cleaned up and regenerated some descriptions
This commit is contained in:
parent
3599714ad0
commit
231dd0da1c
GPG key ID:
CABF2F86EF7884F9
34 changed files with 895 additions and 328 deletions
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@ -1,3 +1,6 @@
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update episodes set title='Money Money Money' where series_slug='lights-out' and episode_slug='1936-08-05';
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update series set title='Jeff Regan, Investigator' where series_slug='jeff-regan-investigator';
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update series set title='CBS Complete Broadcast Day (1944)' where series_slug='complete-broadcast-day-d-day';
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update episodes set episode_slug='00000-1962-01-10' where series_slug='democracy-in-america' and episode_slug='1962-01-10';
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update episodes set episode_slug='00000-1962-01-16' where series_slug='democracy-in-america' and episode_slug='1962-01-16';
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update series set min_year=1935, max_year=1947 where series_slug='ripleys-one-minute-shorts';
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File diff suppressed because it is too large
Load diff
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@ -84,6 +84,7 @@ private async Task GenerateDescriptions() {
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Please generate a two paragraph summary of the information.
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The first paragraph should begin with the show's name without quotes, and focus on the show's premise, format, tone, and style. The first paragraph should not contain air dates, years, broadcast networks, or names of people involved in the show's production. The first paragraph should not describe the show as an ""old time radio show"" or mention the ""golden age of radio.""
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The second paragraph can cover what years the show was broadcast, what radio networks the show aired on, how many episodes aired and are known to still exist today, interesting trivia including whether there were related TV shows or other media formats, notable advertisers and sponsors, and any notable actors and other people involved in the production if any of that information is contained in the provided details.
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The summary should not include any information about the Old Time Radio Researcher Group (OTRR), or any discussion about ""collections.""
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Here are the details:");
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foreach (var url in links[slug].Item2) {
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@ -115,5 +116,27 @@ private async Task GenerateDescriptions() {
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}
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}
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private void ExportDescriptions() {
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using var connection = new SqliteConnection(CONNECTION_STRING);
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connection.Open();
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using var cmd = connection.CreateCommand();
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cmd.CommandText =
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@"select 'update series set description='''
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|| replace(description, '''', '''''') || '''
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where series_slug=''' || series_slug || ''';'
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from series where description is not null";
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using var stream = File.Open(Path.Combine(
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BASE_PATH, "db", "migrations", "007-descriptions.sql"), FileMode.Create);
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using var sw = new StreamWriter(stream);
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using var reader = cmd.ExecuteReader();
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var first = true;
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while (reader.Read()) {
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if (first) first = false;
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else sw.WriteLine();
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sw.WriteLine(reader.GetString(0));
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}
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}
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Batteries.Init();
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await GenerateDescriptions();
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ExportDescriptions();
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@ -239,7 +239,7 @@
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<label>Ripley's One Minute Shorts</label>
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<aside>
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<span>416 episodes</span>
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<span>Aired 10000-0</span>
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<span>Aired 1935-1947</span>
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</aside>
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</div>
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</section>
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@ -4299,7 +4299,7 @@
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<label>Ripley's One Minute Shorts</label>
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<aside>
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<span>416 episodes</span>
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<span>Aired 10000-0</span>
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<span>Aired 1935-1947</span>
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</aside>
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</div>
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</section>
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@ -485,7 +485,7 @@
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</aside>
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</li></ol>
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<article><p>
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Afloat with Henry Morgan was a 52-episode Australian radio series that featured 12-minute-long episodes, likely aimed at a youth audience. The show, which centered around the captivating adventures of the infamous pirate, was produced by and starred George Edwards, a talented actor and ventriloquist known as "the Man with a Thousand Voices". Edwards employed his unique gift for mimicry to portray a wide range of characters, including children, various male voices, older women, and foreigners. In some instances, he would perform as many as six different voices in a single scene and often doubled this number within a single episode.</p><p>The series is believed to have originally aired in 1933, although it is easily confused with the US show, The Henry Morgan Show. Afloat with Henry Morgan was produced by Edwards, who also created other popular Australian series such as Dr Jekyll and Mr Hyde, Frankenstein, Corsican Brothers, and Son of Porthos. Collaborators on the show likely included enthusiasts Maurice Francis and Nell Sterling, both of whom had worked with Edwards on previous projects. Information regarding the series can be found through sources such as OTRCat.com, The Australian Dictionary of Biography Online, and Ian Grieve, as well as from the Old Time Radio Researchers Group.
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Afloat with Henry Morgan was a 52-episode Australian radio series that featured 12-minute-long episodes, likely aimed at a youth audience. The show, which centered around the captivating adventures of the infamous pirate, was produced by and starred George Edwards, a talented actor and ventriloquist known as "the Man with a Thousand Voices". Edwards employed his unique gift for mimicry to portray a wide range of characters, including children, various male voices, older women, and foreigners. In some instances, he would perform as many as six different voices in a single scene and often doubled this number within a single episode.</p><p>The series is believed to have originally aired in 1933, although it is easily confused with the US show, The Henry Morgan Show. Afloat with Henry Morgan was produced by Edwards, who also created other popular Australian series such as Dr Jekyll and Mr Hyde, Frankenstein, Corsican Brothers, and Son of Porthos. Collaborators on the show likely included enthusiasts Maurice Francis and Nell Sterling, both of whom had worked with Edwards on previous projects.
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</p><p>Sources:
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<a href='https://archive.org/details/OTRR_Afloat_With_Henry_Morgan_Singles' target='_blank'>archive.org</a>
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</p></article>
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@ -116,7 +116,7 @@
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</aside>
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</li></ol>
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<article><p>
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Air Mail Mystery is a thrilling radio show that delves into the dangerous world of early air mail flights and the daring pilots that navigated them. The show focuses on Trans American, a company responsible for delivering mail for the government; however, their planes have been mysteriously falling from the sky. Suspicion arises around the possibility of sabotage, and the gripping story unravels through the voices of several fascinating characters, such as Ernest Powers, Andy Andrews, Irene Delroy, Jimmy Gifford, and more, who all contribute to the enthralling and fast-paced nature of the series. </p><p>The show was broadcast during the golden age of radio, highlighting the massive importance of mail and the lengths people went to deliver it efficiently. Transporting mail by airplane was fraught with risks, but the potential profits of a valuable government mail contract drew many daring pilots and aircraft operators to face the danger. Air Mail Mystery captures the excitement and intrigue of such a high-stakes venture and expertly weaves a captivating story filled with memorable and multi-faceted characters. This classic radio show serves as a perfect addition to any aviation or adventure-themed radio collection.
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Air Mail Mystery is a thrilling story revolving around the dangerous adventures of early air mail flight pioneers. Set in a time when postal services were gaining importance globally, the show focuses on a company called Trans American that delivers mail for the government. However, their planes mysteriously keep falling from the sky, leading to suspicion of sabotage or just plain bad luck. The show unravels this mystery as various characters come into play, including a girl operative from the US Justice Department, a roving reporter, and an undercover mechanic. With a blend of action, adventure, and an exploration of relationships, Air Mail Mystery kept its audience hooked to their radios.</p><p>This exciting show highlighted the importance of written communication and the evolution of mail delivery from the origins of writing to government-established postal services. With the advent of air mail services, the speed of mail delivery increased significantly but also added heightened risks, making for a perfect setting for this gripping series. The show's characters and situations captured the excitement and intrigue of the time as both postal services and aviation were taking off. Believed to have aired in the early 1930s, the show has left its mark in the hearts of avid radio show listeners for its engaging storytelling and unique premise.
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</p><p>Sources:
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<a href='https://archive.org/details/OTRR_Air_Mail_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/airmail-mystery' target='_blank'>otrcat.com</a>
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</p></article>
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@ -359,7 +359,7 @@
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</aside>
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</li></ol>
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<article><p>
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An Evening with Groucho is a fascinating exploration into the life of the legendary Groucho Marx and his famous siblings, the Marx Brothers. Told through captivating anecdotes from Groucho himself, the show not only provides a glimpse into their personal lives, but also highlights their comic genius, showcasing the various characters and acts they performed throughout their careers. As the show delves into Groucho's life, listeners are treated to a treasure trove of wit, humor, and unparalleled comedic talent that defined the Marx Brothers' unique style and endeared them to generations of fans.</p><p>An Evening with Groucho was broadcast on different radio networks over the years, featuring numerous amusing appearances by Groucho Marx in various comedy and variety shows, as well as episodes from his successful radio quiz show, You Bet Your Life, which began in 1947 and later moved to television. There are six extensive volumes of the collection, with the first two focusing on Groucho Marx's guests appearances and the last four covering You Bet Your Life. This rich anthology not only highlights Groucho's incredible comedic talent but also serves as an insightful tribute to one of America's greatest comedians and a testament to the unmatched wit and charm of the Marx Brothers.
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An Evening With Groucho is a radio show that offers a unique look at the life and career of famous comedian Groucho Marx, through his own words and experiences. Featuring anecdotes about his beginnings in vaudeville as part of the Marx Brothers, the show highlights Groucho's signature humor, equipped with witty remarks, innuendos, and tongue-in-cheek quips. Throughout the program, listeners are treated to a fascinating journey through Groucho's various career milestones, including the success of the Marx Brothers on stage and screen, his transition to radio and television hosting, and his political opinions and controversies.</p><p>The show delves into Groucho Marx's extensive career which began in vaudeville, where he and his brothers Chico, Harpo, and Zeppo formed a successful comedy act that eventually led them to Broadway and Hollywood. The Marx Brothers starred in iconic films such as The Cocoanuts, Animal Crackers, Monkey Business, Horse Feathers, Duck Soup, and A Night on the Opera. In 1947, Groucho found further success as the host of the popular radio quiz show You Bet Your Life, which eventually moved to television, airing until 1961. Groucho also appeared in several movies without his brothers and made a comeback in the 1970s with appearances on award shows and performances. Throughout his life, Groucho remained a beloved figure in American comedy and entertainment.
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</p><p>Sources:
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<a href='https://archive.org/details/OTRR_An_Evening_With_Groucho_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Groucho_Marx' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/groucho-marx' target='_blank'>otrcat.com</a>
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</p></article>
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@ -3113,7 +3113,7 @@
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</aside>
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</li></ol>
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<article><p>
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Classic Baseball MLB is a captivating radio show that transports listeners back in time to relive the glory days of America's pastime. The show's premise revolves around the broadcast of classic Major League Baseball games, immersing the audience in the excitement and drama of historical matchups. With a format that highlights classic play-by-play announcements, color commentary, and vivid descriptions of the action on the field, the show brings these memorable games to life for listeners. The tone and style of Classic Baseball MLB are reminiscent of the golden age of radio, dedicated to recapturing the spirit of baseball's storied history and presenting it in a manner that engages and entertains the audience.</p><p>Though the show is timeless in its appeal, Classic Baseball MLB originally aired during the golden age of radio, from the 1930s through the 1950s. The show was broadcast on several prominent radio networks, ensuring that the action-packed drama of baseball games would reach a wide audience. While the exact number of episodes aired is unknown, a significant number of these broadcasts still exist today, allowing fans to continue to enjoy the thrilling moments of classic baseball games. The show attracted notable sponsors and advertisers that recognized the popularity of Major League Baseball and its influence on American culture. Featuring the talents of renowned broadcasters, play-by-play announcers, and other notable figures involved in the production, Classic Baseball MLB not only preserves the history of America's favorite pastime but also serves as a testament to the enduring legacy of the golden age of radio.
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Major League Baseball (MLB) broadcasts have been an essential part of American culture for nearly a century, connecting fans with their beloved teams no matter where they are. Beginning with the advent of radio broadcasting in the early 20th century, MLB games were soon aired across the nation, providing die-hard fans and casual listeners alike with the opportunity to join in the excitement of the games. Radio broadcasts not only brought baseball into homes, bars, and workplaces, but they also shaped the way society engaged with the sport. These broadcasts have been a unifying force for generations, creating a shared experience for listeners and fostering a sense of community amongst fans from diverse backgrounds.</p><p>MLB's foray into radio broadcasting began in 1921 when KDKA in Pittsburgh aired the first ever live broadcast of a professional baseball game on August 5, featuring the Pittsburgh Pirates and the Philadelphia Phillies. Graham McNamee, one of the early pioneers of sports broadcasting, made a lasting impression with his play-by-play commentary style and powerful, engaging voice. His influence helped establish baseball as a pervasive presence on America's airwaves. Other legendary commentators such as Mel Allen, Vin Scully, and Ernie Harwell would follow, narrating unforgettable games like Don Larsen's perfect game in the 1956 World Series or Hank Aaron's record-breaking 715th home run in 1974. The New York Yankees and Brooklyn Dodgers utilized radio to build strong fan bases and ultimately dominate 20th-century baseball. Radio broadcasts have been a staple of MLB history, commemorating monumental achievements, extraordinary teams, and unforgettable games that have shaped American cultural memory.
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</p><p>Sources:
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<a href='https://sabr.org/century/1921/radio' target='_blank'>sabr.org</a>
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</p></article>
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@ -3509,7 +3509,7 @@
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</aside>
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</li></ol>
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<article><p>
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Claudia, also known as Claudia and David, is a radio soap opera that centers on the lives of newlyweds David and Claudia Naughton. The show explores the challenges and successes of an average newly-married couple, touching on themes such as the need for thrift, dealing with an overbearing mother-in-law, and the charming little moments that make up everyday life. The premise originated from a series of short stories written by Rose Franken and William Brown Meloney published in Redbook magazine. The characters of Claudia and David were brought to life by Patricia Ryan and Richard Kollmar in the initial adaptation, followed by Kathryn Bard and Paul Crabtree in a subsequent version sponsored by Coca-Cola.</p><p>The show was first broadcast on CBS between July 4th, 1941 and September 26th, 1941, followed by a syndicated version in 1947. The original short stories that inspired the show were later compiled and adapted into a pair of RKO films titled Claudia (1943) and Claudia and David (1946), which starred Robert Young and Dorothy McGuire. The success of these films led to Coca-Cola sponsoring a 15-minute radio program for the 1947-1948 season. Additionally, the storyline of Claudia and David inspired two TV movies in the late fifties and British and German television adaptations. As part of the Old Time Radio Researchers Group, some of the episodes are still available to listen to today.
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Claudia, also known as Claudia and David, is a radio soap opera that centers on the lives of newlyweds David and Claudia Naughton. The show explores the challenges and successes of an average newly-married couple, touching on themes such as the need for thrift, dealing with an overbearing mother-in-law, and the charming little moments that make up everyday life. The premise originated from a series of short stories written by Rose Franken and William Brown Meloney published in Redbook magazine. The characters of Claudia and David were brought to life by Patricia Ryan and Richard Kollmar in the initial adaptation, followed by Kathryn Bard and Paul Crabtree in a subsequent version sponsored by Coca-Cola.</p><p>The show was first broadcast on CBS between July 4th, 1941 and September 26th, 1941, followed by a syndicated version in 1947. The original short stories that inspired the show were later compiled and adapted into a pair of RKO films titled Claudia (1943) and Claudia and David (1946), which starred Robert Young and Dorothy McGuire. The success of these films led to Coca-Cola sponsoring a 15-minute radio program for the 1947-1948 season. Additionally, the storyline of Claudia and David inspired two TV movies in the late fifties and British and German television adaptations.
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</p><p>Sources:
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<a href='https://archive.org/details/OTRR_Claudia_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/Claudia_and_David_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/claudia' target='_blank'>otrcat.com</a>
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</p></article>
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</aside>
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</li></ol>
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<article><p>
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Comic Weekly Man was a unique radio show that captured the hearts of both children and adults through its dramatic readings of Sunday comic strips. The show's charming host, the Comic Weekly Man, would read a variety of popular comic strips such as Blondie, Beetle Bailey, Hi and Lois, and many others, bringing the characters to life with the help of music and sound effects. The show allowed listeners to immerse themselves in the stories, and many avid fans would follow along with their own print copies of the comics in hand.</p><p>The show aired from 1947 to 1954 and was produced by the Old Time Radio Researchers Group. The Comic Weekly Man was initially portrayed by an unnamed actor, but the role was later taken on by Lon Clark. During its run, the show featured readings of well-known comic strips such as Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine, among others. The show was broadcast on radio networks in the 1951-1953 period, creating a memorable and nostalgic experience for many listeners.
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Comic Weekly Man was a unique radio show that captured the hearts of both children and adults through its dramatic readings of Sunday comic strips. The show's charming host, the Comic Weekly Man, would read a variety of popular comic strips such as Blondie, Beetle Bailey, Hi and Lois, and many others, bringing the characters to life with the help of music and sound effects. The show allowed listeners to immerse themselves in the stories, and many avid fans would follow along with their own print copies of the comics in hand.</p><p>The show aired from 1947 to 1954. The Comic Weekly Man was initially portrayed by an unnamed actor, but the role was later taken on by Lon Clark. During its run, the show featured readings of well-known comic strips such as Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine, among others, creating a memorable and nostalgic experience for many listeners.
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</p><p>Sources:
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<a href='https://archive.org/details/OTRR_Comic_Weekly_Man_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/comic-weekly-man' target='_blank'>otrcat.com</a>
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</p></article>
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</aside>
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</li></ol>
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<article><p>
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Dear Adolf is a captivating radio show featuring a series of six narrative letters, based on actual correspondence penned by Americans to Adolf Hitler during World War II. These vignettes offer insight into the U.S. public opinion of Hitler and the Nazi regime at that time. Written by Stephen Vincent Benét, the program was designed as a "fight-talk program," a type of network-based propaganda show aimed at boosting popular support for the war. Each letter in Dear Adolf is narrated by a different character, including a farmer, a mother, a businessman, a laborer, a U.S. soldier, and an Austrian-born naturalized American citizen, portraying diverse perspectives and sentiments toward the dictator.</p><p>Produced in 1942, Dear Adolf aired as part of the network's effort to boost support for the war through specially created programs. While the broadcast network and production names are not mentioned, the show gained enough recognition for its content to be featured in Time Magazine's August 3, 1942 issue. Additional contexts, such as the number of episodes aired and still existing today or notable actors involved in the production, have not been provided. However, the collection also features over 180 World War II-era posters, and for those interested in similar shows, other programs like Man Behind the Gun, Hitler Speeches, Soldiers of the Press, Words At War, and You Can't Do Business with Hitler may be of interest.
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Dear Adolf is a captivating radio show consisting of six narrative letters based on real letters written by Americans to Adolf Hitler during WWII. The program offers a unique insight into Americans' opinions of Hitler and the Nazi regime. Written by Stephen Vincent Benét, Dear Adolf was produced as a "fight-talk program" which aimed to boost popular support for the war through network-based propaganda. The show, which features letters from individuals from various backgrounds, such as a farmer, mother, businessman, laborer, US soldier, and an Austrian-born naturalized American citizen, highlights their hopes, fears, and strong feelings towards Hitler and the war.</p><p>Produced in 1942, Dear Adolf was part of a collection of WWII-era programs that also included Man Behind the Gun, Hitler Speeches, Soldiers of the Press, Words at War, and You Can't Do Business with Hitler. These shows aired on different radio networks, aiming to increase awareness of and support for the war efforts.
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</p><p>Sources:
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<a href='https://www.otrcat.com/p/dear-adolf' target='_blank'>otrcat.com</a>
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</p></article>
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</div>
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</section>
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<div class='detail'>
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<ol><li class='episode' title='Where Could I Be Better Off'
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<ol><li class='episode' title='Preview Show 1'
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data-cover='/cover/sm/democracy-in-america.jpg'
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data-series='Democracy in America'
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data-file='otr/democracy-in-america/1962-01-10.mp3'>
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<label>Preview Show 1</label>
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<aside>
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<span>29mins</span>
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<span>Aired 1962-01-10</span>
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</aside>
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</li><li class='episode' title='Preview Show 1'
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data-cover='/cover/sm/democracy-in-america.jpg'
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data-series='Democracy in America'
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data-file='otr/democracy-in-america/1962-01-16.mp3'>
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<label>Preview Show 1</label>
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<aside>
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<span>29mins</span>
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<span>Aired 1962-01-16</span>
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</aside>
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</li><li class='episode' title='Where Could I Be Better Off'
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data-cover='/cover/sm/democracy-in-america.jpg'
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data-series='Democracy in America'
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data-file='otr/democracy-in-america/00001.mp3'>
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<span>28mins</span>
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<span>Aired 1962-04-18</span>
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</aside>
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</li><li class='episode' title='Preview Show 1'
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data-cover='/cover/sm/democracy-in-america.jpg'
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data-series='Democracy in America'
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data-file='otr/democracy-in-america/1962-01-10.mp3'>
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<label>Preview Show 1</label>
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<aside>
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<span>29mins</span>
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<span>Aired 1962-01-10</span>
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</aside>
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</li><li class='episode' title='Preview Show 1'
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data-cover='/cover/sm/democracy-in-america.jpg'
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data-series='Democracy in America'
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data-file='otr/democracy-in-america/1962-01-16.mp3'>
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<label>Preview Show 1</label>
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<aside>
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<span>29mins</span>
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<span>Aired 1962-01-16</span>
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</aside>
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</li></ol>
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<article><p>
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Democracy in America is a well-produced dramatization of Alexis de Tocqueville's book of the same name, following the travels of Tocqueville and his companion, Gustave de Beaumont, as they explore America in the 1830s. The engaging series combines music, sound effects, and impressive acting to bring the historical story to life, with Tocqueville being played by Barry Morse and Beaumont by Alan King. Additionally, the educational show incorporates discussions on various topics relating to the series, hosted by historian Dorothy Gordon and featuring students from New York University.</p><p>The show originally aired on NBC and CBC in January of 1962, with a total of fourteen 30-minute episodes. Democracy in America was produced by Andrew Allan and directed by historian George Probst in conjunction with the Division of General Education of New York University and the Fund for Adult Education. The collection also includes two preview programs that aired immediately before the series, which delved deeper into the topics and themes presented in Tocqueville's book.
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</aside>
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</li></ol>
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<article><p>
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Down Our Way is a heartwarming radio show that brings to life the close-knit community spirit of small-town America. Set in a simpler time, the story revolves around neighbors helping neighbors and using their faith in their daily lives. The central character is Eli Jenkins, the town's kindhearted grocer, who is always there to lend a helping hand when trouble arises. The show has a delightful, down-home tone, featuring aspects of small-town living, such as local politics, pie contests, and friendly rivalries. Choir music adds a touch of magic to the show, as the local choir regularly meets at Eli's grocery store to practice their hymnals.</p><p>While not much is known about Down Our Way, it is believed to have been created in the early 1930s. The Old Time Radio Researchers Group is actively seeking more information about the series. The show's quaint and nostalgic portrayal of simpler times resonates with listeners even today, transporting them back to a bygone era of small-town America, if only for 30 minutes at a time. Fans of radio shows featuring large protagonists might also enjoy Big Guy, Fat Man, Scattergood Baines, and Nero Wolfe.
|
||||
Down Our Way is a heartwarming radio show that brings to life the close-knit community spirit of small-town America. Set in a simpler time, the story revolves around neighbors helping neighbors and using their faith in their daily lives. The central character is Eli Jenkins, the town's kindhearted grocer, who is always there to lend a helping hand when trouble arises. The show has a delightful, down-home tone, featuring aspects of small-town living, such as local politics, pie contests, and friendly rivalries. Choir music adds a touch of magic to the show, as the local choir regularly meets at Eli's grocery store to practice their hymnals.</p><p>While not much is known about Down Our Way, it is believed to have been created in the early 1930s. The show's quaint and nostalgic portrayal of simpler times resonates with listeners even today, transporting them back to a bygone era of small-town America, if only for 30 minutes at a time. Fans of radio shows featuring large protagonists might also enjoy Big Guy, Fat Man, Scattergood Baines, and Nero Wolfe.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Down_Our_Way_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/down-our-way' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
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|
|||
|
|
@ -368,7 +368,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Frontier Fighters is a captivating radio series that takes listeners on an enthralling journey back in time, immersing them in the adventures of heroes who fought and conquered the wild, untamed West. The show follows a syndicated format and features episodes which shed light on various aspects of the history of the Wild West, each episode lasting for approximately 15 minutes. The engaging stories capture moments such as Robert La Salle's navigation along the Mississippi River and Lewis and Clark's challenging expedition to the West Coast of North America, providing an unparalleled insight into the fascinating chronicles of the shaping of the American frontier.</p><p>Originally airing in 1935, Frontier Fighters was broadcast on the Western Documentary radio network. Although specific information about the number of episodes aired is unavailable, the Old Time Radio Researchers Group is known for preserving these historical narratives. Showcasing American history through an auditory medium, Frontier Fighters is remembered alongside other popular historical dramas including American Adventure, An American in England, American Trail, and Cavalcade of America. These series captured the essence of America's past, while simultaneously influencing the radio content of their time.
|
||||
Frontier Fighters is a captivating radio series that takes listeners on an enthralling journey back in time, immersing them in the adventures of heroes who fought and conquered the wild, untamed West. The show follows a syndicated format and features episodes which shed light on various aspects of the history of the Wild West, each episode lasting for approximately 15 minutes. The engaging stories capture moments such as Robert La Salle's navigation along the Mississippi River and Lewis and Clark's challenging expedition to the West Coast of North America, providing an unparalleled insight into the fascinating chronicles of the shaping of the American frontier.</p><p>Originally airing in 1935, Frontier Fighters was broadcast on the Western Documentary radio network, and it is currently unknown how many episodes were originally produced. Showcasing American history through an auditory medium, Frontier Fighters is remembered alongside other popular historical dramas including American Adventure, An American in England, American Trail, and Cavalcade of America. These series captured the essence of America's past, while simultaneously influencing the radio content of their time.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Frontier_Fighters_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/frontier-fighters' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -125,7 +125,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Hello Americans was a 12-episode radio show created by Orson Welles, which focused on Latin and South American culture. The show was inspired by Welles' interest in these regions and his time spent in Brazil working on the film It's All True. The program featured a generally lighthearted tone, with Welles enjoying himself throughout the series. Despite moments of seriousness and occasional melodramatics, the show was able to present Central and South American countries in a positive light, emphasizing their interesting history and people without condescension. The episodes were also peppered with editorial insertions, primarily addressing racism and occasionally taking aim at fascism.</p><p>Hello Americans was broadcast during 1942 and 1943 as a documentary drama series that detailed Welles' South American adventures, developed under the auspices of the CIA. The show explored various aspects of South American culture, from the Andes Mountains to the cities of Brazil. Notable guests on the program included Hans Conried, Gerald Mohr, Laird Cregar, Agnes Moorehead, Ray Collins, and Carmen Miranda. The series was also included in the updated Orson Welles Collection.
|
||||
Hello Americans was a 12-episode radio show created by Orson Welles, which focused on Latin and South American culture. The show was inspired by Welles' interest in these regions and his time spent in Brazil working on the film It's All True. The program featured a generally lighthearted tone, with Welles enjoying himself throughout the series. Despite moments of seriousness and occasional melodramatics, the show was able to present Central and South American countries in a positive light, emphasizing their interesting history and people without condescension. The episodes were also peppered with editorial insertions, primarily addressing racism and occasionally taking aim at fascism.</p><p>Hello Americans was broadcast during 1942 and 1943 as a documentary drama series that detailed Welles' South American adventures, developed under the auspices of the CIA. The show explored various aspects of South American culture, from the Andes Mountains to the cities of Brazil. Notable guests on the program included Hans Conried, Gerald Mohr, Laird Cregar, Agnes Moorehead, Ray Collins, and Carmen Miranda.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Hello_Americans_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/hello-americans-orson-welles' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -125,7 +125,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Heritage Over the Land is a rich, compelling documentary series that captures the transformative rebirth of the American South. Through twelve captivating episodes, the show takes listeners on a journey from the region's humble beginnings, marked by cotton plantations, to its rapid industrialization. The series features a mix of interviews and narrative storytelling, effectively drawing in listeners and painting a vivid picture of the social, economic, and industrial revolution taking place in the South during the first half of the 20th century. Correspondent Henry Cassidy guides audiences through the powerful stories of ordinary Americans, their lives and struggles at the heart of this remarkable transformation.</p><p>The Alfred P. Sloan Foundation, established in 1934 by the President and CEO of General Motors, provided funding for Heritage Over the Land. This allowed writer and director William Allen Bales, together with producer Ms. Lee F. Painten, to create a high-quality and immersive listening experience. The show was broadcast on radio networks, and although details about its air dates and networks are not available, its powerful storytelling and vivid depiction of a transformative era in American history have ensured its continued resonance for listeners. The Old Time Radio Researchers Group has preserved the show for future generations to enjoy and learn from this important period in the South's evolution.
|
||||
Heritage Over the Land is a rich, compelling documentary series that captures the transformative rebirth of the American South. Through twelve captivating episodes, the show takes listeners on a journey from the region's humble beginnings, marked by cotton plantations, to its rapid industrialization. The series features a mix of interviews and narrative storytelling, effectively drawing in listeners and painting a vivid picture of the social, economic, and industrial revolution taking place in the South during the first half of the 20th century. Correspondent Henry Cassidy guides audiences through the powerful stories of ordinary Americans, their lives and struggles at the heart of this remarkable transformation.</p><p>The Alfred P. Sloan Foundation, established in 1934 by the President and CEO of General Motors, provided funding for Heritage Over the Land. This allowed writer and director William Allen Bales, together with producer Ms. Lee F. Painten, to create a high-quality and immersive listening experience. The show was broadcast on radio networks, and although details about its air dates and networks are not available, its powerful storytelling and vivid depiction of a transformative era in American history have ensured its continued resonance for listeners.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Heritage_Over_The_Land_Singles' target='_blank'>archive.org</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -602,7 +602,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Jerry at Fair Oaks follows the delightful adventures of orphaned hero Jerry Dugan as he transitions from his life in the circus to his experiences at Fair Oaks School. With a runtime of fifteen minutes per episode, the program is ideal for even very young children to enjoy. This captivating series centers around Jerry Dugan's journey and adventures as he begins his life at Fair Oaks School, full of new experiences, friendships, and challenges.</p><p>Originally syndicated by Bruce Eells in 1938, Jerry at Fair Oaks is a juvenile serial that focuses on the importance of structure, instruction, and discipline for the growth and development of a young boy like Jerry. The school's traditions, athletics programs, and facilities provide him with everything he could need or want. This radio show consists of 65 episodes, with over 15 hours of captivating content. Jerry at Fair Oaks is a follow-up program to the earlier series, Jerry of the Circus, and is produced as part of the Old Time Radio Researchers Group.
|
||||
Jerry at Fair Oaks follows the delightful adventures of orphaned hero Jerry Dugan as he transitions from his life in the circus to his experiences at Fair Oaks School. With a runtime of fifteen minutes per episode, the program is ideal for even very young children to enjoy. This captivating series centers around Jerry Dugan's journey and adventures as he begins his life at Fair Oaks School, full of new experiences, friendships, and challenges.</p><p>Originally syndicated by Bruce Eells in 1938, Jerry at Fair Oaks is a juvenile serial that focuses on the importance of structure, instruction, and discipline for the growth and development of a young boy like Jerry. The school's traditions, athletics programs, and facilities provide him with everything he could need or want. This radio show consists of 65 episodes, with over 15 hours of captivating content. Jerry at Fair Oaks is a follow-up program to the earlier series, Jerry of the Circus.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Jerry_at_Fair_Oaks_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/jerry-at-fair-oaks' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -251,7 +251,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Moon Over Africa is a mysterious radio series believed to have originated in South Africa. The show consists of 26 episodes, each lasting 15 minutes, and follows the thrilling expedition of Professor Anton Edwards as he searches for the lost city of Atlantis. Along the way, Professor Edwards is accompanied by his daughter, fiancé, and a preserved talking human head that speaks the ancient language of the people of Atlantis. As they journey through the African jungle, the group encounters numerous strange and potentially dangerous situations, creating a unique and adventurous tone for the show. </p><p>Though not much is known about the radio series, it is thought to have aired around 1937 or 1938. Moon Over Africa is a syndicated 15-minute serial, possibly from South Africa, and it remains uncertain whether the series was ever broadcast in the United States. Talbot Mundy wrote the series script and is known for other serials such as Jack Armstrong, Lost Empire, and Ghost Corps. This collection contains the complete set of 26 episodes of Moon Over Africa, along with five other African stories from miscellaneous series. The information provided is courtesy of the Old Time Radio Researchers Group.
|
||||
Moon Over Africa is a mysterious radio series believed to have originated in South Africa. The show consists of 26 episodes, each lasting 15 minutes, and follows the thrilling expedition of Professor Anton Edwards as he searches for the lost city of Atlantis. Along the way, Professor Edwards is accompanied by his daughter, fiancé, and a preserved talking human head that speaks the ancient language of the people of Atlantis. As they journey through the African jungle, the group encounters numerous strange and potentially dangerous situations, creating a unique and adventurous tone for the show. </p><p>Though not much is known about the radio series, it is thought to have aired around 1937 or 1938. Moon Over Africa is a syndicated 15-minute serial, possibly from South Africa, and it remains uncertain whether the series was ever broadcast in the United States. Talbot Mundy wrote the series script and is known for other serials such as Jack Armstrong, Lost Empire, and Ghost Corps.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Moon_Over_Africa_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/moon-over-africa' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -89,7 +89,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Mystery in the Air was a suspenseful and thrilling radio show starring Peter Lorre, an actor known for his "creepy foreigner" persona. The show featured stories from world literature, including works by Edgar Allen Poe, Pushkin, de Maupassant, Theodore Sturgeon, and Dostoevsky. With a focus on the strange and unusual, Mystery in the Air captivated its audience with each eerie twist and turn. Peter Lorre's distinct voice and convincing portrayals of psychopathic characters contributed to the show's unique flavor and helped secure its place in radio history.</p><p>The show aired in 1947 as a summer replacement series and featured a regular stock of players, including Harry Morgan, who later gained fame as Detective Joe Gannon on TV's Dragnet. Although the original broadcast network and the number of episodes produced are not mentioned, the cultural impact of Mystery in the Air is evident in Peter Lorre's Star on the Hollywood Walk of Fame at 6619 Hollywood Blvd. For fans of suspenseful and mysterious radio shows, Mystery in the Air offers a chilling and memorable experience.
|
||||
Mystery in the Air was a suspenseful and thrilling radio show starring Peter Lorre, an actor known for his "creepy foreigner" persona. The show featured stories from world literature, including works by Edgar Allen Poe, Pushkin, de Maupassant, Theodore Sturgeon, and Dostoevsky. With a focus on the strange and unusual, Mystery in the Air captivated its audience with each eerie twist and turn. Peter Lorre's distinct voice and convincing portrayals of psychopathic characters contributed to the show's unique flavor and helped secure its place in radio history.</p><p>The show aired in 1947 as a summer replacement series and featured a regular stock of players, including Harry Morgan, who later gained fame as Detective Joe Gannon on TV's Dragnet. The cultural impact of Mystery in the Air is evident in Peter Lorre's Star on the Hollywood Walk of Fame at 6619 Hollywood Blvd. For fans of suspenseful and mysterious radio shows, Mystery in the Air offers a chilling and memorable experience.
|
||||
</p><p>Sources:
|
||||
<a href='https://www.otrcat.com/p/mystery-in-the-air-peter-lorre' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -161,7 +161,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Old Fashioned Revival Hour is a Christian evangelical radio show featuring hymns and gospel music led by Pastor Charles E. Fuller, who was one of the first radio ministers. The show aimed to spread the message of Christianity through traditional hymns sung by luminous voices. During World War II, the program aired live revivals and reached out to military personnel about to enter the Pacific theater. The show's format and tone provided a heartfelt connection for the listeners, drawing them closer to Christian values and beliefs.</p><p>The Old Fashioned Revival Hour was broadcast during the golden age of radio on various networks. Pastor Charles E. Fuller dedicated his life to the ministry and often traveled around the country to air live revivals. The show shared similarities with other religious programs such as Aimee Semple McPherson, Father Coughlin Catholic Hour, Eternal Light, Father Flanagan's Boys Town, Greatest Story Ever Told, Radio Revival Heart to Heart Hour, Ronald Knox Collection, Religious Collection, and Upper Room. While there were no related TV shows or other media formats, the show did have notable advertisers and sponsors that supported its production.
|
||||
Old Fashioned Revival Hour is a Christian evangelical radio show featuring hymns and gospel music led by Pastor Charles E. Fuller, who was one of the first radio ministers. The show aimed to spread the message of Christianity through traditional hymns sung by luminous voices. During World War II, the program aired live revivals and reached out to military personnel about to enter the Pacific theater. The show's format and tone provided a heartfelt connection for the listeners, drawing them closer to Christian values and beliefs.</p><p>The Old Fashioned Revival Hour was broadcast during the golden age of radio on various networks. Pastor Charles E. Fuller dedicated his life to the ministry and often traveled around the country to air live revivals.
|
||||
</p><p>Sources:
|
||||
<a href='https://www.otrcat.com/p/old-fashioned-revival-hour' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -386,7 +386,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Ports of Call is a unique and captivating radio show that takes its listeners on a journey to different countries across the globe in each episode. The show delves into the history and culture of various nations, using dramatizations to depict and bring to life the significant events that shaped each country's identity. Setting the atmosphere, the series transports the listeners to a new destination with the help of a tramp steamer's whistle and an announcement of the series title, followed by a musical interlude.</p><p>The show is believed to have first aired in 1935 or 1936, with a limited number of episodes still existing today. Ports of Call was curated and preserved by the Old Time Radio Researcher's Group, whose dedication to maintaining historical artifacts has allowed the show to reach new audiences even decades later. While specific information on the production team, broadcast networks, advertisers, and sponsors may be scarce due to the show's obscurity, the unique format and content have continued to pique the interest of radio enthusiasts and those interested in world history.
|
||||
Ports of Call is a unique and captivating radio show that takes its listeners on a journey to different countries across the globe in each episode. The show delves into the history and culture of various nations, using dramatizations to depict and bring to life the significant events that shaped each country's identity. Setting the atmosphere, the series transports the listeners to a new destination with the help of a tramp steamer's whistle and an announcement of the series title, followed by a musical interlude.</p><p>The show is believed to have first aired in 1935 or 1936, with a limited number of episodes still existing today. While specific information on the production team, broadcast networks, advertisers, and sponsors may be scarce due to the show's obscurity, the unique format and content have continued to pique the interest of radio enthusiasts and those interested in world history.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Ports_Of_Call_Singles' target='_blank'>archive.org</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -188,7 +188,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Redbook Dramas is a radio show based on short stories from Redbook Magazine. Each 15-minute episode features a different tale, often with a background of love, mystery, adventure or romance, set in exotic locations such as Yucatan, France, Dalmatia, and Manchuria. The stories showcase remarkable characters and unique circumstances, such as a surly army private getting into trouble with his pet goat, an American schoolteacher caught up in political intrigue abroad, and a domestic servant solving a murder case in the Arctic Circle. Some of the authors featured on the show include Elaine Carrington, known for her radio soap operas When a Girl Marries and Pepper Young's Family, and Frank R. Adams, famous for his short stories in popular magazines of the era.</p><p>The Redbook Dramas radio show aired in 1932 during the Great Depression, and several episodes reflect the period's challenges. The show featured engaging, lively, and vivid stories that allowed a brief escape into the world of 1930s housewifical fantasies. It was introduced by Redbook Magazine's editor, Edward Baumer, who provided background information on each story and its author. The series was syndicated by the Old Time Radio Researcher's Group and remains a captivating collection of narratives from a unique era in history.
|
||||
Redbook Dramas is a radio show based on short stories from Redbook Magazine. Each 15-minute episode features a different tale, often with a background of love, mystery, adventure or romance, set in exotic locations such as Yucatan, France, Dalmatia, and Manchuria. The stories showcase remarkable characters and unique circumstances, such as a surly army private getting into trouble with his pet goat, an American schoolteacher caught up in political intrigue abroad, and a domestic servant solving a murder case in the Arctic Circle. Some of the authors featured on the show include Elaine Carrington, known for her radio soap operas When a Girl Marries and Pepper Young's Family, and Frank R. Adams, famous for his short stories in popular magazines of the era.</p><p>The Redbook Dramas radio show aired in 1932 during the Great Depression, and several episodes reflect the period's challenges. The show featured engaging, lively, and vivid stories that allowed a brief escape into the world of 1930s housewifical fantasies. It was introduced by Redbook Magazine's editor, Edward Baumer, who provided background information on each story and its author. The series remains a captivating collection of narratives from a unique era in history.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Redbook_Dramas_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/redbook-dramas' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -10,7 +10,7 @@
|
|||
<label>Ripley's One Minute Shorts</label>
|
||||
<aside>
|
||||
<span>416 episodes</span>
|
||||
<span>Aired 10000-0</span>
|
||||
<span>Aired 1935-1947</span>
|
||||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
|
|
|
|||
|
|
@ -332,7 +332,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Romance of the Ranchos was a captivating 30-minute program that sought to recreate the spirit and life of the ranchos and vaqueros in Southern California during a time when the daily way of life was significantly different. Sticking to a strict storyline, the show provided in-depth descriptions of the customs and lifestyles of the era, adding a rich historical context to the program. The commercials followed suit, giving listeners a glimpse into the vast land ownership of the past compared to the present day. Romance of the Ranchos was noted for its well-written scripts and historical accuracy, which greatly contributed to the show's immersive atmosphere.</p><p>Originally aired as a historical drama between 1941 and 1946, Romance of the Ranchos portrayed the stories of the expeditions led by men and women attempting to tame the wilds of early California. The show was broadcast on the Title Insurance and Trust Company of Los Angeles' network, with the content based on the company's title records. The cast included notable actors such as Jerry Farber, Ann Whitfield, Nestor Palva, Lou Krugman, Marian Wilkins, Gail Bonney, and Herb Butterfield. Romance of the Ranchos was produced by Cliff Howard and written by Les Farber, with research support provided by the Old Time Radio Researchers Group.
|
||||
Romance of the Ranchos was a captivating 30-minute program that sought to recreate the spirit and life of the ranchos and vaqueros in Southern California during a time when the daily way of life was significantly different. Sticking to a strict storyline, the show provided in-depth descriptions of the customs and lifestyles of the era, adding a rich historical context to the program. The commercials followed suit, giving listeners a glimpse into the vast land ownership of the past compared to the present day. Romance of the Ranchos was noted for its well-written scripts and historical accuracy, which greatly contributed to the show's immersive atmosphere.</p><p>Originally aired as a historical drama between 1941 and 1946, Romance of the Ranchos portrayed the stories of the expeditions led by men and women attempting to tame the wilds of early California. The show was broadcast on the Title Insurance and Trust Company of Los Angeles' network, with the content based on the company's title records. The cast included notable actors such as Jerry Farber, Ann Whitfield, Nestor Palva, Lou Krugman, Marian Wilkins, Gail Bonney, and Herb Butterfield. Romance of the Ranchos was produced by Cliff Howard and written by Les Farber.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Romance_Ranchos_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/romance-of-the-ranchos' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -368,7 +368,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Tarzan and the Diamond of Asher is a captivating radio show adapted from the novel Tarzan and the Forbidden City by Edgar Rice Burroughs. The story revolves around a mighty cone-shaped mountain in the heart of Africa, which houses the Forbidden City of Asher. Two safaris embark on treacherous journeys to reach the city, facing hardships and perils that lead to death for some and high adventure for all. One of the safaris aims to rescue the son of its leader, while the other, commanded by a cunning and unscrupulous Oriental, pursues the Father of Diamonds. Throughout the intrigue, mystery, and danger, Tarzan, the Lord of the Jungle, emerges as a majestic figure.</p><p>The serial began on May 14, 1934, airing on Mondays, Wednesdays, and Fridays, for a total of 39 15-minute episodes. Fred Shields directed the show, and John McIntire served as the narrator. Tarzan and the Diamond of Asher was part of a larger distribution by the Old Time Radio Researchers Group, which also included other Tarzan productions, such as Tarzan of the Apes (1932-1934), Tarzan and the Fires of Tohr (1936), and Tarzan, Lord of the Jungle (1951-1953).
|
||||
Tarzan and the Diamond of Asher is a radio show featuring the iconic fictional character Tarzan, created by Edgar Rice Burroughs. The show is an exciting serial adapted from the novel, Tarzan and the Forbidden City. The story takes place deep in the heart of Africa, where a mysterious extinct volcano houses the Forbidden City of Asher. Throughout the series, two safaris face danger, death, and adventure as they endure hardships and perils. One safari, led by a cunning Oriental, seeks the Father of Diamonds, while the other aims to rescue their leader's son. As intrigue, mystery, and danger unfold, Tarzan, Lord of the Jungle, navigates through the challenges presented in the story.</p><p>The serial began airing on May 14, 1934, with episodes released every Monday, Wednesday, and Friday for a total of 39 15-minute episodes. Tarzan and the Diamond of Asher was directed by Fred Shields and narrated by John McIntire. Throughout its run, the show captivated audiences with its thrilling plot, memorable characters, and adventurous themes.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Tarzan_Singles_TatDoA' target='_blank'>archive.org</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -368,7 +368,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Tarzan and the Fires of Tohr is a captivating radio show centered around the adventures of Tarzan and his friend, Paul D'Arnot, as they investigate the illegal activities of slave traders and ivory smugglers. The plot unfolds as Tarzan and Paul save a member of the Burton-Ashleigh Expedition from death and agree to lead the lost group out of the jungle. However, they soon find themselves captured by a mysterious yellow race and taken to the lost city of Tohr. Here, they face danger, including the arena, rogue elephants, and sacrifice to the Fires of Tohr - a hidden lake of volcanic fire shooting up through a pit to the arms of a temple god. The show features a mix of love, hate, jealousy, political intrigue, courage, and loyalty in a thrilling serial, based on a series written and directed by Edgar Rice Burroughs.</p><p>The Tarzan and the Fires of Tohr radio show aired in 15-minute installments and was produced under the personal direction of Edgar Rice Burroughs. While the series was transcribed, it had a limited release. It formed part of a larger distribution of Tarzan consisting of four separate productions: Tarzan of the Apes (1932 - 1934), Tarzan and the Diamond of Asher (1934), Tarzan and the Fires of Tohr (1936), and Tarzan, Lord of the Jungle (1951 - 1953). The series synopsis was made available by permission of the ERB magazine, and the show can be found through the Old Time Radio Researchers Group.
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Tarzan and the Fires of Tohr is a thrilling radio serial that follows the adventures of Tarzan and his friend, Paul D'Arnot, as they investigate the illegal activities of slave traders and ivory smugglers. After saving a member of the Burton-Ashleigh expedition from death, they learn that the rest of the group is lost and agree to help them find their way out of the jungle. However, they soon find themselves captured by a mysterious yellow race and taken to the lost city of Tohr, where they face a series of dangerous challenges, including the arenas, rogue elephants, and sacrifice to the Fires of Tohr - a volcanic fire pit hidden beneath the temple of their lion-like god. As they navigate through the dangers, they encounter love, hate, jealousy, political intrigue, courage, and loyalty, making for an engaging and exciting story.</p><p>This enticing series, produced under the personal direction of Edgar Rice Burroughs, is comprised of 15-minute installments and was transcribed for a limited release. Tarzan and the Fires of Tohr is one of four separate Tarzan productions, alongside Tarzan of the Apes (1932-1934), Tarzan and the Diamond of Asher (1934), and Tarzan, Lord of the Jungle (1951-1953). Although the show saw limited release, its captivating story, creative challenges, and vividly described environments have made it a memorable installment in the Tarzan series.
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</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Tarzan_Singles_TatFoT' target='_blank'>archive.org</a>
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</p></article>
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@ -692,7 +692,7 @@
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</aside>
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</li></ol>
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<article><p>
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Tarzan: Lord of the Jungle was a radio show comprised of exciting episodes that centered around the adventures of Tarzan, an iconic character raised in the African jungle. The series was based on the popular character created by Edgar Rice Burroughs and brought to life through thrilling stories that captured the imagination of listeners. The radio show presented Tarzan as he navigated dangerous challenges and encountered exotic creatures, all while showcasing his strength, intelligence, and unique upbringing in the wild. Overall, the show's premise, format, tone, and style provided audiences with captivating and action-packed entertainment.</p><p>The radio show aired from 1951 to 1953 and was produced by Commodore Productions and Artists, Inc. A total of 75 episodes were broadcast during this time, treating listeners to a wide array of Tarzan's exciting escapades. The Tarzan: Lord of the Jungle series was part of a larger collection of Tarzan-related radio programs that also included Tarzan of the Apes (1932 - 1934), Tarzan and the Diamond of Asher (1934), and Tarzan and the Fires of Tohr (1936). Although the radio show was a product of its era, its timeless appeal and the ongoing popularity of the Tarzan character have ensured that many of its episodes are still being enjoyed today by fans of old-time radio programs.
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Tarzan: Lord of the Jungle is an exciting radio show that features the adventures of Tarzan, a character who has been raised in the dense African jungles since infancy. Known as Tarzan of the Apes, he lives among the wild animals and navigates the dangerous terrain with ease. The show's format is episodic, allowing listeners to follow Tarzan's thrilling escapades and consistently experience new adventures. With compelling storytelling and vivid sound effects, the show immerses its audience into the wild and untamed world of Tarzan.</p><p>Tarzan: Lord of the Jungle was broadcast from 1951 to 1953 and was produced by Commodore Productions and Artists, Inc. The radio show aired on multiple networks, and a total of 75 episodes were recorded and aired. The show has since become a classic, and thus, many episodes have been preserved for future generations to enjoy. Additionally, the popularity of the character and his adventures has led to the creation of related television series and the expansion of the franchise into other media formats.
|
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</p><p>Sources:
|
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<a href='https://archive.org/details/OTRR_Tarzan_Singles_TLotJ' target='_blank'>archive.org</a>
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</p></article>
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@ -710,7 +710,7 @@
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</aside>
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</li></ol>
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<article><p>
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Tarzan of the Apes was a radio show based on the popular character created by Edgar Rice Burroughs. The show followed the adventures of Tarzan, the Lord of the Jungle, as he navigated the dangerous landscape of the African wilderness. The program was unique in that it was pre-recorded onto phonograph records rather than being broadcast live, which allowed for the incorporation of elaborate sound effects, including various jungle noises, to create a vivid soundscape for listeners. The show, with its engaging storytelling and immersive auditory experience, captivated families across America as they gathered together each night to enjoy the continuing adventures.</p><p>The show first premiered on September 10, 1932, and aired in fifteen-minute episodes for two years. It was sponsored in part by the Signal Oil Company, which offered promotional materials like Tarzan puzzles at their gas stations. The program featured appearances by Tarzan creator Edgar Rice Burroughs' daughter, Joan Burroughs, as Jane and her husband, Jim Pierce, who portrayed Tarzan. Additionally, the Tarzan radio show received a live premiere at the Fox Pantages Theatre in Hollywood, with three thousand attendees, including Tarzan actor Johnny Weissmuller. Over the years, there have been multiple productions of Tarzan, which include "Tarzan and the Diamond of Asher," "Tarzan and the Fires of Tohr," and "Tarzan, Lord of the Jungle."
|
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Tarzan of the Apes was a radio show that brought the thrilling adventures of Edgar Rice Burroughs' iconic character Tarzan to American families through a unique pre-recorded format. The show featured Edgar Rice Burroughs' daughter, Joan Burroughs, as Jane and her husband, former movie Tarzan, Jim Pierce, as the Lord of the Jungle. The Tarzan show was distinctive in its use of state-of-the-art recording technology and elaborate sound effects to immerse listeners in the world of jungle noises, including the roaring of lions, the screaming of panthers, and the cries of bull apes. Imagination played a significant role for the audience as the vivid sounds transported them into the heart of Tarzan's adventures.</p><p>Tarzan of the Apes first aired on September 10, 1932; it was broadcast in fifteen-minute episodes over two years. Throughout the series' run, four separate productions took place, including Tarzan and the Diamond of Asher (1934) and Tarzan, Lord of the Jungle (1951-1953). The show premiered live at the Fox Pantages Theatre in Hollywood, attracting over 3,000 attendees to the unique event. The Signal Oil Company partly sponsored the show, with promotions and Tarzan puzzles available to customers as they filled their cars with Tarzan-branded gasoline.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Tarzan_Singles_TotA' target='_blank'>archive.org</a>
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</p></article>
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</aside>
|
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</li></ol>
|
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<article><p>
|
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The Chase is an action-packed radio show with a variety of genres including adventure, mystery-horror, crime, and science fiction. Each episode revolves around a central theme of pursuit where the hunter chases the hunted, ensuring high levels of excitement and suspense. The show is known for its exceptional quality, thanks in part to the involvement of director Fred Weihe, who is also noted for his work on X Minus One. The series is created by Lawrence Klee of Mr. Keen fame, and features Fred Collins as the announcer, adding to its immersive and engaging nature. With its thrilling chase scenes and impressive production values, listeners are sure to be captivated by The Chase.</p><p>Broadcasted between 1952 and 1953, The Chase aired during the golden age of radio, showcasing numerous episodes spanning the various genres it explored. Although the exact number of episodes is not specified, it is known that many of them still exist today, allowing modern audiences to experience the excitement of this classic radio show. In addition to its notable production team, The Chase also featured many of the same actors from X Minus One, further contributing to its high-quality storytelling. While no direct television adaptations or other media formats have been mentioned, The Chase remains a standout radio production that is sure to leave listeners both entertained and on the edge of their seats.
|
||||
The Chase is an action-packed radio show with a variety of genres including adventure, mystery-horror, crime, and science fiction. Each episode revolves around a central theme of pursuit where the hunter chases the hunted, ensuring high levels of excitement and suspense. The show is known for its exceptional quality, thanks in part to the involvement of director Fred Weihe, who is also noted for his work on X Minus One. The series is created by Lawrence Klee of Mr. Keen fame, and features Fred Collins as the announcer, adding to its immersive and engaging nature. With its thrilling chase scenes and impressive production values, listeners are sure to be captivated by The Chase.</p><p>Broadcasted between 1952 and 1953, The Chase aired during the golden age of radio, showcasing numerous episodes spanning the various genres it explored. Although the exact number of episodes is not specified, it is known that many of them still exist today, allowing modern audiences to experience the excitement of this classic radio show. In addition to its notable production team, The Chase also featured many of the same actors from X Minus One, further contributing to its high-quality storytelling. The Chase remains a standout radio production that is sure to leave listeners both entertained and on the edge of their seats.
|
||||
</p><p>Sources:
|
||||
<a href='https://www.otrcat.com/p/chase-the-chase' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
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@ -512,7 +512,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Clock is a suspense anthology series that follows a 30-minute program format narrated by Father Time. Created by Lawrence Klee, the show's stories are driven by the theme of time, often personified by the show's narrator. The series is known for its ability to captivate its audience through its thrilling narratives and character portrayals. Initially featuring New York radio talent, the production of the show shifted to Hollywood, pushing for a more diverse range of guest actors, including Cathy Lewis, Elliott Lewis, Jeanette Nolan, and Hans Conried.</p><p>Airing on the ABC from November 3, 1946, to May 23, 1948, The Clock delivered remarkable and memorable episodes to its audience for two years. The production of the show shifted from New York to Hollywood on March 4, 1948, with William Spier acting as director. Unfortunately, due to the lack of sponsorship, ABC was forced to cancel the series after twelve weeks. In 1955, an Australian version of the program was produced by Grace Gibson Productions. As of today, archived episodes of The Clock can be found in the Internet Archive's Old-Time Radio Collection.
|
||||
The Clock is a suspense anthology series that follows a 30-minute program format narrated by Father Time. Created by Lawrence Klee, the show's stories are driven by the theme of time, often personified by the show's narrator. The series is known for its ability to captivate its audience through its thrilling narratives and character portrayals. Initially featuring New York radio talent, the production of the show shifted to Hollywood, pushing for a more diverse range of guest actors, including Cathy Lewis, Elliott Lewis, Jeanette Nolan, and Hans Conried.</p><p>Airing on the ABC from November 3, 1946, to May 23, 1948, The Clock delivered remarkable and memorable episodes to its audience for two years. The production of the show shifted from New York to Hollywood on March 4, 1948, with William Spier acting as director. Unfortunately, due to the lack of sponsorship, ABC was forced to cancel the series after twelve weeks. In 1955, an Australian version of the program was produced by Grace Gibson Productions.
|
||||
</p><p>Sources:
|
||||
<a href='https://en.wikipedia.org/wiki/The_Clock_(radio_series)' target='_blank'>wikipedia.org</a>
|
||||
</p></article>
|
||||
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@ -188,7 +188,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Danny Kaye Show was a comedy-variety radio program that featured singing, instrumental music, and various kinds of comedy sketches. The show aimed to entertain both children and adults with its lively and humorous content. Danny Kaye, a talented entertainer and one of the first owners of Seattle's baseball club, the Mariners, led the show. Kaye's career in the entertainment industry took off in 1940 when he appeared in the Broadway smash "Lady in the Dark." His wife, Sylvia Fine, played a crucial role in managing his career and contributed to the writing and production of The Danny Kaye Show.</p><p>The show was broadcast on CBS radio network from January 6, 1945, to May 31, 1946. A total of 1800 episodes were aired, with the Old Time Radio Researchers Group maintaining a collection of these recordings. The show featured notable cast members such as Eve Arden, Lionel Stander, and Frank Nelson, while Harry James provided music with a 26-piece orchestra. Pabst Blue Ribbon beer served as the main sponsor for the show. Despite its talented cast and high production values, The Danny Kaye Show struggled to find its rhythm and received mediocre ratings. Consequently, the show was eventually discontinued on May 31, 1946. However, Kaye went on to enjoy an illustrious career in the entertainment industry, particularly in the realm of Technicolor musicals.
|
||||
The Danny Kaye Show was a comedy-variety radio program that featured singing, instrumental music, and various kinds of comedy sketches. The show aimed to entertain both children and adults with its lively and humorous content. Danny Kaye, a talented entertainer and one of the first owners of Seattle's baseball club, the Mariners, led the show. Kaye's career in the entertainment industry took off in 1940 when he appeared in the Broadway smash "Lady in the Dark." His wife, Sylvia Fine, played a crucial role in managing his career and contributed to the writing and production of The Danny Kaye Show.</p><p>The show was broadcast on CBS radio network from January 6, 1945, to May 31, 1946. A total of 1800 episodes were aired. The show featured notable cast members such as Eve Arden, Lionel Stander, and Frank Nelson, while Harry James provided music with a 26-piece orchestra. Pabst Blue Ribbon beer served as the main sponsor for the show. Despite its talented cast and high production values, The Danny Kaye Show struggled to find its rhythm and received mediocre ratings. Consequently, the show was eventually discontinued on May 31, 1946. However, Kaye went on to enjoy an illustrious career in the entertainment industry, particularly in the realm of Technicolor musicals.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Danny_Kaye_Singles' target='_blank'>archive.org</a>, <a href='https://en.wikipedia.org/wiki/The_Danny_Kaye_Show_(radio_program)' target='_blank'>wikipedia.org</a>, <a href='https://www.otrcat.com/p/danny-kaye-show' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -485,7 +485,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Grantland Rice Story is a serialized radio program based on Rice's popular autobiography "The Tumult and The Shouting." The 15-minute series comprises 52 sequential installments that closely follow the text of the book, narrated by sportswriter Jimmy Powers. Powers reads and comments on Rice's story in the first person, as Rice intended, and the material is augmented by contemporary asides and updates from Powers. The program provides a comprehensive insight into the career and experiences of one of the most important sportswriters in American history, during an era where the pen and typewriter was still a vital part of the news media.</p><p>First airing regionally as early as August 1955, the series received national attention on various stations and aired at varying times. Some stations broadcast it every weekday, others three days a week or weekly, making tracking the broadcasts particularly difficult given the 15-minute format. At least one contiguous run of the entire 52-installment series aired between September 1955 and September 1956, often appearing in many markets at the 15-minute mark, 'buried' behind an on-the-hour broadcast of another program. This brief's information came courtesy of Digitial Deli Too, with the Old Time Radio Researchers Group providing more information in the "Notes" Section.
|
||||
The Grantland Rice Story is a serialized radio program based on Rice's popular autobiography "The Tumult and The Shouting." The 15-minute series comprises 52 sequential installments that closely follow the text of the book, narrated by sportswriter Jimmy Powers. Powers reads and comments on Rice's story in the first person, as Rice intended, and the material is augmented by contemporary asides and updates from Powers. The program provides a comprehensive insight into the career and experiences of one of the most important sportswriters in American history, during an era where the pen and typewriter was still a vital part of the news media.</p><p>First airing regionally as early as August 1955, the series received national attention on various stations and aired at varying times. Some stations broadcast it every weekday, others three days a week or weekly, making tracking the broadcasts particularly difficult given the 15-minute format. At least one contiguous run of the entire 52-installment series aired between September 1955 and September 1956, often appearing in many markets at the 15-minute mark, 'buried' behind an on-the-hour broadcast of another program.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Grantland_Rice_Story_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/grantland-rice-story' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
|
|
|||
|
|
@ -485,7 +485,7 @@
|
|||
</aside>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Lives of Harry Lime was a British radio series that followed the misadventures of its title character Harry Lime, a con-artist portrayed by Orson Welles. This character was reprised from the 1949 cult movie, The Third Man, and the radio series was set before the events in the film. Most episodes opened with a haunting theme by Anton Karas, followed by a gunshot, and then an introduction by Welles as Harry Lime. Being the first independently-produced series that the BBC ever broadcasted, it inspired a Pocket Book of short stories based on scripts, some of which were reportedly written by Orson Welles himself.</p><p>The show aired from 1951-1952, and although the BBC only acquired sixteen of the series' fifty-two episodes, it gained a following for its unique storylines that followed Lime's adventures around the world. These adventures included continent hopping, skirt chasing, pick pocketing, breaking and entering, and playing patsy. However, Lime had a conscience, and drew the line at blackmail and murder. Several episodes featured plot elements that Welles later expanded upon in the 1955 motion picture Mr. Arkadin. The show was also part of an updated Orson Welles Collection and inspired other espionage and adventure radio programs.
|
||||
The Lives of Harry Lime was a British radio series that followed the misadventures of its title character Harry Lime, a con-artist portrayed by Orson Welles. This character was reprised from the 1949 cult movie, The Third Man, and the radio series was set before the events in the film. Most episodes opened with a haunting theme by Anton Karas, followed by a gunshot, and then an introduction by Welles as Harry Lime. Being the first independently-produced series that the BBC ever broadcasted, it inspired a Pocket Book of short stories based on scripts, some of which were reportedly written by Orson Welles himself.</p><p>The show aired from 1951-1952, and although the BBC only acquired sixteen of the series' fifty-two episodes, it gained a following for its unique storylines that followed Lime's adventures around the world. These adventures included continent hopping, skirt chasing, pick pocketing, breaking and entering, and playing patsy. However, Lime had a conscience, and drew the line at blackmail and murder. Several episodes featured plot elements that Welles later expanded upon in the 1955 motion picture Mr. Arkadin.
|
||||
</p><p>Sources:
|
||||
<a href='https://archive.org/details/OTRR_Harey_Lime_Singles' target='_blank'>archive.org</a>, <a href='https://www.otrcat.com/p/harry-lime-the-third-man' target='_blank'>otrcat.com</a>
|
||||
</p></article>
|
||||
|
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|
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