added descriptions to series detail pages
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<ol><li class='episode' title='Men From Mars'
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<div class='detail'>
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<ol><li class='episode' title='Men From Mars'
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data-cover='/cover/sm/2000-plus.jpg'
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data-series='2000 Plus'
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data-file='otr/2000-plus/00003.mp3'>
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<span>29mins</span>
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<span>Aired 1950</span>
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<article><p>
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2000 Plus, also known as Two Thousand Plus and 2000+, was an American old-time radio series that aired on the Mutual Broadcasting System from March 15, 1950, to January 2, 1952. As the first adult science fiction series on radio, it predated the popular Dimension X series by a month. Created by Sherman H. Dryer and Robert Weenolsen, 2000 Plus was an anthology program that featured all-new material rather than adapting published stories.</p><p>The show explored exciting tales of future technology, with a focus on space exploration and alien invasions. At the same time, it often reflected contemporary anxieties about the dangers of technology. The series featured a talented cast, including Lon Clark, Joseph Julian, Bryna Raeburn, Bill Keene, and Amzie Strickland, with music composed by Elliott Jacoby and conducted by Emerson Buckley. Ken Marvin served as the announcer, and Adrian Penner handled the sound effects.</p><p>Some notable episodes include "The Brooklyn Brain," "The Flying Saucers," "The Robot Killer," "A Veteran Comes Home," and "Men from Mars." In total, 32 episodes are known, with only up to 15 surviving today. The series was praised for its charm and intense music and acting, reflecting the post-WWII atomic and Cold War eras.
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<ol><li class='episode' title='The Nolen Brothers'
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<div class='detail'>
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<ol><li class='episode' title='The Nolen Brothers'
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data-cover='/cover/sm/21st-precinct.jpg'
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data-series='21st Precinct'
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data-file='otr/21st-precinct/00001.mp3'>
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<span>27mins</span>
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<span>Aired 1956-07-12</span>
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</aside>
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<article><p>
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21st Precinct, also known as Twenty-First Precinct and Twenty First Precinct, was a police drama radio show that aired on CBS from July 7, 1953, to July 26, 1956. The show was initially a summer replacement for My Friend Irma and was produced in cooperation with the Patrolmen's Benevolent Association of the City of New York. The series presented true criminal stories from a policeman's perspective, even though the 21st Precinct did not exist during the show's run.</p><p>The fictional precinct, however, was closely based on the Upper East Side's 23rd Precinct in Manhattan. Stanley Niss served as the producer, writer, and director, with Everett Sloane, James Gregory, and Les Damon playing the role of Captain Frank Kennelly. Other cast members included Ken Lynch as Lt. Matt King, Harold Stone as Sgt. Waters, and Santos Ortega as Lt. Gorman.</p><p>The show's opening and closing focused on the responsibility of the 21st Precinct officers in providing security for the people living and working within their jurisdiction. The series gained popularity after the success of Dragnet, as audiences were eager to learn about true-to-life police stories. While the events depicted in 21st Precinct were less gritty than in Dragnet, the show's stories highlighted the noble actions of everyday cops facing everyday challenges, making the world a safer place for their communities.
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</p></article>
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</aside>
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<ol><li class='episode' title='Chips for the Fish Monger'
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<div class='detail'>
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<ol><li class='episode' title='Chips for the Fish Monger'
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data-cover='/cover/sm/33-half-moon-street.jpg'
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data-series='33 Half Moon Street'
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data-file='otr/33-half-moon-street/00002.mp3'>
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<span>28mins</span>
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<span>Aired 1956-05-06</span>
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</aside>
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</li></ol></div>
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</li></ol>
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<article><p>
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33 Half Moon Street is a captivating South African radio show from the post-Golden Age that follows the thrilling cases of detective agency Assignments Unlimited, based at 33 Half Moon Street. The agency is led by Chief Investigator Aubrey Mason, played by the talented Michael Todd, and specializes in solving uncommon cases while guaranteeing success every time. The show has a tone reminiscent of the classic “Address Unknown”, trading in missing persons cases for unique and challenging investigations.</p><p>The show initially aired in 1965-66 and featured engaging writing by Adrian Steed and Douglas Laws, who were both well-known figures in the South African radio scene. Despite being from South Africa, the show's accents are minimal, making it easy for international listeners to enjoy. With its compelling plots, high production values, and excellent audio quality, 33 Half Moon Street offers an entertaining experience for fans of detective stories and who-dun-its.</p><p>Notable episodes include "Parson's Pride," "A Bag of Coal for Mr. Lazenby," and "Green for Danger." Throughout its run, the show developed a loyal fan base, following the determined Aubrey Mason as he tackles various challenging assignments with determination and skill. Immerse yourself in the gripping world of 33 Half Moon Street, where no case is too uncommon, and success is always guaranteed.
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</p></article>
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</aside>
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</section>
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<ol><li class='episode' title='Alarm Call'
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<div class='detail'>
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<ol><li class='episode' title='Alarm Call'
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data-cover='/cover/sm/a-case-for-dr-morelle.jpg'
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data-series='A Case for Dr. Morelle'
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data-file='otr/a-case-for-dr-morelle/00001.mp3'>
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<span>29mins</span>
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<span>Aired 1957-07-16</span>
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</aside>
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</li></ol></div>
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</li></ol>
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<article><p>
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A Case for Dr. Morelle was a captivating 13-episode British Old Time Radio show that aired on the BBC Light Programme from April 23 to July 16, 1957. Created by Ernest Dudley during World War II, the show revolved around the acerbic and eccentric criminal psychologist Dr. Morelle, played by Cecil Parker, and his devoted secretary Miss Frayle, portrayed by Sheila Sim.</p><p>Set in 221b Harley Street, London, the series showcased Dr. Morelle's unique talent for using psychological profiling to solve complex murder cases. Often challenged by the interruptions of his secretary, Dr. Morelle relied not on physical evidence but his understanding of the human mind to reveal the true culprit in each self-contained story.</p><p>Audiences appreciated the witty banter between Dr. Morelle and Miss Frayle, which provided a light-hearted touch to an otherwise serious drama. With a total of thirteen engaging episodes, A Case for Dr. Morelle remains a classic radio series from the 1950s, demonstrating the power of criminal psychology and deductive reasoning.
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</p></article>
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</aside>
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</div>
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</section>
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<ol><li class='episode' title='Unknown Name'
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<div class='detail'>
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<ol><li class='episode' title='Unknown Name'
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data-cover='/cover/sm/a-date-with-judy.jpg'
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data-series='A Date with Judy'
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data-file='otr/a-date-with-judy/00002.mp3'>
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<span>30mins</span>
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<span>Air date unknown</span>
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</aside>
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</li></ol></div>
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</li></ol>
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<article><p>
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A Date with Judy was a popular American radio program that ran from 1941 to 1950. Focused on teenage comedy, the show revolved around the life of teenager Judy Foster and her experiences with school, family, and love. The role of Judy was portrayed by Ann Gillis, Dellie Ellis, and finally, Louise Erickson for the majority of the series.</p><p>The show began as a summer replacement for Bob Hope's show on NBC, and its success led to year-round broadcasts starting in 1944, with various sponsors including Bristol Myers, Tums, Ford Motors, and Revere Cameras. The radio show's popularity eventually led to a 1948 MGM movie, starring Jane Powell as Judy, alongside Elizabeth Taylor, Wallace Beery, Robert Stack, and Carmen Miranda. The story also made its way to the comic book world, with National Periodical Publications publishing A Date with Judy from 1947 to 1960.</p><p>A television adaptation aired on ABC from 1951 to 1953, with Pat Crowley and Mary Linn Beller both taking on the role of Judy Foster. The radio show's creators, Jerome Lawrence and Aleen Leslie, developed the series based on Leslie's "One Girl Chorus" column in the Pittsburgh Press. Overall, A Date with Judy remains a memorable depiction of teenage life from the 1940s and 1950s.
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</p></article>
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</aside>
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</div>
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</section>
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<ol><li class='episode' title='Guest - Madame Lazonga'
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<div class='detail'>
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<ol><li class='episode' title='Guest - Madame Lazonga'
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data-cover='/cover/sm/abbott-and-costello.jpg'
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data-series='Abbott and Costello'
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data-file='otr/abbott-and-costello/1940-07-31.mp3'>
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<span>29mins</span>
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<span>Aired 1949-06-09</span>
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</aside>
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</li></ol></div>
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</li></ol>
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<article><p>
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The Abbott and Costello Show was a popular American comedy radio program that aired from 1940 to 1949, initially on NBC and later on ABC. The 30-minute weekly show featured the comedic duo of film stars Bud Abbott and Lou Costello, who brought their vaudeville-style skits to the radio format, often focusing on their attempts to succeed in various business ventures.</p><p>The show featured a talented supporting cast, including Joe Kirk, Artie Auerbach, Elvia Allman, Iris Adrian, Mel Blanc, and more. Notable guest stars included Cary Grant, Frank Sinatra, the Andrews Sisters, and Lucille Ball. The program also showcased singers such as Amy Arnell and Connie Haines, with orchestra leaders like Skinnay Ennis, Charles Hoff, and Peter van Steeden providing music.</p><p>Abbott and Costello began their radio career on Kate Smith's program in 1938 before getting their own show in 1940. Throughout the 1940s, they became one of the top radio comedy acts, famous for their rapid-fire wordplay and hilarious confusion, particularly in classic routines like "Who's on First?". Bud Abbott (born 1895) and Lou Costello (born 1906) first teamed up in 1935 at the Eltinge Burlesque Theater in New York and went on to leave a lasting impact on comedy through their radio and television work.
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</p></article>
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</aside>
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</section>
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<ol><li class='episode' title='Jezebel'
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<div class='detail'>
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<ol><li class='episode' title='Jezebel'
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data-cover='/cover/sm/academy-award-theater.jpg'
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data-series='Academy Award Theater'
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data-file='otr/academy-award-theater/00001.mp3'>
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<span>30mins</span>
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<span>Aired 1946-12-18</span>
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</aside>
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</li></ol></div>
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<article><p>
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Academy Award Theater was a CBS radio anthology series that aired from March 30, 1946, to December 18, 1946. It featured 30-minute adaptations of plays, novels, or films starring at least one Oscar-nominated performer. Contrary to the title's implication, the show didn't only adapt Oscar-winning films but offered a wide range of pieces from Hollywood's finest actors, actresses, and technicians.</p><p>The episodes featured some of the biggest stars of the time, such as Bette Davis, Ginger Rogers, Paul Muni, Victor McLaglen, Humphrey Bogart, and Cary Grant. Occasionally, actors would recreate their original Oscar-winning roles. The series was produced by Dee Englebach, with scripts written by Frank Wilson and music composed by Leith Stevens. The sound effects crew included Gene Twombly, Jay Roth, Clark Casey, and Berne Surrey.</p><p>The show began with high production costs, sponsored by E.R. Squibb & Sons, a pharmaceutical company. However, due to the expense, the sponsorship eventually ended, leading to the cancellation of the series after only 39 weeks. Despite its short run, Academy Award Theater was lauded for its high-quality productions and top-tier Hollywood talent.
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</p></article>
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</section>
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<ol><li class='episode' title='Two Years Before the Mast'
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<div class='detail'>
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<ol><li class='episode' title='Two Years Before the Mast'
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data-cover='/cover/sm/adventure-ahead.jpg'
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data-series='Adventure Ahead'
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data-file='otr/adventure-ahead/00001.mp3'>
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<span>29mins</span>
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<span>Aired 1944-10-28</span>
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</aside>
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<article><p>
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Adventure Ahead! was a captivating Old Time Radio show that aired during the summer of 1944. Aimed at young people, especially young men, it featured fourteen exceptional adventure novels and stories from America's foremost fiction writers. The show revolved mainly around boys seeking adventure and excitement in various scenarios, including working with the FBI, training a puppy, joining the circus, and being adopted by pirates.</p><p>Some well-known authors whose works were adapted for the series included Daniel Defoe, Steven Vincent Benet, and Waldo Fleming. Adventure Ahead! even had the support of J. Edgar Hoover, who endorsed an episode that provided a guided tour of the FBI's inner workings.</p><p>The show's primary theme centered around defending freedom, both domestically and abroad, and served as an inspiration for young people coping with the ongoing World War II. While it targeted a younger male audience, the series was appreciated by listeners of all ages due to its high-quality storytelling and performances.</p><p>Notable for its absorbing adventures and inspirational tone, Adventure Ahead! remains a memorable series from the Golden Age of Radio.
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<ol><li class='episode' title='The City of the Dead 01'
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<div class='detail'>
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<ol><li class='episode' title='The City of the Dead 01'
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data-cover='/cover/sm/adventures-by-morse.jpg'
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data-series='Adventures by Morse'
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data-file='otr/adventures-by-morse/00001.mp3'>
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<span>10mins</span>
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<span>Aired 1944-01-06</span>
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</aside>
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<article><p>
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Adventures by Morse was a syndicated adventure series created by Carlton E. Morse in the mid-1940s, known for its thrilling stories and captivating characters. The show followed the escapades of Captain Bart Friday, a San Francisco-based private investigator, and his sidekick from Texas, Skip Turner. Together, they found themselves embroiled in tales of espionage, kidnapping, murder, and more. Featuring the talents of actors like Elliott Lewis, David Ellis, and Russell Thorson, the gripping narratives captured the imagination of listeners.</p><p>The show consisted of 52 30-minute episodes, with serials that alternated between 10 and 3 episodes in length. Episodes took place in various locales, from South Pacific islands to South America, and tackled events such as encounters with Nazis, deadly serpents, and supernatural occurrences. Adventures by Morse aired from October 26, 1944, to October 18, 1945, captivating audiences with its exciting stories and memorable characters.</p><p>Despite the uncertainty surrounding the production and broadcast dates, Adventures by Morse has left a lasting impression on the world of radio entertainment. Fans of thrilling, well-written radio serials can still experience the excitement of Captain Bart Friday and Skip Turner's numerous adventures.
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<ol><li class='episode' title='Last Chapter of Mystery of the Rustler's Hideout'
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<div class='detail'>
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<ol><li class='episode' title='Last Chapter of Mystery of the Rustler's Hideout'
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data-cover='/cover/sm/adventures-of-champion.jpg'
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data-series='Adventures of Champion'
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data-file='otr/adventures-of-champion/1949-08-05.mp3'>
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<span>15mins</span>
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<span>Aired 1949-10-24</span>
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</aside>
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<article><p>
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The Adventures of Champion was a Western serial radio drama that aired in 1949 and 1950, focused on the adventures of Gene Autry's horse, Champion, and a young boy named Ricky West. Set on the Flying A Ranch, the show centered around the faith and loyalty between Ricky, his adopted Uncle Smoky, their dog Rebel, and the wild horse Champion, who only allowed Ricky to ride him. The series touched upon gold mines, rustlers, and Indian problems in five-installment story arcs, running from Monday to Friday. The Adventures of Champion was a spin-off from Autry's Melody Ranch radio program and later adapted into a television series that aired on CBS during the 1955-1956 season. However, despite the show's popularity, little is known about the cast, with many of the lead performers remaining unidentified.
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<ol><li class='episode' title='Red Wind'
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<div class='detail'>
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<ol><li class='episode' title='Red Wind'
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data-cover='/cover/sm/adventures-of-philip-marlowe.jpg'
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data-series='Adventures of Philip Marlowe'
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data-file='otr/adventures-of-philip-marlowe/00001.mp3'>
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<span>24mins</span>
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<span>Aired 1947-06-12</span>
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</aside>
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The Adventures of Philip Marlowe was a hard-boiled detective radio series featuring Raymond Chandler's private eye character, Philip Marlowe. First airing on NBC on June 17, 1947, the show starred Van Heflin as Marlowe and was a summer replacement for Bob Hope. The series moved to CBS in 1948 with Gerald Mohr as Marlowe, garnering the largest audience in radio by 1949. The CBS version ran until September 29, 1950, with a short summer run in 1951. Notably, the program had no sponsor for most of its time on the air.</p><p>Philip Marlowe was a more complex, cultured, and ethical detective compared to other hardboiled detectives of the time. Marlowe was portrayed by actors such as Dick Powell, Robert Mitchum, and Humphrey Bogart in movies, as well as Van Heflin and Gerald Mohr in radio adaptations. The show's writing often featured sarcastic narration and was highly acclaimed, especially the CBS version, which was more widely received than the NBC adaptation.
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<ol><li class='episode' title='Morgan Accused of Stealing an Aztec Necklace'
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<div class='detail'>
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<ol><li class='episode' title='Morgan Accused of Stealing an Aztec Necklace'
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data-series='Afloat with Henry Morgan'
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<span>13mins</span>
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<span>Aired 1932</span>
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</aside>
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Afloat with Henry Morgan was a youth-oriented Australian radio series that aired in 1933, featuring 52 episodes each about 12 minutes in length. Produced by and starring George Edwards, known for his work on Frankenstein, Dr Jekyll and Mr Hyde, and other Australian series, the show was set in the Caribbean and revolved around storylines involving pirates, Aztec treasures, and thrilling adventures. Edwards, nicknamed "the Man with a Thousand Voices," showcased his exceptional talent by playing multiple roles, producing up to six different character voices in a single scene to save on production costs. The show should not be confused with the US-based Henry Morgan Show.
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<ol><li class='episode' title='The Third Crack-Up'
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<ol><li class='episode' title='The Third Crack-Up'
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data-cover='/cover/sm/air-mail-mystery.jpg'
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data-series='Air Mail Mystery'
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data-file='otr/air-mail-mystery/00001.mp3'>
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<span>15mins</span>
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<span>Aired 1932</span>
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</aside>
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Air Mail Mystery is an Old Time Radio show centered around the early, dangerous days of air mail delivery. The story takes place at Trans American Airlines, where planes carrying important mail have been mysteriously crashing. The show explores the possibility of sabotage or bad luck as the cause of these accidents. The main characters include Ernest Powers, the general manager of Trans American, pilot Andy Andrews, undercover mechanic Fitzgerald, Justice Department agent Irene Delroy, and reporter Jimmy Gifford. The show captures the risks faced by early pilots, the evolution of mail delivery, and the massive profits that could be made through government mail contracts. As the investigation unravels, the relationships and true identities of the characters are revealed, creating an engaging and suspenseful storyline for listeners.
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<ol><li class='episode' title='For Me and My Gal'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='For Me and My Gal'
|
||||
data-cover='/cover/sm/aladdin-lamp.jpg'
|
||||
data-series='Aladdin Lamp'
|
||||
data-file='otr/aladdin-lamp/00001.mp3'>
|
||||
|
|
@ -338,4 +339,10 @@
|
|||
<span>5mins</span>
|
||||
<span>Aired 1948</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Aladdin Lamp was a radio show that aired in the 1930s, featuring Smilin' Ed McConnell as "The Aladdin Lamp Man" on WLW in Cincinnati, Ohio. Smilin' Ed promoted Aladdin Kerosene Lamps with great success, becoming a well-known radio personality. By 1948, the show was available on 145 ABC stations as a 15-minute or condensed 5-minute program designed for electric lamp dealers, likely originating after 1948.</p><p>The show targeted housewives, with Smilin' Ed using his friendly charm and folksy music to engage the audience before pitching Aladdin lamps. The show would include a song, entertainment, and a promotion for both kerosene and electric versions of Aladdin Lamps. Smilin' Ed was accompanied by an organ and piano played by Irma Allen and Del Owen.</p><p>Aladdin Lamps, produced by The Mantle Lamp Company of America based in Chicago, were an improvement on the traditional oil lamp, with a circular wick that heated a chemically treated mantle providing a bright white light. Smilin' Ed McConnell would later become the pitchman for Buster Brown Shoes and earn a star on the Hollywood Walk of Fame. The Aladdin Lamp radio show provided a unique approach to reaching housewives, intertwining entertainment and promotion in its four and a half minute spots.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Sunstealers - Part 1'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Sunstealers - Part 1'
|
||||
data-cover='/cover/sm/alien-worlds.jpg'
|
||||
data-series='Alien Worlds'
|
||||
data-file='otr/alien-worlds/00003.mp3'>
|
||||
|
|
@ -284,4 +285,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1979</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Alien Worlds was a syndicated radio show that aired 26 half-hour episodes between 1979 and 1980. It was known for its realistic sound effects, high production values, and documentary-style dialog. The show was created by Lee Hansen and featured J. Michael Straczynski as one of the writers.</p><p>The series, set in the mid-21st century, follows the International Space Authority (ISA) as they govern space exploration and development. The show centers around the adventures of ISA staff as they explore strange cosmic mysteries aboard the orbiting space station "Starlab" and throughout the galaxy. Alien Worlds gained popularity for its relatable characters, full symphonic soundtrack, realistic sound effects, and high production values.</p><p>The cast included Roger Dressler as Narrator & Commissioner Matthew White, Linda Gary as Maura Cassidy, Bruce Phillip Miller as SET Captain Jon Graydon, Corey Burton as Starlab Controller Jerry Lyden & Research Assistant Tim, and Chuck Olsen as SET Captain Buddy Griff. The show's soundtrack was composed by Jim Kirk, performed by the London Symphony Orchestra, and included many realistic sound effects recorded on an oil tanker in a San Pedro dry dock.</p><p>Alien Worlds was enjoyed by millions of fans worldwide and was carried by over 1500 top-rated FM radio stations. Four additional episodes were produced but never aired.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='On the Sunny Side of the Street'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='On the Sunny Side of the Street'
|
||||
data-cover='/cover/sm/alka-seltzer-time.jpg'
|
||||
data-series='Alka Seltzer Time'
|
||||
data-file='otr/alka-seltzer-time/1953-10-09.mp3'>
|
||||
|
|
@ -185,4 +186,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1953-11-06</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Alka-Seltzer Time (also known as The Alka-Seltzer Show) was a 15-minute weekday radio series that aired on CBS Radio and the Mutual Broadcasting System from 1949 to 1954. The show featured baritone Curt Massey and Martha Tilton, also known as "the liltin' Martha Tilton", who performed "informal song sessions" with Country Washburne and His Orchestra. The announcer was Ford Pearson. The show included a variety of popular songs and some theme shows such as "Go West" and "Salute to Hawaii". Martha Tilton was a popular jazz singer who had worked with the likes of Jimmy Dorsey and Benny Goodman, while Curt Massey was a talented musician and composer, best remembered as the composer and singer of the Petticoat Junction TV show theme song. The pair continued to perform together during the late 1950s, even recording an album, "We Sing the Old Songs" (1957).
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Miss East Goes West with Jean Rogers'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Miss East Goes West with Jean Rogers'
|
||||
data-cover='/cover/sm/all-star-western-theatre.jpg'
|
||||
data-series='All Star Western Theatre'
|
||||
data-file='otr/all-star-western-theatre/00001.mp3'>
|
||||
|
|
@ -842,4 +843,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Aired 1948-08-14</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
All Star Western Theatre was a popular radio show in the mid-1940s, offering listeners a unique blend of adventure, broad humor, and musical variety. Set against a Western backdrop, the show featured performances by "The Riders of the Purple Sage," fronted by Foy Willing. Guest stars like Johnny Mack Brown made appearances in action sketches and humorous skits that provided a light-hearted alternative to more intense radio programs.</p><p>Created in Hollywood, the show featured Western swing music, a popular style in that era, and was recorded live in front of a studio audience. The All Star Western Theatre shared a similar format with Roy Rogers' radio show, in which Foy Willing and the Riders of the Purple Sage also performed. Today, 66 out of the 78 produced episodes are available for fans to enjoy, transporting listeners on a nostalgic journey through the entertaining world of Old Time Radio.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Efficiency Expert'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Efficiency Expert'
|
||||
data-cover='/cover/sm/amos-n-andy.jpg'
|
||||
data-series='Amos 'n' Andy'
|
||||
data-file='otr/amos-n-andy/1929-01-14.mp3'>
|
||||
|
|
@ -1175,4 +1176,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1947-09-16</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Amos 'n' Andy" was an American radio sitcom that originally aired from 1928 to 1960. Created, written, and voiced by white actors Freeman Gosden and Charles Correll, the show followed the lives of two black characters, Amos Jones (Gosden) and Andrew Hogg Brown (Correll). Beginning as a nightly radio serial, it later transitioned to a weekly situation comedy and then to a nightly disc-jockey program. The show also had a television adaptation on CBS from 1951 to 1953, with black actors taking over the roles.</p><p>Gosden and Correll met in 1920 and started their radio careers in Chicago before launching "Amos 'n' Andy" in 1928. Although criticized for relying on racial stereotypes and its blackface origins, the show became a national sensation, particularly during the 1930s. Its nationwide audience was estimated at 40 million, and the show's influence on American entertainment is undeniable. The end of its run coincided with changing perceptions of its portrayal of racial stereotypes.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Overture-Medley From Marx Brothers Films'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Overture-Medley From Marx Brothers Films'
|
||||
data-cover='/cover/sm/an-evening-with-groucho.jpg'
|
||||
data-series='An Evening With Groucho'
|
||||
data-file='otr/an-evening-with-groucho/00001.mp3'>
|
||||
|
|
@ -356,4 +357,10 @@
|
|||
<span>4mins</span>
|
||||
<span>Aired 1972-12-16</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
An Evening with Groucho is a captivating look at the life of the renowned comedian Groucho Marx and the Marx Brothers, as narrated by Groucho himself. Born Julius Henry Marx in 1890, Groucho started his stage career aged 15 and eventually found success alongside his brothers in the musical comedy, I'll Say She Is. He became famous for his characteristic stooped posture, glasses, cigar, and thick greasepaint mustache and eyebrows.</p><p>The show is crafted from three separate performances in 1972: New York's Carnegie Hall, C.Y. Stephens Auditorium at Iowa State University, and San Francisco's Masonic Auditorium. Groucho shares personal stories and performs songs from Marx Brothers' stage shows and movies. The Carnegie Hall show features an introduction by Dick Cavett, and Marvin Hamlisch provides an opening overture and piano accompaniment. The recording was released as a double album by A&M Records, with a limited edition edited single picture disc in 1978 and a compact disc version later available. In 2018, An Evening with Groucho was selected for preservation in the National Recording Registry by the Library of Congress due to its cultural, historical, and artistic significance.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Mirage'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Mirage'
|
||||
data-cover='/cover/sm/arch-obolers-plays.jpg'
|
||||
data-series='Arch Oboler's Plays'
|
||||
data-file='otr/arch-obolers-plays/1939-04-01.mp3'>
|
||||
|
|
@ -518,4 +519,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1945-09</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Arch Oboler's Plays was a radio anthology series that aired on NBC Radio from March 25, 1939, to March 23, 1940, and was later revived on Mutual from April 5 to October 11, 1945. Created, written, produced, and directed by Arch Oboler, the show featured original works of fiction that explored the human psyche and were known for their stream-of-consciousness technique. The series was the first to have a writer's name in the title, paving the way for radio as an art form. The show boasted a stellar lineup of leading film actors, such as Ingrid Bergman, James Cagney, Katharine Hepburn, and Peter Lorre.</p><p>Oboler, known for his eccentric personality and innovative storytelling techniques, gained popularity for his work on Lights Out which experimented with sound effects and bold narratives that sparked controversies. In his venture, Arch Oboler's Plays, he used some of his scripts in his later series, Everyman's Theater. As a staunch anti-Nazi, he also included anti-Fascist themes in his work, especially during World War II.</p><p>In 2020, the November 18, 1939 episode "The Bathysphere" was added to the Library of Congress' National Recording Registry for its cultural, historical, and aesthetic importance.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Nazi POW In Riverdale'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Nazi POW In Riverdale'
|
||||
data-cover='/cover/sm/archie-andrews.jpg'
|
||||
data-series='Archie Andrews'
|
||||
data-file='otr/archie-andrews/1945-06-23.mp3'>
|
||||
|
|
@ -464,4 +465,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Air date unknown</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Archie Andrews was an Old Time Radio sitcom adapted from the popular comic strip of the same name. The show's purpose was to target and engage a teenage audience, delivering situation comedy both on air and during live broadcasts. Airing from May 31, 1943, to September 5, 1953, the show was broadcast across Blue Network, Mutual, and NBC at different periods. It was produced by Kenneth W. MacGregor, with music by George Wright and sound effects by Agnew Horine.</p><p>The story revolves around Archie Andrews, played by various actors including Charles Mullen, Jack Grimes, Burt Boyar, and Bob Hastings. Other notable characters from the comic book, like Jughead Jones, Betty Cooper, Veronica Lodge, and Reggie Mantle, are part of the radio adventures. Set in post-WWII suburban America, the show portrays a lighthearted atmosphere of friendship, love interests, and school life with Archie and his pals.</p><p>Not only did the show bring a beloved comic character to the radio, but it also focused on capturing the essence of being a teenager for its audience. The sitcom played a significant role in shaping American radio programming, catering to the interests and preferences of younger listeners during its time.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Judge and the Champ'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Judge and the Champ'
|
||||
data-cover='/cover/sm/barrie-craig-confidential-investigator.jpg'
|
||||
data-series='Barrie Craig, Confidential Investigator'
|
||||
data-file='otr/barrie-craig-confidential-investigator/1951-10-17.mp3'>
|
||||
|
|
@ -545,4 +546,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1955-06-23</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Barrie Craig, Confidential Investigator is a detective drama that aired on NBC radio from October 3, 1951, to June 30, 1955. Featuring William Gargan as the voice of New York detective Barrie Craig, this series stood out for its laid-back lead despite the popular hard-boiled detective trend. Originating in New York and later moving to Hollywood, the show presented typical PI adventures with confidentiality being its specialty.</p><p>Barrie Craig worked solo from his Madison Avenue office, and the cast included the likes of Ralph Bell, Elspeth Eric, Parker Fennelly, and others. Don Pardo was the announcer for the series. Among Gargan's other roles, he starred as the similar character Martin Kane, Private Eye.</p><p>This unique detective series takes listeners on a journey through New York's crime-ridden streets in the post-war era, providing a mix of humor and intrigue in ten digitally restored and remastered episodes.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='First Episode'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='First Episode'
|
||||
data-cover='/cover/sm/behind-the-mike.jpg'
|
||||
data-series='Behind the Mike'
|
||||
data-file='otr/behind-the-mike/00001.mp3'>
|
||||
|
|
@ -302,4 +303,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1941-11-30</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Behind the Mike was an Old Time Radio show that aired on NBC's Blue Network from September 15, 1940, to April 19, 1942, providing a behind-the-scenes look at radio broadcasting. The show was hosted by the renowned radio personality, Graham McNamee, and featured interviews with various on-air personalities, technicians, engineers, producers, sound effect artists, actors, musicians, and more.</p><p>The program was designed to give radio listeners insights into their favorite radio shows, personalities, and the people working behind them. Typically, each episode covered up to six behind-the-scenes stories and featured a "Correspondence Corner" segment in which the host answered questions from listeners about various aspects of radio production. With music provided by Ernie Watson and his orchestra, Behind the Mike was an entertaining and informative show that every radio fan would enjoy.</p><p>After McNamee's death on May 9, 1942, the series changed its name to This is the Truth, then Nothing But the Truth, and continued until June 7, 1942. Another program with the title Behind the Mike also aired on CBS Radio during the 1931-32 season.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Beulah Finds A Wedding Ring'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Beulah Finds A Wedding Ring'
|
||||
data-cover='/cover/sm/beulah.jpg'
|
||||
data-series='Beulah'
|
||||
data-file='otr/beulah/1945-07-16.mp3'>
|
||||
|
|
@ -230,4 +231,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1954-09-10</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Beulah" aired on CBS Radio from 1945 to 1954 and on ABC Television from 1950 to 1953. It was the first sitcom to star an African American actress, becoming ABC TV's first hit situation comedy and the first hit TV sitcom without a laugh track. The show revolved around the character Beulah Brown, a housekeeper and cook for the Henderson family. Initially portrayed by white male actor Marlin Hurt, African American actress Hattie McDaniel took over the role in 1947, becoming the first black woman to star in a network radio program. McDaniel was later replaced by Lillian Randolph and then by Amanda Randolph. The show started as a spin-off of the "Fibber McGee & Molly" series and gained popularity for Marlin Hurt's unique portrayal of a black woman, despite controversy surrounding the caricatures of African Americans.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The .22 Caliber Pistol'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The .22 Caliber Pistol'
|
||||
data-cover='/cover/sm/black-museum.jpg'
|
||||
data-series='The Black Museum'
|
||||
data-file='otr/black-museum/00001.mp3'>
|
||||
|
|
@ -473,4 +474,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1951</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"The Black Museum" is a radio crime-drama series produced by Harry Alan Towers, first broadcast in the USA on the Mutual network in 1952 and later in Europe on Radio Luxembourg in 1953. Based on true-life cases from Scotland Yard's Crime Museum, each episode revolves around an item or evidence connected to a murder. Orson Welles narrates and hosts the show, setting the scene and providing commentary throughout the episodes. With scripts written by Ira Marion and music composed by Sidney Torch, the series takes listeners on a journey through grim tales of homicide, adapting stories from the objects housed in the infamous museum previously closed to the general public.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Fire Valley'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Fire Valley'
|
||||
data-cover='/cover/sm/blair-of-the-mounties.jpg'
|
||||
data-series='Blair of the Mounties'
|
||||
data-file='otr/blair-of-the-mounties/00001.mp3'>
|
||||
|
|
@ -311,4 +312,10 @@
|
|||
<span>11mins</span>
|
||||
<span>Aired 1938-10-03</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Blair of the Mounties is a syndicated 15-minute radio series chronicling the adventures of Sergeant James Blair of the North-West Mounted Police. Over the course of the 39-episode series, which aired for over twenty years on radio stations in the United States, Canada, and Australia, Blair serves in various Canadian locations with the assistance of Corporal Marshal, played by Jack Abbott. The show was written by Colonel Rhys Davies, who also portrayed Blair and based the series on his own experiences as a Canadian Mountie.</p><p>Known for its minimal sound effects, the show has been described as both amateurish and fascinating, with Blair sometimes coming off as a bit stuffy. The series originally aired in 1938, though it may have been on air as early as 1935. It is believed to have inspired the Challenge of the Yukon radio series.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Blondie and the Hunter'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Blondie and the Hunter'
|
||||
data-cover='/cover/sm/blondie.jpg'
|
||||
data-series='Blondie'
|
||||
data-file='otr/blondie/00006.mp3'>
|
||||
|
|
@ -347,4 +348,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1952-01-06</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Blondie is a situational comedy radio show adapted from Chic Young's long-running comic strip featuring the adventures of the Bumstead family. The show aired on multiple networks from 1939 to 1950, with Arthur Lake starring as Dagwood Bumstead and Penny Singleton as Blondie Bumstead for most of its run. The show's premise centered around the life of married couple Blondie and Dagwood as they navigated their daily lives, with Dagwood often getting into humorous mishaps.</p><p>Blondie and Dagwood first appeared together on radio in an episode of The Pepsodent Show starring Bob Hope in 1938, and later got their own show in 1939. Throughout its broadcast years, the show was sponsored by companies such as Colgate-Palmolive, Pepsodent Toothpaste, and Camel Cigarettes. The cast featured an array of talented actors and actresses, with Singleton, Ann Rutherford, Alice White, and Patricia Lake all playing the role of Blondie at different times.</p><p>The radio show, characterized by light-hearted humor, captured the essence of the comic strip and charmed audiences across America. The show even spawned a successful film series, which ran from 1938 to 1950, with Singleton and Lake reprising their roles as Blondie and Dagwood. Eventually, the radio show ended in 1950, the same year as the Blondie film series.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Bob & Ray'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Bob & Ray'
|
||||
data-cover='/cover/sm/bob-and-ray.jpg'
|
||||
data-series='Bob and Ray'
|
||||
data-file='otr/bob-and-ray/1948-08-27.mp3'>
|
||||
|
|
@ -2444,4 +2445,10 @@
|
|||
<span>31mins</span>
|
||||
<span>Aired 1949-09</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Bob and Ray were an American comedy duo consisting of comedians Bob Elliott and Ray Goulding, popular for their satirical and deadpan humor. They began their careers as radio announcers in Boston, and their impromptu, pleasant banter led to their own show on WHDH, "Matinee with Bob and Ray," in 1946. This show featured completely improvised and irreverent humor, with the duo showcasing their wit and versatility. A recurring feature was soap opera parodies, such as "The Life and Loves of Linda Lovely". Bob and Ray's later routines were more carefully scripted and timed, allowing them to create classic characters like Wally Ballou, Roving Reporter, and sketch parodies like "Mr. Trace, Keener than Most Persons." Their career spanned over five decades, and this collection showcases their comedic genius, especially during their most polished period of mid-1950s radio.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Deadly Merchandise'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Deadly Merchandise'
|
||||
data-cover='/cover/sm/bold-venture.jpg'
|
||||
data-series='Bold Venture'
|
||||
data-file='otr/bold-venture/00001.mp3'>
|
||||
|
|
@ -527,4 +528,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Aired 1952</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Bold Venture was a syndicated radio adventure series starring Humphrey Bogart and Lauren Bacall that aired from 1951 to 1952. Its premise revolved around hotel and boat owner Slate Shannon, played by Bogart, and his ward, Sailor Duval, played by Bacall. Set in the sultry setting of Havana, Cuba, this duo frequently found themselves entangled in adventure, intrigue, and mystery while navigating the Caribbean waters.</p><p>Combining elements from Bogart and Bacall's past on-screen collaborations, the show had music by David Rose and scripts by Morton Fine and David Friedkin. Calypso singer King Moses (Jester Hairston) provided musical bridges by threading plot situations into the lyrics of his songs. A total of 57 episodes are now known to exist out of the original 78 episodes produced.</p><p>Bold Venture was later brought to television in 1959, produced by Morton Fine and David Friedkin, with a change of setting from Cuba to Trinidad due to unstable conditions in Cuba. The series starred Dane Clark as Slate Shannon, Joan Marshall as Sailor Duval, and Bernie Gozier as King Moses.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Jonathan Diamond'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Jonathan Diamond'
|
||||
data-cover='/cover/sm/boston-blackie.jpg'
|
||||
data-series='Boston Blackie'
|
||||
data-file='otr/boston-blackie/00001.mp3'>
|
||||
|
|
@ -1787,4 +1788,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Aired 1949-06-15</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Boston Blackie is a fictional detective character created by author Jack Boyle. Initially portrayed as a safecracker and jewel thief, he eventually became a detective known as the "enemy to those who make him an enemy, friend to those who have no friend." The character appeared in Columbia Pictures films with Chester Morris playing the lead role between 1941 and 1949.</p><p>The Boston Blackie radio series began on June 23, 1944, on NBC as a summer replacement for The Amos 'n' Andy Show, starring Chester Morris. Richard Kollmar took over the title role in the series, which was syndicated by Frederic W. Ziv from April 11, 1945, to October 25, 1950. Over 200 episodes were produced during this time, featuring Lesley Woods as Blackie's girlfriend Mary Wesley, Maurice Tarplin as Inspector Farraday, and Jan Miner as Mary in the ZIV syndicated series.</p><p>The show followed a formulaic pattern where someone gets into trouble, there is a murder, and Blackie is framed for it. He then escapes police custody, solves the mystery, hands over the criminals to Inspector Farraday, and charms the girl. With light-hearted humor and high production values, the radio series became very popular and has a lasting appeal among fans of detective fiction.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The First Letter'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The First Letter'
|
||||
data-cover='/cover/sm/box-13.jpg'
|
||||
data-series='Box 13'
|
||||
data-file='otr/box-13/00001.mp3'>
|
||||
|
|
@ -482,4 +483,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1949-08-14</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Box 13 was a syndicated radio drama that aired in various cities in the United States from October 1947. It starred Alan Ladd as Dan Holiday, a newspaperman turned mystery novelist seeking ideas for his fiction. He placed an ad in the newspaper reading "Adventure wanted, will go anywhere, do anything – write Box 13, Star-Times." Responding to the letters he received, Holiday found himself in various adventures involving crime-solving and mystery. The show was produced by Mayfair Productions and featured Sylvia Picker as Holiday's secretary Suzy and Edmund MacDonald as police Lt. Kling. Several guest actors appeared on the show, and the series was known for its high adventure and storytelling that didn't always involve a murder each week.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Oil Swindle'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Oil Swindle'
|
||||
data-cover='/cover/sm/bright-star.jpg'
|
||||
data-series='Bright Star'
|
||||
data-file='otr/bright-star/00001.mp3'>
|
||||
|
|
@ -293,4 +294,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1952</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Bright Star, also known as The Irene Dunne and Fred MacMurray Show, was a 30-minute radio comedy-drama that aired for one season from 1952-1953. The show featured renowned film stars Irene Dunne and Fred MacMurray, with Harry von Zell and Wendell Niles as announcers. The storyline focused on the struggles of Susan Armstrong (Dunne), editor of the struggling Hillsdale Morning Star newspaper, and her idealistic star reporter George Harvey (MacMurray). The two often conflicted over stories but had excellent comedic rapport. As a charming show with talented leads, Bright Star is sure to delight fans of Irene Dunne and Fred MacMurray.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Jimmy Dorn Murder Case'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Jimmy Dorn Murder Case'
|
||||
data-cover='/cover/sm/broadway-is-my-beat.jpg'
|
||||
data-series='Broadway is My Beat'
|
||||
data-file='otr/broadway-is-my-beat/00001.mp3'>
|
||||
|
|
@ -1535,4 +1536,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1954-08-01</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Broadway is My Beat is a radio crime drama that aired on CBS from February 27, 1949, to August 1, 1954. Set in New York City, the show follows Detective Danny Clover, played by Anthony Ross and later by Larry Thor, as he solves crimes in the bustling Times Square area. Known for its gritty dialogue and authentic city sound effects, the show captivates audiences with its realistic portrayal of life and crime on the "Great White Way." Directed by John Dietz and later by Elliott Lewis, Broadway is My Beat is a hard-boiled detective drama featuring a talented supporting cast and memorable performances. The vivid descriptions and melancholy monologues about the city further enhance the show's appeal to mystery fans.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Episode 1'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Episode 1'
|
||||
data-cover='/cover/sm/buck-rogers.jpg'
|
||||
data-series='Buck Rogers'
|
||||
data-file='otr/buck-rogers/00001.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1939-04-30</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Buck Rogers in the 25th Century was a pioneering science fiction radio drama series, airing from 1932-1936, 1939, 1940, and 1946-1947. Based on the popular novel and comics series, the show followed the thrilling adventures of Buck Rogers, a man from the 20th century who awakens in the 25th century after being trapped in suspended animation. He teams up with brilliant scientist Dr. Huer and Space Corp Lieutenant Wilma Deering to battle evil forces led by the cunning Killer Kane and Ardala Valmar. The series was notable for teaching important life lessons and reflecting the virtues of the American Way.</p><p>The show was directed by Carlo De Angelo and Jack Johnstone, and starred a rotating cast of actors including Matt Crowley, Curtis Arnall, Carl Frank, and John Larkin as Buck Rogers. The sound effects were created by Ora Daigle Nichols, and scripts were written by comic strip writer Dick Calkins.</p><p>Buck Rogers in the 25th Century was a memorable radio serial that captivated audiences and paved the way for future science fiction programming. Apart from offering exciting space adventures, the show also resonated with the political climate of the time, as it took on an added significance during the tumultuous years leading up to and during World War II. This series has lived on as an essential piece of radio and science fiction history.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Hijackers'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Hijackers'
|
||||
data-cover='/cover/sm/bulldog-drummond.jpg'
|
||||
data-series='Bulldog Drummond'
|
||||
data-file='otr/bulldog-drummond/00012.mp3'>
|
||||
|
|
@ -185,4 +186,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Air date unknown</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Bulldog Drummond is a classic American radio crime drama that aired on Mutual from April 13, 1941, to March 28, 1954. The show's central character, Bulldog Drummond, was created by British author H.C. McNeile and portrayed a relentless British investigator with a knack for crime detection and apprehending criminals. Drummond and his sidekick Denny (played by various actors over the years) solved many murder cases and dealt with radium thieves to counterfeiters. The show was initially set in Great Britain but later moved to the United States.</p><p>The series was known for its opening sequence, created by producer-director Himan Brown, featuring foghorn, footsteps, shots, and police whistles. The characters were played by notable actors such as George Coulouris, Santos Ortega, Ned Wever, Cedric Hardwicke, Everett Sloane, Luis van Rooten, and Rod Hendrickson. The show was written by Allan E. Sloane, Leonard Leslie, Edward J. Adamson, and Jay Bennett, with distribution handled by Mutual Broadcasting System and syndication by Chartoc-Coleman company.</p><p>Bulldog Drummond was later revived in 1953, with Sir Cedric Hardwicke in the lead role. However, this version of the show ran from January 3, 1954, to March 28, 1954, before it ended. Overall, the show was popular for its crime-solving and thrilling adventures in a wartime atmosphere.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Burma White Case'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Burma White Case'
|
||||
data-cover='/cover/sm/calling-all-cars.jpg'
|
||||
data-series='Calling All Cars'
|
||||
data-file='otr/calling-all-cars/00002.mp3'>
|
||||
|
|
@ -2678,4 +2679,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1939-09-08</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Calling All Cars was a pioneering old-time radio police drama that aired from November 29, 1933, to September 8, 1939, on CBS West Coast and the Mutual-Don Lee networks. Created by writer-director William N Robson, the show featured true crime stories from the Los Angeles Police Department, showcasing how each case was solved and justice served. Sgt. Jesse Rosenquist, a police dispatcher, was part of the entire series run.</p><p>The show was sponsored by the Rio Grande Oil Company and featured introductory remarks by officers of the Los Angeles Police Department. As a precursor to future police dramas, such as Dragnet, Calling All Cars helped improve law enforcement's public image by portraying them as dedicated public servants. The series later found syndication through different sponsors across the United States, further expanding its reach and influence on the radio drama genre.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Aunt Mary's New Tooth'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Aunt Mary's New Tooth'
|
||||
data-cover='/cover/sm/can-you-imagine-that.jpg'
|
||||
data-series='Can You Imagine That'
|
||||
data-file='otr/can-you-imagine-that/00001.mp3'>
|
||||
|
|
@ -365,4 +366,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1940</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Can You Imagine That is an entertaining old time radio show that shares strange and surprising stories from newspaper columns around the country. Designed to provoke thought and conversation, the show presents a mix of docudrama sketches and vignettes about odd news items and historical oddities. Written, directed, and hosted by Lindsay MacHarrie, it aired on West Coast Radio.</p><p>Some of the fascinating stories featured include a boy attacked by a 10 ft bird, a 92-year-old woman growing a third set of teeth, and a man falling 15,000 feet from an airplane and surviving. The show's format teases several oddities before presenting them in a 15-minute episode, often concluding with a vignette about an old or popular song of the era.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Cable Car Case'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Cable Car Case'
|
||||
data-cover='/cover/sm/candy-matson-yukon-2-8209.jpg'
|
||||
data-series='Candy Matson, YUkon 2-8209'
|
||||
data-file='otr/candy-matson-yukon-2-8209/00002.mp3'>
|
||||
|
|
@ -140,4 +141,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1952-09-21</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Candy Matson, YUkon 2-8209, is a captivating Old Time Radio show that aired from March 1949 to May 1951 on NBC West Coast. Created by Monty Masters, the show featured his wife Natalie Parks in the title role of a smart, tough, and fearless female private investigator, Candy Matson. Set in San Francisco, the show followed Candy as she solved cases in the Bay Area, often working with her police detective love interest, Lt. Ray Mallard, played by Henry Leff, and her flamboyant best friend and assistant, Rembrandt Watson, voiced by Jack Thomas.</p><p>The show's opening featured a ringing telephone, with Candy answering, "Candy Matson, YU 2-8209" before the theme song "Candy" played. The series was praised for its strong female lead and use of actual San Francisco locations in its storylines. Despite its popularity, the show never gained a national audience or a permanent sponsor, remaining a West Coast favorite. Candy Matson concluded with a twist ending as Ray proposed to Candy, leading to their marriage and Candy's retirement from detective work.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Criminal Liability'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Criminal Liability'
|
||||
data-cover='/cover/sm/case-dismissed.jpg'
|
||||
data-series='Case Dismissed'
|
||||
data-file='otr/case-dismissed/00001.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1954-04-24</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Case Dismissed" is a classic legal drama that aired on WMAQ Chicago, an NBC station, from January 30, 1954, to April 24, 1954. Created by the Chicago Bar Association, the show features everyday situations where individuals encounter legal challenges, showcasing the importance of consulting an honest lawyer. The 12 available episodes were delivered by local Chicago talent, with Dean John Fitzgerald of the Loyola University Law School as host. Despite its limited broadcast and age, "Case Dismissed" remains an engaging series that offers valuable insight into the American legal system during the 1950s.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Case of the Switched Plates'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Case of the Switched Plates'
|
||||
data-cover='/cover/sm/casey-crime-photographer.jpg'
|
||||
data-series='Casey, Crime Photographer'
|
||||
data-file='otr/casey-crime-photographer/00001.mp3'>
|
||||
|
|
@ -707,4 +708,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1954-01-20</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Casey, Crime Photographer, also known as Flashgun Casey and Crime Photographer, aired on CBS radio from July 7, 1943, to April 22, 1955, with a total of 431 episodes. The character, originally created by novelist George Harmon Coxe, appeared in Black Mask magazine and various other media formats.</p><p>Jack "Flashgun" Casey was a crime photographer for the fictional Morning Express newspaper. He worked alongside reporter Ann Williams, solving crimes and recounting their adventures at their favorite tavern, The Blue Note. Various actors portrayed the characters, with Staats Cotsworth and Jan Miner being the most prominent as Casey and Ann Williams, respectively.</p><p>The show, sponsored by brands like Anchor-Hocking Glass, Toni Home Permanents, and Philip Morris Cigarettes, managed to find success on radio despite its B-grade status. However, it did not fare well on television, with its short-lived run never being re-ran due to poor reception.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Old ones are hard to kill'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Old ones are hard to kill'
|
||||
data-cover='/cover/sm/cbs-radio-mystery-theater.jpg'
|
||||
data-series='CBS Radio Mystery Theater'
|
||||
data-file='otr/cbs-radio-mystery-theater/00001.mp3'>
|
||||
|
|
@ -12605,4 +12606,10 @@
|
|||
<span>53mins</span>
|
||||
<span>Aired 1974</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
CBS Radio Mystery Theater, also known as Radio Mystery Theater and Mystery Theater, was a radio drama series that aired on CBS Radio Network affiliates between 1974 and 1982, and later in the early 2000s on NPR satellite feed. Created by Himan Brown, the show followed a format similar to classic Old Time Radio programs like The Mysterious Traveler and The Whistler. E.G. Marshall hosted the show from January 1974 until February 1982 and introduced episodes with insightful commentary, inviting listeners into the world of the macabre.</p><p>The series encompassed a wide variety of genres, including horror, science fiction, historical drama, comedy, and seasonal dramas during the Christmas season. It featured classic adaptations, stories from famous writers, and original tales. With 1,399 original episodes, the series attracted a diverse array of talent, including renowned actors from stage, film, and TV, as well as notable voices from the golden age of radio.</p><p>Recorded in New York, CBSRMT captured the nostalgia of Old Time Radio, appealing to both older and younger audiences. The program's spine-chilling atmosphere and engaging storytelling made it a popular late-night treat for many listeners.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Brave New World Part 1'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Brave New World Part 1'
|
||||
data-cover='/cover/sm/cbs-radio-workshop.jpg'
|
||||
data-series='CBS Radio Workshop'
|
||||
data-file='otr/cbs-radio-workshop/00001.mp3'>
|
||||
|
|
@ -788,4 +789,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1957-09-22</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The CBS Radio Workshop, an experimental dramatic radio anthology series, aired from January 27, 1956, until September 22, 1957. Known as "radio's distinguished series to man's imagination," it was a revival of earlier Columbia Workshop broadcasts, bringing back some of the original writers and directors. The series was one of the last efforts by American network radio to attract and retain the audience that had transitioned to television after World War II.</p><p>The show premiered with a two-part adaptation of Aldous Huxley's Brave New World, narrated by Huxley himself. The series was known for its unique approach to sound effects and featured music by composers like Bernard Herrmann, Jerry Goldsmith, Amerigo Moreno, Ray Noble, and Leith Stevens. Many renowned writers' works were adapted for the series, including pieces by John Cheever, Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Christopher Isherwood, Frederik Pohl, James Thurber, Mark Twain, and Thomas Wolfe.</p><p>Created by William Froug, the series successfully attracted attention from radio personnel and listeners, leading to alternating productions between the west and east coasts. The CBS Radio Workshop showcased a wide variety of genres and offered cutting-edge writing, music, and sound, making it a unique collection of radio shows at the end of the radio era.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Meeting the Terms of a Contract'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Meeting the Terms of a Contract'
|
||||
data-cover='/cover/sm/challenge-of-the-yukon.jpg'
|
||||
data-series='Challenge of the Yukon'
|
||||
data-file='otr/challenge-of-the-yukon/00285.mp3'>
|
||||
|
|
@ -5675,4 +5676,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Aired 1955-01-06</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Challenge of the Yukon," also known as "Sergeant Preston of the Yukon," was a long-running radio adventure series created by George W. Trendle, the station owner of Detroit's WXYZ. A Northern genre story, the series began airing on February 3, 1938. The show followed Sergeant William Preston of the Northwest Mounted Police and his loyal Alaskan husky, Yukon King, as they fought evildoers in the Northern wilderness during the 1890s Gold Rush. The action-packed stories featured the duo helping injured trappers, catching smugglers, and saving people from wild animals.</p><p>The show experienced various name changes, first known as "Challenge of the Yukon," then "Sergeant Preston of the Yukon" in the 1950s. Many actors played the role of Sgt. Preston over the years, with Paul Sutton being the most prominent. The talented animal sound effects artists, Dewey Cole and later Ted Johnstone, provided Yukon King's barks and howls.</p><p>Aired on numerous networks and re-formatted as it evolved, "Challenge of the Yukon" entertained audiences with engaging storylines, lively music, and strong heroes both human and canine.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Colonel's Son Is Murder Suspect'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Colonel's Son Is Murder Suspect'
|
||||
data-cover='/cover/sm/charlie-chan.jpg'
|
||||
data-series='Charlie Chan'
|
||||
data-file='otr/charlie-chan/00001.mp3'>
|
||||
|
|
@ -482,4 +483,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Air date unknown</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Adventures of Charlie Chan is an intriguing collection of radio episodes featuring the fictional detective Charlie Chan, created by Earl Derr Biggers. Airing on four networks from 1932 to 1948, the show starred Walter Connolly and serialized adaptations of Biggers' novels. Charlie Chan, a Chinese-Hawaiian detective based in Honolulu, embarks on global journeys filled with thrills, excitement, comedy, and pearls of wisdom. Despite his busy career, Chan maintains a strong family life, with his 14 children, including Numbers 1 and 2 sons, often assisting him in solving cases. Known for his exotic wit and wisdom, Charlie Chan's adventures are a rare gem in the world of radio detective shows, with complete serial recordings being scarce, and the full storylines often incomplete. Tune in to experience the wit and charm of this modern Chinese sage!
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Bubbling Pool'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Bubbling Pool'
|
||||
data-cover='/cover/sm/chick-carter-boy-detective.jpg'
|
||||
data-series='Chick Carter, Boy Detective'
|
||||
data-file='otr/chick-carter-boy-detective/1943-07-13.mp3'>
|
||||
|
|
@ -32,4 +33,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1944</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Chick Carter, Boy Detective was a popular American old-time radio crime drama series for youth, aired on the Mutual Broadcasting System from July 5, 1943 to July 6, 1945. The show featured 15-minute episodes, centered around Chickering "Chick" Carter, the adopted son of and assistant to Nick Carter of Nick Carter, Master Detective fame. As a spinoff of the elder Carter's show, both programs were products of the Street and Smith publishing company and aimed to engage fans of all ages in their crime-solving pursuits. Episodes ended in cliffhangers, urging young listeners to stay tuned for the next installment.</p><p>The show's cast included Bill Lipton, Leon Janney, Jean and Joanne McCoy, Gilbert Mack, Bill Griffis, and Stefan Schnabel. Fritz Block directed the program and was also one of the writers, along with Walter B. Gibson, Ed Gruskin, and Nancy Webb. Charles Michelson acted as the producer.</p><p>Fans of the show could join the Inner Circle Club to receive exclusive background information on the casts of the two Carter shows. Chick Carter, Boy Detective inspired a film serial, Chick Carter, Detective (1946) and a comic strip that ran in Shadow Comics Magazine.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='AL vs NL All-Star Game'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='AL vs NL All-Star Game'
|
||||
data-cover='/cover/sm/classic-baseball-mlb.jpg'
|
||||
data-series='Classic Baseball MLB'
|
||||
data-file='otr/classic-baseball-mlb/1934-07-10.mp3'>
|
||||
|
|
@ -3110,4 +3111,10 @@
|
|||
<span>158mins</span>
|
||||
<span>Aired 1973-10-21</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Major League Baseball radio broadcasts have been an integral part of American sports media and society since the early 20th century. Serving as the soundtrack for many generations of baseball fans, these broadcasts have not only provided live game commentary but also cultivated a strong emotional bond between the audience and their favorite teams. The iconic voices of legendary broadcasters such as Vin Scully, Ernie Harwell, and Red Barber have transcended time and continue to hold a special place in the hearts of baseball enthusiasts.</p><p>With the advent of radio, baseball broadcasts became an affordable and accessible means for fans to follow the play-by-play action, forging a sense of community and shared experience across geographical barriers. This remarkable innovation not only transformed the way people consumed the sport but also significantly contributed to the popularity and growth of Major League Baseball in America.</p><p>Feel the nostalgia and excitement through our collection of classic MLB radio broadcasts. Relive the history, amazing feats of athleticism, and iconic moments as we journey back in time to offer you a unique listening experience. Tune in and experience firsthand the vibrant memories and passion that have forever been etched in the fabric of American culture.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Meet the Naughtons'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Meet the Naughtons'
|
||||
data-cover='/cover/sm/claudia.jpg'
|
||||
data-series='Claudia'
|
||||
data-file='otr/claudia/00001.mp3'>
|
||||
|
|
@ -3506,4 +3507,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1949-03-25</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Claudia, also known as Claudia and David, is an old time radio soap opera based on a series of short stories by Rose Franken and William Brown Meloney, which first appeared in Redbook magazine. The show follows the lives of newlyweds David and Claudia Naughton as they navigate the ups and downs of married life. Claudia first aired as a skit on The Kate Smith Hour in 1941, and later expanded into a summer series starring Patricia Ryan and Richard Kollmar. The success of the books and films based on the stories led Coca-Cola to sponsor a 15-minute syndicated weekday radio program in the 1947-48 season, starring Kathryn Bard and Paul Crabtree. The charming and lighthearted show offers an excellent glimpse into the daily life of a 1940s American household.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='File 2218 - Frank Baker's Story'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='File 2218 - Frank Baker's Story'
|
||||
data-cover='/cover/sm/cloak-and-dagger.jpg'
|
||||
data-series='Cloak and Dagger'
|
||||
data-file='otr/cloak-and-dagger/00001.mp3'>
|
||||
|
|
@ -212,4 +213,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Aired 1950-10-22</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Cloak and Dagger is a captivating NBC radio series that aired from May 7 to October 22, 1950. Based on the book by Corey Ford and Alistair McBain, the show follows the thrilling missions of OSS agents during World War II, as they embark on dangerous assignments behind enemy lines. The 22-episode series stands out with its gripping, real-life stories, adapted directly from authentic Washington files, and adds an element of unpredictability, as not all missions end in success.</p><p>The series is hosted by Corey Ford and boasts an exceptional cast, including Raymond Edward Johnson, Everett Sloane, and Jackson Beck. Directed by Sherman Marks, the show features a talented production team of Alfred Hollander, Louis G. Cowan, Jack Gordon, Winifred Wolfe, and John Gart. With tense, action-packed stories and a stellar cast, Cloak and Dagger delivers a thrilling look into the secret world of espionage during WWII.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Wedding Party'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Wedding Party'
|
||||
data-cover='/cover/sm/club-car-special.jpg'
|
||||
data-series='Club Car Special'
|
||||
data-file='otr/club-car-special/00001.mp3'>
|
||||
|
|
@ -104,4 +105,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1934</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Club Car Special was an engaging old-time radio show brought to you by the Hearst Newspaper Syndicate. The show offers a sneak peek into the content of the upcoming Sunday newspaper, providing listeners with an entertaining preview during mid-week radio broadcasts. Listeners are treated to sketches adapted from cartoons and short reviews of humorous articles written by some of America's most renowned humorists, including O.O. McIntyre, Will Rogers, George Eads, Stan Hilman, Arthur 'Bugs' Bayer, Milt Gross, and Damon Runyon. Join the Club Car Special for an enjoyable and witty journey through the pages of Hearst's Sunday newspapers.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Very Hot, First Comic - Snookums'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Very Hot, First Comic - Snookums'
|
||||
data-cover='/cover/sm/comic-weekly-man.jpg'
|
||||
data-series='Comic Weekly Man'
|
||||
data-file='otr/comic-weekly-man/00172.mp3'>
|
||||
|
|
@ -1094,4 +1095,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Aired 1953-12-13</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Comic Weekly Man aired from 1947 to 1954 and was a one-of-a-kind radio show where the Comic Weekly Man delivered dramatic readings of popular Sunday comic strips, complete with sound effects and music. This format provided an immersive and entertaining experience for both adults and children, who would follow along with a print copy of the comics while listening to the show.</p><p>The show featured a variety of well-known comic strips including Blondie, Beetle Bailey, Hi and Lois, Flash Gordon, Roy Rogers, Scamp and the Paint, and Little Iodine. Over the years, different actors took on the role of the Comic Weekly Man, with Lon Clark being one of the notable talents to portray the character. Through its unique premise, Comic Weekly Man created a memorable and engaging way for listeners to enjoy their favorite Sunday comics.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Eddie Cantor'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Eddie Cantor'
|
||||
data-cover='/cover/sm/command-performance.jpg'
|
||||
data-series='Command Performance'
|
||||
data-file='otr/command-performance/00001.mp3'>
|
||||
|
|
@ -2102,4 +2103,10 @@
|
|||
<span>62mins</span>
|
||||
<span>Aired 1948-12-25</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Command Performance was a radio show broadcast on the Armed Forces Radio Network (AFRS) between 1942 and 1949, specifically designed to entertain U.S. troops during WWII. The show featured top performers of the day such as Bing Crosby, Frank Sinatra, and Judy Garland, who volunteered their talents, putting on a show based on requests from service members. The AFRS recorded and shipped these programs to the troops stationed overseas. Command Performance's success helped pave the way for the creation of other similar shows, such as Request Performance and G.I. Journal.</p><p>Command Performance was primarily intended for the U.S. troops serving overseas during WWII, and therefore, with few exceptions, it was not broadcast to the general public over domestic U.S. radio stations. The purpose was to boost the morale of the service members while keeping that exclusive connection between the performers and the troops. In fact, it was considered the "best program that the American Public never heard." Only in a rare instance, such as on Christmas Eve 1942, did the War Department allow a broadcast of Command Performance for domestic listeners in order to forge a link between the servicemen abroad and the folks on the Home Front.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='D-Day Broadcast Part 1'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='D-Day Broadcast Part 1'
|
||||
data-cover='/cover/sm/complete-broadcast-day-d-day.jpg'
|
||||
data-series='Complete Broadcast Day - D-Day'
|
||||
data-file='otr/complete-broadcast-day-d-day/00001.mp3'>
|
||||
|
|
@ -230,4 +231,10 @@
|
|||
<span>56mins</span>
|
||||
<span>Aired 1944-06-06</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Radio broadcasting in the 1940s played a pivotal role in communication, entertainment, and information dissemination. It was the golden age of radio, with millions of households tuning in to their favorite programs, news bulletins, and music. The significance of radio during this era cannot be overstated, as it was an essential source of information and connection for millions of people during World War II.</p><p>During the war, radio stations actively coordinated with governments and military agencies, providing accurate and timely news about the major events and battles that unfolded during the tumultuous years of 1939 to 1945. On D-Day, June 6, 1944, radio broadcasting played a crucial role in keeping the public informed of the massive allied invasion of Normandy, France. These historic broadcasts not only provided real-time updates to eager listeners but also served as a means of boosting morale, maintaining unity, and fueling the public's determination to see the conflict through.</p><p>This collection of audio files presents a comprehensive compilation of the full broadcast day on D-Day, encapsulating the significance of radio broadcasting in the 1940s and providing an auditory window into this monumental day in world history. Step back in time and experience the tension, triumph, and commitment of journalists, broadcasters, and military personnel as they relay the story of one of the most important days of World War II, and the impact it would have on the world for generations to come.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Under the Double Eagle'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Under the Double Eagle'
|
||||
data-cover='/cover/sm/crazy-hillbillies.jpg'
|
||||
data-series='Crazy Hillbillies'
|
||||
data-file='otr/crazy-hillbillies/00009.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1935</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Crazy Hillbilly Show was a 1930s radio broadcast originating in New York City, sponsored by the Crazy Hotel, a health spa in Mineral Wells, Texas, known for the curative properties of its mineral waters. Created by Carr P. Collins and Hal Collins, the show featured Old Timey music, a precursor to Bluegrass, with roots in folk music from the British Isles, Europe, and Africa, played on stringed instruments and harmonica. The show's advertising promoted the benefits of Crazy Water, a mineral water that was eventually turned into mineral salts to be more easily shipped and reconstituted with tap water. Though the claims made by the Collins brothers about the benefits of Crazy Water were not as extreme as some patent medicine salesmen, their claims eventually caught the attention of the Federal Government when the Pure Food and Medicine regulations were enacted. The Crazy Hillbilly Show's mix of music and promotion for Crazy Water made it a unique and entertaining radio show of its time.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Freemason March'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Freemason March'
|
||||
data-cover='/cover/sm/crazy-water-crystal-program.jpg'
|
||||
data-series='Crazy Water Crystal Program'
|
||||
data-file='otr/crazy-water-crystal-program/00005.mp3'>
|
||||
|
|
@ -59,4 +60,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1935</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Crazy Water Crystal Program, a 15-minute commercial for a Patent Medicine elixir, aired regionally and on NBC networks between 1935-1940 from the lobby of the Crazy Water Hotel in Mineral Wells, Texas. The show's host promoted Crazy Crystals, a snowy residue originating from the Crazy Well, believed to have healing properties. In exchange for the advertisement, listeners enjoyed early Country Western and Bluegrass music played by mostly country and hillbilly groups. The program contributed to a booming tourist industry in Mineral Wells, based on the alleged health benefits of the local waters. Actress Mary Martin featured on the show before achieving fame on Broadway and in Hollywood. A large Crazy Water Crystal sign was displayed during the 1992 Grand Ole Opry opening, and a photo of Hank Snow singing on the program is exhibited in the museum.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Bruce Burke Murder Frame-Up'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Bruce Burke Murder Frame-Up'
|
||||
data-cover='/cover/sm/crime-and-peter-chambers.jpg'
|
||||
data-series='Crime and Peter Chambers'
|
||||
data-file='otr/crime-and-peter-chambers/00001.mp3'>
|
||||
|
|
@ -203,4 +204,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1954-09-07</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Crime and Peter Chambers is an American old-time radio detective program that aired on NBC from April 6, 1954, to September 7, 1954. The show was based on the character Peter Chambers, a hard-hitting private detective created by author Henry Kane, who also wrote the scripts and directed the show. Unlike many private detectives on radio, Chambers coordinated his work with the police and had a close relationship with his best friend, Lt. Louis Parker, played by Bill Zuckert.</p><p>The series starred Dane Clark as Peter Chambers, a playboy detective with an eye for solving crime and a taste for beautiful women. The show was known for its glib dialogue that played into Clark's reputation as a screen tough guy. A total of 21 episodes from the series are available. Other actors involved in the show include Fran Carlon, Roger DeKoven, and William Griffis, among others. Crime and Peter Chambers was short-lived, lasting only five months; however, it remains a notable piece of radio detective history.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Crime of Bathsheba Spooner'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Crime of Bathsheba Spooner'
|
||||
data-cover='/cover/sm/crime-classics.jpg'
|
||||
data-series='Crime Classics'
|
||||
data-file='otr/crime-classics/00001.mp3'>
|
||||
|
|
@ -464,4 +465,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1954-06-30</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Crime Classics is a historical true crime radio docudrama series that aired on CBS Radio from June 15, 1953, to June 30, 1954. Produced and directed by Elliott Lewis, the episodes were co-written by Morton Fine and David Friedkin, and featured music by Bernard Herrmann. Hosted by Thomas Hyland, played by Lou Merrill, the show investigates true crime stories from various eras and locations, narrated with a wry, cool-blooded tone.</p><p>Cases range from famous assassinations, like those of Abraham Lincoln and Julius Caesar, to obscure crimes like the story of Bathsheba Spooner, the first woman tried and executed in America. The show is notable for its factual accuracy, its attention to sophistication and mood, and its tasteful sound effects.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Crew Is Hired'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Crew Is Hired'
|
||||
data-cover='/cover/sm/cruise-of-the-poll-parrot.jpg'
|
||||
data-series='Cruise of the Poll Parrot'
|
||||
data-file='otr/cruise-of-the-poll-parrot/00001.mp3'>
|
||||
|
|
@ -365,4 +366,10 @@
|
|||
<span>12mins</span>
|
||||
<span>Aired 1938-06-18</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Cruise of the Poll Parrot is a syndicated children's radio serial launched in 1937 to promote Poll Parrot Shoes, a children's shoe line by International Shoe Company. Set in 1858 in New Bedford, Massachusetts, the show follows Captain Roy Dalton (voiced by Marvin Miller) and his crew as they embark on a whaling voyage aboard the ship, Poll Parrot. The adventure-filled and well-researched stories are both entertaining and educational, providing factual information about the whaling industry.</p><p>The show's main voice, Miller, was a talented actor who went on to work in numerous radio shows, films, and the 1950s TV series, "The Millionaire". Cruise of the Poll Parrot was designed to be sold to local radio stations and shoe stores, with the series available in blocks of 13, 26, or 39 episodes. This unique marketing approach helped boost shoe sales for International Shoe Company as they competed against Buster Brown, the leader in children's shoes at the time.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Professor'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Professor'
|
||||
data-cover='/cover/sm/danger-dr-danfield.jpg'
|
||||
data-series='Danger, Dr. Danfield'
|
||||
data-file='otr/danger-dr-danfield/00001.mp3'>
|
||||
|
|
@ -248,4 +249,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1947-02-09</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Danger, Dr. Danfield aired from August 18, 1946 to April 13, 1947 and consisted of 26 episodes. It starred Michael Dunn as Dr. Danfield, an obnoxious unlicensed private investigator/criminal psychologist, and JoAnne Johnson as Rusty Fairfax, his secretary. The series, written by Ralph Wilkinson and produced by Wally Ramsey, was often criticized for its poor acting and writing. The show followed a formula where the crime was committed in the first third, solved in the second third, and then explained by Dr. Danfield to Rusty in the conclusion. The characters were generally one-dimensional, but the show remains enjoyable for light, casual listening.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Relief Supplies'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Relief Supplies'
|
||||
data-cover='/cover/sm/dangerous-assignment.jpg'
|
||||
data-series='Dangerous Assignment'
|
||||
data-file='otr/dangerous-assignment/00001.mp3'>
|
||||
|
|
@ -896,4 +897,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1953-07-08</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dangerous Assignment was an action-packed Old Time Radio show airing from 1949 to 1953, featuring film actor Brian Donlevy as Steve Mitchell, a US special agent tasked with getting in and out of dangerous situations. Herb Butterfield co-starred as the Commissioner, who assigns missions to Mitchell, while Betty Moran played The Commissioner's secretary. The show took place in various exotic locations, with atmospheric music and skilled voice actors adding drama and suspense.</p><p>Dangerous Assignment was also adapted into a syndicated television series and an Australian radio series. While not as iconic as shows like Escape and The Third Man, Dangerous Assignment had a solid fan base and set the stage for future spy novels and films, such as Ian Fleming's first James Bond novel, Casino Royale, in 1952.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Highwayman'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Highwayman'
|
||||
data-cover='/cover/sm/dangerously-yours.jpg'
|
||||
data-series='Dangerously Yours'
|
||||
data-file='otr/dangerously-yours/00001.mp3'>
|
||||
|
|
@ -113,4 +114,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1944-10-01</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dangerously Yours was a captivating Old Time Radio show sponsored by Vicks that initially aired in 1944. Featuring Hollywood star Victor Jory as the leading man, this romantic adventure series ran for a total of sixteen episodes, with eleven of them available for collectors today. Focused heavily on romance, the show often spotlighted tender moments between lovers, with action and adventure serving as a backdrop. In late 1944, Dangerously Yours was rebranded as Vicks Matinee Theater, which went on to broadcast an additional twenty-five episodes—including repeats from earlier episodes—with twenty-two of them still known to exist. Listeners would tune in each Sunday to indulge in a half-hour of romance and adventure, brought to you by the Vic Chemical Company's popular nose drops, vapor rubs, and other products.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Man Who Came Back'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Man Who Came Back'
|
||||
data-cover='/cover/sm/dark-fantasy.jpg'
|
||||
data-series='Dark Fantasy'
|
||||
data-file='otr/dark-fantasy/00001.mp3'>
|
||||
|
|
@ -257,4 +258,10 @@
|
|||
<span>16mins</span>
|
||||
<span>Aired 1942-06-12</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dark Fantasy was an American radio supernatural thriller anthology series that aired on NBC from 1941 to 1942. Set in a chilling and suspenseful universe, this horror drama series was created by renowned writer Scott Bishop, known for his work on The Mysterious Traveler and The Sealed Book. The show originated from WKY radio station in Oklahoma City and was broadcast on Friday nights to avoid young audiences.</p><p>With a focus on horror, murder mysteries, and science fiction, Dark Fantasy delved into the unknown, keeping listeners on the edge of their seats. Despite its short run of 31 episodes, the series gained significant popularity and showcased stories way ahead of their time. Scott Bishop crafted each spine-tingling episode, and Keith Paynton served as the announcer. Though it only aired for one year, Dark Fantasy has remained an enduring example of excellent horror storytelling in the realm of old-time radio shows.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Letter From An American Farmer'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Letter From An American Farmer'
|
||||
data-cover='/cover/sm/dear-adolf.jpg'
|
||||
data-series='Dear Adolf'
|
||||
data-file='otr/dear-adolf/00001.mp3'>
|
||||
|
|
@ -68,4 +69,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1942-08-02</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dear Adolf is a unique Old Time Radio show from 1942, featuring six narrative letters written by Americans to Adolf Hitler during World War II. These letters offer a glimpse into American opinions on Hitler and the Nazi regime. Created as a "fight-talk program" to bolster public support for the war, the series was written by Stephen Vincent Benét and produced in cooperation with the Council for Democracy. The letters, penned by a diverse range of Americans - including a farmer, mother, businessman, laborer, US soldier, and an Austrian-born naturalized US citizen - express their sentiments and disdain towards Hitler in powerful, creative ways. The show aired on the NBC Red network, showcasing the strength of American support and resistance against Nazi Germany.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='He Set Me Free'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='He Set Me Free'
|
||||
data-cover='/cover/sm/delmore-brothers.jpg'
|
||||
data-series='Delmore Brothers'
|
||||
data-file='otr/delmore-brothers/00001.mp3'>
|
||||
|
|
@ -419,4 +420,10 @@
|
|||
<span>13mins</span>
|
||||
<span>Aired 1935</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Delmore Brothers, Alton and Rabon, were country music pioneers and stars of the Grand Ole Opry in the 1930s. Born into poverty in Elkmont, Alabama, they blended gospel-style harmonies with traditional folk music and the blues, helping create the emerging genre of country music. They began recording in 1931 and signed a contract with Victor Record's Bluebird label in 1933. The Delmore Brothers became regulars on the Grand Ole Opry and gained popularity, but disagreements with Opry management caused them to leave in 1939. They continued to play and record throughout the 1940s but never reached the same level of success.</p><p>Some of their best-known songs include "Brown's Ferry Blues," "Gonna Lay Down My Old Guitar," and "Fifteen Miles from Birmingham." Rabon died of lung cancer in 1952, and Alton went on to write a series of short stories and his autobiography. The Delmore Brothers were inducted into the Nashville Songwriters Hall of Fame in 1971, the Alabama Music Hall of Fame in 1989, and the Country Music Hall of Fame in 2001. Their influence can be seen in artists such as Bob Dylan, the Everly Brothers, and the Beatles.</p><p>It should be noted that the audio quality of this show is not great, but they're the only ones available.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Where Could I Be Better Off'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Where Could I Be Better Off'
|
||||
data-cover='/cover/sm/democracy-in-america.jpg'
|
||||
data-series='Democracy in America'
|
||||
data-file='otr/democracy-in-america/00001.mp3'>
|
||||
|
|
@ -158,4 +159,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1962-01-16</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Democracy in America" is a captivating radio series based on Alexis de Tocqueville's influential book published in 1835. It follows his journey through America with companion Gustave de Beaumont, as they explore various aspects of American life. This 14-episode adaptation originally aired on NBC and CBC in 1962, and was produced by the Division of General Education of New York University in collaboration with the Fund for Adult Education. Featuring engaging acting from Barry Morse as Tocqueville and Alan King as Beaumont, the show combines music, sound effects, and expert commentary to create a lively educational experience. Two special preview episodes include panel discussions hosted by historian Dorothy Gordon, offering additional insights into Tocqueville's observations on American society.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Outer Limit'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Outer Limit'
|
||||
data-cover='/cover/sm/dimension-x.jpg'
|
||||
data-series='Dimension X'
|
||||
data-file='otr/dimension-x/00001.mp3'>
|
||||
|
|
@ -464,4 +465,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1951-09-29</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dimension X was a groundbreaking science fiction radio show which aired on NBC from April 8, 1950, to September 29, 1951. The series was known for adapting and dramatizing the works of young, renowned writers such as Ray Bradbury, Robert Heinlein, Isaac Asimov, and Kurt Vonnegut. Dimension X gained credibility with science fiction fans due to the involvement of these well-known writers, and radio proved to be an excellent medium for exploring imaginative storylines.</p><p>Ernest Kinoy and George Lefferts served as the in-house scriptwriters, adapting stories while also contributing their own original work. The show's signature echoing "DIMENSION X-X-X-X" opened each episode, signaling listeners that they were about to embark on a journey into a different world. The series, directed by Fred Weihe and Edward King, featured actors such as Joe Di Santis, Wendell Holmes, Santos Ortega, and Jan Miner. Norman Rose, the deep-voiced narrator, set the tone with his iconic opening line, "Adventures in time and space...told in future tense..."</p><p>During its 17-month run, which included a five-month hiatus, Dimension X produced 50 episodes. The show's successful formula would later inspire NBC's X Minus One (1955-58), which featured many of the same actors and scripts. Dimension X's legacy is still evident today, as all 50 episodes have been preserved and can be enjoyed by radio enthusiasts and science fiction fans alike.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Alice Might Leave Town'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Alice Might Leave Town'
|
||||
data-cover='/cover/sm/down-our-way.jpg'
|
||||
data-series='Down Our Way'
|
||||
data-file='otr/down-our-way/00001.mp3'>
|
||||
|
|
@ -248,4 +249,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1930</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Down Our Way is a captivating Old Time Radio show from the early 1930s that captures the essence of small-town America. The show follows the life of Eli Jenkins, a local grocer who serves as a pillar of support for his neighbors. Eli's endearing personality and his wife Jenny's delicious home-cooked meals make for a heartwarming experience. The storyline showcases the everyday joys and trials of small-town life, including neighborhood politics, local events, and the camaraderie among community members.</p><p>Adding a touch of magic to the show, the local choir regularly meets at Eli's grocery store, with choir hymnals blending seamlessly into the plot. This glimpse into a simpler time offers listeners a 30-minute escape into a world filled with faith, warmth, and nostalgia.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Current Name of Peking'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Current Name of Peking'
|
||||
data-cover='/cover/sm/dr-iq.jpg'
|
||||
data-series='Dr. IQ'
|
||||
data-file='otr/dr-iq/1939-07-17.mp3'>
|
||||
|
|
@ -41,4 +42,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1942-07-13</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dr. I.Q. The Mental Banker Quiz Show was a popular radio and television quiz program that aired from 1939 to 1959. The show's format was straightforward and featured host Lew Valentine asking questions from the stage to audience members, who served as contestants. Broadcasted from theaters in various cities across the nation, the show handed out cash prizes in silver dollars and featured other fun segments like the Biographical Sketch and The Lady in the Balcony quiz.</p><p>The success of the show led to a Saturday morning spin-off, Dr. I.Q. Jr., which was similar to the adult version but catered to younger audiences by giving silver dimes as prizes and offering rewards such as Schwinn bicycles. Throughout its run, Dr. I.Q. had various sponsors, including Mars Candy, the Vick Chemical Company, and Embassy Cigarettes. In its later years, the show transitioned to television, airing on ABC from 1953-54 and resuming from 1958-59.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Angela And Steven Kester'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Angela And Steven Kester'
|
||||
data-cover='/cover/sm/dr-kildare.jpg'
|
||||
data-series='Dr. Kildare'
|
||||
data-file='otr/dr-kildare/00001.mp3'>
|
||||
|
|
@ -554,4 +555,10 @@
|
|||
<span>27mins</span>
|
||||
<span>Aired 1951-08-03</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dr. Kildare was a radio show produced for syndication in 1949 at WMGM, New York. Based on the popular Dr. Kildare movies from the late 1930s and early 1940s, the show starred Lew Ayres as young and idealistic Dr. James Kildare and Lionel Barrymore as the crusty yet loveable diagnostician Dr. Leonard Gillespie. Set in Blair General Hospital in New York, the show followed Kildare's battles with hospital administration and the various challenges encountered by the medical staff.</p><p>The series was marked by its engaging and solid stories, especially when the characters ventured outside the hospital environment. The writing and directing were handled on a freelance basis, with notable actors such as Stacy Harris, Raymond Burr, and Jack Webb contributing to the show.</p><p>The radio show featured cutting-edge medical techniques and storylines that were up to date for its time. The series enjoyed popularity with audiences but ultimately stopped producing new episodes after 1951. Nevertheless, rebroadcasts of old episodes continued in syndication for several more years.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Nickel Plated Gun'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Nickel Plated Gun'
|
||||
data-cover='/cover/sm/dragnet.jpg'
|
||||
data-series='Dragnet'
|
||||
data-file='otr/dragnet/00002.mp3'>
|
||||
|
|
@ -2804,4 +2805,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Aired 1956-10-30</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Dragnet, created by Jack Webb, was a popular radio police drama series that aired on NBC from September 1949 to February 1957. Based on true police stories, the show presented cases in a documentary style and followed the life of dedicated Los Angeles police detective Sergeant Joe Friday and his partners. The show's name originated from the police term "dragnet," which refers to a system of coordinated measures for apprehending criminals or suspects. Dragnet introduced the American public to both the thrilling and mundane aspects of police work and helped improve public opinion of police officers. Webb's focus on authenticity and unpretentious acting has made Dragnet a key influence on subsequent police dramas across various media platforms. The show's cultural impact remains strong, with its iconic four-note introduction and opening narration still well-known today.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Susan Hayward, Frank Buck'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Susan Hayward, Frank Buck'
|
||||
data-cover='/cover/sm/duffys-tavern.jpg'
|
||||
data-series='Duffy's Tavern'
|
||||
data-file='otr/duffys-tavern/00083.mp3'>
|
||||
|
|
@ -1049,4 +1050,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1951-12-28</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Duffy's Tavern was an American radio situation comedy that aired from 1941 to 1951 on several networks, including CBS, NBC-Blue Network, and NBC. Set in New York City, the show was built around Archie, the tavern's manager, who was played by Ed Gardner. Featuring regulars like Miss Duffy, Clifton Finnegan, Eddie the waiter, and Clancy the cop, the show conversed about the everyday lives of New Yorkers and often featured celebrity guest stars. The show was created by Ed Gardner, who also brought talented writers like Abe Burrows, Larry Gelbart, and Dick Martin to work on the scripts. Although the show was ultimately canceled in 1951, it left a lasting influence on popular culture, inspiring various references and adaptations in films, TV series, and other formats.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Don Ameche / W.C. Fields / Ann Harding'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Don Ameche / W.C. Fields / Ann Harding'
|
||||
data-cover='/cover/sm/edgar-bergen--charlie-mccarthy.jpg'
|
||||
data-series='Edgar Bergen & Charlie McCarthy'
|
||||
data-file='otr/edgar-bergen--charlie-mccarthy/1937-05-09.mp3'>
|
||||
|
|
@ -383,4 +384,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1946-03-24</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Edgar Bergen was an American actor and radio performer, known for his ventriloquism and his sidekick, Charlie McCarthy. Bergen gained popularity in the radio industry with his vocal performances and skillful characterizations. He appeared on various radio programs from 1937 to 1956, most notably the Chase and Sandborn Radio Hour, which remained in the top five for a decade. The show featured numerous guest stars and entertained audiences with its witty repartee and engaging characters, such as Mortimer Snerd and Effie Klinker. Radio audiences loved Bergen's act, even though it showcased ventriloquism without a visual component. By defying expectations, Bergen enjoyed a successful career, entertaining millions on the radio with his unique performances.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Man Made Murder'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Man Made Murder'
|
||||
data-cover='/cover/sm/ellery-queens-minute-mysteries.jpg'
|
||||
data-series='Ellery Queen's Minute Mysteries'
|
||||
data-file='otr/ellery-queens-minute-mysteries/00001.mp3'>
|
||||
|
|
@ -302,4 +303,10 @@
|
|||
<span>1mins</span>
|
||||
<span>Aired 1940</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Ellery Queen Minute Mysteries was a series of short radio episodes featuring the detective Ellery Queen solving mysteries in just a minute. Created by cousins Fred Dannay and Manfred B. Lee, Ellery Queen was an author who solved mysteries with his father, Richard Queen, as his sidekick. The character first appeared in a writing contest in the 1920s and went on to feature in novels and a weekly radio show.</p><p>The character became so popular that Dannay would disguise himself and assume the identity of Ellery Queen during media appearances. In 1932, the cousins introduced another character, Barnaby Ross, who was later revealed to be Ellery Queen, leading to a clever publicity stunt where all Barnaby Ross novels were converted into Ellery Queen novels.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Magnificent Obsession'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Magnificent Obsession'
|
||||
data-cover='/cover/sm/encore-theater.jpg'
|
||||
data-series='Encore Theater'
|
||||
data-file='otr/encore-theater/00001.mp3'>
|
||||
|
|
@ -131,4 +132,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1946-08-27</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Encore Theater, a series of compelling and sympathetic medical-themed dramas, aired during the Golden Age of Radio. These episodes were based on true stories and provided valuable insights into medical history, showcasing the dedication of doctors and the importance of their work. Sponsored by Schenley Labs, Inc, the show featured some of the finest talent of stage, screen, and radio like Lurene Tuttle, Eric Snowden, Gerald Mohr, Ronald Colman, Robert Young, and Lionel Barrymore. Directed by William Lawrence with music by Leith Stevens, Encore Theater is an overlooked gem that remains both relevant and collectible to this day. This summer series was later replaced by Cresta Blanca Hollywood Players.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Man Who Would Be King'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Man Who Would Be King'
|
||||
data-cover='/cover/sm/escape.jpg'
|
||||
data-series='Escape'
|
||||
data-file='otr/escape/00001.mp3'>
|
||||
|
|
@ -1976,4 +1977,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1954-09-25</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Escape was a dramatic adventure anthology radio series that aired on CBS from 1947 to 1954. Despite frequent schedule shifts and lower production budgets, Escape gained a loyal following during its seven-year run. Known for its thrilling stories and high-quality production, the show featured both adaptations of classic works by famous writers, as well as new pieces by unknown talent. Over 200 episodes of Escape were produced, highlighting the talents of popular radio actors such as William Conrad, John Dehner, Jack Webb, Elliott Lewis, Georgia Ellis, and Frank Lovejoy. The program's well-remembered opening phrase, "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!", set the stage for the captivating and suspenseful stories to follow. Many episodes, including both West Coast and East Coast broadcast versions, have survived in good condition, making Escape an enduring favorite among old-time radio enthusiasts.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Convict'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Convict'
|
||||
data-cover='/cover/sm/exploring-tomorrow.jpg'
|
||||
data-series='Exploring Tomorrow'
|
||||
data-file='otr/exploring-tomorrow/00001.mp3'>
|
||||
|
|
@ -212,4 +213,10 @@
|
|||
<span>20mins</span>
|
||||
<span>Aired 1958-06-18</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Exploring Tomorrow, an American old-time radio show, aired on the Mutual Broadcasting System from December 4, 1957, to June 13, 1958. This science fiction anthology show was narrated by John W. Campbell, editor of Astounding Magazine, who helped shape the careers of many notable science fiction authors of the time. As the "first science fiction old time radio show of science-fictioneers, by science-fictioneers, and for science-fictioneers," it focused on themes like the future of mankind, space travel, and other worlds.</p><p>The show's producer-director was Sanford Marshall and featured announcers Bill Mahr and Guy Wallace. The cast included Mandel Kramer, Bryna Raeburn, Lawson Zerbe, Lon Clark, Mason Adams, Connie Lembcke, Larry Haines, Don Douglas, Bret Morrison, and Charlotte Sheffield. The theme song for Exploring Tomorrow was "As Time Goes By." Notably, the series showcased scripts written by celebrated science fiction authors like Randall Garrett, Gordon R. Dickson, Robert Silverberg, Isaac Asimov, Philip K. Dick, Poul Anderson, John Fleming, Raymond E. Banks, George O. Smith, and Tom Godwin.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='False Witness'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='False Witness'
|
||||
data-cover='/cover/sm/family-doctor.jpg'
|
||||
data-series='Family Doctor'
|
||||
data-file='otr/family-doctor/00001.mp3'>
|
||||
|
|
@ -365,4 +366,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Air date unknown</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Family Doctor is an Old Time Radio soap opera about the life of Dr. Grant Adams, a compassionate small-town physician who deals with community issues as much as he treats illnesses. Set in the idyllic town of Cedarton, each episode features a complete drama, addressing topics from gossip to more serious dilemmas like suicide. Produced by Bruce Eells Productions, the show includes traditional soap opera elements such as organ music, but avoids cliff-hangers.</p><p>Though only twelve of the thirty-nine episodes were ever aired, listeners can join Dr. Adams as he uses humor and wisdom to navigate various challenges faced by the good-hearted citizens of Cedarton. His closing catchphrase: "This is the family doctor. I'll be in to see you again right soon. Goodbye…" invites audiences to visit the charming town again and again.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Elusive Card Game'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Elusive Card Game'
|
||||
data-cover='/cover/sm/father-knows-best.jpg'
|
||||
data-series='Father Knows Best'
|
||||
data-file='otr/father-knows-best/00021.mp3'>
|
||||
|
|
@ -1004,4 +1005,10 @@
|
|||
<span>31mins</span>
|
||||
<span>Aired 1948-12-20</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Father Knows Best is a beloved family sitcom that originated on NBC Radio in August 1949, and later aired as a television show for six seasons, with a total of 203 episodes. The show follows the life of the Anderson family, comprised of insurance agent Jim (Robert Young), his wife Margaret (June Whitley and later Jean Vander Pyl), and their three children Betty (Rhoda Williams), Bud (Ted Donaldson), and Kathy (Norma Jean Nilsson). Set in the Midwestern town of Springfield, the show often focused on misunderstandings or trivial arguments among family members, ultimately providing fun and heartwarming life lessons.</p><p>The radio show laid the groundwork for the TV version, which first aired on CBS in October 1954 and later moved to NBC. Offering a warm, family-oriented tone and including General Foods as its sponsor, Father Knows Best remains a beloved part of American radio and television history.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Fibber Builds A Doghouse'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Fibber Builds A Doghouse'
|
||||
data-cover='/cover/sm/fibber-mcgee-and-molly.jpg'
|
||||
data-series='Fibber McGee and Molly'
|
||||
data-file='otr/fibber-mcgee-and-molly/1940-01-02.mp3'>
|
||||
|
|
@ -5549,4 +5550,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1954-05-04</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Fibber McGee and Molly" was a popular American radio show that aired from 1935-1959 created by husband-wife team Jim and Marian Jordan. Set in the fictional town of Wistful Vista, the show followed the life of Fibber McGee, a chronic storyteller, and his patient and understanding wife, Molly. Featuring an ensemble cast and a wealth of recurring characters, the show became the country's top-rated radio series in the 1940s. Writer Don Quinn was instrumental in shaping the characters and stories for the show. The series was also known for cleverly integrating advertising into the plot, with announcer Harlow Wilcox delivering Johnson's Wax commercials in a way that avoided commercial breaks. Although it enjoyed incredible success on the radio, the show's transition to television in 1959-1960 was short-lived and unsuccessful.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Tim Collins' First Day'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Tim Collins' First Day'
|
||||
data-cover='/cover/sm/fire-fighters.jpg'
|
||||
data-series='Fire Fighters'
|
||||
data-file='otr/fire-fighters/00001.mp3'>
|
||||
|
|
@ -1274,4 +1275,10 @@
|
|||
<span>12mins</span>
|
||||
<span>Aired 1950-05-29</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Fire Fighters was a syndicated radio series produced in 1948 that aired in various markets across the United States into the early 1950s. The show was praised for promoting fire safety and highlighting modern firefighting techniques. It followed the adventures of rookie firefighter Tim Collins and fire chief Bob Cody, and was written by Frank Jones, starring Cameron Prud'Homme and Lyle Sudrow. Fire Fighters is a captivating and informative program that sheds light on the true-to-life stories of fire fighters, a group of unsung heroes who risk their lives to combat the deadly enemy of fire. Each episode typically follows a fire-related mystery that is solved through interviews, research, and discussion. The show gained strong civic support and even had a Firefighters Club, which encouraged fire safety education for children.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Three Who Face Death'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Three Who Face Death'
|
||||
data-cover='/cover/sm/first-nighter.jpg'
|
||||
data-series='First Nighter'
|
||||
data-file='otr/first-nighter/00417.mp3'>
|
||||
|
|
@ -293,4 +294,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1953-09-01</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The First Nighter Program was a popular radio anthology comedy-drama series that aired on CBS from 1930 to 1949 and later on NBC from 1952 to 1953. The show transported listeners to opening night of various plays at a little theater just off Times Square. The series primarily focused on romantic comedies and featured leading actors such as Don Ameche, Les Tremayne, Olan Soule, June Meredith, Betty Lou Gerson, and Barbara Luddy. The show's popularity helped launch Don Ameche's career in movies. Sadly, out of over 750 episodes, less than 40 are believed to have survived.</p><p>The series had Mr. First Nighter guiding the audience through the theater experience, with episodes showcasing complete and separate original plays each week. The famous First Nighter Orchestra provided the music, and the show was popular for its annual Christmas episode, "Little Town of Bethlehem." The series ran on multiple radio networks and was sponsored by The Campana Company, which benefited from the show's exposure, making its Italian Balm the best-selling hand lotion in the United States in the 1930s.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='My Pal Patsy'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='My Pal Patsy'
|
||||
data-cover='/cover/sm/five-minute-mysteries.jpg'
|
||||
data-series='Five Minute Mysteries'
|
||||
data-file='otr/five-minute-mysteries/00001.mp3'>
|
||||
|
|
@ -401,4 +402,10 @@
|
|||
<span>5mins</span>
|
||||
<span>Aired 1947</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Airing as a popular "barter/trade" program, 5 Minute Mysteries offered short mystery plots that engaged listeners and promoted local products and services. These mini-mysteries involved piecing together clues and challenged the audience to solve the mystery before the sleuth revealed the suspect. Each episode was designed to accommodate local advertisements, and the local announcer introduced the episode, presented the advertiser's message, and concluded with other local information. Enjoy testing your detective skills with this collection of engaging and suspenseful bite-sized mysteries.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='On the Planet Mongo'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='On the Planet Mongo'
|
||||
data-cover='/cover/sm/flash-gordon.jpg'
|
||||
data-series='Flash Gordon'
|
||||
data-file='otr/flash-gordon/00001.mp3'>
|
||||
|
|
@ -248,4 +249,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1935-10-26</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Flash Gordon is a classic radio show that first aired in California in 1935, based on the comic strip character from 1934. The radio show follows the thrilling interplanetary adventures of Flash Gordon, an all-star American athlete, played by Gale Gordon. He is accompanied by his American sweetheart, Dale Arden, and scientist Dr. Zarkov as they travel to the planet Mongo ruled by the merciless dictator Ming, portrayed by Bruno Wick. The franchise has inspired numerous adaptations, including film serials and TV shows.</p><p>The radio series, which aired 26 episodes, was largely an adaptation of the comic strip, with a few deviations and additional stories. Flash Gordon was also the subject of a 60-episode daily show, exploring further interplanetary adventures. In 1966, actor Buster Crabbe, who had played Flash in earlier film serials, reprised the role in two audio-dramas on an LP titled "The Official Adventures Of Flash Gordon."
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Playing Indian'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Playing Indian'
|
||||
data-cover='/cover/sm/fort-laramie.jpg'
|
||||
data-series='Fort Laramie'
|
||||
data-file='otr/fort-laramie/00001.mp3'>
|
||||
|
|
@ -374,4 +375,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1956-10-28</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Fort Laramie is an Old Time Radio Western series that aired from January 22 to October 28, 1956 on CBS Radio. Starring Raymond Burr as Captain Lee Quince, the show depicted life at the historic Fort Laramie during the 19th century. Created by Norman Macdonnell, the series emphasized historical accuracy and authentic portrayals, which was unusual for Westerns of the time.</p><p>The program focused on Quince and the men protecting and maintaining order between the American frontier settlers and the local Sioux tribe. The show had a mature tone, exploring psychological motivations and complex character relationships. Supporting actors included Vic Perrin, Harry Bartell, and Jack Moyles, among others. The scripts were primarily written by John Meston, Kathleen Hite, Les Crutchfield, and John Dunkel.</p><p>Fort Laramie, often compared to Gunsmoke, is recognized for its unique approach to the Western genre and the portrayal of Native Americans with respect. Unfortunately, it aired only 41 episodes due to its lack of a steady sponsor and the eventual casting of Raymond Burr in Perry Mason.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Wanderer'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Wanderer'
|
||||
data-cover='/cover/sm/frankenstein.jpg'
|
||||
data-series='Frankenstein'
|
||||
data-file='otr/frankenstein/00001.mp3'>
|
||||
|
|
@ -131,4 +132,10 @@
|
|||
<span>13mins</span>
|
||||
<span>Aired 1931</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Frankenstein, produced by George Edwards, was a captivating radio series adapted from Mary Shelley's novel, Frankenstein; or, The Modern Prometheus. The story follows Baron Victor Frankenstein, a brilliant yet mad scientist, who embarks on a daring experiment to create life from the parts of deceased corpses. Throughout its 13 episodes, which aired until 1932, the show explores themes of ambition, horror, and the consequences of playing god. The timeless tale of Frankenstein continues to intrigue audiences with its captivating premise and powerful storytelling.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Rene Robert Cavelier de La Salle'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Rene Robert Cavelier de La Salle'
|
||||
data-cover='/cover/sm/frontier-fighters.jpg'
|
||||
data-series='Frontier Fighters'
|
||||
data-file='otr/frontier-fighters/00001.mp3'>
|
||||
|
|
@ -365,4 +366,10 @@
|
|||
<span>14mins</span>
|
||||
<span>Aired 1935</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Frontier Fighters is a syndicated Old Time Radio show from the 1930s that takes listeners on a historical journey through the early days of the American West. Each 15-minute episode explores the stories of brave explorers and heroes who faced incredible odds to contribute to the taming of the Wild West. The show highlights exciting moments in American history, from Robert La Salle's navigation of the Mississippi River to Lewis and Clark's expedition to the West Coast. Join the adventures of iconic figures like John C. Fremont and Zebulon Pike as you experience the unfolding of North American history. Frontier Fighters offers a unique and engaging audio experience for fans of history and Western drama.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Return to Dos Rios'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Return to Dos Rios'
|
||||
data-cover='/cover/sm/frontier-town.jpg'
|
||||
data-series='Frontier Town'
|
||||
data-file='otr/frontier-town/00001.mp3'>
|
||||
|
|
@ -437,4 +438,10 @@
|
|||
<span>28mins</span>
|
||||
<span>Aired 1949</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Frontier Town, an American radio adventure serial, was syndicated by Bruce Eells Productions and aired between 1950-53. The first broadcast took place in 1949, with the show spanning 47 episodes, airing on different stations and days. Set in the Wild West, the series follows Chad Remington, a crime-fighting attorney, as he seeks justice for his father's murder in the small town of Dos Rios.</p><p>Initially, Jeff Chandler played Chad Remington but was later replaced by Reed Hadley. Wade Crosby portrayed Remington's sidekick, Cherokee O'Bannon, adopting a W.C. Fields-style dialect. Paul Franklin wrote and directed the series, with music provided by Bob Mitchell and Ivan Ditmars.</p><p>The show captured the sagas of different towns in the Wild West, exploring the hardships faced by early pioneers, and featured gripping gunshots and organ rifts which made it a hit with audiences.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Case Of Dwight Beard - Pt 2'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Case Of Dwight Beard - Pt 2'
|
||||
data-cover='/cover/sm/gangbusters.jpg'
|
||||
data-series='Gang Busters'
|
||||
data-file='otr/gangbusters/00004.mp3'>
|
||||
|
|
@ -824,4 +825,10 @@
|
|||
<span>23mins</span>
|
||||
<span>Aired 1958-11-09</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Gang Busters was an American radio drama that aired from January 15, 1936, to November 27, 1957, and brought listeners authentic police case histories. The show was created by Phillips H. Lord, who initially produced it in collaboration with FBI Director J. Edgar Hoover. The series focused on real crimes from law enforcement organizations and had prominent names in radio broadcasting, including Richard Widmark and Art Carney.</p><p>The show featured gripping sound effects and intense storytelling, capturing audiences with its realistic portrayal of criminal cases. Gang Busters also aired alerts of suspects wanted by police around the country. Despite its success, only a limited number of episodes have survived. The show inspired spin-offs, including a comic book published by DC Comics and a Universal Pictures film serial in 1942.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='10/14/39'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='10/14/39'
|
||||
data-cover='/cover/sm/grand-ole-opry.jpg'
|
||||
data-series='Grand Ole Opry'
|
||||
data-file='otr/grand-ole-opry/00001.mp3'>
|
||||
|
|
@ -2705,4 +2706,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1960-09-24</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Grand Ole Opry, initially known as the WSM Barn Dance, was established on November 28, 1925, in Nashville, Tennessee. Created by George D. "Judge" Hay, the show has been the longest-running radio broadcast in U.S. history. Over the years, it evolved from a one-hour radio "barn dance" to a four-hour program featuring country, bluegrass, Americana, folk, and gospel music along with comedic acts and skits. The Opry has showcased famous singers and contemporary chart-toppers as well as talented locals like Uncle Dave Macon and DeFord Bailey.</p><p>Originating in the National Life & Accident Insurance Company's radio studio, it eventually moved to the Ryman Auditorium in 1943, and later, in 1974, to the Grand Ole Opry House. Membership in the Opry still remains a coveted achievement in the country music industry.</p><p>The show's popularity helped establish Nashville as America's "country music capital," and as a prominent part of the city's identity, it attracts visitors and listeners from around the world.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Cyrano De Bergerac'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Cyrano De Bergerac'
|
||||
data-cover='/cover/sm/great-scenes-from-great-plays.jpg'
|
||||
data-series='Great Scenes from Great Plays'
|
||||
data-file='otr/great-scenes-from-great-plays/00001.mp3'>
|
||||
|
|
@ -203,4 +204,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1949-02-25</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Great Scenes from Great Plays was a short-lived yet impactful classic radio series that aired on the Mutual Broadcasting System from October 1948 to February 1949. Sponsored by the National Council of the Protestant Episcopal Church, the show aimed to encourage church attendance and featured dramatic adaptations of notable plays. Hosted by seasoned actor Walter H. Hampden, the series showcased a talented ensemble of actors, including Basil Rathbone, Beatrice Straight, Jane Cowl, Ann Seymore, Boris Karloff, and Joan Caulfield.</p><p>Over the course of its 22 episodes, the show adapted 20-minute scenes from a diverse range of plays like "Dark Victory," "Little Women," "A Tale of Two Cities," "What Every Woman Knows," "The Devil and Daniel Webster," "Young Mr. Lincoln," and "A Doll's House." With captivating performances by Jane Powell, Joan Caulfield, Henry Fonda, Gene Tierney, and Eddie Albert, Great Scenes from Great Plays may not be as well-known today, but its high-caliber and thought-provoking stories certainly make it worth revisiting for fans of classic radio drama.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Billy the Kid'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Billy the Kid'
|
||||
data-cover='/cover/sm/gunsmoke.jpg'
|
||||
data-series='Gunsmoke'
|
||||
data-file='otr/gunsmoke/00001.mp3'>
|
||||
|
|
@ -4289,4 +4290,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Aired 1952-09-26</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Gunsmoke, a highly acclaimed American radio Western drama series, was created by director Norman Macdonnell and writer John Meston. Set in the 1870s in Dodge City, Kansas, the series revolves around the life of Marshal Matt Dillon, a lawman portrayed by William Conrad. Airing from 1952 to 1961, Gunsmoke is often placed among the best radio shows of all time due to its groundbreaking realism and compelling storytelling.</p><p>The radio series stood out from other contemporary Westerns with its aim to target adult audiences instead of maintaining the juvenile nature prevalent in shows like The Lone Ranger and The Cisco Kid. The program delved into the harsh realities of life in the Wild West, featuring intriguing characters and offering a palpable sense of the prairie setting through its outstanding sound design.</p><p>Gunsmoke gained further distinction in its first few years, as it remained unsponsored, allowing the creators to explore adult themes and maintain the gritty atmosphere without interference. William Conrad's portrayal of Marshal Matt Dillon and the talented ensemble cast, including Parley Baer, Howard McNear, and Georgia Ellis, have cemented the show's legacy as a groundbreaking radio drama enjoyed by fans of classic radio.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Reappointment'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Reappointment'
|
||||
data-cover='/cover/sm/halls-of-ivy.jpg'
|
||||
data-series='Halls of Ivy'
|
||||
data-file='otr/halls-of-ivy/00001.mp3'>
|
||||
|
|
@ -815,4 +816,10 @@
|
|||
<span>19mins</span>
|
||||
<span>Aired 1949-06-23</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Halls of Ivy was an NBC radio sitcom airing from 1949 to 1952, created by Don Quinn, co-creator and writer of Fibber McGee and Molly. The show starred British actors Ronald Colman and Benita Hume and was later adapted into a CBS television comedy. Set in a small Midwestern college called Ivy College, the show followed the lives of the college president, William Todhunter Hall (played by Ronald Colman), his wife Victoria (played by Benita Hume), a former British musical comedy star, and their interactions with students, friends, and college trustees. Many of the scripts were written by Don Quinn, Jerome Lawrence, and Robert Lee, who developed a unique blend of language play, inverted cliches, and puns. The Halls of Ivy addressed various topical issues for its time and received a Peabody Award in 1950.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Strange Vendetta'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Strange Vendetta'
|
||||
data-cover='/cover/sm/have-gun-will-travel.jpg'
|
||||
data-series='Have Gun - Will Travel'
|
||||
data-file='otr/have-gun-will-travel/00001.mp3'>
|
||||
|
|
@ -968,4 +969,10 @@
|
|||
<span>24mins</span>
|
||||
<span>Aired 1960-11-27</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
"Have Gun, Will Travel" is an American Western radio and television series that aired from 1957 to 1963. Combining Western and Private Eye genres, the story revolves around Paladin, a principled gun-for-hire played by John Dehner on the radio and Richard Boone on TV. Set in the Old West, Paladin works for people whom he believes were wronged and can pay. The character stems from a wealthy family, is well-educated, and has a strict personal code of honor.</p><p>The popular TV series, which had 225 episodes, successfully transitioned to radio, airing 106 episodes between 1958 and 1960. The radio show, produced by the CBS Radio Network, was one of the last radio dramas featuring continuing characters and included both adaptations and original stories. Notably, Star Trek's Gene Roddenberry was one of the lead writers for the series.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Brazil'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Brazil'
|
||||
data-cover='/cover/sm/hello-americans.jpg'
|
||||
data-series='Hello Americans'
|
||||
data-file='otr/hello-americans/00001.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>29mins</span>
|
||||
<span>Aired 1943-01-24</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Hello Americans, a 1942-43 CBS Radio series, was created to promote inter-American understanding and friendship during World War II. Produced, directed, and hosted by Orson Welles, the show was made as part of Welles' contribution to the war effort, influenced by his interest in Latin and South American culture. Aired on Sundays at 8 p.m. ET, the series ran for 12 episodes, with its last broadcast on January 31, 1943. Sponsored by the Office of the Coordinator of Inter-American Affairs, it featured actors from Welles's Mercury Theatre repertory ensemble.</p><p>The show, with a generally lighthearted tone, had moments of editorial insertions on topics like racism and fascism. A key aspect of the program was portraying Central and South American countries as rich in history and culture. Developed in collaboration with the CIA, Hello Americans was inspired by a trip Orson Welles took to South America. It featured guest appearances by Hans Conried, Gerald Mohr, Laird Cregar, Agnes Moorehead, Ray Collins, and Carmen Miranda.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='A Time To Build'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='A Time To Build'
|
||||
data-cover='/cover/sm/heritage-over-the-land.jpg'
|
||||
data-series='Heritage Over the Land'
|
||||
data-file='otr/heritage-over-the-land/00001.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>32mins</span>
|
||||
<span>Aired 1954-04-04</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Heritage Over the Land is a 12-episode documentary series that explores the rebirth of the South during the first half of the 20th century. The show aired during the mid-20th century and focused on the transformation of the South from its plantation and cotton-based beginnings to industrialization. Funded by the Alfred P. Sloan Foundation, established by the CEO and President of General Motors, the series was written and directed by William Allen Bales, with Lee F. Painten as the producer. Correspondent Henry Cassidy guided listeners through interviews with ordinary Americans from the South who discussed the social, economic, and industrial revolution taking place in their region.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Waybill'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Waybill'
|
||||
data-cover='/cover/sm/high-adventure.jpg'
|
||||
data-series='High Adventure'
|
||||
data-file='otr/high-adventure/1947-03-22.mp3'>
|
||||
|
|
@ -986,4 +987,10 @@
|
|||
<span>26mins</span>
|
||||
<span>Air date unknown</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
High Adventure, a captivating adventure series by the Mutual Network, premiered on March 1, 1947, and was known for its realistic sound effects, excellent scripts, and believable storylines. Initially aired on Saturdays at 9:30 pm, the show eventually moved to NBC on Sunday afternoons with Old Spice Aftershave sponsoring it.</p><p>With original stories targeting a masculine audience, High Adventure stood out for its remarkable realism where protagonists often faced defining moments in their lives, with the outcome relying on their character, luck, or expertise. The music of the High Adventure orchestra subtly complemented the rich soundscapes to create immersive listening experiences for its audience.</p><p>Though NBC dropped the show at the end of the 1950 season, Mutual revived the series in 1953 with George Sanders as the narrator. The show is remembered for its comparisons to classics like The Whistler, Suspense, and Escape, and its memorable, realistic adventures that drew dedicated listeners.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Dead Man's Hand'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Dead Man's Hand'
|
||||
data-cover='/cover/sm/hopalong-cassidy.jpg'
|
||||
data-series='Hopalong Cassidy'
|
||||
data-file='otr/hopalong-cassidy/00001.mp3'>
|
||||
|
|
@ -950,4 +951,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1952-03-15</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Hopalong Cassidy was a popular American radio western program that aired from 1948 to 1952. Based on the movie and television adaptations of the Hopalong Cassidy novels written by Clarence E. Mulford, the show starred William Boyd as Hopalong Cassidy and Andy Clyde as California Carson, his sidekick. The radio show featured new adventures, as well as adaptations from the movies and television episodes.</p><p>In the radio show, Cassidy's character was significantly more civilized than in the original novels, acting as a knight of the range and a man of morals. This character transformation made the radio adaptation more appealing as a "juvenile adventure program" and a "western adventure drama."</p><p>The radio show gained popularity due to its connection with the existing movie and television series. The radio, television, and movies blended together seamlessly and fed off each other's success, cementing Hopalong Cassidy as a multimedia sensation.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Horatio Deals with a Mad King'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Horatio Deals with a Mad King'
|
||||
data-cover='/cover/sm/horatio-hornblower.jpg'
|
||||
data-series='Horatio Hornblower'
|
||||
data-file='otr/horatio-hornblower/00001.mp3'>
|
||||
|
|
@ -482,4 +483,10 @@
|
|||
<span>30mins</span>
|
||||
<span>Aired 1953-07-17</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
The Adventures of Horatio Hornblower is a 30-minute historical action and adventure radio series based on the novels by C.S. Forester. Set during the Napoleonic era, the series follows the career of Horatio Hornblower, a captain in the British Royal Navy, as he rises through the ranks. The show first aired on Radio Luxembourg on July 7, 1952, starring Michael Redgrave, and was produced by Harry Towers through his Towers of London syndicate. Although produced in England, the series was not picked up by BBC and was instead broadcast in the United States on CBS, ABC, and Mutual Broadcasting System from 1953 to 1957. Known for its historical accuracy and realistic portrayal of naval life, the series continues to be appreciated by fans of military fiction, having even been recommended by Ernest Hemingway.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='Roxy City Mob 2 of 14'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='Roxy City Mob 2 of 14'
|
||||
data-cover='/cover/sm/i-love-a-mystery.jpg'
|
||||
data-series='I Love a Mystery'
|
||||
data-file='otr/i-love-a-mystery/1939-01-17.mp3'>
|
||||
|
|
@ -1517,4 +1518,10 @@
|
|||
<span>15mins</span>
|
||||
<span>Aired 1941</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
I Love a Mystery is an American radio drama series that aired from 1939 to 1944, featuring three friends who ran a detective agency and traveled the world in search of adventure. Created by Carlton E. Morse, the series starred characters Jack Packard, Doc Long, and Reggie York, all played by various actors over the years, including Tony Randall as Reggie. The show's plots ranged from mystery and adventure to supernatural horror, often taking the characters to exotic locations. The series aired on NBC and the Blue Network, as well as CBS and the Mutual Broadcasting System with various sponsorships. I Love a Mystery saw revivals in 1948 under the title I Love Adventure, and later on Mutual from 1949 to 1952. Despite its popularity, few series have survived in a listenable state, with only two complete series and several partially surviving or reconstructed series available for fans.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Robbery'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Robbery'
|
||||
data-cover='/cover/sm/in-the-name-of-the-law.jpg'
|
||||
data-series='In the Name of the Law'
|
||||
data-file='otr/in-the-name-of-the-law/00001.mp3'>
|
||||
|
|
@ -122,4 +123,10 @@
|
|||
<span>25mins</span>
|
||||
<span>Aired 1936-08-16</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
In the Name of the Law is a True Crime radio show from 1936 that captivates listeners by showcasing authentic police work before WWII. Using real police cases from across the United States as inspiration, each episode delivers thrilling narratives and dramatic dialogue, covering a variety of cases from murder to theft. Making its debut in the same year as events such as the Hindenburg launch and the first baseball hall of fame class, this short-run series is a fascinating look into pre-war police work and American history.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
|
@ -14,7 +14,8 @@
|
|||
</aside>
|
||||
</div>
|
||||
</section>
|
||||
<ol><li class='episode' title='The Man Who Walked Behind'
|
||||
<div class='detail'>
|
||||
<ol><li class='episode' title='The Man Who Walked Behind'
|
||||
data-cover='/cover/sm/incredible-but-true.jpg'
|
||||
data-series='Incredible, But True'
|
||||
data-file='otr/incredible-but-true/00001.mp3'>
|
||||
|
|
@ -734,4 +735,10 @@
|
|||
<span>4mins</span>
|
||||
<span>Aired 1950</span>
|
||||
</aside>
|
||||
</li></ol></div>
|
||||
</li></ol>
|
||||
<article><p>
|
||||
Incredible, But True was a captivating radio show airing on the Mutual network from 1950 to 1951. Hosted and narrated by the talented Ken Nordine, the series presented mysterious and incredible stories from around the world and throughout history in 15-minute episodes. Supported by atmospheric organ music, the episodes featured exciting tales of monsters, strange occurrences, supernatural events and voices from beyond the grave. Produced by Unusual Features Syndicate, the show also had a 3-minute syndicated format, airing at different times and days of the week. Although the writers sometimes took liberties with the stories for added drama, Incredible, But True remains a fascinating and entertaining snapshot of classic old-time radio.
|
||||
</p></article>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
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