episodes showcase Chan traveling around the world solving mysteries and uncovering criminals. The character carries a reputation for his wit, intelligence, and wisdom, which helped counteract and challenge existing Asian stereotypes. </p><p>The detective serial aired in the late 1940s and gained popularity due to the Charlie Chan film adaptations that were also in circulation, with more than 40 films made between the 1930s and 1949. All the movies starred non-Chinese actors as Charlie. Unfortunately, the number of Charlie Chan radio serial recordings is limited, with the majority believed to be lost. Although the complete storylines are incomplete, the existing episode recordings still offer a glimpse into the unique and mysterious world of Detective Charlie Chan.
|
The Adventures of Charlie Chan is an intriguing collection of radio episodes featuring the fictional detective Charlie Chan, created by Earl Derr Biggers. Airing on four networks from 1932 to 1948, the show starred Walter Connolly and serialized adaptations of Biggers' novels. Charlie Chan, a Chinese-Hawaiian detective based in Honolulu, embarks on global journeys filled with thrills, excitement, comedy, and pearls of wisdom. Despite his busy career, Chan maintains a strong family life, with his 14 children, including Numbers 1 and 2 sons, often assisting him in solving cases. Known for his exotic wit and wisdom, Charlie Chan's adventures are a rare gem in the world of radio detective shows, with complete serial recordings being scarce, and the full storylines often incomplete. Tune in to experience the wit and charm of this modern Chinese sage!
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Charlie_Chan' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/charlie-chan' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -35,9 +35,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Chick Carter, Boy Detective is an American radio crime drama that centers on the character Chickering "Chick" Carter, who is the adopted son of and assistant to Nick Carter from Nick Carter, Master Detective. As a spinoff of the elder Carter's show, episodes of this program typically feature cliffhanger endings, enticing young listeners to tune in for the next installment. While the show is primarily aimed at a younger audience, both the Chick Carter and Nick Carter series manage to keep fans of all ages engrossed in their crime-solving adventures.</p><p>The show aired on the Mutual Broadcasting System from July 5, 1943 to July 6, 1945, with a total of 304 episodes. Leon Janney initially played Chick Carter before being replaced by Bill Lipton on July 3, 1944. The show was produced by Charles Michelson and directed by Fritz Block, who also contributed as a writer along with Walter B. Gibson, Ed Gruskin, and Nancy Webb. Chick Carter, Boy Detective later became the basis for a film serial called Chick Carter, Detective in 1946 and a comic strip that ran in Shadow Comics Magazine.
|
Chick Carter, Boy Detective was a popular American old-time radio crime drama series for youth, aired on the Mutual Broadcasting System from July 5, 1943 to July 6, 1945. The show featured 15-minute episodes, centered around Chickering "Chick" Carter, the adopted son of and assistant to Nick Carter of Nick Carter, Master Detective fame. As a spinoff of the elder Carter's show, both programs were products of the Street and Smith publishing company and aimed to engage fans of all ages in their crime-solving pursuits. Episodes ended in cliffhangers, urging young listeners to stay tuned for the next installment.</p><p>The show's cast included Bill Lipton, Leon Janney, Jean and Joanne McCoy, Gilbert Mack, Bill Griffis, and Stefan Schnabel. Fritz Block directed the program and was also one of the writers, along with Walter B. Gibson, Ed Gruskin, and Nancy Webb. Charles Michelson acted as the producer.</p><p>Fans of the show could join the Inner Circle Club to receive exclusive background information on the casts of the two Carter shows. Chick Carter, Boy Detective inspired a film serial, Chick Carter, Detective (1946) and a comic strip that ran in Shadow Comics Magazine.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Chick_Carter,_Boy_Detective' target='_blank'>wikipedia.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -3113,9 +3113,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Classic Baseball MLB is a captivating radio show that transports listeners back in time to relive the glory days of America's pastime. The show's premise revolves around the broadcast of classic Major League Baseball games, immersing the audience in the excitement and drama of historical matchups. With a format that highlights classic play-by-play announcements, color commentary, and vivid descriptions of the action on the field, the show brings these memorable games to life for listeners. The tone and style of Classic Baseball MLB are reminiscent of the golden age of radio, dedicated to recapturing the spirit of baseball's storied history and presenting it in a manner that engages and entertains the audience.</p><p>Though the show is timeless in its appeal, Classic Baseball MLB originally aired during the golden age of radio, from the 1930s through the 1950s. The show was broadcast on several prominent radio networks, ensuring that the action-packed drama of baseball games would reach a wide audience. While the exact number of episodes aired is unknown, a significant number of these broadcasts still exist today, allowing fans to continue to enjoy the thrilling moments of classic baseball games. The show attracted notable sponsors and advertisers that recognized the popularity of Major League Baseball and its influence on American culture. Featuring the talents of renowned broadcasters, play-by-play announcers, and other notable figures involved in the production, Classic Baseball MLB not only preserves the history of America's favorite pastime but also serves as a testament to the enduring legacy of the golden age of radio.
|
Major League Baseball radio broadcasts have been an integral part of American sports media and society since the early 20th century. Serving as the soundtrack for many generations of baseball fans, these broadcasts have not only provided live game commentary but also cultivated a strong emotional bond between the audience and their favorite teams. The iconic voices of legendary broadcasters such as Vin Scully, Ernie Harwell, and Red Barber have transcended time and continue to hold a special place in the hearts of baseball enthusiasts.</p><p>With the advent of radio, baseball broadcasts became an affordable and accessible means for fans to follow the play-by-play action, forging a sense of community and shared experience across geographical barriers. This remarkable innovation not only transformed the way people consumed the sport but also significantly contributed to the popularity and growth of Major League Baseball in America.</p><p>Feel the nostalgia and excitement through our collection of classic MLB radio broadcasts. Relive the history, amazing feats of athleticism, and iconic moments as we journey back in time to offer you a unique listening experience. Tune in and experience firsthand the vibrant memories and passion that have forever been etched in the fabric of American culture.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://sabr.org/century/1921/radio' target='_blank'>sabr.org</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Claudia</label>
|
<label>Claudia</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>1164 episodes</span>
|
<span>388 episodes</span>
|
||||||
<span>Aired 1947-1949</span>
|
<span>Aired 1947-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -3509,9 +3509,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Claudia, also known as Claudia and David, is a radio soap opera that centers on the lives of newlyweds David and Claudia Naughton. The show explores the challenges and successes of an average newly-married couple, touching on themes such as the need for thrift, dealing with an overbearing mother-in-law, and the charming little moments that make up everyday life. The premise originated from a series of short stories written by Rose Franken and William Brown Meloney published in Redbook magazine. The characters of Claudia and David were brought to life by Patricia Ryan and Richard Kollmar in the initial adaptation, followed by Kathryn Bard and Paul Crabtree in a subsequent version sponsored by Coca-Cola.</p><p>The show was first broadcast on CBS between July 4th, 1941 and September 26th, 1941, followed by a syndicated version in 1947. The original short stories that inspired the show were later compiled and adapted into a pair of RKO films titled Claudia (1943) and Claudia and David (1946), which starred Robert Young and Dorothy McGuire. The success of these films led to Coca-Cola sponsoring a 15-minute radio program for the 1947-1948 season. Additionally, the storyline of Claudia and David inspired two TV movies in the late fifties and British and German television adaptations. As part of the Old Time Radio Researchers Group, some of the episodes are still available to listen to today.
|
Claudia, also known as Claudia and David, is an old time radio soap opera based on a series of short stories by Rose Franken and William Brown Meloney, which first appeared in Redbook magazine. The show follows the lives of newlyweds David and Claudia Naughton as they navigate the ups and downs of married life. Claudia first aired as a skit on The Kate Smith Hour in 1941, and later expanded into a summer series starring Patricia Ryan and Richard Kollmar. The success of the books and films based on the stories led Coca-Cola to sponsor a 15-minute syndicated weekday radio program in the 1947-48 season, starring Kathryn Bard and Paul Crabtree. The charming and lighthearted show offers an excellent glimpse into the daily life of a 1940s American household.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Claudia_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Claudia_and_David_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/claudia' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Cloak and Dagger</label>
|
<label>Cloak and Dagger</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>66 episodes</span>
|
<span>22 episodes</span>
|
||||||
<span>Aired 1950</span>
|
<span>Aired 1950</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -215,9 +215,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Cloak and Dagger is a suspenseful radio series that aired on the NBC network, focusing on the daring missions of OSS agents during World War II. These agents were sent behind enemy lines, fully aware that they might not make it back alive. The show's episodes told gripping stories of patriotism, betrayal, triumph, tragedy, and failure, often with unexpected and dramatic endings. Based on the 1946 book "Cloak and Dagger: The Secret Story of the OSS" by Corey Ford and Alastair MacBain, the show captivated audiences with its thrilling and intense storytelling, evoking the perils and sacrifices of the agents who risked their lives for their country. The theme music set the tone, akin to that of Tales of the Texas Rangers, while the cast brought to life the complex and intriguing characters.</p><p>Broadcast during 1950, Cloak and Dagger aired for 22 episodes on Sundays, later switching to Fridays. Directed by Sherman Marks, the series featured a talented cast, including Raymond Edward Johnson as The Hungarian Giant and Gilbert Mack as Impy the Midget, as well as other notable actors from the New York radio scene. The show was based on true stories from the Office of Strategic Services, bringing an added layer of authenticity and intrigue to the gripping tales. Despite its relatively short run, Cloak and Dagger left a lasting impression in the world of radio dramas and remains a testament to the bravery and sacrifice of the OSS agents during World War II.
|
Cloak and Dagger is a captivating NBC radio series that aired from May 7 to October 22, 1950. Based on the book by Corey Ford and Alistair McBain, the show follows the thrilling missions of OSS agents during World War II, as they embark on dangerous assignments behind enemy lines. The 22-episode series stands out with its gripping, real-life stories, adapted directly from authentic Washington files, and adds an element of unpredictability, as not all missions end in success.</p><p>The series is hosted by Corey Ford and boasts an exceptional cast, including Raymond Edward Johnson, Everett Sloane, and Jackson Beck. Directed by Sherman Marks, the show features a talented production team of Alfred Hollander, Louis G. Cowan, Jack Gordon, Winifred Wolfe, and John Gart. With tense, action-packed stories and a stellar cast, Cloak and Dagger delivers a thrilling look into the secret world of espionage during WWII.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Cloak_and_Dagger_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Cloak_and_Dagger_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/cloak-and-dagger' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Club Car Special</label>
|
<label>Club Car Special</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>20 episodes</span>
|
<span>10 episodes</span>
|
||||||
<span>Aired 1934</span>
|
<span>Aired 1934</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -107,9 +107,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Club Car Special is a radio show based on the March of Events and City Life Section of the Hearst Sunday newspapers, featuring the works of America's foremost humorists such as O.O. McKentyre, Will Rogers, George Eads, Stan Hilman, Arthur 'Bugs' Bayer, Milt Gross, Damon Runyon, and many others. The program invites listeners to join in for a lark and a laugh, offering a more relaxed and enjoyable travel experience compared to the hustle and bustle of modern transportation. The show starts with a sketch dramatizing a cartoon, followed by a short review of some humorous articles by Hearst's beloved writers, providing the perfect opportunity for listeners to relax and enjoy a drink while they explore the content of the upcoming Sunday newspaper.</p><p>The Club Car Special was presented by the Hearst Newspaper Syndicate and aimed to provide listeners with a teaser of the upcoming Sunday’s Newspaper inserts during the mid-week in a 15-minute format. While most reviewers believe that the main purpose of the program was to sell Sunday Newspapers, it is thought that its true purpose might have been to allow parents to enjoy parts of the Sunday paper before their children could take out all of the fun sections. Although details about the show's original air dates, broadcast networks, and episode count are not provided, Club Car Special stands as a unique and entertaining audio experience that takes listeners back to a simpler, more relaxed time in radio history.
|
Club Car Special was an engaging old-time radio show brought to you by the Hearst Newspaper Syndicate. The show offers a sneak peek into the content of the upcoming Sunday newspaper, providing listeners with an entertaining preview during mid-week radio broadcasts. Listeners are treated to sketches adapted from cartoons and short reviews of humorous articles written by some of America's most renowned humorists, including O.O. McIntyre, Will Rogers, George Eads, Stan Hilman, Arthur 'Bugs' Bayer, Milt Gross, and Damon Runyon. Join the Club Car Special for an enjoyable and witty journey through the pages of Hearst's Sunday newspapers.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Club_Car_Special_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/club-car-special' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Comic Weekly Man</label>
|
<label>Comic Weekly Man</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>240 episodes</span>
|
<span>120 episodes</span>
|
||||||
<span>Aired 1950-1953</span>
|
<span>Aired 1950-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1097,9 +1097,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Comic Weekly Man was a unique radio show that captured the hearts of both children and adults through its dramatic readings of Sunday comic strips. The show's charming host, the Comic Weekly Man, would read a variety of popular comic strips such as Blondie, Beetle Bailey, Hi and Lois, and many others, bringing the characters to life with the help of music and sound effects. The show allowed listeners to immerse themselves in the stories, and many avid fans would follow along with their own print copies of the comics in hand.</p><p>The show aired from 1947 to 1954 and was produced by the Old Time Radio Researchers Group. The Comic Weekly Man was initially portrayed by an unnamed actor, but the role was later taken on by Lon Clark. During its run, the show featured readings of well-known comic strips such as Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine, among others. The show was broadcast on radio networks in the 1951-1953 period, creating a memorable and nostalgic experience for many listeners.
|
Comic Weekly Man aired from 1947 to 1954 and was a one-of-a-kind radio show where the Comic Weekly Man delivered dramatic readings of popular Sunday comic strips, complete with sound effects and music. This format provided an immersive and entertaining experience for both adults and children, who would follow along with a print copy of the comics while listening to the show.</p><p>The show featured a variety of well-known comic strips including Blondie, Beetle Bailey, Hi and Lois, Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine. Over the years, different actors took on the role of the Comic Weekly Man, with Lon Clark being one of the notable talents to portray the character. Through its unique premise, Comic Weekly Man created a memorable and engaging way for listeners to enjoy their favorite Sunday comics.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Comic_Weekly_Man_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/comic-weekly-man' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Command Performance</label>
|
<label>Command Performance</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>464 episodes</span>
|
<span>232 episodes</span>
|
||||||
<span>Aired 1942-1949</span>
|
<span>Aired 1942-1949</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -2105,9 +2105,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Command Performance was a radio show that aired from 1942 to 1949, created to entertain and lift the spirits of US Armed Forces personnel during World War II. Broadcast on the Armed Forces Radio Network, the program featured talented and well-known performers like Bing Crosby, Jack Benny, and Frank Sinatra. Soldiers would send in requests for specific performers or sounds they wanted to hear, creating a unique connection between the stars and the troops. The show was typically recorded in Hollywood, California, and took on a humorous and light-hearted tone to help boost the morale of those fighting overseas.</p><p>The show's first broadcast took place on March 1, 1942, and was created under the Office of War Information. The success of Command Performance led to the establishment of the Armed Forces Radio Service in May 1942. Only a few episodes aired on domestic US stations, with most of the shows being transmitted by shortwave to overseas troops. During its run, a total of 415 episodes were produced, with top performers often volunteering their talents to support the war effort. In 1949, the show ended as a result of budget cuts implemented by the Secretary of Defense.
|
Command Performance was a radio show broadcast on the Armed Forces Radio Network (AFRS) between 1942 and 1949, specifically designed to entertain U.S. troops during WWII. The show featured top performers of the day such as Bing Crosby, Frank Sinatra, and Judy Garland, who volunteered their talents, putting on a show based on requests from service members. The AFRS recorded and shipped these programs to the troops stationed overseas. Command Performance's success helped pave the way for the creation of other similar shows, such as Request Performance and G.I. Journal.</p><p>Command Performance was primarily intended for the U.S. troops serving overseas during WWII, and therefore, with few exceptions, it was not broadcast to the general public over domestic U.S. radio stations. The purpose was to boost the morale of the service members while keeping that exclusive connection between the performers and the troops. In fact, it was considered the "best program that the American Public never heard." Only in a rare instance, such as on Christmas Eve 1942, did the War Department allow a broadcast of Command Performance for domestic listeners in order to forge a link between the servicemen abroad and the folks on the Home Front.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Command_Performance_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/command-performance' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -1,13 +1,13 @@
|
||||||
|
|
||||||
<div class='seriesDetails'>
|
<div class='seriesDetails'>
|
||||||
<section>
|
<section>
|
||||||
<img alt='cover image' title='CBS Complete Broadcast Day (1944)'
|
<img alt='cover image' title='Complete Broadcast Day - D-Day'
|
||||||
src='/cover/sm/complete-broadcast-day-d-day.jpg'>
|
src='/cover/sm/complete-broadcast-day-d-day.jpg'>
|
||||||
<div>
|
<div>
|
||||||
<ul>
|
<ul>
|
||||||
<li>Documentary</li>
|
<li>Documentary</li>
|
||||||
</ul>
|
</ul>
|
||||||
<label>CBS Complete Broadcast Day (1944)</label>
|
<label>Complete Broadcast Day - D-Day</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>24 episodes</span>
|
<span>24 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
|
@ -17,7 +17,7 @@
|
||||||
<div class='detail'>
|
<div class='detail'>
|
||||||
<ol><li class='episode' title='D-Day Broadcast Part 1'
|
<ol><li class='episode' title='D-Day Broadcast Part 1'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00001.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00001.mp3'>
|
||||||
<label>D-Day Broadcast Part 1</label>
|
<label>D-Day Broadcast Part 1</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -26,7 +26,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 2'
|
</li><li class='episode' title='D-Day Broadcast Part 2'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00002.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00002.mp3'>
|
||||||
<label>D-Day Broadcast Part 2</label>
|
<label>D-Day Broadcast Part 2</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -35,7 +35,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 3'
|
</li><li class='episode' title='D-Day Broadcast Part 3'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00003.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00003.mp3'>
|
||||||
<label>D-Day Broadcast Part 3</label>
|
<label>D-Day Broadcast Part 3</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -44,7 +44,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 4'
|
</li><li class='episode' title='D-Day Broadcast Part 4'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00004.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00004.mp3'>
|
||||||
<label>D-Day Broadcast Part 4</label>
|
<label>D-Day Broadcast Part 4</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -53,7 +53,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 5'
|
</li><li class='episode' title='D-Day Broadcast Part 5'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00005.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00005.mp3'>
|
||||||
<label>D-Day Broadcast Part 5</label>
|
<label>D-Day Broadcast Part 5</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -62,7 +62,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 6'
|
</li><li class='episode' title='D-Day Broadcast Part 6'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00006.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00006.mp3'>
|
||||||
<label>D-Day Broadcast Part 6</label>
|
<label>D-Day Broadcast Part 6</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -71,7 +71,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 7'
|
</li><li class='episode' title='D-Day Broadcast Part 7'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00007.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00007.mp3'>
|
||||||
<label>D-Day Broadcast Part 7</label>
|
<label>D-Day Broadcast Part 7</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -80,7 +80,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 8'
|
</li><li class='episode' title='D-Day Broadcast Part 8'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00008.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00008.mp3'>
|
||||||
<label>D-Day Broadcast Part 8</label>
|
<label>D-Day Broadcast Part 8</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -89,7 +89,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 9'
|
</li><li class='episode' title='D-Day Broadcast Part 9'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00009.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00009.mp3'>
|
||||||
<label>D-Day Broadcast Part 9</label>
|
<label>D-Day Broadcast Part 9</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -98,7 +98,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 10'
|
</li><li class='episode' title='D-Day Broadcast Part 10'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00010.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00010.mp3'>
|
||||||
<label>D-Day Broadcast Part 10</label>
|
<label>D-Day Broadcast Part 10</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -107,7 +107,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 11'
|
</li><li class='episode' title='D-Day Broadcast Part 11'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00011.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00011.mp3'>
|
||||||
<label>D-Day Broadcast Part 11</label>
|
<label>D-Day Broadcast Part 11</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -116,7 +116,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 12'
|
</li><li class='episode' title='D-Day Broadcast Part 12'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00012.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00012.mp3'>
|
||||||
<label>D-Day Broadcast Part 12</label>
|
<label>D-Day Broadcast Part 12</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -125,7 +125,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 13'
|
</li><li class='episode' title='D-Day Broadcast Part 13'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00013.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00013.mp3'>
|
||||||
<label>D-Day Broadcast Part 13</label>
|
<label>D-Day Broadcast Part 13</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -134,7 +134,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 14'
|
</li><li class='episode' title='D-Day Broadcast Part 14'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00014.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00014.mp3'>
|
||||||
<label>D-Day Broadcast Part 14</label>
|
<label>D-Day Broadcast Part 14</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -143,7 +143,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 15'
|
</li><li class='episode' title='D-Day Broadcast Part 15'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00015.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00015.mp3'>
|
||||||
<label>D-Day Broadcast Part 15</label>
|
<label>D-Day Broadcast Part 15</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -152,7 +152,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 16'
|
</li><li class='episode' title='D-Day Broadcast Part 16'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00016.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00016.mp3'>
|
||||||
<label>D-Day Broadcast Part 16</label>
|
<label>D-Day Broadcast Part 16</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -161,7 +161,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 17'
|
</li><li class='episode' title='D-Day Broadcast Part 17'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00017.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00017.mp3'>
|
||||||
<label>D-Day Broadcast Part 17</label>
|
<label>D-Day Broadcast Part 17</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -170,7 +170,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 18'
|
</li><li class='episode' title='D-Day Broadcast Part 18'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00018.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00018.mp3'>
|
||||||
<label>D-Day Broadcast Part 18</label>
|
<label>D-Day Broadcast Part 18</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -179,7 +179,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 19'
|
</li><li class='episode' title='D-Day Broadcast Part 19'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00019.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00019.mp3'>
|
||||||
<label>D-Day Broadcast Part 19</label>
|
<label>D-Day Broadcast Part 19</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -188,7 +188,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 20'
|
</li><li class='episode' title='D-Day Broadcast Part 20'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00020.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00020.mp3'>
|
||||||
<label>D-Day Broadcast Part 20</label>
|
<label>D-Day Broadcast Part 20</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -197,7 +197,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 21'
|
</li><li class='episode' title='D-Day Broadcast Part 21'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00021.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00021.mp3'>
|
||||||
<label>D-Day Broadcast Part 21</label>
|
<label>D-Day Broadcast Part 21</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -206,7 +206,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 22'
|
</li><li class='episode' title='D-Day Broadcast Part 22'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00022.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00022.mp3'>
|
||||||
<label>D-Day Broadcast Part 22</label>
|
<label>D-Day Broadcast Part 22</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -215,7 +215,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 23'
|
</li><li class='episode' title='D-Day Broadcast Part 23'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00023.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00023.mp3'>
|
||||||
<label>D-Day Broadcast Part 23</label>
|
<label>D-Day Broadcast Part 23</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -224,7 +224,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li><li class='episode' title='D-Day Broadcast Part 24'
|
</li><li class='episode' title='D-Day Broadcast Part 24'
|
||||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||||
data-series='CBS Complete Broadcast Day (1944)'
|
data-series='Complete Broadcast Day - D-Day'
|
||||||
data-file='otr/complete-broadcast-day-d-day/00024.mp3'>
|
data-file='otr/complete-broadcast-day-d-day/00024.mp3'>
|
||||||
<label>D-Day Broadcast Part 24</label>
|
<label>D-Day Broadcast Part 24</label>
|
||||||
<aside>
|
<aside>
|
||||||
|
@ -233,9 +233,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
CBS Complete Broadcast Day (1944) is centered around CBS's radio coverage of the significant event, D-Day, in which U.S. and allied troops launched a surprise invasion on the Nazi-occupied shores of Normandy on June 6th, 1944. The radio show captures the narrative, action, and drama of the historic day as 12,000 British and American airplanes led the attack, supported by thousands of paratroopers and forces arriving via sea. The successful battle marked a turning point in favor of the allies and the liberation of Europe in World War II.</p><p>The collection constitutes broadcasts from almost the entire 24-hour day of June 6th, 1944, and provides valuable insight into the events as they unfolded. Notable related radio broadcasts include the complete coverage of the 1939 invasion of Poland by Germany, the 1941 attack on Pearl Harbor, and NBC Coverage WEAF's 12-hour coverage of the August 10, 1945 Atomic Bombing of Nagasaki. These broadcasts serve as critical historical documents, capturing the emotions, reactions, and experiences of those who lived through these monumental moments in history.
|
Radio broadcasting in the 1940s played a pivotal role in communication, entertainment, and information dissemination. It was the golden age of radio, with millions of households tuning in to their favorite programs, news bulletins, and music. The significance of radio during this era cannot be overstated, as it was an essential source of information and connection for millions of people during World War II.</p><p>During the war, radio stations actively coordinated with governments and military agencies, providing accurate and timely news about the major events and battles that unfolded during the tumultuous years of 1939 to 1945. On D-Day, June 6, 1944, radio broadcasting played a crucial role in keeping the public informed of the massive allied invasion of Normandy, France. These historic broadcasts not only provided real-time updates to eager listeners but also served as a means of boosting morale, maintaining unity, and fueling the public's determination to see the conflict through.</p><p>This collection of audio files presents a comprehensive compilation of the full broadcast day on D-Day, encapsulating the significance of radio broadcasting in the 1940s and providing an auditory window into this monumental day in world history. Step back in time and experience the tension, triumph, and commitment of journalists, broadcasters, and military personnel as they relay the story of one of the most important days of World War II, and the impact it would have on the world for generations to come.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/complete-broadcast-1944-d-day-invasion-of-normandy-cbs' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -125,9 +125,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Crazy Hillbillies is a 1930s radio show that revolves around the residents of Mineral Wells, Texas, who experienced the laxative effects of the minerals in their local drinking water. With its origins in New York City, the show features "Old Timey" music, a precursor to Bluegrass which combines folk music from diverse origins such as the British Isles, Europe, and Africa. The program's distinct sound is characterized by one instrument playing the melody accompanied by other instruments and sometimes a harmonica. As Bluegrass gained popularity in urban areas, it showcased more improvisation and each instrument’s treatment of the melody in turn.</p><p>Broadcasted in the 1930s, the Crazy Hillbilly Show was initially sponsored by Crazy Water Hotel, taking advantage of the show's popularity on a Dallas radio station. Eventually, the program spread its advertisements to a pirate radio station with a powerful transmitter just across the Mexican Border, allowing listeners as far away as Hawaii. However, when the great depression hit, travel to health spas declined, and the focus shifted to selling boiled-down mineral salts that could be reconstituted using tap water. Though the claims made by the Collins brothers, the creators of the show, were not overtly fraudulent, they were eventually lumped into the same category as other patent medicine salesmen when federal regulations were enacted.
|
Crazy Hillbilly Show was a 1930s radio broadcast originating in New York City, sponsored by the Crazy Hotel, a health spa in Mineral Wells, Texas, known for the curative properties of its mineral waters. Created by Carr P. Collins and Hal Collins, the show featured Old Timey music, a precursor to Bluegrass, with roots in folk music from the British Isles, Europe, and Africa, played on stringed instruments and harmonica. The show's advertising promoted the benefits of Crazy Water, a mineral water that was eventually turned into mineral salts to be more easily shipped and reconstituted with tap water. Though the claims made by the Collins brothers about the benefits of Crazy Water were not as extreme as some patent medicine salesmen, their claims eventually caught the attention of the Federal Government when the Pure Food and Medicine regulations were enacted. The Crazy Hillbilly Show's mix of music and promotion for Crazy Water made it a unique and entertaining radio show of its time.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/crazy-hillbilly-show' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -62,9 +62,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
The Crazy Water Crystal Program was a unique 15-minute radio show that combined advertising with entertainment, specifically promoting an elixir made from the residue of the Crazy Well in Mineral Wells, Texas. The radio show treated its listeners to diverse early country-western and bluegrass music performances, earning its place as a significant player in broadcasting within the genre. Set in the lobby of the Crazy Water Hotel, the show featured various country and hillbilly musical groups to entertain listeners while also promoting the supposed health benefits of the Crazy Water Crystal elixir.</p><p>Broadcast between 1935 and 1940, the Crazy Water Crystal Program was aired both regionally and on the NBC networks, with many episodes still available today. The show played a role in boosting the tourist industry in Mineral Wells, Texas, as the local legend claimed that a mentally ill woman was cured after drinking from the Crazy Spring. The program featured the "Crazy Gang", who would explain how to reconstitute the elixir from the Crazy Water Crystals with tap water, providing alleged health benefits. Notably, actress Mary Martin, a Weatherford, Texas native, appeared in Crazy shows before achieving Broadway and Hollywood fame. The legacy of the Crazy Water Crystal Program can still be seen today, with a large Crazy Water Crystal sign displayed during the 1992 opening of the Grand Ole Opry and a photo of Hank Snow singing on the show exhibited in a museum.
|
The Crazy Water Crystal Program, a 15-minute commercial for a Patent Medicine elixir, aired regionally and on NBC networks between 1935-1940 from the lobby of the Crazy Water Hotel in Mineral Wells, Texas. The show's host promoted Crazy Crystals, a snowy residue originating from the Crazy Well, believed to have healing properties. In exchange for the advertisement, listeners enjoyed early Country Western and Bluegrass music played by mostly country and hillbilly groups. The program contributed to a booming tourist industry in Mineral Wells, based on the alleged health benefits of the local waters. Actress Mary Martin featured on the show before achieving fame on Broadway and in Hollywood. A large Crazy Water Crystal sign was displayed during the 1992 Grand Ole Opry opening, and a photo of Hank Snow singing on the program is exhibited in the museum.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/crazy-water-crystal-program' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Crime and Peter Chambers</label>
|
<label>Crime and Peter Chambers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>63 episodes</span>
|
<span>21 episodes</span>
|
||||||
<span>Aired 1954</span>
|
<span>Aired 1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -206,9 +206,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Crime and Peter Chambers is a detective radio program centered around a private eye named Peter Chambers, played by Dane Clark, who often collaborated with the police department in solving crimes. His counterpart at the NYPD was Lt. Parker, portrayed by Bill Zuckert. The show was based on the character created by Henry Kane, who authored eight Peter Chambers novels before the series came to radio, and Kane also wrote the scripts for the radio show adaptation. The series was known for its glib dialogue and focused on the protagonist's crime-solving abilities while also dabbling in his encounters with women.</p><p>The show was broadcast from April 6, 1954, to September 7, 1954, on the NBC radio network. A total of 21 episodes are available from the series. Notable actors involved in the production include Bill Zuckert, who later guest-starred in 1970s shows like The Mary Tyler Moore Show and the Partridge Family. The show's director was Fred Weihe, and the creator, writer, and producer of the series was Henry Kane. Crime and Peter Chambers did not have any known adaptations for television or other media formats.
|
Crime and Peter Chambers is an American old-time radio detective program that aired on NBC from April 6, 1954, to September 7, 1954. The show was based on the character Peter Chambers, a hard-hitting private detective created by author Henry Kane, who also wrote the scripts and directed the show. Unlike many private detectives on radio, Chambers coordinated his work with the police and had a close relationship with his best friend, Lt. Louis Parker, played by Bill Zuckert.</p><p>The series starred Dane Clark as Peter Chambers, a playboy detective with an eye for solving crime and a taste for beautiful women. The show was known for its glib dialogue that played into Clark's reputation as a screen tough guy. A total of 21 episodes from the series are available. Other actors involved in the show include Fran Carlon, Roger DeKoven, and William Griffis, among others. Crime and Peter Chambers was short-lived, lasting only five months; however, it remains a notable piece of radio detective history.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Crime_and_Peter_Chambers_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Crime_and_Peter_Chambers' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/crime-and-peter-chambers' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Crime Classics</label>
|
<label>Crime Classics</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>50 episodes</span>
|
||||||
<span>Aired 1953-1954</span>
|
<span>Aired 1953-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -467,9 +467,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Crime Classics was a radio series that delved into true crime stories from the records and newspapers of various lands and times. The show's host, Mr. Thomas Hyland, was played by Lou Merrill, who portrayed the character as a measured and mild-mannered lecturer. Each episode was based on a true story that was meticulously researched and presented with sophistication and mood, supported by sensitive orchestral scores composed by Bernard Herrmann and tasteful sound effects. The show stood out for its wry, cool-blooded tone and its ability to bring out interesting background details in historical crimes.</p><p>The show aired from September 30, 1953, to June 30, 1954, on CBS Radio, with a total of 52 episodes. Crime Classics was produced and directed by Elliott Lewis, a prolific actor, producer, and director known for his work on Suspense, Broadway is My Beat, and On Stage. Writers Morton Fine and David Friedkin were responsible for the show's well-researched scripts. The show is considered a good companion to other historically-oriented radio shows such as Cavalcade of America, You Are There, and The American Trail.
|
Crime Classics is a historical true crime radio docudrama series that aired on CBS Radio from June 15, 1953, to June 30, 1954. Produced and directed by Elliott Lewis, the episodes were co-written by Morton Fine and David Friedkin, and featured music by Bernard Herrmann. Hosted by Thomas Hyland, played by Lou Merrill, the show investigates true crime stories from various eras and locations, narrated with a wry, cool-blooded tone.</p><p>Cases range from famous assassinations, like those of Abraham Lincoln and Julius Caesar, to obscure crimes like the story of Bathsheba Spooner, the first woman tried and executed in America. The show is notable for its factual accuracy, its attention to sophistication and mood, and its tasteful sound effects.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Crime_Classics_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Crime_Classics' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/crime-classics' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Cruise of the Poll Parrot</label>
|
<label>Cruise of the Poll Parrot</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1937-1938</span>
|
<span>Aired 1937-1938</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -368,9 +368,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Cruise of the Poll Parrot is an adventure and mystery radio serial centered around a whaling voyage from New Bedford in 1858. The story follows young skipper Roy Dalton and his crew as they embark on a journey aboard the ship Poll Parrot, named for its mascot, a wise parrot also named Poll. The show is filled with excitement and intrigue, as well as educational information about the whaling industry and maritime history. Characters include the ship's owner, Ezra Grange; his little sister Sue and her friend Johnny Robbins; first mate George Wainwright; a one-legged sailor named Old Dickson; a mute crew member named Red Mahooley; shipkeeper Breckenridge; and an agent for another shipping company, El Testi.</p><p>The show aired from 1937 and was syndicated as an advertisement for the International Shoe Company's Poll Parrot Shoes, catering to children. It was sold in blocks of 13, 26, or all 39 episodes, with each part having a self-contained storyline. The series exponentially boosted shoe sales, and to this day, three complete blocks of the show still exist. Marvin Miller, who played the main character Captain Roy Dalton, went on to have a successful career in radio and film, even appearing in the 1950s TV series "The Millionaire." The show was primarily intended for local shoe stores to buy advertising time, adding further appeal to its target audience.
|
Cruise of the Poll Parrot is a syndicated children's radio serial launched in 1937 to promote Poll Parrot Shoes, a children's shoe line by International Shoe Company. Set in 1858 in New Bedford, Massachusetts, the show follows Captain Roy Dalton (voiced by Marvin Miller) and his crew as they embark on a whaling voyage aboard the ship, Poll Parrot. The adventure-filled and well-researched stories are both entertaining and educational, providing factual information about the whaling industry.</p><p>The show's main voice, Miller, was a talented actor who went on to work in numerous radio shows, films, and the 1950s TV series, "The Millionaire". Cruise of the Poll Parrot was designed to be sold to local radio stations and shoe stores, with the series available in blocks of 13, 26, or 39 episodes. This unique marketing approach helped boost shoe sales for International Shoe Company as they competed against Buster Brown, the leader in children's shoes at the time.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Cruise_Of_The_Poll_Parrot_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/cruise-poll-parrot' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Danger, Dr. Danfield</label>
|
<label>Danger, Dr. Danfield</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1946-1947</span>
|
<span>Aired 1946-1947</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -251,9 +251,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Danger, Dr. Danfield is a detective melodrama that features the story of Dr. Daniel Danfield, an obnoxious, unlicensed private investigator and criminal psychologist. The show follows a formula, with crimes being committed in the first third of the program, Dr. Danfield solving them in the second third, and then explaining the solution to someone (usually his secretary, Rusty Fairfax) in the conclusion. The show is most similar to Nick Carter, Master Detective; Casey, Crime Photographer; and The Falcon but leans more towards a lighter and less demanding approach in terms of emotions and intellect, making it suitable for drive-time or casual listening.</p><p>The show aired 26 episodes, beginning on August 18, 1946, and running through April 13, 1947, on the ABC network. All episodes are available and starred Michael Dunn as Dr. Danfield, alongside JoAnne Johnson as Rusty Fairfax. Danger, Dr. Danfield was written by Ralph Wilkinson and produced by Wally Ramsey. Despite featuring some of the worst acting and writing of any detective show, the show was syndicated for several years after its original run.
|
Danger, Dr. Danfield aired from August 18, 1946 to April 13, 1947 and consisted of 26 episodes. It starred Michael Dunn as Dr. Danfield, an obnoxious unlicensed private investigator/criminal psychologist, and JoAnne Johnson as Rusty Fairfax, his secretary. The series, written by Ralph Wilkinson and produced by Wally Ramsey, was often criticized for its poor acting and writing. The show followed a formula where the crime was committed in the first third, solved in the second third, and then explained by Dr. Danfield to Rusty in the conclusion. The characters were generally one-dimensional, but the show remains enjoyable for light, casual listening.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Danger_Dr_Danfield_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Danger,_Dr._Danfield' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/danger-doctor-danfield' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dangerous Assignment</label>
|
<label>Dangerous Assignment</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>294 episodes</span>
|
<span>98 episodes</span>
|
||||||
<span>Aired 1949-1953</span>
|
<span>Aired 1949-1953</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -899,9 +899,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dangerous Assignment is a radio series that follows the intriguing adventures of Steve Mitchell, an international operative with one goal: to get in and out of danger. Played by film actor Brian Donlevy, Mitchell is given dangerous assignments by the Commissioner, a secretive taskmaster portrayed by Herb Butterfield. The show features exotic locations and solid acting by its supporting characters, with Donlevy's world-weary and wary tone adding to the show's suspenseful atmosphere. Dangerous Assignment's radio punch appeals to fans of tough-guy characters navigating through thrilling predicaments.</p><p>Broadcast in the United States from 1949 to 1953, Dangerous Assignment aired on the NBC network and featured both a radio drama and a syndicated television series. The radio show aired a total of 167 episodes, with Brian Donlevy as the protagonist and narrator. Additionally, the show had an Australian radio series during 1954-1956, remaking the original American radio scripts. Notable sponsors for the American series included the Ford Motor Company, Wheaties cereal, Anacin painkiller, Chesterfield cigarettes, and RCA Victor record label.
|
Dangerous Assignment was an action-packed Old Time Radio show airing from 1949 to 1953, featuring film actor Brian Donlevy as Steve Mitchell, a US special agent tasked with getting in and out of dangerous situations. Herb Butterfield co-starred as the Commissioner, who assigns missions to Mitchell, while Betty Moran played The Commissioner's secretary. The show took place in various exotic locations, with atmospheric music and skilled voice actors adding drama and suspense.</p><p>Dangerous Assignment was also adapted into a syndicated television series and an Australian radio series. While not as iconic as shows like Escape and The Third Man, Dangerous Assignment had a solid fan base and set the stage for future spy novels and films, such as Ian Fleming's first James Bond novel, Casino Royale, in 1952.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/Otrr_Dangerous_Assignment_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Dangerous_Assignment' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/dangerous-assignment' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dangerously Yours</label>
|
<label>Dangerously Yours</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>22 episodes</span>
|
<span>11 episodes</span>
|
||||||
<span>Aired 1944</span>
|
<span>Aired 1944</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -116,9 +116,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dangerously Yours was a half-hour radio program that focused on romance and adventure, with a strong emphasis on love stories between the characters. The show starred Victor Jory as the leading man, and often featured scenes where lovers would whisper sweet nothings to each other, while action and adventure played out in the background. At the end of each episode, an announcer would tease the audience with a brief preview of the upcoming week's show. The series underwent a title change towards the end of its run and became known as Vicks Matinee Theater, continuing to deliver romantic adventures to its audience.</p><p>Broadcast in 1944, Dangerously Yours was sponsored by Vicks and aired sixteen episodes during its time on the radio. Out of these sixteen, eleven are still available for collectors today. After the series transitioned to Vicks Matinee Theater, twenty-five more episodes were broadcast, some of which were repeats of earlier shows from Dangerously Yours. Out of these twenty-five episodes, twenty-two are known to still exist. The show was supported by the Vic Chemical Company, which produced various products like nose drops and vapor rubs. Victor Jory, a Hollywood actor, served as the primary hero and starred in adaptations of pirate, espionage, and adventure stories, all imbued with elements of romance. The show's name changed to Matinee Theater in October 1944.
|
Dangerously Yours was a captivating Old Time Radio show sponsored by Vicks that initially aired in 1944. Featuring Hollywood star Victor Jory as the leading man, this romantic adventure series ran for a total of sixteen episodes, with eleven of them available for collectors today. Focused heavily on romance, the show often spotlighted tender moments between lovers, with action and adventure serving as a backdrop. In late 1944, Dangerously Yours was rebranded as Vicks Matinee Theater, which went on to broadcast an additional twenty-five episodes—including repeats from earlier episodes—with twenty-two of them still known to exist. Listeners would tune in each Sunday to indulge in a half-hour of romance and adventure, brought to you by the Vic Chemical Company's popular nose drops, vapor rubs, and other products.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dangerously_Yours_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/dangerously-yours' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dark Fantasy</label>
|
<label>Dark Fantasy</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>81 episodes</span>
|
<span>27 episodes</span>
|
||||||
<span>Aired 1941-1942</span>
|
<span>Aired 1941-1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -260,9 +260,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dark Fantasy was a thrilling radio series that entertained audiences with tales of the supernatural and mysterious, bringing horror dramas to life with chilling stories and adventures. Created by Scott Bishop, the series captivated listeners with tales that explored the unknown and delved into the realms of horror, science fiction, and murder mysteries. Much to the delight of its fans, the show offered chilling stories that left goosebumps, allowing the listeners' imaginations to run wild as they became immersed in the eerie world of Dark Fantasy.</p><p>Broadcast on NBC between 1941 and 1942, Dark Fantasy originated from radio station WKY in Oklahoma City. Scott Bishop, also known for his work on The Mysterious Traveler and The Sealed Book, was the brilliant mind behind the series, writing each thrilling episode. Tom Paxton served as the announcer during the show's Friday-night airings. Despite its short one-year run, Dark Fantasy's enduring appeal and excellent storytelling secured its place in radio history. With 31 episodes to its name, the show proved that Oklahoma City was more than capable of being the headquarters for haunts.
|
Dark Fantasy was an American radio supernatural thriller anthology series that aired on NBC from 1941 to 1942. Set in a chilling and suspenseful universe, this horror drama series was created by renowned writer Scott Bishop, known for his work on The Mysterious Traveler and The Sealed Book. The show originated from WKY radio station in Oklahoma City and was broadcast on Friday nights to avoid young audiences.</p><p>With a focus on horror, murder mysteries, and science fiction, Dark Fantasy delved into the unknown, keeping listeners on the edge of their seats. Despite its short run of 31 episodes, the series gained significant popularity and showcased stories way ahead of their time. Scott Bishop crafted each spine-tingling episode, and Keith Paynton served as the announcer. Though it only aired for one year, Dark Fantasy has remained an enduring example of excellent horror storytelling in the realm of old-time radio shows.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dark_Fantasy_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Dark_Fantasy_(series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/dark-fantasy' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -71,9 +71,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dear Adolf is a captivating radio show featuring a series of six narrative letters, based on actual correspondence penned by Americans to Adolf Hitler during World War II. These vignettes offer insight into the U.S. public opinion of Hitler and the Nazi regime at that time. Written by Stephen Vincent Benét, the program was designed as a "fight-talk program," a type of network-based propaganda show aimed at boosting popular support for the war. Each letter in Dear Adolf is narrated by a different character, including a farmer, a mother, a businessman, a laborer, a U.S. soldier, and an Austrian-born naturalized American citizen, portraying diverse perspectives and sentiments toward the dictator.</p><p>Produced in 1942, Dear Adolf aired as part of the network's effort to boost support for the war through specially created programs. While the broadcast network and production names are not mentioned, the show gained enough recognition for its content to be featured in Time Magazine's August 3, 1942 issue. Additional contexts, such as the number of episodes aired and still existing today or notable actors involved in the production, have not been provided. However, the collection also features over 180 World War II-era posters, and for those interested in similar shows, other programs like Man Behind the Gun, Hitler Speeches, Soldiers of the Press, Words At War, and You Can't Do Business with Hitler may be of interest.
|
Dear Adolf is a unique Old Time Radio show from 1942, featuring six narrative letters written by Americans to Adolf Hitler during World War II. These letters offer a glimpse into American opinions on Hitler and the Nazi regime. Created as a "fight-talk program" to bolster public support for the war, the series was written by Stephen Vincent Benét and produced in cooperation with the Council for Democracy. The letters, penned by a diverse range of Americans - including a farmer, mother, businessman, laborer, US soldier, and an Austrian-born naturalized US citizen - express their sentiments and disdain towards Hitler in powerful, creative ways. The show aired on the NBC Red network, showcasing the strength of American support and resistance against Nazi Germany.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/dear-adolf' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Delmore Brothers</label>
|
<label>Delmore Brothers</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>135 episodes</span>
|
<span>45 episodes</span>
|
||||||
<span>Aired 1935</span>
|
<span>Aired 1935</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -422,9 +422,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Delmore Brothers is a radio show that features the musical talents of brothers Alton and Rabon Delmore, who were country music pioneers and stars of the Grand Ole Opry in the 1930s. Born into poverty in Elkmont, Alabama, the duo combined gospel-style harmonies with guitar work from folk music to create a unique sound. In their performances, they utilized a rare tenor guitar, a four-string instrument predominantly used in vaudeville shows. Their shows also featured passionate pitches for their songbook, as they believed people were willing to pay more for their songs than to simply hear them perform.</p><p>The Delmore Brothers radio show aired from the 1930s to the 1950s, gaining significant traction when they signed with Victor Record's budget label Bluebird in 1933. They eventually became the most popular act on the Grand Ole Opry variety program. However, disagreements with Opry management led to their departure from the show in 1939. Although they continued to play and record music throughout the 1940s, they never reached the same level of success. Rabon passed away from lung cancer in 1952, and Alton eventually lost interest in performing, opting to focus on music lessons and odd jobs. Despite their wane in popularity, the Delmore Brothers remained influential in the world of country music.
|
The Delmore Brothers, Alton and Rabon, were country music pioneers and stars of the Grand Ole Opry in the 1930s. Born into poverty in Elkmont, Alabama, they blended gospel-style harmonies with traditional folk music and the blues, helping create the emerging genre of country music. They began recording in 1931 and signed a contract with Victor Record's Bluebird label in 1933. The Delmore Brothers became regulars on the Grand Ole Opry and gained popularity, but disagreements with Opry management caused them to leave in 1939. They continued to play and record throughout the 1940s but never reached the same level of success.</p><p>Some of their best-known songs include "Brown's Ferry Blues," "Gonna Lay Down My Old Guitar," and "Fifteen Miles from Birmingham." Rabon died of lung cancer in 1952, and Alton went on to write a series of short stories and his autobiography. The Delmore Brothers were inducted into the Nashville Songwriters Hall of Fame in 1971, the Alabama Music Hall of Fame in 1989, and the Country Music Hall of Fame in 2001. Their influence can be seen in artists such as Bob Dylan, the Everly Brothers, and the Beatles.</p><p>It should be noted that the audio quality of this show is not great, but they're the only ones available.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Delmore_Brothers_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/The_Delmore_Brothers' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/delmore-brothers' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Democracy in America</label>
|
<label>Democracy in America</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>32 episodes</span>
|
<span>16 episodes</span>
|
||||||
<span>Aired 1962</span>
|
<span>Aired 1962</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -161,9 +161,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Democracy in America is a well-produced dramatization of Alexis de Tocqueville's book of the same name, following the travels of Tocqueville and his companion, Gustave de Beaumont, as they explore America in the 1830s. The engaging series combines music, sound effects, and impressive acting to bring the historical story to life, with Tocqueville being played by Barry Morse and Beaumont by Alan King. Additionally, the educational show incorporates discussions on various topics relating to the series, hosted by historian Dorothy Gordon and featuring students from New York University.</p><p>The show originally aired on NBC and CBC in January of 1962, with a total of fourteen 30-minute episodes. Democracy in America was produced by Andrew Allan and directed by historian George Probst in conjunction with the Division of General Education of New York University and the Fund for Adult Education. The collection also includes two preview programs that aired immediately before the series, which delved deeper into the topics and themes presented in Tocqueville's book.
|
"Democracy in America" is a captivating radio series based on Alexis de Tocqueville's influential book published in 1835. It follows his journey through America with companion Gustave de Beaumont, as they explore various aspects of American life. This 14-episode adaptation originally aired on NBC and CBC in 1962, and was produced by the Division of General Education of New York University in collaboration with the Fund for Adult Education. Featuring engaging acting from Barry Morse as Tocqueville and Alan King as Beaumont, the show combines music, sound effects, and expert commentary to create a lively educational experience. Two special preview episodes include panel discussions hosted by historian Dorothy Gordon, offering additional insights into Tocqueville's observations on American society.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Democracy_In_America_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/democracy-in-america' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dimension X</label>
|
<label>Dimension X</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>150 episodes</span>
|
<span>50 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -467,9 +467,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dimension X was a science fiction radio program that showcased the works of renowned writers such as Ray Bradbury, Robert Bloch, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. The show's scriptwriter Ernest Kinoy adapted these masterpieces and also contributed some original stories. Dimension X's gripping plotlines often delved into themes of adventure, time, and space—all set in future tense. The program featured a variety of talented actors, including Joe Di Santis, Wendell Holmes, Jan Miner, and Mason Adams. Directed by Fred Weihe and Edward King, the series' signature echoed the title "DIMENSION X X X X X x x x x x" and heavily relied on the "X" factor, engaging audiences in a thrilling audio experience.</p><p>Broadcast on NBC Radio, Dimension X aired from April 8, 1950, to September 29, 1951. Throughout its run, the series released 50 episodes, 13 of which were broadcast live, while the remainder were prerecorded. The show was mostly unsponsored but was backed by Wheaties for two months starting in July 1950. Dimension X garnered a strong following, with all of its episodes still accessible today. This unique radio program preceded the television era and was followed by another NBC series, X Minus One (1955-58), which featured many of the same actors and scripts as Dimension X.
|
Dimension X was a groundbreaking science fiction radio show which aired on NBC from April 8, 1950, to September 29, 1951. The series was known for adapting and dramatizing the works of young, renowned writers such as Ray Bradbury, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. Dimension X gained credibility with science fiction fans due to the involvement of these well-known writers, and radio proved to be an excellent medium for exploring imaginative storylines.</p><p>Ernest Kinoy and George Lefferts served as the in-house scriptwriters, adapting stories while also contributing their own original work. The show's signature echoing "DIMENSION X-X-X-X" opened each episode, signaling listeners that they were about to embark on a journey into a different world. The series, directed by Fred Weihe and Edward King, featured actors such as Joe Di Santis, Wendell Holmes, Santos Ortega, and Jan Miner. Norman Rose, the deep-voiced narrator, set the tone with his iconic opening line, "Adventures in time and space...told in future tense..."</p><p>During its 17-month run, which included a five-month hiatus, Dimension X produced 50 episodes. The show's successful formula would later inspire NBC's X Minus One (1955-58), which featured many of the same actors and scripts. Dimension X's legacy is still evident today, as all 50 episodes have been preserved and can be enjoyed by radio enthusiasts and science fiction fans alike.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dimension_X_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Dimension_X_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/dimension-x' target='_blank'>otrcat.com</a>
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|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Down Our Way</label>
|
<label>Down Our Way</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>52 episodes</span>
|
<span>26 episodes</span>
|
||||||
<span>Aired 1930</span>
|
<span>Aired 1930</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -251,9 +251,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Down Our Way is a heartwarming radio show that brings to life the close-knit community spirit of small-town America. Set in a simpler time, the story revolves around neighbors helping neighbors and using their faith in their daily lives. The central character is Eli Jenkins, the town's kindhearted grocer, who is always there to lend a helping hand when trouble arises. The show has a delightful, down-home tone, featuring aspects of small-town living, such as local politics, pie contests, and friendly rivalries. Choir music adds a touch of magic to the show, as the local choir regularly meets at Eli's grocery store to practice their hymnals.</p><p>While not much is known about Down Our Way, it is believed to have been created in the early 1930s. The Old Time Radio Researchers Group is actively seeking more information about the series. The show's quaint and nostalgic portrayal of simpler times resonates with listeners even today, transporting them back to a bygone era of small-town America, if only for 30 minutes at a time. Fans of radio shows featuring large protagonists might also enjoy Big Guy, Fat Man, Scattergood Baines, and Nero Wolfe.
|
Down Our Way is a captivating Old Time Radio show from the early 1930s that captures the essence of small-town America. The show follows the life of Eli Jenkins, a local grocer who serves as a pillar of support for his neighbors. Eli's endearing personality and his wife Jenny's delicious home-cooked meals make for a heartwarming experience. The storyline showcases the everyday joys and trials of small-town life, including neighborhood politics, local events, and the camaraderie among community members.</p><p>Adding a touch of magic to the show, the local choir regularly meets at Eli's grocery store, with choir hymnals blending seamlessly into the plot. This glimpse into a simpler time offers listeners a 30-minute escape into a world filled with faith, warmth, and nostalgia.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Down_Our_Way_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/down-our-way' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dr. IQ</label>
|
<label>Dr. IQ</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>6 episodes</span>
|
<span>3 episodes</span>
|
||||||
<span>Aired 1939-1942</span>
|
<span>Aired 1939-1942</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -44,9 +44,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dr. I.Q. was a radio and television quiz program that featured a simple yet appealing format that captivated audiences from 1939 to 1959. The show's premise involved selecting audience members as contestants and asking them various questions. Host Lew Valentine, alongside his microphone-wielding assistants, engaged contestants and awarded cash prizes in the form of silver dollars and Mars Candy's Snickers bars. The show included features like the "Biographical Sketch," where contestants were given clues to identify a person, and the "Lady in the Balcony" quiz, which featured consecutive weekly appearances for a female contestant aiming to win a jackpot prize.</p><p>The radio version of Dr. I.Q. was broadcast from various concert halls and theaters in different cities, without a set studio, and aired on NBC and ABC networks from April 10, 1939, until November 29, 1950. Hosts during the radio show's run included Lew Valentine, Jimmy McClain, and Stanley Vainrib. Dr. I.Q. Jr., a juvenile version of the show, aired on NBC from 1941 to 1949, with Valentine and McClain as hosts. The television incarnation of Dr. I.Q. aired on ABC from November 4, 1953, to October 17, 1954, and again from December 15, 1958, to March 23, 1959. Jay Owen, James McClain, and Tom Kennedy all served as hosts during the TV show's run, and Hazel Bishop cosmetics was a sponsor of the program in 1954. Only one episode from the 1953-54 version and four episodes from the 1958-59 version, along with a pilot for Dr. I.Q. Jr., are known to still exist today.
|
Dr. I.Q. The Mental Banker Quiz Show was a popular radio and television quiz program that aired from 1939 to 1959. The show's format was straightforward and featured host Lew Valentine asking questions from the stage to audience members, who served as contestants. Broadcasted from theaters in various cities across the nation, the show handed out cash prizes in silver dollars and featured other fun segments like the Biographical Sketch and The Lady in the Balcony quiz.</p><p>The success of the show led to a Saturday morning spin-off, Dr. I.Q. Jr., which was similar to the adult version but catered to younger audiences by giving silver dimes as prizes and offering rewards such as Schwinn bicycles. Throughout its run, Dr. I.Q. had various sponsors, including Mars Candy, the Vick Chemical Company, and Embassy Cigarettes. In its later years, the show transitioned to television, airing on ABC from 1953-54 and resuming from 1958-59.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Dr._I.Q.' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/dr-iq' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dr. Kildare</label>
|
<label>Dr. Kildare</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>180 episodes</span>
|
<span>60 episodes</span>
|
||||||
<span>Aired 1950-1951</span>
|
<span>Aired 1950-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -557,9 +557,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dr. Kildare was a radio show produced at WMGM New York, based on the popular Dr. Kildare movies from the late 1930s and early 1940s. The show starred Lew Ayres as the young, idealistic Dr. James Kildare and Lionel Barrymore as the seasoned diagnostician, Dr. Leonard Gillespie. The series followed their work at Blair General Hospital, focusing on Kildare's dedication to his patients while navigating the challenges of hospital administration and the eccentric characters that populated the hospital. The show's dramatic tone emphasized the cutting-edge medical techniques employed by the characters to save their patients, while the actors' strong performances provided a solid basis for engaging storytelling.</p><p>Dr. Kildare was created as a radio adaptation after its successful run as a film series, which was in turn inspired by the original character of Dr. James Kildare from author Frederick Schiller Faust's pulp-crime fiction stories. The radio show aired from the late 1940s to the early 1950s and featured several notable actors such as Stacy Harris, Isabel Jewell, Jay Novello, George Ellis, Paul Frees, Raymond Burr, and Jack Webb. In addition to the films and radio show, Dr. Kildare had several other adaptations, including a 1961–1966 TV series starring Richard Chamberlain, a comic book, a comic strip, and a 1972–1973 syndicated TV series called "Young Dr. Kildare."
|
Dr. Kildare was a radio show produced for syndication in 1949 at WMGM, New York. Based on the popular Dr. Kildare movies from the late 1930s and early 1940s, the show starred Lew Ayres as young and idealistic Dr. James Kildare and Lionel Barrymore as the crusty yet loveable diagnostician Dr. Leonard Gillespie. Set in Blair General Hospital in New York, the show followed Kildare's battles with hospital administration and the various challenges encountered by the medical staff.</p><p>The series was marked by its engaging and solid stories, especially when the characters ventured outside the hospital environment. The writing and directing were handled on a freelance basis, with notable actors such as Stacy Harris, Raymond Burr, and Jack Webb contributing to the show.</p><p>The radio show featured cutting-edge medical techniques and storylines that were up to date for its time. The series enjoyed popularity with audiences but ultimately stopped producing new episodes after 1951. Nevertheless, rebroadcasts of old episodes continued in syndication for several more years.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dr_Kildare_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Dr._Kildare' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/doctor-kildare' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Dragnet</label>
|
<label>Dragnet</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>930 episodes</span>
|
<span>310 episodes</span>
|
||||||
<span>Aired 1949-1956</span>
|
<span>Aired 1949-1956</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -2807,9 +2807,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Dragnet was a radio police drama series that focused on real police stories in Los Angeles, with a signature "just the facts" style. It followed the cases of dedicated Los Angeles police detective Sergeant Joe Friday and his partners, revealing the boredom and drudgery as well as the danger and heroism of police work. The show aimed for realism and unpretentious acting, and its influence on subsequent police dramas in various media formats was significant. Dragnet's cultural impact continues, as elements of the show remain known and recognizable even to those unfamiliar with the program. The four-note introduction to the theme music, Danger Ahead, and the opening narration are instantly recognizable elements of the show.</p><p>Dragnet aired on NBC from June 3rd, 1949, to February 26th, 1957, and later transitioned to television, running from December 16th, 1951, to August 23rd, 1959, and from January 12th, 1967, to April 16th, 1970. There were also two Dragnet feature films, a straight adaptation starring Jack Webb in 1954, and a comedy spoof in 1987. Additionally, there were television revivals without Webb in 1989 and 2003. As the show developed, Friday's deadpan, fast-talking persona emerged, and his various partners provided variety and comic relief throughout the series. The show's scripts tackled a range of topics, from thrilling to mundane, which remained interesting due to the fast-paced plots and behind-the-scenes realism.
|
Dragnet, created by Jack Webb, was a popular radio police drama series that aired on NBC from September 1949 to February 1957. Based on true police stories, the show presented cases in a documentary style and followed the life of dedicated Los Angeles police detective Sergeant Joe Friday and his partners. The show's name originated from the police term "dragnet," which refers to a system of coordinated measures for apprehending criminals or suspects. Dragnet introduced the American public to both the thrilling and mundane aspects of police work and helped improve public opinion of police officers. Webb's focus on authenticity and unpretentious acting has made Dragnet a key influence on subsequent police dramas across various media platforms. The show's cultural impact remains strong, with its iconic four-note introduction and opening narration still well-known today.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Dragnet_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Dragnet_(radio_series)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/dragnet' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Duffy's Tavern</label>
|
<label>Duffy's Tavern</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>230 episodes</span>
|
<span>115 episodes</span>
|
||||||
<span>Aired 1940-1951</span>
|
<span>Aired 1940-1951</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1052,9 +1052,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Duffy's Tavern is an American radio situation comedy that revolves around the misadventures of Archie, the manager of the titular tavern. Portrayed by Ed Gardner, Archie is prone to involvement in get-rich-quick schemes and romantic missteps, often communicating with malaprops and mixed metaphors. The show features a variety of earthbound but dreaming New York characters and manages to maintain an intimate tavern atmosphere throughout each episode. Regulars include Duffy's daughter Miss Duffy and barstool jockey Clifton Finnegan, with notable guest stars such as Boris Karloff, Lucille Ball, and Marlene Dietrich occasionally making appearances.</p><p>The show ran for a decade on several networks including CBS from 1941-42, NBC-Blue Network from 1942-44, and concluding with NBC from 1944-51, totaling its run at the end of the December 28, 1951 broadcast. A film adaptation titled Ed Gardner's Duffy's Tavern was released in 1945, featuring Archie and his regulars surrounded by a throng of Paramount Pictures stars playing themselves. Additionally, a short-lived TV series aired in 1954, co-produced by Hal Roach Jr. In popular culture, Duffy's Tavern has inspired references in other TV shows such as "Cheers," "Archie Bunker's Place," and "Ryan's Hope," as well as numerous real-life bars and inns adopting the name across the United States.
|
Duffy's Tavern was an American radio situation comedy that aired from 1941 to 1951 on several networks, including CBS, NBC-Blue Network, and NBC. Set in New York City, the show was built around Archie, the tavern's manager, who was played by Ed Gardner. Featuring regulars like Miss Duffy, Clifton Finnegan, Eddie the waiter, and Clancy the cop, the show conversed about the everyday lives of New Yorkers and often featured celebrity guest stars. The show was created by Ed Gardner, who also brought talented writers like Abe Burrows, Larry Gelbart, and Dick Martin to work on the scripts. Although the show was ultimately canceled in 1951, it left a lasting influence on popular culture, inspiring various references and adaptations in films, TV series, and other formats.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Duffy%27s_Tavern' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/duffys-tavern' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -386,9 +386,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Edgar Bergen & Charlie McCarthy was a comedy variety show featuring the unique talents of ventriloquist Edgar Bergen and his wooden sidekick, Charlie McCarthy. The show was based on a witty and often ribald sense of humor, with Charlie McCarthy delivering irrepressible wisecracks that amused not only the audience but also Bergen himself. This wacky premise was paired with a classy and English tone, thanks to the presence of monocle-wearing Charlie McCarthy, who appeared to be from across the pond. The show also featured other well-loved Edgar Bergen characters, such as the dopey hayseed Mortimer Snerd and the odd Effie Klinker, who was merely Bergen's hand with a kerchief on it.</p><p>The radio show aired from 1936 to 1955 and stayed in the top five most popular shows for a decade. After an initial season on The Rudy Vallee Hour, it found a home on the Chase and Sandborn Radio Hour in 1937, where it remained until 1948. Throughout its run, the show featured many famous guest stars, such as W.C. Fields, Marilyn Monroe, Orson Welles, and Lucille Ball. It even made national headlines when Mae West starred in a racy "Adam and Eve" sketch that led to her being effectively blackballed for over a decade. Bergen and McCarthy went on to make numerous TV appearances in the 1950s, proving their enduring popularity despite the unlikelihood of a ventriloquist act succeeding on radio. The show stands as a testament to Edgar Bergen's mastery of witty repartee and the willingness of radio audiences to embrace unique and creative acts.
|
Edgar Bergen was an American actor and radio performer, known for his ventriloquism and his sidekick, Charlie McCarthy. Bergen gained popularity in the radio industry with his vocal performances and skillful characterizations. He appeared on various radio programs from 1937 to 1956, most notably the Chase and Sandborn Radio Hour, which remained in the top five for a decade. The show featured numerous guest stars and entertained audiences with its witty repartee and engaging characters, such as Mortimer Snerd and Effie Klinker. Radio audiences loved Bergen's act, even though it showcased ventriloquism without a visual component. By defying expectations, Bergen enjoyed a successful career, entertaining millions on the radio with his unique performances.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/bergen-and-mccarthy-edgar-bergen-and-charlie-mccarthy' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -305,9 +305,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Ellery Queen's Minute Mysteries is a radio show featuring one-minute mysteries. The show follows the intriguing adventures of Ellery Queen, an author who solves mysteries in his spare time and then writes about them. Created by cousins Fred Dannay and Manfred B. Lee, the character of Ellery Queen was conceived as a combination of Sherlock Holmes and Watson. The stories are set in a 1920s setting, with Queen often accompanied by his sidekick and father, Richard Queen. The captivating episodes showcase the pair's mystery-solving escapades, making for an engaging and thrilling listening experience for fans of detective stories and whodunits.</p><p>The radio show based on Ellery Queen's adventures was born after the character's successful stint in Dannay and Lee's novels. The show aired during the golden age of radio, leaving a vast and lasting impact on listeners. Over the years, the character of Ellery Queen has appeared in various other formats, including television shows and other media. Additionally, a pseudonymous character named Barnaby Ross, created by Dannay and Lee, was eventually revealed to be Ellery Queen. The move further expanded the character's universe, with several existing Barnabay Ross novels being rebranded as Ellery Queen stories.
|
Ellery Queen Minute Mysteries was a series of short radio episodes featuring the detective Ellery Queen solving mysteries in just a minute. Created by cousins Fred Dannay and Manfred B. Lee, Ellery Queen was an author who solved mysteries with his father, Richard Queen, as his sidekick. The character first appeared in a writing contest in the 1920s and went on to feature in novels and a weekly radio show.</p><p>The character became so popular that Dannay would disguise himself and assume the identity of Ellery Queen during media appearances. In 1932, the cousins introduced another character, Barnaby Ross, who was later revealed to be Ellery Queen, leading to a clever publicity stunt where all Barnaby Ross novels were converted into Ellery Queen novels.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://www.otrcat.com/p/ellery-queen-minute-mysteries' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Encore Theater</label>
|
<label>Encore Theater</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>26 episodes</span>
|
<span>13 episodes</span>
|
||||||
<span>Aired 1946</span>
|
<span>Aired 1946</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -134,9 +134,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Encore Theater is a dramatic anthology series that features medical-themed dramas based on true stories. The show weaves compelling and sympathetic narratives while providing valuable insights into the history of medicine. Each episode, although tied together by a common theme, stands on its own as a captivating drama. The series showcases the evolution of medical science and the unwavering dedication of healthcare practitioners to their Hippocratic oath. Sponsored by Schenley Labs, Inc., the show boasts an impressive cast comprising some of the finest actors from stage, screen, and radio. The skilled direction of William Lawrence and the exceptional musical backdrop crafted by Leith Stevens further elevate the series, making it a timeless gem.</p><p>Encore Theater aired during the summer of 1946 and featured notable cast members such as Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young, and Lionel Barrymore. The series was based on a combination of medical research and personal stories of medical workers, shedding light on the world of healthcare during its time. The show was eventually replaced by Cresta Blanca Hollywood Players. To explore similar series, one can also check out Adventures in Research, Doctor Fights, American Trail, Science Magazine of the Air, Better Living Theater, Exploring the Unknown, and Dr Christian.
|
Encore Theater, a series of compelling and sympathetic medical-themed dramas, aired during the Golden Age of Radio. These episodes were based on true stories and provided valuable insights into medical history, showcasing the dedication of doctors and the importance of their work. Sponsored by Schenley Labs, Inc, the show featured some of the finest talent of stage, screen, and radio like Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young, and Lionel Barrymore. Directed by William Lawrence with music by Leith Stevens, Encore Theater is an overlooked gem that remains both relevant and collectible to this day. This summer series was later replaced by Cresta Blanca Hollywood Players.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Encore_Theater_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/encore-theater' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
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</ul>
|
||||||
<label>Escape</label>
|
<label>Escape</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>654 episodes</span>
|
<span>218 episodes</span>
|
||||||
<span>Aired 1947-1954</span>
|
<span>Aired 1947-1954</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -1979,9 +1979,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Escape is a dramatic adventure anthology radio series that captivated listeners with its thrilling and suspenseful episodes. Each of the more than 200 episodes was a meticulously crafted micro-drama designed to hold the audience's attention for 30 minutes. The show offered adaptations of classic works by famous writers, as well as original stories by up-and-coming talent. Escape was known for its brilliant scriptwriting and superb production quality, often providing more dramatically focused and atmospheric adaptations than more high-profile shows like Suspense. It captured the essence of radio drama and continues to enthrall listeners today.</p><p>The show aired between 1947 and 1954 and was broadcast on CBS Radio. A total of 228 episodes were produced during its seven-year run, and many of them remain in good condition today. Despite its irregular scheduling and the lack of a consistent timeslot, Escape was highly popular during its time on air. Among the notable actors involved in the production were William Conrad, John Dehner, Jack Webb, Elliott Lewis, and Frank Lovejoy. A television counterpart of the show also aired on CBS TV for a few months in 1950, further solidifying its legacy in the history of broadcast entertainment.
|
Escape was a dramatic adventure anthology radio series that aired on CBS from 1947 to 1954. Despite frequent schedule shifts and lower production budgets, Escape gained a loyal following during its seven-year run. Known for its thrilling stories and high-quality production, the show featured both adaptations of classic works by famous writers, as well as new pieces by unknown talent. Over 200 episodes of Escape were produced, highlighting the talents of popular radio actors such as William Conrad, John Dehner, Jack Webb, Elliott Lewis, Georgia Ellis, and Frank Lovejoy. The program's well-remembered opening phrase, "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!", set the stage for the captivating and suspenseful stories to follow. Many episodes, including both West Coast and East Coast broadcast versions, have survived in good condition, making Escape an enduring favorite among old-time radio enthusiasts.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Escape_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Escape_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/escape' target='_blank'>otrcat.com</a>
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|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
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|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Exploring Tomorrow</label>
|
<label>Exploring Tomorrow</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>44 episodes</span>
|
<span>22 episodes</span>
|
||||||
<span>Aired 1957-1958</span>
|
<span>Aired 1957-1958</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -215,9 +215,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Exploring Tomorrow was an American radio series focusing on science fiction, described by an advertisement as "the first science-fiction show of science-fictioneers, by science-fictioneers and for science-fictioneers - real science fiction for a change!" The show was narrated by John W. Campbell, editor of Astounding Magazine, and featured stories written by prominent science fiction authors of the era. The series had a unique tone and style, with scripts exploring futuristic themes and concepts, making it a favorite among fans of the genre.</p><p>The radio show aired on the Mutual Broadcasting System from December 4, 1957, until June 13, 1958. It featured a total of 26 episodes, with notable writers such as Randall Garrett, Gordon R. Dickson, Robert Silverberg, Isaac Asimov, Philip K. Dick, Poul Anderson, John Fleming, Raymond E. Banks, George O. Smith, and Tom Godwin contributing to the series. While it did not have any direct TV show adaptations or other media formats, Exploring Tomorrow helped to influence later science fiction radio programs like Dimension X and X Minus One.
|
Exploring Tomorrow, an American old-time radio show, aired on the Mutual Broadcasting System from December 4, 1957, to June 13, 1958. This science fiction anthology show was narrated by John W. Campbell, editor of Astounding Magazine, who helped shape the careers of many notable science fiction authors of the time. As the "first science fiction old time radio show of science-fictioneers, by science-fictioneers, and for science-fictioneers," it focused on themes like the future of mankind, space travel, and other worlds.</p><p>The show's producer-director was Sanford Marshall and featured announcers Bill Mahr and Guy Wallace. The cast included Mandel Kramer, Bryna Raeburn, Lawson Zerbe, Lon Clark, Mason Adams, Connie Lembcke, Larry Haines, Don Douglas, Bret Morrison, and Charlotte Sheffield. The theme song for Exploring Tomorrow was "As Time Goes By." Notably, the series showcased scripts written by celebrated science fiction authors like Randall Garrett, Gordon R. Dickson, Robert Silverberg, Isaac Asimov, Philip K. Dick, Poul Anderson, John Fleming, Raymond E. Banks, George O. Smith, and Tom Godwin.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://en.wikipedia.org/wiki/Exploring_Tomorrow' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/exploring-tomorrow' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
|
@ -9,7 +9,7 @@
|
||||||
</ul>
|
</ul>
|
||||||
<label>Family Doctor</label>
|
<label>Family Doctor</label>
|
||||||
<aside>
|
<aside>
|
||||||
<span>78 episodes</span>
|
<span>39 episodes</span>
|
||||||
<span>Aired 1932</span>
|
<span>Aired 1932</span>
|
||||||
</aside>
|
</aside>
|
||||||
</div>
|
</div>
|
||||||
|
@ -368,9 +368,7 @@
|
||||||
</aside>
|
</aside>
|
||||||
</li></ol>
|
</li></ol>
|
||||||
<article><p>
|
<article><p>
|
||||||
Family Doctor tells the story of Dr. Grant Adams, a wise and humorous doctor in a small town who serves as both the community's physician and their moral rectifier. Each week, Dr. Adams confronts various communal issues, ranging from robbery to suicide, and addresses these problems with his common sense and gentle moral judgment. While his old-fashioned remedies for illnesses may be considered outdated by modern standards, his approach to dealing with life's daily issues remains timeless. The show features thirty-nine episodes, out of which only twelve were ever aired. Family Doctor's entertaining and engaging narrative ensures that listeners will be eager to hear more stories from the quirky inhabitants of the small town.</p><p>Broadcasters Program Syndicate and Bruce Eells and Associates syndication produced Family Doctor as a dramatic serial in 1932. Set in Cedarton, a town characterized by its generally healthy and good-natured residents, the show explores the challenges and moral dilemmas faced by these individuals, with Dr. Adams always ready to help guide them on the right path. Each episode is self-contained and does not end on a cliffhanger, but maintains many soap opera elements, such as organ music and local advertisements. At the end of every episode, Dr. Adams signs off saying, "This is the family doctor. I'll be in to see you again right soon. Goodbye…"
|
Family Doctor is an Old Time Radio soap opera about the life of Dr. Grant Adams, a compassionate small-town physician who deals with community issues as much as he treats illnesses. Set in the idyllic town of Cedarton, each episode features a complete drama, addressing topics from gossip to more serious dilemmas like suicide. Produced by Bruce Eells Productions, the show includes traditional soap opera elements such as organ music, but avoids cliff-hangers.</p><p>Though only twelve of the thirty-nine episodes were ever aired, listeners can join Dr. Adams as he uses humor and wisdom to navigate various challenges faced by the good-hearted citizens of Cedarton. His closing catchphrase: "This is the family doctor. I'll be in to see you again right soon. Goodbye…" invites audiences to visit the charming town again and again.
|
||||||
</p><p>Sources:
|
|
||||||
<a href='https://archive.org/details/OTRR_Family_Doctor_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/family-doctor' target='_blank'>otrcat.com</a>
|
|
||||||
</p></article>
|
</p></article>
|
||||||
|
|
||||||
</div>
|
</div>
|
||||||
|
|
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